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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97.1 144.8 57 it is the complementary color RGB 157.9 110.2 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97.1 144.8 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97.1 144.8 57 shade: RGB 102.1 144.8 52, RGB 119.1 162.8 71, RGB 136.1 180.8 90, RGB 153.1 198.8 109 and RGB 170.1 216.8 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97.1 144.8 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97.1 144.8 57 shade: RGB 97.1 144.8 57, RGB 80.1 126.8 38, RGB 63.1 108.8 19, RGB 46.1 90.8 0 and RGB 29.1 72.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97.1 144.8 57 shade: RGB 98 147 57, RGB 122 147 57, RGB 147 147 57, RGB 147 123 57 and RGB 147 99 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97.1 144.8 57 shade: RGB 98 147 57, RGB 74 147 57, RGB 57 147 65, RGB 57 147 89 and RGB 57 147 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97.1 144.8 57 shade matches the following richer shades: RGB 98 147 57, RGB 97 163 41, RGB 95 180 24 and RGB 94 196 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97.1 144.8 57 shade: RGB 98 147 57, RGB 100 130 74, RGB 101 114 90, RGB 102 97 107 and RGB 104 81 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97.1 144.8 57 shade: RGB 147 147 57, RGB 123 147 57, RGB 99 147 57, RGB 75 147 57 and RGB 57 147 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97.1 144.8 57 shade: RGB 58 87 34, RGB 78 117 46, RGB 98 147 57, RGB 118 177 69 and RGB 139 192 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97.1 144.8 57 shade: RGB 97.1 144.8 57, RGB 57 147 123 and RGB 147 57 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97.1 144.8 57 shade: RGB 97.1 144.8 57, RGB 57 99 147 and RGB 147 57 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97.1 144.8 57 shade: RGB 97.1 144.8 57, RGB 57 147 123, RGB 105 57 147 and RGB 147 57 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97.1 144.8 57 shade: RGB 97.1 144.8 57, RGB 57 144 147, RGB 105 57 147 and RGB 147 60 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 61 / 43

HEX #619039

RGB 97.1 144.8 57

HSL 92.6, 0.44%, 0.4%

LAB 55.11, -31.72, 40.67

 

Complementary color

CMYK 20 / 44 / 0 / 22

HEX #9D6EC6

RGB 157.9 110.2 198

HSL 272.6, 0.44%, 0.6%

LAB 54.59, 35.69, -38.73

 

CMYK 29 / 0 / 64 / 43

HEX #669034

RGB 102.1 144.8 52

HSL 87.61, 0.47%, 0.39%

LAB 55.35, -30.28, 43.33

 

CMYK 27 / 0 / 56 / 36

HEX #77A247

RGB 119.1 162.8 71

HSL 88.56, 0.39%, 0.46%

LAB 62.09, -30.43, 42.34

 

CMYK 25 / 0 / 50 / 29

HEX #88B45A

RGB 136.1 180.8 90

HSL 89.54, 0.38%, 0.53%

LAB 68.71, -30.49, 41.21

 

CMYK 23 / 0 / 45 / 22

HEX #99C66D

RGB 153.1 198.8 109

HSL 90.53, 0.44%, 0.6%

LAB 75.23, -30.48, 40.03

 

CMYK 22 / 0 / 41 / 15

HEX #AAD880

RGB 170.1 216.8 128

HSL 91.55, 0.54%, 0.68%

LAB 81.64, -30.43, 38.86

 

CMYK 33 / 0 / 61 / 43

HEX #619039

RGB 97.1 144.8 57

HSL 92.6, 0.44%, 0.4%

LAB 55.11, -31.72, 40.67

 

CMYK 37 / 0 / 70 / 50

HEX #507E26

RGB 80.1 126.8 38

HSL 91.55, 0.54%, 0.32%

LAB 48.23, -31.51, 41.5

 

CMYK 42 / 0 / 83 / 57

HEX #3F6C13

RGB 63.1 108.8 19

HSL 90.53, 0.7%, 0.25%

LAB 41.22, -31.03, 41.57

 

CMYK 49 / 0 / 100 / 64

HEX #2E5A00

RGB 46.1 90.8 0

HSL 89.54, 1%, 0.18%

LAB 34.05, -30.2, 40.65

 

CMYK 60 / 0 / 100 / 71

HEX #1D4800

RGB 29.1 72.8 0

HSL 96.02, 1%, 0.14%

LAB 26.74, -28.36, 34.46

 

CMYK 33 / 0 / 61 / 42

HEX #629339

RGB 98 147 57

HSL 92.67, 0.44%, 0.4%

LAB 55.85, -32.41, 41.52

 

CMYK 17 / 0 / 61 / 42

HEX #7A9339

RGB 122 147 57

HSL 76.67, 0.44%, 0.4%

LAB 57.37, -22.87, 43.64

 

CMYK 0 / 0 / 61 / 42

HEX #939339

RGB 147 147 57

HSL 60, 0.44%, 0.4%

LAB 59.31, -12.12, 46.33

 

CMYK 0 / 16 / 61 / 42

HEX #937B39

RGB 147 123 57

HSL 44, 0.44%, 0.4%

LAB 52.58, 1.07, 38.84

 

CMYK 0 / 33 / 61 / 42

HEX #936339

RGB 147 99 57

HSL 28, 0.44%, 0.4%

LAB 46.21, 14.86, 31.4

 

CMYK 33 / 0 / 61 / 42

HEX #629339

RGB 98 147 57

HSL 92.67, 0.44%, 0.4%

LAB 55.85, -32.41, 41.52

 

CMYK 50 / 0 / 61 / 42

HEX #4A9339

RGB 74 147 57

HSL 108.67, 0.44%, 0.4%

LAB 54.68, -40.61, 39.88

 

CMYK 61 / 0 / 56 / 42

HEX #399341

RGB 57 147 65

HSL 125.33, 0.44%, 0.4%

LAB 54.15, -44.27, 35.2

 

CMYK 61 / 0 / 39 / 42

HEX #399359

RGB 57 147 89

HSL 141.33, 0.44%, 0.4%

LAB 54.51, -40.34, 22.96

 

CMYK 61 / 0 / 23 / 42

HEX #399371

RGB 57 147 113

HSL 157.33, 0.44%, 0.4%

LAB 55, -35.22, 10.16

 

CMYK 33 / 0 / 61 / 42

HEX #629339

RGB 98 147 57

HSL 92.67, 0.44%, 0.4%

LAB 55.85, -32.41, 41.52

 

CMYK 40 / 0 / 75 / 36

HEX #61A329

RGB 97 163 41

HSL 92.46, 0.6%, 0.4%

LAB 60.69, -41.17, 53.25

 

CMYK 47 / 0 / 87 / 29

HEX #5FB418

RGB 95 180 24

HSL 92.69, 0.76%, 0.4%

LAB 65.86, -49.58, 62.85

 

CMYK 52 / 0 / 96 / 23

HEX #5EC408

RGB 94 196 8

HSL 92.55, 0.92%, 0.4%

LAB 70.79, -56.3, 69.41

 

CMYK 33 / 0 / 61 / 42

HEX #629339

RGB 98 147 57

HSL 92.67, 0.44%, 0.4%

LAB 55.85, -32.41, 41.52

 

CMYK 23 / 0 / 43 / 49

HEX #64824A

RGB 100 130 74

HSL 92.14, 0.27%, 0.4%

LAB 50.88, -21.29, 26.88

 

CMYK 11 / 0 / 21 / 55

HEX #65725A

RGB 101 114 90

HSL 92.5, 0.12%, 0.4%

LAB 46.36, -9.69, 11.7

 

CMYK 5 / 9 / 0 / 58

HEX #66616B

RGB 102 97 107

HSL 270, 0.05%, 0.4%

LAB 41.9, 4.07, -4.95

 

CMYK 15 / 34 / 0 / 52

HEX #68517B

RGB 104 81 123

HSL 272.86, 0.21%, 0.4%

LAB 38.3, 18.34, -20.21

 

CMYK 0 / 0 / 61 / 42

HEX #939339

RGB 147 147 57

HSL 60, 0.44%, 0.4%

LAB 59.31, -12.12, 46.33

 

CMYK 16 / 0 / 61 / 42

HEX #7B9339

RGB 123 147 57

HSL 76, 0.44%, 0.4%

LAB 57.44, -22.45, 43.73

 

CMYK 33 / 0 / 61 / 42

HEX #639339

RGB 99 147 57

HSL 92, 0.44%, 0.4%

LAB 55.9, -32.03, 41.6

 

CMYK 49 / 0 / 61 / 42

HEX #4B9339

RGB 75 147 57

HSL 108, 0.44%, 0.4%

LAB 54.72, -40.3, 39.94

 

CMYK 61 / 0 / 57 / 42

HEX #39933F

RGB 57 147 63

HSL 124, 0.44%, 0.4%

LAB 54.13, -44.54, 36.17

 

CMYK 33 / 0 / 61 / 66

HEX #3A5722

RGB 58 87 34

HSL 92.83, 0.44%, 0.24%

LAB 33.63, -21.21, 26.97

 

CMYK 33 / 0 / 61 / 54

HEX #4E752E

RGB 78 117 46

HSL 92.96, 0.44%, 0.32%

LAB 45, -26.9, 34.2

 

CMYK 33 / 0 / 61 / 42

HEX #629339

RGB 98 147 57

HSL 92.67, 0.44%, 0.4%

LAB 55.85, -32.41, 41.52

 

CMYK 33 / 0 / 61 / 31

HEX #76B145

RGB 118 177 69

HSL 92.78, 0.44%, 0.48%

LAB 66.31, -37.58, 48.07

 

CMYK 28 / 0 / 51 / 25

HEX #8BC05E

RGB 139 192 94

HSL 92.45, 0.44%, 0.56%

LAB 72.23, -34.21, 43.54

 

CMYK 33 / 0 / 61 / 43

HEX #619039

RGB 97.1 144.8 57

HSL 92.6, 0.44%, 0.4%

LAB 55.11, -31.72, 40.67

 

CMYK 61 / 0 / 16 / 42

HEX #39937B

RGB 57 147 123

HSL 164, 0.44%, 0.4%

LAB 55.24, -32.77, 4.8

 

CMYK 0 / 61 / 8 / 42

HEX #933987

RGB 147 57 135

HSL 308, 0.44%, 0.4%

LAB 39.38, 47.75, -25.47

 

CMYK 33 / 0 / 61 / 43

HEX #619039

RGB 97.1 144.8 57

HSL 92.6, 0.44%, 0.4%

LAB 55.11, -31.72, 40.67

 

CMYK 61 / 33 / 0 / 42

HEX #396393

RGB 57 99 147

HSL 212, 0.44%, 0.4%

LAB 41.06, 0.76, -30.75

 

CMYK 0 / 61 / 33 / 42

HEX #933963

RGB 147 57 99

HSL 332, 0.44%, 0.4%

LAB 37.9, 42.31, -5.33

 

CMYK 33 / 0 / 61 / 43

HEX #619039

RGB 97.1 144.8 57

HSL 92.6, 0.44%, 0.4%

LAB 55.11, -31.72, 40.67

 

CMYK 61 / 0 / 16 / 42

HEX #39937B

RGB 57 147 123

HSL 164, 0.44%, 0.4%

LAB 55.24, -32.77, 4.8

 

CMYK 29 / 61 / 0 / 42

HEX #693993

RGB 105 57 147

HSL 272, 0.44%, 0.4%

LAB 34.06, 38.88, -41.62

 

CMYK 0 / 61 / 45 / 42

HEX #933951

RGB 147 57 81

HSL 344, 0.44%, 0.4%

LAB 37.34, 40.17, 5.26

 

CMYK 33 / 0 / 61 / 43

HEX #619039

RGB 97.1 144.8 57

HSL 92.6, 0.44%, 0.4%

LAB 55.11, -31.72, 40.67

 

CMYK 61 / 2 / 0 / 42

HEX #399093

RGB 57 144 147

HSL 182, 0.44%, 0.4%

LAB 54.99, -24.69, -9.36

 

CMYK 29 / 61 / 0 / 42

HEX #693993

RGB 105 57 147

HSL 272, 0.44%, 0.4%

LAB 34.06, 38.88, -41.62

 

CMYK 0 / 59 / 61 / 42

HEX #933C39

RGB 147 60 57

HSL 2, 0.44%, 0.4%

LAB 37.35, 36.5, 20.41

 

Description

Color code: RGB 97.1 144.8 57 | qconv.com Color code: RGB 97.1 144.8 57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97.1 red, 144.8 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97.1 144.8 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 61 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 61% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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