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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 72.4 201.4 it is the complementary color RGB 160 182.6 53.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 72.4 201.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 72.4 201.4 shade: RGB 100 72.4 196.4, RGB 117 90.4 215.4, RGB 134 108.4 234.4, RGB 151 126.4 253.4 and RGB 168 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 72.4 201.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 72.4 201.4 shade: RGB 95 72.4 201.4, RGB 78 54.4 182.4, RGB 61 36.4 163.4, RGB 44 18.4 144.4 and RGB 27 0.40000000000001 125.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 72.4 201.4 shade: RGB 96 73 202, RGB 131 73 202, RGB 165 73 202, RGB 200 73 202 and RGB 202 73 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 72.4 201.4 shade: RGB 96 73 202 and RGB 73 73 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 72.4 201.4 shade matches the following richer shades: RGB 96 73 202, RGB 83 54 221 and RGB 71 35 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 72.4 201.4 shade: RGB 96 73 202, RGB 108 92 183, RGB 120 111 164, RGB 133 130 145 and RGB 145 149 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 72.4 201.4 shade: RGB 73 120 202, RGB 73 86 202, RGB 95 73 202, RGB 129 73 202 and RGB 164 73 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 72.4 201.4 shade: RGB 62 43 149, RGB 75 53 181, RGB 96 73 202, RGB 124 105 211 and RGB 152 137 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 72.4 201.4 shade: RGB 95 72.4 201.4, RGB 202 73 155 and RGB 103 202 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 72.4 201.4 shade: RGB 95 72.4 201.4, RGB 202 95 73 and RGB 73 202 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 72.4 201.4 shade: RGB 95 72.4 201.4, RGB 202 73 155, RGB 181 202 73 and RGB 73 202 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 72.4 201.4 shade: RGB 95 72.4 201.4, RGB 202 73 116, RGB 181 202 73 and RGB 73 202 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 64 / 0 / 21

HEX #5F48C9

RGB 95 72.4 201.4

HSL 250.51, 0.55%, 0.54%

LAB 40.17, 43.15, -64.12

 

Complementary color

CMYK 12 / 0 / 71 / 28

HEX #A0B635

RGB 160 182.6 53.6

HSL 70.51, 0.55%, 0.46%

LAB 70.48, -24.91, 59.62

 

CMYK 49 / 63 / 0 / 23

HEX #6448C4

RGB 100 72.4 196.4

HSL 253.35, 0.51%, 0.53%

LAB 40.25, 42.6, -61.08

 

CMYK 46 / 58 / 0 / 16

HEX #755AD7

RGB 117 90.4 215.4

HSL 252.77, 0.61%, 0.6%

LAB 47.09, 41.18, -60.86

 

CMYK 43 / 54 / 0 / 8

HEX #866CEA

RGB 134 108.4 234.4

HSL 252.19, 0.75%, 0.67%

LAB 53.86, 39.87, -60.6

 

CMYK 40 / 50 / 0 / 1

HEX #977EFD

RGB 151 126.4 253.4

HSL 251.62, 0.98%, 0.74%

LAB 60.53, 38.67, -60.35

 

CMYK 34 / 43 / 0 / 0

HEX #A890FF

RGB 168 144.4 255

HSL 252.8, 1%, 0.78%

LAB 66.22, 33.06, -52.09

 

CMYK 53 / 64 / 0 / 21

HEX #5F48C9

RGB 95 72.4 201.4

HSL 250.51, 0.55%, 0.54%

LAB 40.17, 43.15, -64.12

 

CMYK 57 / 70 / 0 / 28

HEX #4E36B6

RGB 78 54.4 182.4

HSL 251.06, 0.54%, 0.46%

LAB 33.33, 44.76, -64.23

 

CMYK 63 / 78 / 0 / 36

HEX #3D24A3

RGB 61 36.4 163.4

HSL 251.62, 0.64%, 0.39%

LAB 26.55, 46.27, -64.03

 

CMYK 70 / 87 / 0 / 43

HEX #2C1290

RGB 44 18.4 144.4

HSL 252.19, 0.77%, 0.32%

LAB 20.07, 47.15, -63.14

 

CMYK 78 / 100 / 0 / 51

HEX #1B007D

RGB 27 0.40000000000001 125.4

HSL 252.77, 0.99%, 0.25%

LAB 14.02, 47.16, -61.27

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 35 / 64 / 0 / 21

HEX #8349CA

RGB 131 73 202

HSL 266.98, 0.55%, 0.54%

LAB 44.02, 50.14, -58.05

 

CMYK 18 / 64 / 0 / 21

HEX #A549CA

RGB 165 73 202

HSL 282.79, 0.55%, 0.54%

LAB 48.3, 57.76, -50.95

 

CMYK 1 / 64 / 0 / 21

HEX #C849CA

RGB 200 73 202

HSL 299.07, 0.55%, 0.54%

LAB 53.29, 65.98, -42.71

 

CMYK 0 / 64 / 16 / 21

HEX #CA49A9

RGB 202 73 169

HSL 315.35, 0.55%, 0.54%

LAB 52.05, 61.29, -25.49

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 64 / 64 / 0 / 21

HEX #4949CA

RGB 73 73 202

HSL 240, 0.55%, 0.54%

LAB 38.63, 39.39, -67.06

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 62 / 76 / 0 / 13

HEX #5336DD

RGB 83 54 221

HSL 250.42, 0.71%, 0.54%

LAB 37.29, 57.08, -80.18

 

CMYK 70 / 85 / 0 / 6

HEX #4723F0

RGB 71 35 240

HSL 250.54, 0.87%, 0.54%

LAB 35.66, 69.31, -93.74

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 41 / 50 / 0 / 28

HEX #6C5CB7

RGB 108 92 183

HSL 250.55, 0.39%, 0.54%

LAB 44.61, 28.84, -46.2

 

CMYK 27 / 32 / 0 / 36

HEX #786FA4

RGB 120 111 164

HSL 250.19, 0.23%, 0.54%

LAB 49.55, 15.51, -27.23

 

CMYK 8 / 10 / 0 / 43

HEX #858291

RGB 133 130 145

HSL 252, 0.06%, 0.54%

LAB 55.07, 4.19, -7.65

 

CMYK 3 / 0 / 15 / 42

HEX #91957E

RGB 145 149 126

HSL 70.43, 0.1%, 0.54%

LAB 60.8, -5.67, 11.67

 

CMYK 64 / 41 / 0 / 21

HEX #4978CA

RGB 73 120 202

HSL 218.14, 0.55%, 0.54%

LAB 50.82, 10, -47.39

 

CMYK 64 / 57 / 0 / 21

HEX #4956CA

RGB 73 86 202

HSL 233.95, 0.55%, 0.54%

LAB 41.75, 31.34, -61.98

 

CMYK 53 / 64 / 0 / 21

HEX #5F49CA

RGB 95 73 202

HSL 250.23, 0.55%, 0.54%

LAB 40.35, 42.98, -64.18

 

CMYK 36 / 64 / 0 / 21

HEX #8149CA

RGB 129 73 202

HSL 266.05, 0.55%, 0.54%

LAB 43.79, 49.71, -58.43

 

CMYK 19 / 64 / 0 / 21

HEX #A449CA

RGB 164 73 202

HSL 282.33, 0.55%, 0.54%

LAB 48.16, 57.53, -51.18

 

CMYK 58 / 71 / 0 / 42

HEX #3E2B95

RGB 62 43 149

HSL 250.75, 0.55%, 0.38%

LAB 26.51, 38.37, -55.31

 

CMYK 59 / 71 / 0 / 29

HEX #4B35B5

RGB 75 53 181

HSL 250.31, 0.55%, 0.46%

LAB 32.65, 44.66, -64.52

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 41 / 50 / 0 / 17

HEX #7C69D3

RGB 124 105 211

HSL 250.75, 0.55%, 0.62%

LAB 50.79, 32.97, -52.36

 

CMYK 31 / 38 / 0 / 13

HEX #9889DD

RGB 152 137 221

HSL 250.71, 0.55%, 0.7%

LAB 61.47, 24.27, -40.93

 

CMYK 53 / 64 / 0 / 21

HEX #5F48C9

RGB 95 72.4 201.4

HSL 250.51, 0.55%, 0.54%

LAB 40.17, 43.15, -64.12

 

CMYK 0 / 64 / 23 / 21

HEX #CA499B

RGB 202 73 155

HSL 321.86, 0.55%, 0.54%

LAB 51.48, 59.32, -18.11

 

CMYK 49 / 0 / 64 / 21

HEX #67CA49

RGB 103 202 73

HSL 106.05, 0.55%, 0.54%

LAB 73.29, -52.5, 53.89

 

CMYK 53 / 64 / 0 / 21

HEX #5F48C9

RGB 95 72.4 201.4

HSL 250.51, 0.55%, 0.54%

LAB 40.17, 43.15, -64.12

 

CMYK 0 / 53 / 64 / 21

HEX #CA5F49

RGB 202 95 73

HSL 10.23, 0.55%, 0.54%

LAB 53.19, 40.87, 32.7

 

CMYK 64 / 0 / 53 / 21

HEX #49CA5F

RGB 73 202 95

HSL 130.23, 0.55%, 0.54%

LAB 72.55, -57.38, 42.81

 

CMYK 53 / 64 / 0 / 21

HEX #5F48C9

RGB 95 72.4 201.4

HSL 250.51, 0.55%, 0.54%

LAB 40.17, 43.15, -64.12

 

CMYK 0 / 64 / 23 / 21

HEX #CA499B

RGB 202 73 155

HSL 321.86, 0.55%, 0.54%

LAB 51.48, 59.32, -18.11

 

CMYK 10 / 0 / 64 / 21

HEX #B5CA49

RGB 181 202 73

HSL 69.77, 0.55%, 0.54%

LAB 77.61, -24.52, 59.81

 

CMYK 64 / 0 / 41 / 21

HEX #49CA78

RGB 73 202 120

HSL 141.86, 0.55%, 0.54%

LAB 72.9, -53.46, 30.77

 

CMYK 53 / 64 / 0 / 21

HEX #5F48C9

RGB 95 72.4 201.4

HSL 250.51, 0.55%, 0.54%

LAB 40.17, 43.15, -64.12

 

CMYK 0 / 64 / 43 / 21

HEX #CA4974

RGB 202 73 116

HSL 340, 0.55%, 0.54%

LAB 50.2, 54.7, 3.29

 

CMYK 10 / 0 / 64 / 21

HEX #B5CA49

RGB 181 202 73

HSL 69.77, 0.55%, 0.54%

LAB 77.61, -24.52, 59.81

 

CMYK 64 / 0 / 21 / 21

HEX #49CA9F

RGB 73 202 159

HSL 160, 0.55%, 0.54%

LAB 73.65, -45.51, 11.18

 

Description

Color code: RGB 95 72.4 201.4 | qconv.com Color code: RGB 95 72.4 201.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 72.4 green and 201.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 72.4 201.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 64 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 64% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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