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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 241 162 it is the complementary color RGB 159 14 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 241 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 241 162 shade: RGB 101 241 157, RGB 118 255 176, RGB 135 255 195, RGB 152 255 214 and RGB 169 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 241 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 241 162 shade: RGB 96 241 162, RGB 79 223 143, RGB 62 205 124, RGB 45 187 105 and RGB 28 169 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 241 162 shade: RGB 95 241 162, RGB 95 241 122, RGB 108 241 95, RGB 147 241 95 and RGB 186 241 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 241 162 shade: RGB 95 241 162, RGB 95 241 201, RGB 95 241 240, RGB 95 203 241 and RGB 95 163 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 241 162 shade matches the following richer shades: RGB 95 241 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 241 162 shade: RGB 95 241 162, RGB 110 227 163, RGB 124 213 164, RGB 138 199 166 and RGB 152 185 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 241 162 shade: RGB 108 241 95, RGB 95 241 122, RGB 95 241 161, RGB 95 241 200 and RGB 95 241 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 241 162 shade: RGB 20 234 117, RGB 58 238 140, RGB 95 241 162, RGB 133 244 184 and RGB 171 248 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 241 162 shade: RGB 96 241 162, RGB 95 146 241 and RGB 241 103 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 241 162 shade: RGB 96 241 162, RGB 161 95 241 and RGB 241 161 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 241 162 shade: RGB 96 241 162, RGB 95 146 241, RGB 241 95 176 and RGB 241 190 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 241 162 shade: RGB 96 241 162, RGB 95 103 241, RGB 241 95 176 and RGB 241 234 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 33 / 5

HEX #60F1A2

RGB 96 241 162

HSL 147.31, 0.84%, 0.66%

LAB 86.01, -56.45, 26.84

 

Complementary color

CMYK 0 / 91 / 42 / 38

HEX #9F0E5D

RGB 159 14 93

HSL 327.31, 0.84%, 0.34%

LAB 34.95, 58.91, -5.65

 

CMYK 58 / 0 / 35 / 5

HEX #65F19D

RGB 101 241 157

HSL 144, 0.83%, 0.67%

LAB 86.06, -56.36, 29.48

 

CMYK 54 / 0 / 31 / 0

HEX #76FFB0

RGB 118 255 176

HSL 145.4, 1%, 0.73%

LAB 91.01, -54.77, 26.65

 

CMYK 47 / 0 / 24 / 0

HEX #87FFC3

RGB 135 255 195

HSL 150, 1%, 0.76%

LAB 91.96, -47.17, 18.38

 

CMYK 40 / 0 / 16 / 0

HEX #98FFD6

RGB 152 255 214

HSL 156.12, 1%, 0.8%

LAB 93.04, -39.06, 10.24

 

CMYK 34 / 0 / 9 / 0

HEX #A9FFE9

RGB 169 255 233

HSL 164.65, 1%, 0.83%

LAB 94.24, -30.57, 2.28

 

CMYK 60 / 0 / 33 / 5

HEX #60F1A2

RGB 96 241 162

HSL 147.31, 0.84%, 0.66%

LAB 86.01, -56.45, 26.84

 

CMYK 65 / 0 / 36 / 13

HEX #4FDF8F

RGB 79 223 143

HSL 146.67, 0.69%, 0.59%

LAB 79.85, -56.25, 28.19

 

CMYK 70 / 0 / 40 / 20

HEX #3ECD7C

RGB 62 205 124

HSL 146.01, 0.59%, 0.52%

LAB 73.64, -55.84, 29.63

 

CMYK 76 / 0 / 44 / 27

HEX #2DBB69

RGB 45 187 105

HSL 145.35, 0.61%, 0.45%

LAB 67.37, -55.15, 31.19

 

CMYK 83 / 0 / 49 / 34

HEX #1CA956

RGB 28 169 86

HSL 144.68, 0.72%, 0.39%

LAB 61.04, -54.02, 32.86

 

CMYK 61 / 0 / 33 / 5

HEX #5FF1A2

RGB 95 241 162

HSL 147.53, 0.84%, 0.66%

LAB 85.98, -56.65, 26.8

 

CMYK 61 / 0 / 49 / 5

HEX #5FF17A

RGB 95 241 122

HSL 131.1, 0.84%, 0.66%

LAB 85.38, -63.25, 45.81

 

CMYK 55 / 0 / 61 / 5

HEX #6CF15F

RGB 108 241 95

HSL 114.66, 0.84%, 0.66%

LAB 85.47, -63.58, 58.2

 

CMYK 39 / 0 / 61 / 5

HEX #93F15F

RGB 147 241 95

HSL 98.63, 0.84%, 0.66%

LAB 86.97, -52.54, 60.3

 

CMYK 23 / 0 / 61 / 5

HEX #BAF15F

RGB 186 241 95

HSL 82.6, 0.84%, 0.66%

LAB 89.01, -39.08, 63.14

 

CMYK 61 / 0 / 33 / 5

HEX #5FF1A2

RGB 95 241 162

HSL 147.53, 0.84%, 0.66%

LAB 85.98, -56.65, 26.8

 

CMYK 61 / 0 / 17 / 5

HEX #5FF1C9

RGB 95 241 201

HSL 163.56, 0.84%, 0.66%

LAB 86.78, -48.43, 7.76

 

CMYK 61 / 0 / 0 / 5

HEX #5FF1F0

RGB 95 241 240

HSL 179.59, 0.84%, 0.66%

LAB 87.79, -38.7, -11.17

 

CMYK 61 / 16 / 0 / 5

HEX #5FCBF1

RGB 95 203 241

HSL 195.62, 0.84%, 0.66%

LAB 76.98, -20.07, -28.05

 

CMYK 61 / 32 / 0 / 5

HEX #5FA3F1

RGB 95 163 241

HSL 212.05, 0.84%, 0.66%

LAB 65.73, 1.58, -45.52

 

CMYK 61 / 0 / 33 / 5

HEX #5FF1A2

RGB 95 241 162

HSL 147.53, 0.84%, 0.66%

LAB 85.98, -56.65, 26.8

 

CMYK 61 / 0 / 33 / 5

HEX #5FF1A2

RGB 95 241 162

HSL 147.53, 0.84%, 0.66%

LAB 85.98, -56.65, 26.8

 

CMYK 52 / 0 / 28 / 11

HEX #6EE3A3

RGB 110 227 163

HSL 147.18, 0.68%, 0.66%

LAB 82.32, -47.53, 21.36

 

CMYK 42 / 0 / 23 / 16

HEX #7CD5A4

RGB 124 213 164

HSL 146.97, 0.51%, 0.66%

LAB 78.78, -37.62, 16

 

CMYK 31 / 0 / 17 / 22

HEX #8AC7A6

RGB 138 199 166

HSL 147.54, 0.35%, 0.66%

LAB 75.45, -26.54, 10.33

 

CMYK 18 / 0 / 10 / 27

HEX #98B9A7

RGB 152 185 167

HSL 147.27, 0.19%, 0.66%

LAB 72.34, -14.79, 5.44

 

CMYK 55 / 0 / 61 / 5

HEX #6CF15F

RGB 108 241 95

HSL 114.66, 0.84%, 0.66%

LAB 85.47, -63.58, 58.2

 

CMYK 61 / 0 / 49 / 5

HEX #5FF17A

RGB 95 241 122

HSL 131.1, 0.84%, 0.66%

LAB 85.38, -63.25, 45.81

 

CMYK 61 / 0 / 33 / 5

HEX #5FF1A1

RGB 95 241 161

HSL 147.12, 0.84%, 0.66%

LAB 85.96, -56.84, 27.29

 

CMYK 61 / 0 / 17 / 5

HEX #5FF1C8

RGB 95 241 200

HSL 163.15, 0.84%, 0.66%

LAB 86.76, -48.66, 8.25

 

CMYK 61 / 0 / 1 / 5

HEX #5FF1EF

RGB 95 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.76, -38.96, -10.69

 

CMYK 91 / 0 / 50 / 8

HEX #14EA75

RGB 20 234 117

HSL 147.2, 0.84%, 0.5%

LAB 81.99, -71.22, 43.72

 

CMYK 76 / 0 / 41 / 7

HEX #3AEE8C

RGB 58 238 140

HSL 147.33, 0.84%, 0.58%

LAB 83.94, -65.5, 35.04

 

CMYK 61 / 0 / 33 / 5

HEX #5FF1A2

RGB 95 241 162

HSL 147.53, 0.84%, 0.66%

LAB 85.98, -56.65, 26.8

 

CMYK 45 / 0 / 25 / 4

HEX #85F4B8

RGB 133 244 184

HSL 147.57, 0.83%, 0.74%

LAB 88.52, -45.07, 19.21

 

CMYK 31 / 0 / 17 / 3

HEX #ABF8CE

RGB 171 248 206

HSL 147.27, 0.85%, 0.82%

LAB 91.8, -32.17, 12.72

 

CMYK 60 / 0 / 33 / 5

HEX #60F1A2

RGB 96 241 162

HSL 147.31, 0.84%, 0.66%

LAB 86.01, -56.45, 26.84

 

CMYK 61 / 39 / 0 / 5

HEX #5F92F1

RGB 95 146 241

HSL 219.04, 0.84%, 0.66%

LAB 61.08, 11.46, -52.87

 

CMYK 0 / 57 / 61 / 5

HEX #F1675F

RGB 241 103 95

HSL 3.29, 0.84%, 0.66%

LAB 60.98, 52.59, 31.32

 

CMYK 60 / 0 / 33 / 5

HEX #60F1A2

RGB 96 241 162

HSL 147.31, 0.84%, 0.66%

LAB 86.01, -56.45, 26.84

 

CMYK 33 / 61 / 0 / 5

HEX #A15FF1

RGB 161 95 241

HSL 267.12, 0.84%, 0.66%

LAB 54.15, 54.89, -63.69

 

CMYK 0 / 33 / 61 / 5

HEX #F1A15F

RGB 241 161 95

HSL 27.12, 0.84%, 0.66%

LAB 72.9, 23.33, 45.96

 

CMYK 60 / 0 / 33 / 5

HEX #60F1A2

RGB 96 241 162

HSL 147.31, 0.84%, 0.66%

LAB 86.01, -56.45, 26.84

 

CMYK 61 / 39 / 0 / 5

HEX #5F92F1

RGB 95 146 241

HSL 219.04, 0.84%, 0.66%

LAB 61.08, 11.46, -52.87

 

CMYK 0 / 61 / 27 / 5

HEX #F15FB0

RGB 241 95 176

HSL 326.71, 0.84%, 0.66%

LAB 61.67, 63.95, -14.31

 

CMYK 0 / 21 / 61 / 5

HEX #F1BE5F

RGB 241 190 95

HSL 39.04, 0.84%, 0.66%

LAB 79.81, 8.05, 54

 

CMYK 60 / 0 / 33 / 5

HEX #60F1A2

RGB 96 241 162

HSL 147.31, 0.84%, 0.66%

LAB 86.01, -56.45, 26.84

 

CMYK 61 / 57 / 0 / 5

HEX #5F67F1

RGB 95 103 241

HSL 236.71, 0.84%, 0.66%

LAB 50.08, 37.44, -70.55

 

CMYK 0 / 61 / 27 / 5

HEX #F15FB0

RGB 241 95 176

HSL 326.71, 0.84%, 0.66%

LAB 61.67, 63.95, -14.31

 

CMYK 0 / 3 / 61 / 5

HEX #F1EA5F

RGB 241 234 95

HSL 57.12, 0.84%, 0.66%

LAB 90.95, -14.32, 66.36

 

Description

Color code: RGB 96 241 162 | qconv.com Color code: RGB 96 241 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 241 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 241 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 33% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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