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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 49 141 it is the complementary color RGB 159 206 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 49 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 49 141: RGB 101 49 136, RGB 118 67 155, RGB 135 85 174, RGB 152 103 193 and RGB 169 121 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 49 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 49 141: RGB 96 49 141, RGB 79 31 122, RGB 62 13 103, RGB 45 0 84 and RGB 28 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

Complementary color

CMYK 23 / 0 / 45 / 19

HEX #9FCE72

RGB 159 206 114

HSL 90.65, 0.48%, 0.63%

LAB 77.71, -31.11, 40.73

 

CMYK 26 / 64 / 0 / 47

HEX #653188

RGB 101 49 136

HSL 275.86, 0.47%, 0.36%

LAB 31.21, 39.5, -39.45

 

CMYK 24 / 57 / 0 / 39

HEX #76439B

RGB 118 67 155

HSL 274.77, 0.4%, 0.44%

LAB 38.26, 38.69, -39.67

 

CMYK 22 / 51 / 0 / 32

HEX #8755AE

RGB 135 85 174

HSL 273.71, 0.35%, 0.51%

LAB 45.23, 37.79, -39.77

 

CMYK 21 / 47 / 0 / 24

HEX #9867C1

RGB 152 103 193

HSL 272.67, 0.42%, 0.58%

LAB 52.09, 36.9, -39.84

 

CMYK 20 / 43 / 0 / 17

HEX #A979D4

RGB 169 121 212

HSL 271.65, 0.51%, 0.65%

LAB 58.85, 36.05, -39.89

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 35 / 75 / 0 / 52

HEX #4F1F7A

RGB 79 31 122

HSL 271.65, 0.59%, 0.3%

LAB 23.83, 40.16, -42.73

 

CMYK 40 / 87 / 0 / 60

HEX #3E0D67

RGB 62 13 103

HSL 272.67, 0.78%, 0.23%

LAB 16.95, 39.92, -41.76

 

CMYK 46 / 100 / 0 / 67

HEX #2D0054

RGB 45 0 84

HSL 272.14, 1%, 0.16%

LAB 10.54, 37.82, -39.64

 

CMYK 57 / 100 / 0 / 75

HEX #1C0041

RGB 28 0 65

HSL 265.85, 1%, 0.13%

LAB 5.68, 30.08, -34.47

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 22 / 65 / 0 / 45

HEX #6D318B

RGB 109 49 139

HSL 280, 0.48%, 0.37%

LAB 32.51, 42.21, -39.16

 

CMYK 11 / 65 / 0 / 45

HEX #7C318B

RGB 124 49 139

HSL 290, 0.48%, 0.37%

LAB 34.69, 46, -35.55

 

CMYK 0 / 65 / 0 / 45

HEX #8B318B

RGB 139 49 139

HSL 300, 0.48%, 0.37%

LAB 37.02, 49.85, -31.71

 

CMYK 0 / 65 / 11 / 45

HEX #8B317C

RGB 139 49 124

HSL 310, 0.48%, 0.37%

LAB 36.25, 47.25, -23.64

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 32 / 65 / 0 / 25

HEX #8343C0

RGB 131 67 192

HSL 270.72, 0.5%, 0.51%

LAB 42.22, 50.74, -55.15

 

CMYK 32 / 65 / 0 / 5

HEX #A554F3

RGB 165 84 243

HSL 270.57, 0.87%, 0.64%

LAB 52.74, 61.62, -67.05

 

CMYK 31 / 64 / 0 / 85

HEX #1B0E27

RGB 27 14 39

HSL 271.2, 0.47%, 0.1%

LAB 6.26, 12.68, -14.4

 

CMYK 32 / 66 / 0 / 65

HEX #3D1F5A

RGB 61 31 90

HSL 270.51, 0.49%, 0.24%

LAB 18.84, 27.42, -30.07

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 0 / 65 / 45 / 45

HEX #8B314C

RGB 139 49 76

HSL 342, 0.48%, 0.37%

LAB 34.41, 40.66, 4.09

 

CMYK 65 / 0 / 58 / 45

HEX #318B3A

RGB 49 139 58

HSL 126, 0.48%, 0.37%

LAB 51.18, -43.98, 35.11

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 0 / 32 / 65 / 45

HEX #8B5E31

RGB 139 94 49

HSL 30, 0.48%, 0.37%

LAB 43.82, 13.57, 32.73

 

CMYK 65 / 0 / 32 / 45

HEX #318B5E

RGB 49 139 94

HSL 150, 0.48%, 0.37%

LAB 51.75, -37.64, 16.41

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 0 / 65 / 45 / 45

HEX #8B314C

RGB 139 49 76

HSL 342, 0.48%, 0.37%

LAB 34.41, 40.66, 4.09

 

CMYK 32 / 0 / 65 / 45

HEX #5E8B31

RGB 94 139 49

HSL 90, 0.48%, 0.37%

LAB 53.02, -30.94, 42.01

 

CMYK 65 / 0 / 19 / 45

HEX #318B70

RGB 49 139 112

HSL 162, 0.48%, 0.37%

LAB 52.16, -33.41, 6.67

 

CMYK 32 / 65 / 0 / 45

HEX #60318D

RGB 96 49 141

HSL 270.65, 0.48%, 0.37%

LAB 30.89, 39.52, -43.08

 

CMYK 0 / 65 / 65 / 45

HEX #8B3131

RGB 139 49 49

HSL 0, 0.48%, 0.37%

LAB 33.79, 38.3, 20.58

 

CMYK 32 / 0 / 65 / 45

HEX #5E8B31

RGB 94 139 49

HSL 90, 0.48%, 0.37%

LAB 53.02, -30.94, 42.01

 

CMYK 65 / 0 / 0 / 45

HEX #318B8B

RGB 49 139 139

HSL 180, 0.48%, 0.37%

LAB 52.93, -25.96, -7.85

 

Description

Color code: RGB 96 49 141 | qconv.com Color code: RGB 96 49 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 49 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 49 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 65 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 65% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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