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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 108.8 109.4 it is the complementary color RGB 159 146.2 145.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 108.8 109.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 108.8 109.4 shade: RGB 101 108.8 104.4, RGB 118 126.8 123.4, RGB 135 144.8 142.4, RGB 152 162.8 161.4 and RGB 169 180.8 180.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 108.8 109.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 108.8 109.4 shade: RGB 96 108.8 109.4, RGB 79 90.8 90.4, RGB 62 72.8 71.4, RGB 45 54.8 52.4 and RGB 28 36.8 33.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 108.8 109.4 shade: RGB 95 108 109, RGB 95 105 109, RGB 95 101 109, RGB 95 97 109 and RGB 97 95 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 108.8 109.4 shade: RGB 95 108 109, RGB 95 105 109, RGB 95 101 109, RGB 95 97 109 and RGB 95 95 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 108.8 109.4 shade matches the following richer shades: RGB 95 108 109, RGB 78 124 126, RGB 62 139 142, RGB 45 154 159 and RGB 29 169 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 108.8 109.4 shade: RGB 95 108 109, RGB 111 93 93, RGB 128 78 76, RGB 144 63 60 and RGB 161 48 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 108.8 109.4 shade: RGB 95 109 102, RGB 95 109 106, RGB 95 109 109, RGB 95 105 109 and RGB 95 101 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 108.8 109.4 shade: RGB 56 65 65, RGB 76 87 87, RGB 95 108 109, RGB 114 130 131 and RGB 135 150 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 108.8 109.4 shade: RGB 96 108.8 109.4, RGB 98 95 109 and RGB 109 104 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 108.8 109.4 shade: RGB 96 108.8 109.4, RGB 109 95 109 and RGB 109 109 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 108.8 109.4 shade: RGB 96 108.8 109.4, RGB 98 95 109, RGB 109 95 95 and RGB 106 109 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 108.8 109.4 shade: RGB 96 108.8 109.4, RGB 102 95 109, RGB 109 95 95 and RGB 102 109 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 1 / 0 / 57

HEX #606C6D

RGB 96 108.8 109.4

HSL 182.69, 0.07%, 0.4%

LAB 44.93, -4.68, -1.98

 

Complementary color

CMYK 0 / 8 / 8 / 38

HEX #9F9291

RGB 159 146.2 145.6

HSL 2.69, 0.07%, 0.6%

LAB 61.7, 4.63, 2.02

 

CMYK 7 / 0 / 4 / 57

HEX #656C68

RGB 101 108.8 104.4

HSL 146.15, 0.04%, 0.41%

LAB 45.18, -3.9, 1.43

 

CMYK 7 / 0 / 3 / 50

HEX #767E7B

RGB 118 126.8 123.4

HSL 156.82, 0.04%, 0.48%

LAB 52.31, -3.96, 0.72

 

CMYK 7 / 0 / 2 / 43

HEX #87908E

RGB 135 144.8 142.4

HSL 165.31, 0.04%, 0.55%

LAB 59.26, -4.02, 0.04

 

CMYK 7 / 0 / 1 / 36

HEX #98A2A1

RGB 152 162.8 161.4

HSL 172.22, 0.06%, 0.62%

LAB 66.05, -4.09, -0.6

 

CMYK 7 / 0 / 0 / 29

HEX #A9B4B4

RGB 169 180.8 180.4

HSL 177.97, 0.07%, 0.69%

LAB 72.7, -4.17, -1.22

 

CMYK 12 / 1 / 0 / 57

HEX #606C6D

RGB 96 108.8 109.4

HSL 182.69, 0.07%, 0.4%

LAB 44.93, -4.68, -1.98

 

CMYK 13 / 0 / 0 / 64

HEX #4F5A5A

RGB 79 90.8 90.4

HSL 177.97, 0.07%, 0.33%

LAB 37.58, -4.66, -1.33

 

CMYK 15 / 0 / 2 / 71

HEX #3E4847

RGB 62 72.8 71.4

HSL 172.22, 0.08%, 0.26%

LAB 29.97, -4.67, -0.63

 

CMYK 18 / 0 / 4 / 79

HEX #2D3634

RGB 45 54.8 52.4

HSL 165.31, 0.1%, 0.2%

LAB 22.03, -4.71, 0.12

 

CMYK 24 / 0 / 9 / 86

HEX #1C2421

RGB 28 36.8 33.4

HSL 156.82, 0.14%, 0.13%

LAB 13.65, -4.81, 0.97

 

CMYK 13 / 1 / 0 / 57

HEX #5F6C6D

RGB 95 108 109

HSL 184.29, 0.07%, 0.4%

LAB 44.61, -4.67, -2.23

 

CMYK 13 / 4 / 0 / 57

HEX #5F696D

RGB 95 105 109

HSL 197.14, 0.07%, 0.4%

LAB 43.71, -2.9, -3.55

 

CMYK 13 / 7 / 0 / 57

HEX #5F656D

RGB 95 101 109

HSL 214.29, 0.07%, 0.4%

LAB 42.53, -0.52, -5.3

 

CMYK 13 / 11 / 0 / 57

HEX #5F616D

RGB 95 97 109

HSL 231.43, 0.07%, 0.4%

LAB 41.35, 1.9, -7.05

 

CMYK 11 / 13 / 0 / 57

HEX #615F6D

RGB 97 95 109

HSL 248.57, 0.07%, 0.4%

LAB 40.94, 3.86, -7.65

 

CMYK 13 / 1 / 0 / 57

HEX #5F6C6D

RGB 95 108 109

HSL 184.29, 0.07%, 0.4%

LAB 44.61, -4.67, -2.23

 

CMYK 13 / 4 / 0 / 57

HEX #5F696D

RGB 95 105 109

HSL 197.14, 0.07%, 0.4%

LAB 43.71, -2.9, -3.55

 

CMYK 13 / 7 / 0 / 57

HEX #5F656D

RGB 95 101 109

HSL 214.29, 0.07%, 0.4%

LAB 42.53, -0.52, -5.3

 

CMYK 13 / 11 / 0 / 57

HEX #5F616D

RGB 95 97 109

HSL 231.43, 0.07%, 0.4%

LAB 41.35, 1.9, -7.05

 

CMYK 13 / 13 / 0 / 57

HEX #5F5F6D

RGB 95 95 109

HSL 240, 0.07%, 0.4%

LAB 40.77, 3.12, -7.93

 

CMYK 13 / 1 / 0 / 57

HEX #5F6C6D

RGB 95 108 109

HSL 184.29, 0.07%, 0.4%

LAB 44.61, -4.67, -2.23

 

CMYK 38 / 2 / 0 / 51

HEX #4E7C7E

RGB 78 124 126

HSL 182.5, 0.24%, 0.4%

LAB 48.94, -15.11, -6.08

 

CMYK 56 / 2 / 0 / 44

HEX #3E8B8E

RGB 62 139 142

HSL 182.25, 0.39%, 0.4%

LAB 53.43, -22.61, -8.8

 

CMYK 72 / 3 / 0 / 38

HEX #2D9A9F

RGB 45 154 159

HSL 182.63, 0.56%, 0.4%

LAB 58.2, -28.01, -11.45

 

CMYK 83 / 3 / 0 / 31

HEX #1DA9AF

RGB 29 169 175

HSL 182.47, 0.72%, 0.4%

LAB 63.12, -32.04, -13.11

 

CMYK 13 / 1 / 0 / 57

HEX #5F6C6D

RGB 95 108 109

HSL 184.29, 0.07%, 0.4%

LAB 44.61, -4.67, -2.23

 

CMYK 0 / 16 / 16 / 56

HEX #6F5D5D

RGB 111 93 93

HSL 0, 0.09%, 0.4%

LAB 41.21, 7.29, 2.71

 

CMYK 0 / 39 / 41 / 50

HEX #804E4C

RGB 128 78 76

HSL 2.31, 0.25%, 0.4%

LAB 38.83, 20.83, 10.09

 

CMYK 0 / 56 / 58 / 44

HEX #903F3C

RGB 144 63 60

HSL 2.14, 0.41%, 0.4%

LAB 37.5, 34.05, 18.64

 

CMYK 0 / 70 / 73 / 37

HEX #A1302B

RGB 161 48 43

HSL 2.54, 0.58%, 0.4%

LAB 37.6, 46.14, 29.83

 

CMYK 13 / 0 / 6 / 57

HEX #5F6D66

RGB 95 109 102

HSL 150, 0.07%, 0.4%

LAB 44.7, -6.79, 2.12

 

CMYK 13 / 0 / 3 / 57

HEX #5F6D6A

RGB 95 109 106

HSL 167.14, 0.07%, 0.4%

LAB 44.82, -5.92, -0.12

 

CMYK 13 / 0 / 0 / 57

HEX #5F6D6D

RGB 95 109 109

HSL 180, 0.07%, 0.4%

LAB 44.91, -5.25, -1.79

 

CMYK 13 / 4 / 0 / 57

HEX #5F696D

RGB 95 105 109

HSL 197.14, 0.07%, 0.4%

LAB 43.71, -2.9, -3.55

 

CMYK 13 / 7 / 0 / 57

HEX #5F656D

RGB 95 101 109

HSL 214.29, 0.07%, 0.4%

LAB 42.53, -0.52, -5.3

 

CMYK 14 / 0 / 0 / 75

HEX #384141

RGB 56 65 65

HSL 180, 0.07%, 0.24%

LAB 26.74, -3.69, -1.26

 

CMYK 13 / 0 / 0 / 66

HEX #4C5757

RGB 76 87 87

HSL 180, 0.07%, 0.32%

LAB 36.06, -4.3, -1.47

 

CMYK 13 / 1 / 0 / 57

HEX #5F6C6D

RGB 95 108 109

HSL 184.29, 0.07%, 0.4%

LAB 44.61, -4.67, -2.23

 

CMYK 13 / 1 / 0 / 49

HEX #728283

RGB 114 130 131

HSL 183.53, 0.07%, 0.48%

LAB 53.15, -5.6, -2.52

 

CMYK 11 / 1 / 0 / 41

HEX #879697

RGB 135 150 151

HSL 183.75, 0.07%, 0.56%

LAB 60.96, -5.13, -2.36

 

CMYK 12 / 1 / 0 / 57

HEX #606C6D

RGB 96 108.8 109.4

HSL 182.69, 0.07%, 0.4%

LAB 44.93, -4.68, -1.98

 

CMYK 10 / 13 / 0 / 57

HEX #625F6D

RGB 98 95 109

HSL 252.86, 0.07%, 0.4%

LAB 41.03, 4.23, -7.5

 

CMYK 0 / 5 / 13 / 57

HEX #6D685F

RGB 109 104 95

HSL 38.57, 0.07%, 0.4%

LAB 44.2, 0.24, 5.76

 

CMYK 12 / 1 / 0 / 57

HEX #606C6D

RGB 96 108.8 109.4

HSL 182.69, 0.07%, 0.4%

LAB 44.93, -4.68, -1.98

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 0 / 0 / 13 / 57

HEX #6D6D5F

RGB 109 109 95

HSL 60, 0.07%, 0.4%

LAB 45.65, -2.7, 7.83

 

CMYK 12 / 1 / 0 / 57

HEX #606C6D

RGB 96 108.8 109.4

HSL 182.69, 0.07%, 0.4%

LAB 44.93, -4.68, -1.98

 

CMYK 10 / 13 / 0 / 57

HEX #625F6D

RGB 98 95 109

HSL 252.86, 0.07%, 0.4%

LAB 41.03, 4.23, -7.5

 

CMYK 0 / 13 / 13 / 57

HEX #6D5F5F

RGB 109 95 95

HSL 0, 0.07%, 0.4%

LAB 41.63, 5.63, 2.06

 

CMYK 3 / 0 / 13 / 57

HEX #6A6D5F

RGB 106 109 95

HSL 72.86, 0.07%, 0.4%

LAB 45.4, -3.91, 7.43

 

CMYK 12 / 1 / 0 / 57

HEX #606C6D

RGB 96 108.8 109.4

HSL 182.69, 0.07%, 0.4%

LAB 44.93, -4.68, -1.98

 

CMYK 6 / 13 / 0 / 57

HEX #665F6D

RGB 102 95 109

HSL 270, 0.07%, 0.4%

LAB 41.4, 5.73, -6.92

 

CMYK 0 / 13 / 13 / 57

HEX #6D5F5F

RGB 109 95 95

HSL 0, 0.07%, 0.4%

LAB 41.63, 5.63, 2.06

 

CMYK 6 / 0 / 13 / 57

HEX #666D5F

RGB 102 109 95

HSL 90, 0.07%, 0.4%

LAB 45.07, -5.51, 6.91

 

Description

Color code: RGB 96 108.8 109.4 | qconv.com Color code: RGB 96 108.8 109.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 108.8 green and 109.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 108.8 109.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 1 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 1% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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