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Color name
RGB 97 158 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 158 105 it is the complementary color RGB 158 97 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 158 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 158 105 shade: RGB 102 158 100, RGB 119 176 119, RGB 136 194 138, RGB 153 212 157 and RGB 170 230 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 158 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 80 140 86, RGB 63 122 67, RGB 46 104 48 and RGB 29 86 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 105 158 97, RGB 122 158 97, RGB 138 158 97 and RGB 155 158 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 97 158 121, RGB 97 158 138, RGB 97 158 154 and RGB 97 145 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 158 105 shade matches the following richer shades: RGB 97 158 105, RGB 76 179 90, RGB 56 199 74, RGB 35 220 59 and RGB 14 241 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 118 137 120, RGB 138 117 135, RGB 159 96 151 and RGB 179 76 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 158 105 shade: RGB 122 158 97, RGB 106 158 97, RGB 97 158 104, RGB 97 158 120 and RGB 97 158 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 158 105 shade: RGB 66 107 71, RGB 81 133 88, RGB 97 158 105, RGB 122 174 129 and RGB 148 189 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 97 139 158 and RGB 158 97 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 104 97 158 and RGB 158 104 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 97 139 158, RGB 158 97 151 and RGB 158 116 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 158 105 shade: RGB 97 158 105, RGB 97 120 158, RGB 158 97 151 and RGB 158 135 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

Complementary color

CMYK 0 / 39 / 5 / 38

HEX #9E6196

RGB 158 97 150

HSL 307.87, 0.24%, 0.5%

LAB 49.52, 33.09, -18.71

 

CMYK 35 / 0 / 37 / 38

HEX #669E64

RGB 102 158 100

HSL 117.93, 0.23%, 0.51%

LAB 60.07, -30.45, 24.64

 

CMYK 32 / 0 / 32 / 31

HEX #77B077

RGB 119 176 119

HSL 120, 0.27%, 0.58%

LAB 66.75, -30.2, 23.45

 

CMYK 30 / 0 / 29 / 24

HEX #88C28A

RGB 136 194 138

HSL 122.07, 0.32%, 0.65%

LAB 73.32, -29.95, 22.34

 

CMYK 28 / 0 / 26 / 17

HEX #99D49D

RGB 153 212 157

HSL 124.07, 0.41%, 0.72%

LAB 79.78, -29.71, 21.29

 

CMYK 26 / 0 / 23 / 10

HEX #AAE6B0

RGB 170 230 176

HSL 126, 0.55%, 0.78%

LAB 86.14, -29.48, 20.31

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 43 / 0 / 39 / 45

HEX #508C56

RGB 80 140 86

HSL 126, 0.27%, 0.43%

LAB 53.1, -31.48, 22.91

 

CMYK 48 / 0 / 45 / 52

HEX #3F7A43

RGB 63 122 67

HSL 124.07, 0.32%, 0.36%

LAB 46.15, -31.68, 24.27

 

CMYK 56 / 0 / 54 / 59

HEX #2E6830

RGB 46 104 48

HSL 122.07, 0.39%, 0.29%

LAB 39.06, -31.71, 25.72

 

CMYK 66 / 0 / 66 / 66

HEX #1D561D

RGB 29 86 29

HSL 120, 0.5%, 0.23%

LAB 31.82, -31.39, 27.15

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 34 / 0 / 39 / 38

HEX #699E61

RGB 105 158 97

HSL 112.13, 0.24%, 0.5%

LAB 60.18, -29.91, 26.44

 

CMYK 23 / 0 / 39 / 38

HEX #7A9E61

RGB 122 158 97

HSL 95.41, 0.24%, 0.5%

LAB 61.18, -23.78, 27.94

 

CMYK 13 / 0 / 39 / 38

HEX #8A9E61

RGB 138 158 97

HSL 79.67, 0.24%, 0.5%

LAB 62.27, -17.59, 29.57

 

CMYK 2 / 0 / 39 / 38

HEX #9B9E61

RGB 155 158 97

HSL 62.95, 0.24%, 0.5%

LAB 63.58, -10.7, 31.51

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 39 / 0 / 23 / 38

HEX #619E79

RGB 97 158 121

HSL 143.61, 0.24%, 0.5%

LAB 60.23, -28.18, 13.22

 

CMYK 39 / 0 / 13 / 38

HEX #619E8A

RGB 97 158 138

HSL 160.33, 0.24%, 0.5%

LAB 60.63, -24.51, 4.24

 

CMYK 39 / 0 / 3 / 38

HEX #619E9A

RGB 97 158 154

HSL 176.07, 0.24%, 0.5%

LAB 61.07, -20.67, -4.15

 

CMYK 39 / 8 / 0 / 38

HEX #61919E

RGB 97 145 158

HSL 192.79, 0.24%, 0.5%

LAB 57.33, -12.72, -12

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 58 / 0 / 50 / 30

HEX #4CB35A

RGB 76 179 90

HSL 128.16, 0.4%, 0.5%

LAB 65.37, -48.72, 36.47

 

CMYK 72 / 0 / 63 / 22

HEX #38C74A

RGB 56 199 74

HSL 127.55, 0.56%, 0.5%

LAB 71, -62.1, 50.53

 

CMYK 84 / 0 / 73 / 14

HEX #23DC3B

RGB 35 220 59

HSL 127.78, 0.73%, 0.5%

LAB 77.2, -72.72, 62.91

 

CMYK 94 / 0 / 82 / 5

HEX #0EF12C

RGB 14 241 44

HSL 127.93, 0.89%, 0.5%

LAB 83.54, -80.89, 73.42

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 14 / 0 / 12 / 46

HEX #768978

RGB 118 137 120

HSL 126.32, 0.07%, 0.5%

LAB 55.17, -10.35, 6.82

 

CMYK 0 / 15 / 2 / 46

HEX #8A7587

RGB 138 117 135

HSL 308.57, 0.08%, 0.5%

LAB 51.7, 11.51, -6.79

 

CMYK 0 / 40 / 5 / 38

HEX #9F6097

RGB 159 96 151

HSL 307.62, 0.25%, 0.5%

LAB 49.46, 34.16, -19.38

 

CMYK 0 / 58 / 7 / 30

HEX #B34CA6

RGB 179 76 166

HSL 307.57, 0.4%, 0.5%

LAB 48.89, 53.22, -28.9

 

CMYK 23 / 0 / 39 / 38

HEX #7A9E61

RGB 122 158 97

HSL 95.41, 0.24%, 0.5%

LAB 61.18, -23.78, 27.94

 

CMYK 33 / 0 / 39 / 38

HEX #6A9E61

RGB 106 158 97

HSL 111.15, 0.24%, 0.5%

LAB 60.23, -29.57, 26.52

 

CMYK 39 / 0 / 34 / 38

HEX #619E68

RGB 97 158 104

HSL 126.89, 0.24%, 0.5%

LAB 59.88, -31.41, 22.17

 

CMYK 39 / 0 / 24 / 38

HEX #619E78

RGB 97 158 120

HSL 142.62, 0.24%, 0.5%

LAB 60.2, -28.39, 13.75

 

CMYK 39 / 0 / 13 / 38

HEX #619E89

RGB 97 158 137

HSL 159.34, 0.24%, 0.5%

LAB 60.61, -24.74, 4.77

 

CMYK 38 / 0 / 34 / 58

HEX #426B47

RGB 66 107 71

HSL 127.32, 0.24%, 0.34%

LAB 41.42, -22.67, 15.77

 

CMYK 39 / 0 / 34 / 48

HEX #518558

RGB 81 133 88

HSL 128.08, 0.24%, 0.42%

LAB 50.95, -27.45, 18.94

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 30 / 0 / 26 / 32

HEX #7AAE81

RGB 122 174 129

HSL 128.08, 0.24%, 0.58%

LAB 66.52, -26.48, 17.73

 

CMYK 22 / 0 / 19 / 26

HEX #94BD99

RGB 148 189 153

HSL 127.32, 0.24%, 0.66%

LAB 72.89, -20.83, 13.79

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 39 / 12 / 0 / 38

HEX #618B9E

RGB 97 139 158

HSL 198.69, 0.24%, 0.5%

LAB 55.56, -9.4, -14.67

 

CMYK 0 / 39 / 28 / 38

HEX #9E6172

RGB 158 97 114

HSL 343.28, 0.24%, 0.5%

LAB 48.3, 27.07, 0.94

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 34 / 39 / 0 / 38

HEX #68619E

RGB 104 97 158

HSL 246.89, 0.24%, 0.5%

LAB 44.18, 17.58, -32.19

 

CMYK 0 / 34 / 39 / 38

HEX #9E6861

RGB 158 104 97

HSL 6.89, 0.24%, 0.5%

LAB 49.54, 20.79, 12.84

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 39 / 12 / 0 / 38

HEX #618B9E

RGB 97 139 158

HSL 198.69, 0.24%, 0.5%

LAB 55.56, -9.4, -14.67

 

CMYK 0 / 39 / 4 / 38

HEX #9E6197

RGB 158 97 151

HSL 306.89, 0.24%, 0.5%

LAB 49.56, 33.27, -19.24

 

CMYK 0 / 27 / 39 / 38

HEX #9E7461

RGB 158 116 97

HSL 18.69, 0.24%, 0.5%

LAB 52.53, 13.91, 16.97

 

CMYK 39 / 0 / 34 / 38

HEX #619E69

RGB 97 158 105

HSL 127.87, 0.24%, 0.5%

LAB 59.9, -31.23, 21.64

 

CMYK 39 / 24 / 0 / 38

HEX #61789E

RGB 97 120 158

HSL 217.38, 0.24%, 0.5%

LAB 50.03, 1.55, -23.12

 

CMYK 0 / 39 / 4 / 38

HEX #9E6197

RGB 158 97 151

HSL 306.89, 0.24%, 0.5%

LAB 49.56, 33.27, -19.24

 

CMYK 0 / 15 / 39 / 38

HEX #9E8761

RGB 158 135 97

HSL 37.38, 0.24%, 0.5%

LAB 57.52, 3.13, 23.67

 

Description

Color code: RGB 97 158 105 | qconv.com Color code: RGB 97 158 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 158 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 158 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 34 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 34% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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