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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 165 59 it is the complementary color RGB 159 90 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 165 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 165 59 shade: RGB 101 165 54, RGB 118 183 73, RGB 135 201 92, RGB 152 219 111 and RGB 169 237 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 165 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 79 147 40, RGB 62 129 21, RGB 45 111 2 and RGB 28 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 125 165 59, RGB 153 165 59, RGB 165 148 59 and RGB 165 120 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 68 165 59, RGB 59 165 80, RGB 59 165 108 and RGB 59 165 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 165 59 shade matches the following richer shades: RGB 96 165 59, RGB 91 183 41, RGB 85 201 23 and RGB 80 219 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 102 147 78, RGB 107 129 96, RGB 113 110 114 and RGB 118 92 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 165 59 shade: RGB 153 165 59, RGB 125 165 59, RGB 96 165 59, RGB 68 165 59 and RGB 59 165 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 165 59 shade: RGB 61 104 38, RGB 79 135 49, RGB 96 165 59, RGB 115 190 75 and RGB 139 201 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 59 165 149 and RGB 165 59 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 59 96 165 and RGB 165 59 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 59 165 149, RGB 128 59 165 and RGB 165 59 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 165 59 shade: RGB 96 165 59, RGB 59 149 165, RGB 128 59 165 and RGB 165 75 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

Complementary color

CMYK 19 / 54 / 0 / 23

HEX #9F5AC4

RGB 159 90 196

HSL 279.06, 0.47%, 0.56%

LAB 50.3, 46.6, -44.35

 

CMYK 39 / 0 / 67 / 35

HEX #65A536

RGB 101 165 54

HSL 94.59, 0.51%, 0.43%

LAB 61.61, -39.67, 49.2

 

CMYK 36 / 0 / 60 / 28

HEX #76B749

RGB 118 183 73

HSL 95.45, 0.43%, 0.5%

LAB 68.17, -39.86, 48.36

 

CMYK 33 / 0 / 54 / 21

HEX #87C95C

RGB 135 201 92

HSL 96.33, 0.5%, 0.57%

LAB 74.63, -39.91, 47.31

 

CMYK 31 / 0 / 49 / 14

HEX #98DB6F

RGB 152 219 111

HSL 97.22, 0.6%, 0.65%

LAB 81.01, -39.89, 46.18

 

CMYK 29 / 0 / 45 / 7

HEX #A9ED82

RGB 169 237 130

HSL 98.13, 0.75%, 0.72%

LAB 87.3, -39.81, 45.02

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 46 / 0 / 73 / 42

HEX #4F9328

RGB 79 147 40

HSL 98.13, 0.57%, 0.37%

LAB 54.74, -40.61, 47.39

 

CMYK 52 / 0 / 84 / 49

HEX #3E8115

RGB 62 129 21

HSL 97.22, 0.72%, 0.29%

LAB 47.98, -39.95, 47.19

 

CMYK 59 / 0 / 98 / 56

HEX #2D6F02

RGB 45 111 2

HSL 96.33, 0.96%, 0.22%

LAB 41.11, -38.81, 45.66

 

CMYK 70 / 0 / 100 / 64

HEX #1C5D00

RGB 28 93 0

HSL 101.94, 1%, 0.18%

LAB 34.14, -36.68, 40.42

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 24 / 0 / 64 / 35

HEX #7DA53B

RGB 125 165 59

HSL 82.64, 0.47%, 0.44%

LAB 63, -30.29, 48.96

 

CMYK 7 / 0 / 64 / 35

HEX #99A53B

RGB 153 165 59

HSL 66.79, 0.47%, 0.44%

LAB 64.96, -18.75, 51.65

 

CMYK 0 / 10 / 64 / 35

HEX #A5943B

RGB 165 148 59

HSL 50.38, 0.47%, 0.44%

LAB 61.22, -4.56, 47.95

 

CMYK 0 / 27 / 64 / 35

HEX #A5783B

RGB 165 120 59

HSL 34.53, 0.47%, 0.44%

LAB 53.76, 11, 39.69

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 59 / 0 / 64 / 35

HEX #44A53B

RGB 68 165 59

HSL 114.91, 0.47%, 0.44%

LAB 60.3, -49.22, 45.23

 

CMYK 64 / 0 / 52 / 35

HEX #3BA550

RGB 59 165 80

HSL 131.89, 0.47%, 0.44%

LAB 60.27, -48.65, 35.09

 

CMYK 64 / 0 / 35 / 35

HEX #3BA56C

RGB 59 165 108

HSL 147.74, 0.47%, 0.44%

LAB 60.71, -43.71, 20.85

 

CMYK 64 / 0 / 18 / 35

HEX #3BA588

RGB 59 165 136

HSL 163.58, 0.47%, 0.44%

LAB 61.32, -37.37, 6.18

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 50 / 0 / 78 / 28

HEX #5BB729

RGB 91 183 41

HSL 98.87, 0.63%, 0.44%

LAB 66.71, -51.17, 59

 

CMYK 58 / 0 / 89 / 21

HEX #55C917

RGB 85 201 23

HSL 99.1, 0.79%, 0.44%

LAB 72.07, -60.17, 68.25

 

CMYK 63 / 0 / 98 / 14

HEX #50DB05

RGB 80 219 5

HSL 98.97, 0.96%, 0.44%

LAB 77.51, -67.73, 74.94

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 31 / 0 / 47 / 42

HEX #66934E

RGB 102 147 78

HSL 99.13, 0.31%, 0.44%

LAB 56.33, -28.47, 31.63

 

CMYK 17 / 0 / 26 / 49

HEX #6B8160

RGB 107 129 96

HSL 100, 0.15%, 0.44%

LAB 51.46, -14.57, 15.33

 

CMYK 1 / 4 / 0 / 55

HEX #716E72

RGB 113 110 114

HSL 285, 0.02%, 0.44%

LAB 46.81, 1.97, -1.81

 

CMYK 11 / 30 / 0 / 48

HEX #765C84

RGB 118 92 132

HSL 279, 0.18%, 0.44%

LAB 43.02, 18.55, -18.31

 

CMYK 7 / 0 / 64 / 35

HEX #99A53B

RGB 153 165 59

HSL 66.79, 0.47%, 0.44%

LAB 64.96, -18.75, 51.65

 

CMYK 24 / 0 / 64 / 35

HEX #7DA53B

RGB 125 165 59

HSL 82.64, 0.47%, 0.44%

LAB 63, -30.29, 48.96

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 59 / 0 / 64 / 35

HEX #44A53B

RGB 68 165 59

HSL 114.91, 0.47%, 0.44%

LAB 60.3, -49.22, 45.23

 

CMYK 64 / 0 / 52 / 35

HEX #3BA54F

RGB 59 165 79

HSL 131.32, 0.47%, 0.44%

LAB 60.25, -48.8, 35.58

 

CMYK 41 / 0 / 63 / 59

HEX #3D6826

RGB 61 104 38

HSL 99.09, 0.46%, 0.28%

LAB 39.64, -28.01, 31.84

 

CMYK 41 / 0 / 64 / 47

HEX #4F8731

RGB 79 135 49

HSL 99.07, 0.47%, 0.36%

LAB 50.93, -34.63, 39.47

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 39 / 0 / 61 / 25

HEX #73BE4B

RGB 115 190 75

HSL 99.13, 0.47%, 0.52%

LAB 70.16, -43.71, 49.68

 

CMYK 31 / 0 / 47 / 21

HEX #8BC96A

RGB 139 201 106

HSL 99.16, 0.47%, 0.6%

LAB 75.02, -36.9, 41.08

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 64 / 0 / 10 / 35

HEX #3BA595

RGB 59 165 149

HSL 170.94, 0.47%, 0.44%

LAB 61.66, -34.01, -0.63

 

CMYK 0 / 64 / 16 / 35

HEX #A53B8B

RGB 165 59 139

HSL 314.72, 0.47%, 0.44%

LAB 42.75, 52.55, -22.45

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 64 / 42 / 0 / 35

HEX #3B60A5

RGB 59 96 165

HSL 219.06, 0.47%, 0.44%

LAB 41.24, 9.44, -41.19

 

CMYK 0 / 64 / 42 / 35

HEX #A53B60

RGB 165 59 96

HSL 339.06, 0.47%, 0.44%

LAB 41.17, 46.91, 1.72

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 64 / 0 / 10 / 35

HEX #3BA595

RGB 59 165 149

HSL 170.94, 0.47%, 0.44%

LAB 61.66, -34.01, -0.63

 

CMYK 22 / 64 / 0 / 35

HEX #803BA5

RGB 128 59 165

HSL 279.06, 0.47%, 0.44%

LAB 38.61, 47.74, -45.03

 

CMYK 0 / 64 / 55 / 35

HEX #A53B4B

RGB 165 59 75

HSL 350.94, 0.47%, 0.44%

LAB 40.63, 44.89, 14.1

 

CMYK 42 / 0 / 64 / 35

HEX #60A53B

RGB 96 165 59

HSL 99.06, 0.47%, 0.44%

LAB 61.41, -40.94, 46.77

 

CMYK 64 / 10 / 0 / 35

HEX #3B95A5

RGB 59 149 165

HSL 189.06, 0.47%, 0.44%

LAB 57.21, -21.47, -16.33

 

CMYK 22 / 64 / 0 / 35

HEX #803BA5

RGB 128 59 165

HSL 279.06, 0.47%, 0.44%

LAB 38.61, 47.74, -45.03

 

CMYK 0 / 55 / 64 / 35

HEX #A54B3B

RGB 165 75 59

HSL 9.06, 0.47%, 0.44%

LAB 43.28, 35.92, 27.3

 

Description

Color code: RGB 96 165 59 | qconv.com Color code: RGB 96 165 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 165 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 165 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 64 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 64% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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