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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 53 40 it is the complementary color RGB 159 202 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 53 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 53 40 shade: RGB 101 53 35, RGB 118 71 54, RGB 135 89 73, RGB 152 107 92 and RGB 169 125 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 53 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 53 40 shade: RGB 96 53 40, RGB 79 35 21, RGB 62 17 2, RGB 45 0 0 and RGB 28 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 53 40 shade: RGB 97 54 41 and RGB 97 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 53 40 shade: RGB 97 54 41, RGB 97 69 41, RGB 97 84 41, RGB 95 97 41 and RGB 80 97 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 53 40 shade matches the following richer shades: RGB 97 54 41, RGB 108 48 29, RGB 119 42 18 and RGB 130 36 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 53 40 shade: RGB 97 54 41, RGB 86 60 52, RGB 75 66 63, RGB 64 72 74 and RGB 53 78 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 53 40 shade: RGB 97 41 58, RGB 97 41 43, RGB 97 53 41, RGB 97 68 41 and RGB 97 83 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 53 40 shade: RGB 39 22 16, RGB 68 38 28, RGB 97 54 41, RGB 126 70 53 and RGB 155 86 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 53 40 shade: RGB 96 53 40, RGB 74 97 41 and RGB 41 51 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 53 40 shade: RGB 96 53 40, RGB 41 97 53 and RGB 53 41 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 53 40 shade: RGB 96 53 40, RGB 74 97 41, RGB 41 85 97 and RGB 64 41 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 53 40 shade: RGB 96 53 40, RGB 57 97 41, RGB 41 85 97 and RGB 81 41 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 58 / 62

HEX #603528

RGB 96 53 40

HSL 13.93, 0.41%, 0.27%

LAB 27.26, 17.8, 16.5

 

Complementary color

CMYK 26 / 6 / 0 / 16

HEX #9FCAD7

RGB 159 202 215

HSL 193.93, 0.41%, 0.73%

LAB 78.76, -11.16, -11.1

 

CMYK 0 / 48 / 65 / 60

HEX #653523

RGB 101 53 35

HSL 16.36, 0.49%, 0.27%

LAB 27.94, 19.63, 20.68

 

CMYK 0 / 40 / 54 / 54

HEX #764736

RGB 118 71 54

HSL 15.94, 0.37%, 0.34%

LAB 35.25, 18.17, 18.67

 

CMYK 0 / 34 / 46 / 47

HEX #875949

RGB 135 89 73

HSL 15.48, 0.3%, 0.41%

LAB 42.42, 16.96, 17

 

CMYK 0 / 30 / 39 / 40

HEX #986B5C

RGB 152 107 92

HSL 15, 0.25%, 0.48%

LAB 49.45, 15.96, 15.56

 

CMYK 0 / 26 / 34 / 34

HEX #A97D6F

RGB 169 125 111

HSL 14.48, 0.25%, 0.55%

LAB 56.34, 15.11, 14.31

 

CMYK 0 / 45 / 58 / 62

HEX #603528

RGB 96 53 40

HSL 13.93, 0.41%, 0.27%

LAB 27.26, 17.8, 16.5

 

CMYK 0 / 56 / 73 / 69

HEX #4F2315

RGB 79 35 21

HSL 14.48, 0.58%, 0.2%

LAB 19.71, 19.41, 18.82

 

CMYK 0 / 73 / 97 / 76

HEX #3E1102

RGB 62 17 2

HSL 15, 0.94%, 0.13%

LAB 12.15, 21.11, 17.84

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 100 / 100 / 89

HEX #1C0000

RGB 28 0 0

HSL 0, 1%, 0.05%

LAB 2.23, 10.01, 3.52

 

CMYK 0 / 44 / 58 / 62

HEX #613629

RGB 97 54 41

HSL 13.93, 0.41%, 0.27%

LAB 27.68, 17.74, 16.43

 

CMYK 0 / 58 / 58 / 62

HEX #612929

RGB 97 41 41

HSL 0, 0.41%, 0.27%

LAB 24.6, 25.44, 12.39

 

CMYK 0 / 44 / 58 / 62

HEX #613629

RGB 97 54 41

HSL 13.93, 0.41%, 0.27%

LAB 27.68, 17.74, 16.43

 

CMYK 0 / 29 / 58 / 62

HEX #614529

RGB 97 69 41

HSL 30, 0.41%, 0.27%

LAB 31.71, 8.41, 21.53

 

CMYK 0 / 13 / 58 / 62

HEX #615429

RGB 97 84 41

HSL 46.07, 0.41%, 0.27%

LAB 36.07, -0.82, 26.82

 

CMYK 2 / 0 / 58 / 62

HEX #5F6129

RGB 95 97 41

HSL 62.14, 0.41%, 0.27%

LAB 39.82, -9.42, 31.15

 

CMYK 18 / 0 / 58 / 62

HEX #506129

RGB 80 97 41

HSL 78.21, 0.41%, 0.27%

LAB 38.58, -16.28, 29.39

 

CMYK 0 / 44 / 58 / 62

HEX #613629

RGB 97 54 41

HSL 13.93, 0.41%, 0.27%

LAB 27.68, 17.74, 16.43

 

CMYK 0 / 56 / 73 / 58

HEX #6C301D

RGB 108 48 29

HSL 14.43, 0.58%, 0.27%

LAB 27.82, 25.23, 24.51

 

CMYK 0 / 65 / 85 / 53

HEX #772A12

RGB 119 42 18

HSL 14.26, 0.74%, 0.27%

LAB 28.44, 32.45, 32.02

 

CMYK 0 / 72 / 95 / 49

HEX #822407

RGB 130 36 7

HSL 14.15, 0.9%, 0.27%

LAB 29.47, 39.06, 38.75

 

CMYK 0 / 44 / 58 / 62

HEX #613629

RGB 97 54 41

HSL 13.93, 0.41%, 0.27%

LAB 27.68, 17.74, 16.43

 

CMYK 0 / 30 / 40 / 66

HEX #563C34

RGB 86 60 52

HSL 14.12, 0.25%, 0.27%

LAB 28, 10.23, 9.48

 

CMYK 0 / 12 / 16 / 71

HEX #4B423F

RGB 75 66 63

HSL 15, 0.09%, 0.27%

LAB 28.78, 3.25, 3.22

 

CMYK 14 / 3 / 0 / 71

HEX #40484A

RGB 64 72 74

HSL 192, 0.07%, 0.27%

LAB 29.96, -2.76, -2.31

 

CMYK 38 / 8 / 0 / 67

HEX #354E55

RGB 53 78 85

HSL 193.13, 0.23%, 0.27%

LAB 31.49, -7.48, -7.17

 

CMYK 0 / 58 / 40 / 62

HEX #61293A

RGB 97 41 58

HSL 341.79, 0.41%, 0.27%

LAB 25.05, 27.37, 1.55

 

CMYK 0 / 58 / 56 / 62

HEX #61292B

RGB 97 41 43

HSL 357.86, 0.41%, 0.27%

LAB 24.64, 25.63, 11.11

 

CMYK 0 / 45 / 58 / 62

HEX #613529

RGB 97 53 41

HSL 12.86, 0.41%, 0.27%

LAB 27.43, 18.35, 16.11

 

CMYK 0 / 30 / 58 / 62

HEX #614429

RGB 97 68 41

HSL 28.93, 0.41%, 0.27%

LAB 31.43, 9.03, 21.19

 

CMYK 0 / 14 / 58 / 62

HEX #615329

RGB 97 83 41

HSL 45, 0.41%, 0.27%

LAB 35.77, -0.22, 26.46

 

CMYK 0 / 44 / 59 / 85

HEX #271610

RGB 39 22 16

HSL 15.65, 0.42%, 0.11%

LAB 9.34, 7.75, 7.13

 

CMYK 0 / 44 / 59 / 73

HEX #44261C

RGB 68 38 28

HSL 15, 0.42%, 0.19%

LAB 18.8, 12.91, 12.63

 

CMYK 0 / 44 / 58 / 62

HEX #613629

RGB 97 54 41

HSL 13.93, 0.41%, 0.27%

LAB 27.68, 17.74, 16.43

 

CMYK 0 / 44 / 58 / 51

HEX #7E4635

RGB 126 70 53

HSL 13.97, 0.41%, 0.35%

LAB 36.12, 22.17, 20.64

 

CMYK 0 / 45 / 58 / 39

HEX #9B5641

RGB 155 86 65

HSL 14, 0.41%, 0.43%

LAB 44.24, 26.4, 24.65

 

CMYK 0 / 45 / 58 / 62

HEX #603528

RGB 96 53 40

HSL 13.93, 0.41%, 0.27%

LAB 27.26, 17.8, 16.5

 

CMYK 24 / 0 / 58 / 62

HEX #4A6129

RGB 74 97 41

HSL 84.64, 0.41%, 0.27%

LAB 38.14, -18.9, 28.77

 

CMYK 58 / 47 / 0 / 62

HEX #293361

RGB 41 51 97

HSL 229.29, 0.41%, 0.27%

LAB 22.66, 10.91, -28.7

 

CMYK 0 / 45 / 58 / 62

HEX #603528

RGB 96 53 40

HSL 13.93, 0.41%, 0.27%

LAB 27.26, 17.8, 16.5

 

CMYK 58 / 0 / 45 / 62

HEX #296135

RGB 41 97 53

HSL 132.86, 0.41%, 0.27%

LAB 36.51, -29.15, 19.64

 

CMYK 45 / 58 / 0 / 62

HEX #352961

RGB 53 41 97

HSL 252.86, 0.41%, 0.27%

LAB 20.85, 20.95, -31.54

 

CMYK 0 / 45 / 58 / 62

HEX #603528

RGB 96 53 40

HSL 13.93, 0.41%, 0.27%

LAB 27.26, 17.8, 16.5

 

CMYK 24 / 0 / 58 / 62

HEX #4A6129

RGB 74 97 41

HSL 84.64, 0.41%, 0.27%

LAB 38.14, -18.9, 28.77

 

CMYK 58 / 12 / 0 / 62

HEX #295561

RGB 41 85 97

HSL 192.86, 0.41%, 0.27%

LAB 33.63, -11.35, -11.6

 

CMYK 34 / 58 / 0 / 62

HEX #402961

RGB 64 41 97

HSL 264.64, 0.41%, 0.27%

LAB 22.08, 24, -29.49

 

CMYK 0 / 45 / 58 / 62

HEX #603528

RGB 96 53 40

HSL 13.93, 0.41%, 0.27%

LAB 27.26, 17.8, 16.5

 

CMYK 41 / 0 / 58 / 62

HEX #396129

RGB 57 97 41

HSL 102.86, 0.41%, 0.27%

LAB 37.08, -25.76, 27.25

 

CMYK 58 / 12 / 0 / 62

HEX #295561

RGB 41 85 97

HSL 192.86, 0.41%, 0.27%

LAB 33.63, -11.35, -11.6

 

CMYK 16 / 58 / 0 / 62

HEX #512961

RGB 81 41 97

HSL 282.86, 0.41%, 0.27%

LAB 24.32, 29.04, -25.8

 

Description

Color code: RGB 96 53 40 | qconv.com Color code: RGB 96 53 40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 53 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 53 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 58 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 58% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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