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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 42 92 it is the complementary color RGB 159 213 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 42 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 42 92: RGB 101 42 87, RGB 118 60 106, RGB 135 78 125, RGB 152 96 144 and RGB 169 114 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 42 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 42 92: RGB 96 42 92, RGB 79 24 73, RGB 62 6 54, RGB 45 0 35 and RGB 28 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

Complementary color

CMYK 25 / 0 / 23 / 16

HEX #9FD5A3

RGB 159 213 163

HSL 124.44, 0.39%, 0.73%

LAB 80.52, -27.19, 19.21

 

CMYK 0 / 58 / 14 / 60

HEX #652A57

RGB 101 42 87

HSL 314.24, 0.41%, 0.28%

LAB 27.05, 32.79, -14.75

 

CMYK 0 / 49 / 10 / 54

HEX #763C6A

RGB 118 60 106

HSL 312.41, 0.33%, 0.35%

LAB 34.24, 32.09, -15.72

 

CMYK 0 / 42 / 7 / 47

HEX #874E7D

RGB 135 78 125

HSL 310.53, 0.27%, 0.42%

LAB 41.34, 31.29, -16.44

 

CMYK 0 / 37 / 5 / 40

HEX #986090

RGB 152 96 144

HSL 308.57, 0.23%, 0.49%

LAB 48.33, 30.48, -17.04

 

CMYK 0 / 33 / 4 / 34

HEX #A972A3

RGB 169 114 163

HSL 306.55, 0.24%, 0.55%

LAB 55.19, 29.72, -17.55

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 0 / 70 / 8 / 69

HEX #4F1849

RGB 79 24 73

HSL 306.55, 0.53%, 0.2%

LAB 19.21, 32.45, -17.83

 

CMYK 0 / 90 / 13 / 76

HEX #3E0636

RGB 62 6 54

HSL 308.57, 0.82%, 0.13%

LAB 12.09, 31.79, -15.88

 

CMYK 0 / 100 / 22 / 82

HEX #2D0023

RGB 45 0 35

HSL 313.33, 1%, 0.09%

LAB 6.14, 26.73, -11.31

 

CMYK 0 / 100 / 43 / 89

HEX #1C0010

RGB 28 0 16

HSL 325.71, 1%, 0.05%

LAB 2.57, 12.38, -2.94

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 0 / 57 / 13 / 63

HEX #5F2953

RGB 95 41 83

HSL 313.33, 0.4%, 0.27%

LAB 25.69, 30.6, -14.28

 

CMYK 0 / 57 / 22 / 63

HEX #5F294A

RGB 95 41 74

HSL 323.33, 0.4%, 0.27%

LAB 25.3, 29.02, -8.89

 

CMYK 0 / 57 / 32 / 63

HEX #5F2941

RGB 95 41 65

HSL 333.33, 0.4%, 0.27%

LAB 24.95, 27.59, -3.37

 

CMYK 0 / 57 / 41 / 63

HEX #5F2938

RGB 95 41 56

HSL 343.33, 0.4%, 0.27%

LAB 24.65, 26.33, 2.28

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 0 / 56 / 4 / 42

HEX #93408D

RGB 147 64 141

HSL 304.34, 0.39%, 0.41%

LAB 40.89, 45.48, -26.78

 

CMYK 0 / 56 / 4 / 22

HEX #C657BE

RGB 198 87 190

HSL 304.32, 0.49%, 0.56%

LAB 54.6, 57.44, -33.78

 

CMYK 0 / 56 / 4 / 2

HEX #F96DEF

RGB 249 109 239

HSL 304.29, 0.92%, 0.7%

LAB 67.51, 69.24, -40.68

 

CMYK 0 / 56 / 4 / 82

HEX #2D142B

RGB 45 20 43

HSL 304.8, 0.38%, 0.13%

LAB 10.8, 16.99, -10.11

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 0 / 41 / 57 / 63

HEX #5F3829

RGB 95 56 41

HSL 16.67, 0.4%, 0.27%

LAB 27.9, 15.59, 16.66

 

CMYK 57 / 0 / 19 / 63

HEX #295F4D

RGB 41 95 77

HSL 160, 0.4%, 0.27%

LAB 36.35, -22.81, 4.91

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 3 / 0 / 57 / 63

HEX #5C5F29

RGB 92 95 41

HSL 63.33, 0.4%, 0.27%

LAB 38.93, -9.68, 30.06

 

CMYK 57 / 3 / 0 / 63

HEX #295C5F

RGB 41 92 95

HSL 183.33, 0.4%, 0.27%

LAB 35.89, -16.03, -6.94

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 0 / 41 / 57 / 63

HEX #5F3829

RGB 95 56 41

HSL 16.67, 0.4%, 0.27%

LAB 27.9, 15.59, 16.66

 

CMYK 57 / 0 / 53 / 63

HEX #295F2D

RGB 41 95 45

HSL 124.44, 0.4%, 0.27%

LAB 35.68, -29.62, 23.18

 

CMYK 57 / 15 / 0 / 63

HEX #29515F

RGB 41 81 95

HSL 195.56, 0.4%, 0.27%

LAB 32.22, -9.62, -12.49

 

CMYK 0 / 56 / 4 / 62

HEX #602A5C

RGB 96 42 92

HSL 304.44, 0.39%, 0.27%

LAB 26.49, 32.1, -18.96

 

CMYK 0 / 24 / 57 / 63

HEX #5F4829

RGB 95 72 41

HSL 34.44, 0.4%, 0.27%

LAB 32.32, 5.58, 22.23

 

CMYK 57 / 0 / 53 / 63

HEX #295F2D

RGB 41 95 45

HSL 124.44, 0.4%, 0.27%

LAB 35.68, -29.62, 23.18

 

CMYK 57 / 32 / 0 / 63

HEX #29415F

RGB 41 65 95

HSL 213.33, 0.4%, 0.27%

LAB 26.96, 0.56, -20.61

 

Description

Color code: RGB 96 42 92 | qconv.com Color code: RGB 96 42 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 42 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 42 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 4 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 4% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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