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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 160 210 it is the complementary color RGB 159 95 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 160 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 160 210 shade: RGB 101 160 205, RGB 118 178 224, RGB 135 196 243, RGB 152 214 255 and RGB 169 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 160 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 79 142 191, RGB 62 124 172, RGB 45 106 153 and RGB 28 88 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 96 129 210, RGB 96 98 210, RGB 124 96 210 and RGB 155 96 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 96 129 210, RGB 96 98 210 and RGB 96 96 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 160 210 shade matches the following richer shades: RGB 96 160 210, RGB 79 162 227 and RGB 63 164 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 112 158 194, RGB 129 156 177, RGB 145 154 161 and RGB 162 152 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 160 210 shade: RGB 96 210 199, RGB 96 191 210, RGB 96 161 210, RGB 96 130 210 and RGB 96 100 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 160 210 shade: RGB 49 119 174, RGB 64 141 201, RGB 96 160 210, RGB 128 179 219 and RGB 160 198 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 168 96 210 and RGB 206 210 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 210 96 161 and RGB 161 210 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 168 96 210, RGB 210 145 96 and RGB 138 210 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 160 210 shade: RGB 96 160 210, RGB 203 96 210, RGB 210 145 96 and RGB 103 210 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

Complementary color

CMYK 0 / 40 / 72 / 38

HEX #9F5F2D

RGB 159 95 45

HSL 26.32, 0.56%, 0.4%

LAB 46.64, 21.66, 38.71

 

CMYK 51 / 22 / 0 / 20

HEX #65A0CD

RGB 101 160 205

HSL 205.96, 0.51%, 0.6%

LAB 63.6, -6.68, -28.94

 

CMYK 47 / 21 / 0 / 12

HEX #76B2E0

RGB 118 178 224

HSL 206.04, 0.63%, 0.67%

LAB 70.23, -7.1, -29.14

 

CMYK 44 / 19 / 0 / 5

HEX #87C4F3

RGB 135 196 243

HSL 206.11, 0.82%, 0.74%

LAB 76.74, -7.44, -29.34

 

CMYK 40 / 16 / 0 / 0

HEX #98D6FF

RGB 152 214 255

HSL 203.88, 1%, 0.8%

LAB 82.91, -9.55, -26.23

 

CMYK 34 / 9 / 0 / 0

HEX #A9E8FF

RGB 169 232 255

HSL 196.05, 1%, 0.83%

LAB 88.62, -14.39, -17.48

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 59 / 26 / 0 / 25

HEX #4F8EBF

RGB 79 142 191

HSL 206.25, 0.47%, 0.53%

LAB 56.85, -5.62, -31.62

 

CMYK 64 / 28 / 0 / 33

HEX #3E7CAC

RGB 62 124 172

HSL 206.18, 0.47%, 0.46%

LAB 50, -4.77, -31.46

 

CMYK 71 / 31 / 0 / 40

HEX #2D6A99

RGB 45 106 153

HSL 206.11, 0.55%, 0.39%

LAB 43.01, -3.63, -31.29

 

CMYK 79 / 34 / 0 / 47

HEX #1C5886

RGB 28 88 134

HSL 206.04, 0.65%, 0.32%

LAB 35.88, -2.06, -31.1

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 54 / 39 / 0 / 18

HEX #6081D2

RGB 96 129 210

HSL 222.63, 0.56%, 0.6%

LAB 54.91, 11.73, -45.37

 

CMYK 54 / 53 / 0 / 18

HEX #6062D2

RGB 96 98 210

HSL 238.95, 0.56%, 0.6%

LAB 46.81, 30.69, -58.31

 

CMYK 41 / 54 / 0 / 18

HEX #7C60D2

RGB 124 96 210

HSL 254.74, 0.56%, 0.6%

LAB 48.64, 37.97, -55.24

 

CMYK 26 / 54 / 0 / 18

HEX #9B60D2

RGB 155 96 210

HSL 271.05, 0.56%, 0.6%

LAB 51.82, 45.55, -49.97

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 54 / 39 / 0 / 18

HEX #6081D2

RGB 96 129 210

HSL 222.63, 0.56%, 0.6%

LAB 54.91, 11.73, -45.37

 

CMYK 54 / 53 / 0 / 18

HEX #6062D2

RGB 96 98 210

HSL 238.95, 0.56%, 0.6%

LAB 46.81, 30.69, -58.31

 

CMYK 54 / 54 / 0 / 18

HEX #6060D2

RGB 96 96 210

HSL 240, 0.56%, 0.6%

LAB 46.32, 31.92, -59.1

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 65 / 29 / 0 / 11

HEX #4FA2E3

RGB 79 162 227

HSL 206.35, 0.73%, 0.6%

LAB 64.2, -5.22, -40.27

 

CMYK 74 / 33 / 0 / 5

HEX #3FA4F3

RGB 63 164 243

HSL 206.33, 0.88%, 0.6%

LAB 65.03, -3.22, -47.8

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 42 / 19 / 0 / 24

HEX #709EC2

RGB 112 158 194

HSL 206.34, 0.4%, 0.6%

LAB 63.17, -6.02, -23.42

 

CMYK 27 / 12 / 0 / 31

HEX #819CB1

RGB 129 156 177

HSL 206.25, 0.24%, 0.6%

LAB 63.03, -4.5, -14.01

 

CMYK 10 / 4 / 0 / 37

HEX #919AA1

RGB 145 154 161

HSL 206.25, 0.08%, 0.6%

LAB 63.1, -1.77, -4.77

 

CMYK 0 / 6 / 11 / 36

HEX #A29890

RGB 162 152 144

HSL 26.67, 0.09%, 0.6%

LAB 63.47, 2.24, 5.51

 

CMYK 54 / 0 / 5 / 18

HEX #60D2C7

RGB 96 210 199

HSL 174.21, 0.56%, 0.6%

LAB 77.7, -34.96, -4.39

 

CMYK 54 / 9 / 0 / 18

HEX #60BFD2

RGB 96 191 210

HSL 190, 0.56%, 0.6%

LAB 72.5, -22.77, -18.12

 

CMYK 54 / 23 / 0 / 18

HEX #60A1D2

RGB 96 161 210

HSL 205.79, 0.56%, 0.6%

LAB 63.86, -6.84, -31.34

 

CMYK 54 / 38 / 0 / 18

HEX #6082D2

RGB 96 130 210

HSL 222.11, 0.56%, 0.6%

LAB 55.18, 11.13, -44.93

 

CMYK 54 / 52 / 0 / 18

HEX #6064D2

RGB 96 100 210

HSL 237.89, 0.56%, 0.6%

LAB 47.31, 29.47, -57.51

 

CMYK 72 / 32 / 0 / 32

HEX #3177AE

RGB 49 119 174

HSL 206.4, 0.56%, 0.44%

LAB 48.14, -3.26, -35.57

 

CMYK 68 / 30 / 0 / 21

HEX #408DC9

RGB 64 141 201

HSL 206.28, 0.56%, 0.52%

LAB 56.44, -4.42, -37.96

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 42 / 18 / 0 / 14

HEX #80B3DB

RGB 128 179 219

HSL 206.37, 0.56%, 0.68%

LAB 70.83, -6.55, -25.43

 

CMYK 30 / 13 / 0 / 11

HEX #A0C6E4

RGB 160 198 228

HSL 206.47, 0.56%, 0.76%

LAB 78.15, -5.72, -19.01

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 20 / 54 / 0 / 18

HEX #A860D2

RGB 168 96 210

HSL 277.89, 0.56%, 0.6%

LAB 53.32, 48.9, -47.49

 

CMYK 2 / 0 / 54 / 18

HEX #CED260

RGB 206 210 96

HSL 62.11, 0.56%, 0.6%

LAB 81.87, -16.59, 55.07

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 0 / 54 / 23 / 18

HEX #D260A1

RGB 210 96 161

HSL 325.79, 0.56%, 0.6%

LAB 56.72, 52.26, -13.57

 

CMYK 23 / 0 / 54 / 18

HEX #A1D260

RGB 161 210 96

HSL 85.79, 0.56%, 0.6%

LAB 78.76, -34.21, 50.67

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 20 / 54 / 0 / 18

HEX #A860D2

RGB 168 96 210

HSL 277.89, 0.56%, 0.6%

LAB 53.32, 48.9, -47.49

 

CMYK 0 / 31 / 54 / 18

HEX #D29160

RGB 210 145 96

HSL 25.79, 0.56%, 0.6%

LAB 65.59, 19.28, 35.71

 

CMYK 34 / 0 / 54 / 18

HEX #8AD260

RGB 138 210 96

HSL 97.89, 0.56%, 0.6%

LAB 77.48, -42.4, 48.85

 

CMYK 54 / 24 / 0 / 18

HEX #60A0D2

RGB 96 160 210

HSL 206.32, 0.56%, 0.6%

LAB 63.57, -6.28, -31.78

 

CMYK 3 / 54 / 0 / 18

HEX #CB60D2

RGB 203 96 210

HSL 296.32, 0.56%, 0.6%

LAB 57.77, 58.12, -40.18

 

CMYK 0 / 31 / 54 / 18

HEX #D29160

RGB 210 145 96

HSL 25.79, 0.56%, 0.6%

LAB 65.59, 19.28, 35.71

 

CMYK 51 / 0 / 54 / 18

HEX #67D260

RGB 103 210 96

HSL 116.32, 0.56%, 0.6%

LAB 75.96, -53.13, 46.67

 

Description

Color code: RGB 96 160 210 | qconv.com Color code: RGB 96 160 210 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 160 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 160 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 24 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 24% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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