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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 174 103 it is the complementary color RGB 159 81 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 174 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 174 103 shade: RGB 101 174 98, RGB 118 192 117, RGB 135 210 136, RGB 152 228 155 and RGB 169 246 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 174 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 174 103 shade: RGB 96 174 103, RGB 79 156 84, RGB 62 138 65, RGB 45 120 46 and RGB 28 102 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 174 103 shade: RGB 96 175 103, RGB 110 175 96, RGB 131 175 96, RGB 152 175 96 and RGB 174 175 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 174 103 shade: RGB 96 175 103, RGB 96 175 124, RGB 96 175 145, RGB 96 175 167 and RGB 96 161 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 174 103 shade matches the following richer shades: RGB 96 175 103, RGB 76 194 87, RGB 57 213 71, RGB 37 233 55 and RGB 18 252 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 174 103 shade: RGB 96 175 103, RGB 115 155 119, RGB 134 136 135, RGB 154 117 150 and RGB 173 97 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 174 103 shade: RGB 131 175 96, RGB 110 175 96, RGB 96 175 102, RGB 96 175 123 and RGB 96 175 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 174 103 shade: RGB 63 125 68, RGB 77 152 84, RGB 96 175 103, RGB 123 189 129 and RGB 150 202 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 174 103 shade: RGB 96 174 103, RGB 96 152 175 and RGB 175 96 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 174 103 shade: RGB 96 174 103, RGB 102 96 175 and RGB 175 102 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 174 103 shade: RGB 96 174 103, RGB 96 152 175, RGB 175 96 168 and RGB 175 118 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 174 103 shade: RGB 96 174 103, RGB 96 129 175, RGB 175 96 168 and RGB 175 142 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 41 / 32

HEX #60AE67

RGB 96 174 103

HSL 125.38, 0.33%, 0.53%

LAB 64.75, -39.2, 29.14

 

Complementary color

CMYK 0 / 49 / 4 / 38

HEX #9F5198

RGB 159 81 152

HSL 305.38, 0.33%, 0.47%

LAB 46.34, 42.45, -24.78

 

CMYK 42 / 0 / 44 / 32

HEX #65AE62

RGB 101 174 98

HSL 117.63, 0.32%, 0.53%

LAB 64.9, -38.45, 31.99

 

CMYK 39 / 0 / 39 / 25

HEX #76C075

RGB 118 192 117

HSL 119.2, 0.37%, 0.61%

LAB 71.44, -38.26, 30.73

 

CMYK 36 / 0 / 35 / 18

HEX #87D288

RGB 135 210 136

HSL 120.8, 0.45%, 0.68%

LAB 77.89, -38.03, 29.53

 

CMYK 33 / 0 / 32 / 11

HEX #98E49B

RGB 152 228 155

HSL 122.37, 0.58%, 0.75%

LAB 84.24, -37.78, 28.39

 

CMYK 31 / 0 / 29 / 4

HEX #A9F6AE

RGB 169 246 174

HSL 123.9, 0.81%, 0.81%

LAB 90.51, -37.54, 27.32

 

CMYK 45 / 0 / 41 / 32

HEX #60AE67

RGB 96 174 103

HSL 125.38, 0.33%, 0.53%

LAB 64.75, -39.2, 29.14

 

CMYK 49 / 0 / 46 / 39

HEX #4F9C54

RGB 79 156 84

HSL 123.9, 0.33%, 0.46%

LAB 58.11, -39.33, 30.47

 

CMYK 55 / 0 / 53 / 46

HEX #3E8A41

RGB 62 138 65

HSL 122.37, 0.38%, 0.39%

LAB 51.36, -39.32, 31.87

 

CMYK 63 / 0 / 62 / 53

HEX #2D782E

RGB 45 120 46

HSL 120.8, 0.45%, 0.32%

LAB 44.5, -39.03, 33.24

 

CMYK 73 / 0 / 74 / 60

HEX #1C661B

RGB 28 102 27

HSL 119.2, 0.58%, 0.25%

LAB 37.53, -38.2, 34.35

 

CMYK 45 / 0 / 41 / 31

HEX #60AF67

RGB 96 175 103

HSL 125.32, 0.33%, 0.53%

LAB 65.06, -39.64, 29.54

 

CMYK 37 / 0 / 45 / 31

HEX #6EAF60

RGB 110 175 96

HSL 109.37, 0.33%, 0.53%

LAB 65.61, -36.29, 34.01

 

CMYK 25 / 0 / 45 / 31

HEX #83AF60

RGB 131 175 96

HSL 93.42, 0.33%, 0.53%

LAB 66.77, -28.9, 35.72

 

CMYK 13 / 0 / 45 / 31

HEX #98AF60

RGB 152 175 96

HSL 77.47, 0.33%, 0.53%

LAB 68.15, -20.83, 37.75

 

CMYK 1 / 0 / 45 / 31

HEX #AEAF60

RGB 174 175 96

HSL 60.76, 0.33%, 0.53%

LAB 69.83, -11.91, 40.19

 

CMYK 45 / 0 / 41 / 31

HEX #60AF67

RGB 96 175 103

HSL 125.32, 0.33%, 0.53%

LAB 65.06, -39.64, 29.54

 

CMYK 45 / 0 / 29 / 31

HEX #60AF7C

RGB 96 175 124

HSL 141.27, 0.33%, 0.53%

LAB 65.44, -35.91, 18.77

 

CMYK 45 / 0 / 17 / 31

HEX #60AF91

RGB 96 175 145

HSL 157.22, 0.33%, 0.53%

LAB 65.9, -31.52, 7.89

 

CMYK 45 / 0 / 5 / 31

HEX #60AFA7

RGB 96 175 167

HSL 173.92, 0.33%, 0.53%

LAB 66.47, -26.27, -3.47

 

CMYK 45 / 8 / 0 / 31

HEX #60A1AF

RGB 96 161 175

HSL 190.63, 0.33%, 0.53%

LAB 62.57, -16.99, -13.76

 

CMYK 45 / 0 / 41 / 31

HEX #60AF67

RGB 96 175 103

HSL 125.32, 0.33%, 0.53%

LAB 65.06, -39.64, 29.54

 

CMYK 61 / 0 / 55 / 24

HEX #4CC257

RGB 76 194 87

HSL 125.59, 0.49%, 0.53%

LAB 70.04, -54.87, 43.63

 

CMYK 73 / 0 / 67 / 16

HEX #39D547

RGB 57 213 71

HSL 125.38, 0.65%, 0.53%

LAB 75.4, -66.82, 56.64

 

CMYK 84 / 0 / 76 / 9

HEX #25E937

RGB 37 233 55

HSL 125.51, 0.82%, 0.53%

LAB 81.26, -76.58, 68.26

 

CMYK 93 / 0 / 85 / 1

HEX #12FC27

RGB 18 252 39

HSL 125.38, 0.98%, 0.53%

LAB 86.95, -83.9, 77.66

 

CMYK 45 / 0 / 41 / 31

HEX #60AF67

RGB 96 175 103

HSL 125.32, 0.33%, 0.53%

LAB 65.06, -39.64, 29.54

 

CMYK 26 / 0 / 23 / 39

HEX #739B77

RGB 115 155 119

HSL 126, 0.17%, 0.53%

LAB 60.27, -21.17, 14.54

 

CMYK 1 / 0 / 1 / 47

HEX #868887

RGB 134 136 135

HSL 150, 0.01%, 0.53%

LAB 56.51, -0.93, 0.27

 

CMYK 0 / 24 / 3 / 40

HEX #9A7596

RGB 154 117 150

HSL 306.49, 0.15%, 0.53%

LAB 53.81, 20.28, -12.24

 

CMYK 0 / 44 / 4 / 32

HEX #AD61A6

RGB 173 97 166

HSL 305.53, 0.32%, 0.53%

LAB 52.05, 40.93, -24.07

 

CMYK 25 / 0 / 45 / 31

HEX #83AF60

RGB 131 175 96

HSL 93.42, 0.33%, 0.53%

LAB 66.77, -28.9, 35.72

 

CMYK 37 / 0 / 45 / 31

HEX #6EAF60

RGB 110 175 96

HSL 109.37, 0.33%, 0.53%

LAB 65.61, -36.29, 34.01

 

CMYK 45 / 0 / 42 / 31

HEX #60AF66

RGB 96 175 102

HSL 124.56, 0.33%, 0.53%

LAB 65.05, -39.8, 30.04

 

CMYK 45 / 0 / 30 / 31

HEX #60AF7B

RGB 96 175 123

HSL 140.51, 0.33%, 0.53%

LAB 65.42, -36.1, 19.29

 

CMYK 45 / 0 / 18 / 31

HEX #60AF90

RGB 96 175 144

HSL 156.46, 0.33%, 0.53%

LAB 65.87, -31.74, 8.4

 

CMYK 50 / 0 / 46 / 51

HEX #3F7D44

RGB 63 125 68

HSL 124.84, 0.33%, 0.37%

LAB 47.16, -32.88, 25.01

 

CMYK 49 / 0 / 45 / 40

HEX #4D9854

RGB 77 152 84

HSL 125.6, 0.33%, 0.45%

LAB 56.76, -38.17, 28.73

 

CMYK 45 / 0 / 41 / 31

HEX #60AF67

RGB 96 175 103

HSL 125.32, 0.33%, 0.53%

LAB 65.06, -39.64, 29.54

 

CMYK 35 / 0 / 32 / 26

HEX #7BBD81

RGB 123 189 129

HSL 125.45, 0.33%, 0.61%

LAB 71, -33.34, 23.87

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9B

RGB 150 202 155

HSL 125.77, 0.33%, 0.69%

LAB 76.73, -26.23, 18.11

 

CMYK 45 / 0 / 41 / 32

HEX #60AE67

RGB 96 174 103

HSL 125.38, 0.33%, 0.53%

LAB 64.75, -39.2, 29.14

 

CMYK 45 / 13 / 0 / 31

HEX #6098AF

RGB 96 152 175

HSL 197.47, 0.33%, 0.53%

LAB 59.92, -12.15, -17.76

 

CMYK 0 / 45 / 31 / 31

HEX #AF6079

RGB 175 96 121

HSL 341.01, 0.33%, 0.53%

LAB 50.52, 34.95, 0.26

 

CMYK 45 / 0 / 41 / 32

HEX #60AE67

RGB 96 174 103

HSL 125.38, 0.33%, 0.53%

LAB 64.75, -39.2, 29.14

 

CMYK 42 / 45 / 0 / 31

HEX #6660AF

RGB 102 96 175

HSL 244.56, 0.33%, 0.53%

LAB 44.64, 22.53, -41.49

 

CMYK 0 / 42 / 45 / 31

HEX #AF6660

RGB 175 102 96

HSL 4.56, 0.33%, 0.53%

LAB 51.22, 28.64, 16.1

 

CMYK 45 / 0 / 41 / 32

HEX #60AE67

RGB 96 174 103

HSL 125.38, 0.33%, 0.53%

LAB 64.75, -39.2, 29.14

 

CMYK 45 / 13 / 0 / 31

HEX #6098AF

RGB 96 152 175

HSL 197.47, 0.33%, 0.53%

LAB 59.92, -12.15, -17.76

 

CMYK 0 / 45 / 4 / 31

HEX #AF60A8

RGB 175 96 168

HSL 305.32, 0.33%, 0.53%

LAB 52.18, 42.45, -25.01

 

CMYK 0 / 33 / 45 / 31

HEX #AF7660

RGB 175 118 96

HSL 16.71, 0.33%, 0.53%

LAB 54.99, 19.72, 21.19

 

CMYK 45 / 0 / 41 / 32

HEX #60AE67

RGB 96 174 103

HSL 125.38, 0.33%, 0.53%

LAB 64.75, -39.2, 29.14

 

CMYK 45 / 26 / 0 / 31

HEX #6081AF

RGB 96 129 175

HSL 214.94, 0.33%, 0.53%

LAB 53.26, 0.9, -27.99

 

CMYK 0 / 45 / 4 / 31

HEX #AF60A8

RGB 175 96 168

HSL 305.32, 0.33%, 0.53%

LAB 52.18, 42.45, -25.01

 

CMYK 0 / 19 / 45 / 31

HEX #AF8E60

RGB 175 142 96

HSL 34.94, 0.33%, 0.53%

LAB 61.05, 6.28, 29.16

 

Description

Color code: RGB 96 174 103 | qconv.com Color code: RGB 96 174 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 174 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 174 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 41 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 41% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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