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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 164.2 244.6 it is the complementary color RGB 159 90.8 10.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 164.2 244.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 164.2 244.6 shade: RGB 101 164.2 239.6, RGB 118 182.2 255, RGB 135 200.2 255, RGB 152 218.2 255 and RGB 169 236.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 164.2 244.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 164.2 244.6 shade: RGB 96 164.2 244.6, RGB 79 146.2 225.6, RGB 62 128.2 206.6, RGB 45 110.2 187.6 and RGB 28 92.2 168.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 164.2 244.6 shade: RGB 97 165 245, RGB 97 125 245, RGB 109 97 245, RGB 149 97 245 and RGB 189 97 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 164.2 244.6 shade: RGB 97 165 245, RGB 97 125 245 and RGB 97 97 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 164.2 244.6 shade matches the following richer shades: RGB 97 165 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 164.2 244.6 shade: RGB 97 165 245, RGB 110 166 231, RGB 124 167 218, RGB 138 168 204 and RGB 151 169 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 164.2 244.6 shade: RGB 97 245 245, RGB 97 205 245, RGB 97 166 245, RGB 97 126 245 and RGB 107 97 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 164.2 244.6 shade: RGB 19 121 240, RGB 58 143 242, RGB 97 165 245, RGB 136 187 247 and RGB 174 209 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 164.2 244.6 shade: RGB 96 164.2 244.6, RGB 205 97 245 and RGB 225 245 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 164.2 244.6 shade: RGB 96 164.2 244.6, RGB 245 97 166 and RGB 166 245 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 164.2 244.6 shade: RGB 96 164.2 244.6, RGB 205 97 245, RGB 245 176 97 and RGB 136 245 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 164.2 244.6 shade: RGB 96 164.2 244.6, RGB 245 97 240, RGB 245 176 97 and RGB 97 245 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 33 / 0 / 4

HEX #60A4F4

RGB 96 164.2 244.6

HSL 212.46, 0.88%, 0.67%

LAB 66.27, 2.23, -46.63

 

Complementary color

CMYK 0 / 43 / 93 / 38

HEX #9F5A0A

RGB 159 90.8 10.4

HSL 32.46, 0.88%, 0.33%

LAB 45.42, 22.82, 51.33

 

CMYK 58 / 31 / 0 / 6

HEX #65A4EF

RGB 101 164.2 239.6

HSL 212.64, 0.82%, 0.67%

LAB 66.26, 1.58, -43.91

 

CMYK 54 / 29 / 0 / 0

HEX #76B6FF

RGB 118 182.2 255

HSL 211.88, 1%, 0.73%

LAB 72.63, -0.33, -42.23

 

CMYK 47 / 21 / 0 / 0

HEX #87C8FF

RGB 135 200.2 255

HSL 207.4, 1%, 0.76%

LAB 78.33, -6.37, -33.32

 

CMYK 40 / 14 / 0 / 0

HEX #98DAFF

RGB 152 218.2 255

HSL 201.44, 1%, 0.8%

LAB 84.04, -11.73, -24.5

 

CMYK 34 / 7 / 0 / 0

HEX #A9ECFF

RGB 169 236.2 255

HSL 193.12, 1%, 0.83%

LAB 89.75, -16.51, -15.79

 

CMYK 61 / 33 / 0 / 4

HEX #60A4F4

RGB 96 164.2 244.6

HSL 212.46, 0.88%, 0.67%

LAB 66.27, 2.23, -46.63

 

CMYK 65 / 35 / 0 / 12

HEX #4F92E1

RGB 79 146.2 225.6

HSL 212.5, 0.71%, 0.6%

LAB 59.66, 3.39, -46.64

 

CMYK 70 / 38 / 0 / 19

HEX #3E80CE

RGB 62 128.2 206.6

HSL 212.53, 0.6%, 0.53%

LAB 52.95, 4.81, -46.65

 

CMYK 76 / 41 / 0 / 26

HEX #2D6EBB

RGB 45 110.2 187.6

HSL 212.57, 0.61%, 0.46%

LAB 46.13, 6.61, -46.65

 

CMYK 83 / 45 / 0 / 34

HEX #1C5CA8

RGB 28 92.2 168.6

HSL 212.6, 0.72%, 0.39%

LAB 39.22, 8.92, -46.61

 

CMYK 60 / 33 / 0 / 4

HEX #61A5F5

RGB 97 165 245

HSL 212.43, 0.88%, 0.67%

LAB 66.55, 2.09, -46.4

 

CMYK 60 / 49 / 0 / 4

HEX #617DF5

RGB 97 125 245

HSL 228.65, 0.88%, 0.67%

LAB 55.89, 25.75, -63.38

 

CMYK 56 / 60 / 0 / 4

HEX #6D61F5

RGB 109 97 245

HSL 244.86, 0.88%, 0.67%

LAB 49.97, 44.59, -72.91

 

CMYK 39 / 60 / 0 / 4

HEX #9561F5

RGB 149 97 245

HSL 261.08, 0.88%, 0.67%

LAB 53.53, 52.27, -66.98

 

CMYK 23 / 60 / 0 / 4

HEX #BD61F5

RGB 189 97 245

HSL 277.3, 0.88%, 0.67%

LAB 58, 61.09, -59.55

 

CMYK 60 / 33 / 0 / 4

HEX #61A5F5

RGB 97 165 245

HSL 212.43, 0.88%, 0.67%

LAB 66.55, 2.09, -46.4

 

CMYK 60 / 49 / 0 / 4

HEX #617DF5

RGB 97 125 245

HSL 228.65, 0.88%, 0.67%

LAB 55.89, 25.75, -63.38

 

CMYK 60 / 60 / 0 / 4

HEX #6161F5

RGB 97 97 245

HSL 240, 0.88%, 0.67%

LAB 49.11, 42.62, -74.35

 

CMYK 60 / 33 / 0 / 4

HEX #61A5F5

RGB 97 165 245

HSL 212.43, 0.88%, 0.67%

LAB 66.55, 2.09, -46.4

 

CMYK 60 / 33 / 0 / 4

HEX #61A5F5

RGB 97 165 245

HSL 212.43, 0.88%, 0.67%

LAB 66.55, 2.09, -46.4

 

CMYK 52 / 28 / 0 / 9

HEX #6EA6E7

RGB 110 166 231

HSL 212.23, 0.72%, 0.67%

LAB 66.79, -0.23, -38.33

 

CMYK 43 / 23 / 0 / 15

HEX #7CA7DA

RGB 124 167 218

HSL 212.55, 0.56%, 0.67%

LAB 67.27, -1.25, -30.39

 

CMYK 32 / 18 / 0 / 20

HEX #8AA8CC

RGB 138 168 204

HSL 212.73, 0.39%, 0.67%

LAB 67.85, -1.74, -21.69

 

CMYK 21 / 11 / 0 / 25

HEX #97A9BE

RGB 151 169 190

HSL 212.31, 0.23%, 0.67%

LAB 68.51, -1.7, -12.86

 

CMYK 60 / 0 / 0 / 4

HEX #61F5F5

RGB 97 245 245

HSL 180, 0.88%, 0.67%

LAB 89.13, -38.87, -11.78

 

CMYK 60 / 16 / 0 / 4

HEX #61CDF5

RGB 97 205 245

HSL 196.22, 0.88%, 0.67%

LAB 77.75, -19.56, -28.99

 

CMYK 60 / 32 / 0 / 4

HEX #61A6F5

RGB 97 166 245

HSL 212.03, 0.88%, 0.67%

LAB 66.83, 1.52, -45.97

 

CMYK 60 / 49 / 0 / 4

HEX #617EF5

RGB 97 126 245

HSL 228.24, 0.88%, 0.67%

LAB 56.14, 25.15, -62.97

 

CMYK 56 / 60 / 0 / 4

HEX #6B61F5

RGB 107 97 245

HSL 244.05, 0.88%, 0.67%

LAB 49.82, 44.25, -73.17

 

CMYK 92 / 50 / 0 / 6

HEX #1379F0

RGB 19 121 240

HSL 212.31, 0.88%, 0.51%

LAB 51.96, 17.92, -67.07

 

CMYK 76 / 41 / 0 / 5

HEX #3A8FF2

RGB 58 143 242

HSL 212.28, 0.88%, 0.59%

LAB 58.93, 8.09, -56.93

 

CMYK 60 / 33 / 0 / 4

HEX #61A5F5

RGB 97 165 245

HSL 212.43, 0.88%, 0.67%

LAB 66.55, 2.09, -46.4

 

CMYK 45 / 24 / 0 / 3

HEX #88BBF7

RGB 136 187 247

HSL 212.43, 0.87%, 0.75%

LAB 74.5, -1.23, -34.94

 

CMYK 30 / 16 / 0 / 2

HEX #AED1FA

RGB 174 209 250

HSL 212.37, 0.88%, 0.83%

LAB 82.65, -2.3, -23.86

 

CMYK 61 / 33 / 0 / 4

HEX #60A4F4

RGB 96 164.2 244.6

HSL 212.46, 0.88%, 0.67%

LAB 66.27, 2.23, -46.63

 

CMYK 16 / 60 / 0 / 4

HEX #CD61F5

RGB 205 97 245

HSL 283.78, 0.88%, 0.67%

LAB 60, 64.8, -56.24

 

CMYK 8 / 0 / 60 / 4

HEX #E1F561

RGB 225 245 97

HSL 68.11, 0.88%, 0.67%

LAB 92.65, -25.88, 67.02

 

CMYK 61 / 33 / 0 / 4

HEX #60A4F4

RGB 96 164.2 244.6

HSL 212.46, 0.88%, 0.67%

LAB 66.27, 2.23, -46.63

 

CMYK 0 / 60 / 32 / 4

HEX #F561A6

RGB 245 97 166

HSL 332.03, 0.88%, 0.67%

LAB 62.27, 63.05, -7.62

 

CMYK 32 / 0 / 60 / 4

HEX #A6F561

RGB 166 245 97

HSL 92.03, 0.88%, 0.67%

LAB 89.05, -47.75, 62.04

 

CMYK 61 / 33 / 0 / 4

HEX #60A4F4

RGB 96 164.2 244.6

HSL 212.46, 0.88%, 0.67%

LAB 66.27, 2.23, -46.63

 

CMYK 16 / 60 / 0 / 4

HEX #CD61F5

RGB 205 97 245

HSL 283.78, 0.88%, 0.67%

LAB 60, 64.8, -56.24

 

CMYK 0 / 28 / 60 / 4

HEX #F5B061

RGB 245 176 97

HSL 32.03, 0.88%, 0.67%

LAB 76.88, 17.18, 49.76

 

CMYK 44 / 0 / 60 / 4

HEX #88F561

RGB 136 245 97

HSL 104.19, 0.88%, 0.67%

LAB 87.68, -57.3, 60.13

 

CMYK 61 / 33 / 0 / 4

HEX #60A4F4

RGB 96 164.2 244.6

HSL 212.46, 0.88%, 0.67%

LAB 66.27, 2.23, -46.63

 

CMYK 0 / 60 / 2 / 4

HEX #F561F0

RGB 245 97 240

HSL 302.03, 0.88%, 0.67%

LAB 65.16, 73.43, -44.95

 

CMYK 0 / 28 / 60 / 4

HEX #F5B061

RGB 245 176 97

HSL 32.03, 0.88%, 0.67%

LAB 76.88, 17.18, 49.76

 

CMYK 60 / 0 / 58 / 4

HEX #61F566

RGB 97 245 102

HSL 122.03, 0.88%, 0.67%

LAB 86.41, -66.78, 56.18

 

Description

Color code: RGB 96 164.2 244.6 | qconv.com Color code: RGB 96 164.2 244.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 164.2 green and 244.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 164.2 244.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 33 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 33% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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