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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 8 207 it is the complementary color RGB 160 247 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 8 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 8 207 shade: RGB 100 8 202, RGB 117 26 221, RGB 134 44 240, RGB 151 62 255 and RGB 168 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 8 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 8 207 shade: RGB 95 8 207, RGB 78 0 188, RGB 61 0 169, RGB 44 0 150 and RGB 27 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 8 207 shade: RGB 95 7 207, RGB 148 7 207, RGB 202 7 207, RGB 207 7 158 and RGB 207 7 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 8 207 shade: RGB 95 7 207, RGB 41 7 207 and RGB 7 7 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 8 207 shade matches the following richer shades: RGB 95 7 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 8 207 shade: RGB 95 7 207, RGB 97 25 189, RGB 99 42 172, RGB 101 59 155 and RGB 103 77 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 8 207 shade: RGB 7 27 207, RGB 41 7 207, RGB 94 7 207, RGB 147 7 207 and RGB 200 7 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 8 207 shade: RGB 58 5 127, RGB 76 6 167, RGB 95 7 207, RGB 113 9 246 and RGB 136 49 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 8 207 shade: RGB 95 8 207, RGB 207 7 81 and RGB 7 207 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 8 207 shade: RGB 95 8 207, RGB 207 94 7 and RGB 7 207 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 8 207 shade: RGB 95 8 207, RGB 207 7 81, RGB 120 207 7 and RGB 7 207 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 8 207 shade: RGB 95 8 207, RGB 207 7 21, RGB 120 207 7 and RGB 7 207 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 96 / 0 / 19

HEX #5F08CF

RGB 95 8 207

HSL 266.23, 0.93%, 0.42%

LAB 32.06, 69.32, -80.7

 

Complementary color

CMYK 35 / 0 / 81 / 3

HEX #A0F730

RGB 160 247 48

HSL 86.23, 0.93%, 0.58%

LAB 89.02, -53.7, 78.76

 

CMYK 50 / 96 / 0 / 21

HEX #6408CA

RGB 100 8 202

HSL 268.45, 0.92%, 0.41%

LAB 32.14, 68.6, -77.63

 

CMYK 47 / 88 / 0 / 13

HEX #751ADD

RGB 117 26 221

HSL 268, 0.79%, 0.48%

LAB 37.37, 71.04, -79.92

 

CMYK 44 / 82 / 0 / 6

HEX #862CF0

RGB 134 44 240

HSL 267.55, 0.87%, 0.56%

LAB 43, 72.15, -81.39

 

CMYK 41 / 76 / 0 / 0

HEX #973EFF

RGB 151 62 255

HSL 267.67, 1%, 0.62%

LAB 48.57, 71.46, -80.6

 

CMYK 34 / 69 / 0 / 0

HEX #A850FF

RGB 168 80 255

HSL 270.17, 1%, 0.66%

LAB 53.26, 66.78, -72.88

 

CMYK 54 / 96 / 0 / 19

HEX #5F08CF

RGB 95 8 207

HSL 266.23, 0.93%, 0.42%

LAB 32.06, 69.32, -80.7

 

CMYK 59 / 100 / 0 / 26

HEX #4E00BC

RGB 78 0 188

HSL 264.89, 1%, 0.37%

LAB 27.44, 65.12, -77.27

 

CMYK 64 / 100 / 0 / 34

HEX #3D00A9

RGB 61 0 169

HSL 261.66, 1%, 0.33%

LAB 23.19, 59.69, -72.99

 

CMYK 71 / 100 / 0 / 41

HEX #2C0096

RGB 44 0 150

HSL 257.6, 1%, 0.29%

LAB 18.96, 54.24, -68.46

 

CMYK 79 / 100 / 0 / 49

HEX #1B0083

RGB 27 0 131

HSL 252.37, 1%, 0.26%

LAB 14.8, 48.78, -63.53

 

CMYK 54 / 97 / 0 / 19

HEX #5F07CF

RGB 95 7 207

HSL 266.4, 0.93%, 0.42%

LAB 32.01, 69.47, -80.78

 

CMYK 29 / 97 / 0 / 19

HEX #9407CF

RGB 148 7 207

HSL 282.3, 0.93%, 0.42%

LAB 39.5, 74.82, -68.19

 

CMYK 2 / 97 / 0 / 19

HEX #CA07CF

RGB 202 7 207

HSL 298.5, 0.93%, 0.42%

LAB 48.53, 82.6, -53.14

 

CMYK 0 / 97 / 24 / 19

HEX #CF079E

RGB 207 7 158

HSL 314.7, 0.93%, 0.42%

LAB 46.82, 76.97, -27.01

 

CMYK 0 / 97 / 50 / 19

HEX #CF0768

RGB 207 7 104

HSL 330.9, 0.93%, 0.42%

LAB 44.82, 71.73, 3

 

CMYK 54 / 97 / 0 / 19

HEX #5F07CF

RGB 95 7 207

HSL 266.4, 0.93%, 0.42%

LAB 32.01, 69.47, -80.78

 

CMYK 80 / 97 / 0 / 19

HEX #2907CF

RGB 41 7 207

HSL 250.2, 0.93%, 0.42%

LAB 27.1, 66.82, -89.09

 

CMYK 97 / 97 / 0 / 19

HEX #0707CF

RGB 7 7 207

HSL 240, 0.93%, 0.42%

LAB 25.87, 66.3, -91.17

 

CMYK 54 / 97 / 0 / 19

HEX #5F07CF

RGB 95 7 207

HSL 266.4, 0.93%, 0.42%

LAB 32.01, 69.47, -80.78

 

CMYK 54 / 97 / 0 / 19

HEX #5F07CF

RGB 95 7 207

HSL 266.4, 0.93%, 0.42%

LAB 32.01, 69.47, -80.78

 

CMYK 49 / 87 / 0 / 26

HEX #6119BD

RGB 97 25 189

HSL 266.34, 0.77%, 0.42%

LAB 31.6, 61.75, -70.89

 

CMYK 42 / 76 / 0 / 33

HEX #632AAC

RGB 99 42 172

HSL 266.31, 0.61%, 0.42%

LAB 32.45, 51.52, -59.38

 

CMYK 35 / 62 / 0 / 39

HEX #653B9B

RGB 101 59 155

HSL 266.25, 0.45%, 0.42%

LAB 34.52, 38.84, -45.77

 

CMYK 25 / 44 / 0 / 46

HEX #674D89

RGB 103 77 137

HSL 266, 0.28%, 0.42%

LAB 37.84, 23.98, -29.52

 

CMYK 97 / 87 / 0 / 19

HEX #071BCF

RGB 7 27 207

HSL 234, 0.93%, 0.42%

LAB 27.67, 60.81, -88.17

 

CMYK 80 / 97 / 0 / 19

HEX #2907CF

RGB 41 7 207

HSL 250.2, 0.93%, 0.42%

LAB 27.1, 66.82, -89.09

 

CMYK 55 / 97 / 0 / 19

HEX #5E07CF

RGB 94 7 207

HSL 266.1, 0.93%, 0.42%

LAB 31.89, 69.39, -80.99

 

CMYK 29 / 97 / 0 / 19

HEX #9307CF

RGB 147 7 207

HSL 282, 0.93%, 0.42%

LAB 39.34, 74.69, -68.45

 

CMYK 3 / 97 / 0 / 19

HEX #C807CF

RGB 200 7 207

HSL 297.9, 0.93%, 0.42%

LAB 48.18, 82.28, -53.72

 

CMYK 54 / 96 / 0 / 50

HEX #3A057F

RGB 58 5 127

HSL 266.07, 0.92%, 0.26%

LAB 18.1, 47.92, -55.41

 

CMYK 54 / 96 / 0 / 35

HEX #4C06A7

RGB 76 6 167

HSL 266.09, 0.93%, 0.34%

LAB 25.13, 58.93, -68.52

 

CMYK 54 / 97 / 0 / 19

HEX #5F07CF

RGB 95 7 207

HSL 266.4, 0.93%, 0.42%

LAB 32.01, 69.47, -80.78

 

CMYK 54 / 96 / 0 / 4

HEX #7109F6

RGB 113 9 246

HSL 266.33, 0.93%, 0.5%

LAB 38.48, 79.18, -92.33

 

CMYK 45 / 80 / 0 / 3

HEX #8831F8

RGB 136 49 248

HSL 266.23, 0.93%, 0.58%

LAB 44.53, 72.56, -83.38

 

CMYK 54 / 96 / 0 / 19

HEX #5F08CF

RGB 95 8 207

HSL 266.23, 0.93%, 0.42%

LAB 32.06, 69.32, -80.7

 

CMYK 0 / 97 / 61 / 19

HEX #CF0751

RGB 207 7 81

HSL 337.8, 0.93%, 0.42%

LAB 44.25, 70.17, 16.59

 

CMYK 97 / 0 / 93 / 19

HEX #07CF0E

RGB 7 207 14

HSL 122.1, 0.93%, 0.42%

LAB 72.7, -73.1, 69.65

 

CMYK 54 / 96 / 0 / 19

HEX #5F08CF

RGB 95 8 207

HSL 266.23, 0.93%, 0.42%

LAB 32.06, 69.32, -80.7

 

CMYK 0 / 55 / 97 / 19

HEX #CF5E07

RGB 207 94 7

HSL 26.1, 0.93%, 0.42%

LAB 53.26, 41.03, 60.8

 

CMYK 97 / 0 / 55 / 19

HEX #07CF5E

RGB 7 207 94

HSL 146.1, 0.93%, 0.42%

LAB 73.21, -66.64, 43.87

 

CMYK 54 / 96 / 0 / 19

HEX #5F08CF

RGB 95 8 207

HSL 266.23, 0.93%, 0.42%

LAB 32.06, 69.32, -80.7

 

CMYK 0 / 97 / 61 / 19

HEX #CF0751

RGB 207 7 81

HSL 337.8, 0.93%, 0.42%

LAB 44.25, 70.17, 16.59

 

CMYK 42 / 0 / 97 / 19

HEX #78CF07

RGB 120 207 7

HSL 86.1, 0.93%, 0.42%

LAB 75.22, -52.4, 73.51

 

CMYK 97 / 0 / 35 / 19

HEX #07CF86

RGB 7 207 134

HSL 158.1, 0.93%, 0.42%

LAB 73.8, -59.59, 24.54

 

CMYK 54 / 96 / 0 / 19

HEX #5F08CF

RGB 95 8 207

HSL 266.23, 0.93%, 0.42%

LAB 32.06, 69.32, -80.7

 

CMYK 0 / 97 / 90 / 19

HEX #CF0715

RGB 207 7 21

HSL 355.8, 0.93%, 0.42%

LAB 43.47, 68.02, 50.27

 

CMYK 42 / 0 / 97 / 19

HEX #78CF07

RGB 120 207 7

HSL 86.1, 0.93%, 0.42%

LAB 75.22, -52.4, 73.51

 

CMYK 97 / 0 / 7 / 19

HEX #07CFC1

RGB 7 207 193

HSL 175.8, 0.93%, 0.42%

LAB 75.15, -44.97, -5.09

 

Description

Color code: RGB 95 8 207 | qconv.com Color code: RGB 95 8 207 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 8 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 8 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 96 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 96% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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