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Color name
RGB 96 53 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 53 48 it is the complementary color RGB 159 202 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 53 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 53 48 shade: RGB 101 53 43, RGB 118 71 62, RGB 135 89 81, RGB 152 107 100 and RGB 169 125 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 53 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 53 48 shade: RGB 96 53 48, RGB 79 35 29, RGB 62 17 10, RGB 45 0 0 and RGB 28 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 53 48 shade: RGB 95 53 48 and RGB 95 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 53 48 shade: RGB 95 53 48, RGB 95 65 48, RGB 95 78 48, RGB 95 91 48 and RGB 86 95 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 53 48 shade matches the following richer shades: RGB 95 53 48, RGB 107 44 36, RGB 118 34 25, RGB 130 25 13 and RGB 141 16 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 53 48 shade: RGB 95 53 48, RGB 83 62 59, RGB 72 71 71, RGB 60 80 82 and RGB 49 89 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 53 48 shade: RGB 95 48 68, RGB 95 48 56, RGB 95 53 48, RGB 95 65 48 and RGB 95 78 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 53 48 shade: RGB 40 22 20, RGB 68 38 34, RGB 95 53 48, RGB 122 68 62 and RGB 150 83 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 53 48 shade: RGB 96 53 48, RGB 81 95 48 and RGB 48 62 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 53 48 shade: RGB 96 53 48, RGB 48 95 53 and RGB 53 48 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 53 48 shade: RGB 96 53 48, RGB 81 95 48, RGB 48 90 95 and RGB 62 48 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 53 48 shade: RGB 96 53 48, RGB 67 95 48, RGB 48 90 95 and RGB 76 48 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 50 / 62

HEX #603530

RGB 96 53 48

HSL 6.25, 0.33%, 0.28%

LAB 27.43, 18.65, 11.53

 

Complementary color

CMYK 23 / 2 / 0 / 19

HEX #9FCACF

RGB 159 202 207

HSL 186.25, 0.33%, 0.72%

LAB 78.53, -12.97, -7.14

 

CMYK 0 / 48 / 57 / 60

HEX #65352B

RGB 101 53 43

HSL 10.34, 0.4%, 0.28%

LAB 28.08, 20.34, 15.78

 

CMYK 0 / 40 / 47 / 54

HEX #76473E

RGB 118 71 62

HSL 9.64, 0.31%, 0.35%

LAB 35.41, 19.02, 13.91

 

CMYK 0 / 34 / 40 / 47

HEX #875951

RGB 135 89 81

HSL 8.89, 0.25%, 0.42%

LAB 42.6, 17.93, 12.39

 

CMYK 0 / 30 / 34 / 40

HEX #986B64

RGB 152 107 100

HSL 8.08, 0.21%, 0.49%

LAB 49.63, 17, 11.09

 

CMYK 0 / 26 / 30 / 34

HEX #A97D77

RGB 169 125 119

HSL 7.2, 0.23%, 0.56%

LAB 56.52, 16.2, 9.95

 

CMYK 0 / 45 / 50 / 62

HEX #603530

RGB 96 53 48

HSL 6.25, 0.33%, 0.28%

LAB 27.43, 18.65, 11.53

 

CMYK 0 / 56 / 63 / 69

HEX #4F231D

RGB 79 35 29

HSL 7.2, 0.46%, 0.21%

LAB 19.85, 20.05, 13.67

 

CMYK 0 / 73 / 84 / 76

HEX #3E110A

RGB 62 17 10

HSL 8.08, 0.72%, 0.14%

LAB 12.27, 21.55, 14.74

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 100 / 100 / 89

HEX #1C0000

RGB 28 0 0

HSL 0, 1%, 0.05%

LAB 2.23, 10.01, 3.52

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 0 / 49 / 49 / 63

HEX #5F3030

RGB 95 48 48

HSL 0, 0.33%, 0.28%

LAB 26.04, 21.25, 9.61

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 0 / 32 / 49 / 63

HEX #5F4130

RGB 95 65 48

HSL 21.7, 0.33%, 0.28%

LAB 30.46, 10.72, 15.56

 

CMYK 0 / 18 / 49 / 63

HEX #5F4E30

RGB 95 78 48

HSL 38.3, 0.33%, 0.28%

LAB 34.18, 2.62, 20.37

 

CMYK 0 / 4 / 49 / 63

HEX #5F5B30

RGB 95 91 48

HSL 54.89, 0.33%, 0.28%

LAB 38.07, -5.22, 25.24

 

CMYK 9 / 0 / 49 / 63

HEX #565F30

RGB 86 95 48

HSL 71.49, 0.33%, 0.28%

LAB 38.51, -11.68, 25.59

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 0 / 59 / 66 / 58

HEX #6B2C24

RGB 107 44 36

HSL 6.76, 0.5%, 0.28%

LAB 26.89, 27.5, 18.98

 

CMYK 0 / 71 / 79 / 54

HEX #762219

RGB 118 34 25

HSL 5.81, 0.65%, 0.28%

LAB 26.92, 36.1, 26.44

 

CMYK 0 / 81 / 90 / 49

HEX #82190D

RGB 130 25 13

HSL 6.15, 0.82%, 0.28%

LAB 28.03, 43.26, 35.04

 

CMYK 0 / 89 / 99 / 45

HEX #8D1002

RGB 141 16 2

HSL 6.04, 0.97%, 0.28%

LAB 29.51, 48.84, 41.81

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 0 / 25 / 29 / 67

HEX #533E3B

RGB 83 62 59

HSL 7.5, 0.17%, 0.28%

LAB 28.38, 8.67, 5.39

 

CMYK 0 / 1 / 1 / 72

HEX #484747

RGB 72 71 71

HSL 0, 0.01%, 0.28%

LAB 30.25, 0.42, 0.14

 

CMYK 27 / 2 / 0 / 68

HEX #3C5052

RGB 60 80 82

HSL 185.45, 0.15%, 0.28%

LAB 32.5, -7.17, -3.71

 

CMYK 48 / 5 / 0 / 63

HEX #31595E

RGB 49 89 94

HSL 186.67, 0.31%, 0.28%

LAB 35.21, -12.58, -7.29

 

CMYK 0 / 49 / 28 / 63

HEX #5F3044

RGB 95 48 68

HSL 334.47, 0.33%, 0.28%

LAB 26.63, 24.01, -2.89

 

CMYK 0 / 49 / 41 / 63

HEX #5F3038

RGB 95 48 56

HSL 349.79, 0.33%, 0.28%

LAB 26.25, 22.25, 4.57

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 0 / 32 / 49 / 63

HEX #5F4130

RGB 95 65 48

HSL 21.7, 0.33%, 0.28%

LAB 30.46, 10.72, 15.56

 

CMYK 0 / 18 / 49 / 63

HEX #5F4E30

RGB 95 78 48

HSL 38.3, 0.33%, 0.28%

LAB 34.18, 2.62, 20.37

 

CMYK 0 / 45 / 50 / 84

HEX #281614

RGB 40 22 20

HSL 6, 0.33%, 0.12%

LAB 9.6, 8.85, 5.1

 

CMYK 0 / 44 / 50 / 73

HEX #442622

RGB 68 38 34

HSL 7.06, 0.33%, 0.2%

LAB 18.93, 13.63, 8.69

 

CMYK 0 / 44 / 49 / 63

HEX #5F3530

RGB 95 53 48

HSL 6.38, 0.33%, 0.28%

LAB 27.28, 18.2, 11.3

 

CMYK 0 / 44 / 49 / 52

HEX #7A443E

RGB 122 68 62

HSL 6, 0.33%, 0.36%

LAB 35.24, 22.52, 13.78

 

CMYK 0 / 45 / 50 / 41

HEX #96534B

RGB 150 83 75

HSL 6.4, 0.33%, 0.44%

LAB 43.03, 26.94, 16.95

 

CMYK 0 / 45 / 50 / 62

HEX #603530

RGB 96 53 48

HSL 6.25, 0.33%, 0.28%

LAB 27.43, 18.65, 11.53

 

CMYK 15 / 0 / 49 / 63

HEX #515F30

RGB 81 95 48

HSL 77.87, 0.33%, 0.28%

LAB 38.11, -13.92, 25.01

 

CMYK 49 / 35 / 0 / 63

HEX #303E5F

RGB 48 62 95

HSL 222.13, 0.33%, 0.28%

LAB 26.45, 4.47, -21.38

 

CMYK 0 / 45 / 50 / 62

HEX #603530

RGB 96 53 48

HSL 6.25, 0.33%, 0.28%

LAB 27.43, 18.65, 11.53

 

CMYK 49 / 0 / 44 / 63

HEX #305F35

RGB 48 95 53

HSL 126.38, 0.33%, 0.28%

LAB 36.12, -26.08, 19.18

 

CMYK 44 / 49 / 0 / 63

HEX #35305F

RGB 53 48 95

HSL 246.38, 0.33%, 0.28%

LAB 22.64, 15.52, -27.36

 

CMYK 0 / 45 / 50 / 62

HEX #603530

RGB 96 53 48

HSL 6.25, 0.33%, 0.28%

LAB 27.43, 18.65, 11.53

 

CMYK 15 / 0 / 49 / 63

HEX #515F30

RGB 81 95 48

HSL 77.87, 0.33%, 0.28%

LAB 38.11, -13.92, 25.01

 

CMYK 49 / 5 / 0 / 63

HEX #305A5F

RGB 48 90 95

HSL 186.38, 0.33%, 0.28%

LAB 35.53, -13.13, -7.45

 

CMYK 35 / 49 / 0 / 63

HEX #3E305F

RGB 62 48 95

HSL 257.87, 0.33%, 0.28%

LAB 23.55, 18.21, -25.85

 

CMYK 0 / 45 / 50 / 62

HEX #603530

RGB 96 53 48

HSL 6.25, 0.33%, 0.28%

LAB 27.43, 18.65, 11.53

 

CMYK 29 / 0 / 49 / 63

HEX #435F30

RGB 67 95 48

HSL 95.74, 0.33%, 0.28%

LAB 37.1, -19.88, 23.54

 

CMYK 49 / 5 / 0 / 63

HEX #305A5F

RGB 48 90 95

HSL 186.38, 0.33%, 0.28%

LAB 35.53, -13.13, -7.45

 

CMYK 20 / 49 / 0 / 63

HEX #4C305F

RGB 76 48 95

HSL 275.74, 0.33%, 0.28%

LAB 25.19, 22.68, -23.16

 

Description

Color code: RGB 96 53 48 | qconv.com Color code: RGB 96 53 48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 53 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 53 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 50 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 50% 62% C M Y K

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Provide designers and agencies with accurate color values.

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