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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 24 1 it is the complementary color RGB 160 231 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 24 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 24 1 shade: RGB 100 24 0, RGB 117 42 15, RGB 134 60 34, RGB 151 78 53 and RGB 168 96 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 24 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 24 1 shade: RGB 95 24 1, RGB 78 6 0, RGB 61 0 0, RGB 44 0 0 and RGB 27 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 24 1 shade: RGB 96 24 1 and RGB 96 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 24 1 shade: RGB 96 24 1, RGB 96 50 1, RGB 96 75 1, RGB 91 96 1 and RGB 65 96 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 24 1 shade matches the following richer shades: RGB 96 24 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 24 1 shade: RGB 96 24 1, RGB 88 28 9, RGB 80 32 17, RGB 72 36 24 and RGB 65 40 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 24 1 shade: RGB 96 1 29, RGB 96 1 4, RGB 96 23 1, RGB 96 48 1 and RGB 96 74 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 24 1 shade: RGB 14 4 0, RGB 55 14 1, RGB 96 24 1, RGB 137 35 1 and RGB 178 45 2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 24 1 shade: RGB 95 24 1, RGB 55 96 1 and RGB 1 17 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 24 1 shade: RGB 95 24 1, RGB 1 96 23 and RGB 23 1 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 24 1 shade: RGB 95 24 1, RGB 55 96 1, RGB 1 74 96 and RGB 42 1 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 24 1 shade: RGB 95 24 1, RGB 26 96 1, RGB 1 74 96 and RGB 71 1 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 99 / 63

HEX #5F1801

RGB 95 24 1

HSL 14.68, 0.98%, 0.19%

LAB 20.39, 31.12, 30.03

 

Complementary color

CMYK 37 / 9 / 0 / 0

HEX #A0E7FE

RGB 160 231 254

HSL 194.68, 0.98%, 0.81%

LAB 87.86, -16.49, -18.15

 

CMYK 0 / 76 / 100 / 61

HEX #641800

RGB 100 24 0

HSL 14.4, 1%, 0.2%

LAB 21.44, 32.97, 31.89

 

CMYK 0 / 64 / 87 / 54

HEX #752A0F

RGB 117 42 15

HSL 15.88, 0.77%, 0.26%

LAB 28.04, 31.56, 33.05

 

CMYK 0 / 55 / 75 / 47

HEX #863C22

RGB 134 60 34

HSL 15.6, 0.6%, 0.33%

LAB 34.83, 29.87, 30.65

RGB 134 60 34

CMYK 0 / 48 / 65 / 41

HEX #974E35

RGB 151 78 53

HSL 15.31, 0.48%, 0.4%

LAB 41.67, 28.26, 28.34

RGB 151 78 53

CMYK 0 / 43 / 57 / 34

HEX #A86048

RGB 168 96 72

HSL 15, 0.4%, 0.47%

LAB 48.46, 26.82, 26.3

RGB 168 96 72

CMYK 0 / 75 / 99 / 63

HEX #5F1801

RGB 95 24 1

HSL 14.68, 0.98%, 0.19%

LAB 20.39, 31.12, 30.03

 

CMYK 0 / 92 / 100 / 69

HEX #4E0600

RGB 78 6 0

HSL 4.62, 1%, 0.15%

LAB 14.12, 31.76, 21.92

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44 0 0

HSL 0, 1%, 0.09%

LAB 4.84, 21.14, 7.64

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 75 / 99 / 62

HEX #601801

RGB 96 24 1

HSL 14.53, 0.98%, 0.19%

LAB 20.6, 31.5, 30.33

 

CMYK 0 / 99 / 99 / 62

HEX #600101

RGB 96 1 1

HSL 0, 0.98%, 0.19%

LAB 17.97, 38.92, 27.28

 

CMYK 0 / 75 / 99 / 62

HEX #601801

RGB 96 24 1

HSL 14.53, 0.98%, 0.19%

LAB 20.6, 31.5, 30.33

 

CMYK 0 / 48 / 99 / 62

HEX #603201

RGB 96 50 1

HSL 30.95, 0.98%, 0.19%

LAB 26.07, 17.42, 35.87

 

CMYK 0 / 22 / 99 / 62

HEX #604B01

RGB 96 75 1

HSL 46.74, 0.98%, 0.19%

LAB 32.97, 1.92, 41.27

 

CMYK 5 / 0 / 99 / 62

HEX #5B6001

RGB 91 96 1

HSL 63.16, 0.98%, 0.19%

LAB 38.88, -12.95, 45.39

 

CMYK 32 / 0 / 99 / 62

HEX #416001

RGB 65 96 1

HSL 79.58, 0.98%, 0.19%

LAB 36.91, -25, 43.02

 

CMYK 0 / 75 / 99 / 62

HEX #601801

RGB 96 24 1

HSL 14.53, 0.98%, 0.19%

LAB 20.6, 31.5, 30.33

 

CMYK 0 / 75 / 99 / 62

HEX #601801

RGB 96 24 1

HSL 14.53, 0.98%, 0.19%

LAB 20.6, 31.5, 30.33

 

CMYK 0 / 68 / 90 / 65

HEX #581C09

RGB 88 28 9

HSL 14.43, 0.81%, 0.19%

LAB 19.74, 26.68, 25.65

 

CMYK 0 / 60 / 79 / 69

HEX #502011

RGB 80 32 17

HSL 14.29, 0.65%, 0.19%

LAB 19.14, 21.39, 20.7

 

CMYK 0 / 50 / 67 / 72

HEX #482418

RGB 72 36 24

HSL 15, 0.5%, 0.19%

LAB 18.82, 15.74, 15.49

 

CMYK 0 / 38 / 51 / 75

HEX #412820

RGB 65 40 32

HSL 14.55, 0.34%, 0.19%

LAB 19, 10.6, 10.08

 

CMYK 0 / 99 / 70 / 62

HEX #60011D

RGB 96 1 29

HSL 342.32, 0.98%, 0.19%

LAB 18.35, 39.98, 12.41

 

CMYK 0 / 99 / 96 / 62

HEX #600104

RGB 96 1 4

HSL 358.11, 0.98%, 0.19%

LAB 18, 39, 26.1

 

CMYK 0 / 76 / 99 / 62

HEX #601701

RGB 96 23 1

HSL 13.89, 0.98%, 0.19%

LAB 20.45, 31.93, 30.15

 

CMYK 0 / 50 / 99 / 62

HEX #603001

RGB 96 48 1

HSL 29.68, 0.98%, 0.19%

LAB 25.57, 18.63, 35.41

 

CMYK 0 / 23 / 99 / 62

HEX #604A01

RGB 96 74 1

HSL 46.11, 0.98%, 0.19%

LAB 32.67, 2.53, 41.07

 

CMYK 0 / 71 / 100 / 95

HEX #0E0400

RGB 14 4 0

HSL 17.14, 1%, 0.03%

LAB 1.63, 2.18, 2.48

 

CMYK 0 / 75 / 98 / 78

HEX #370E01

RGB 55 14 1

HSL 14.44, 0.96%, 0.11%

LAB 10.02, 19.58, 15.06

 

CMYK 0 / 75 / 99 / 62

HEX #601801

RGB 96 24 1

HSL 14.53, 0.98%, 0.19%

LAB 20.6, 31.5, 30.33

 

CMYK 0 / 74 / 99 / 46

HEX #892301

RGB 137 35 1

HSL 15, 0.99%, 0.27%

LAB 30.69, 41.82, 42.74

 

CMYK 0 / 75 / 99 / 30

HEX #B22D02

RGB 178 45 2

HSL 14.66, 0.98%, 0.35%

LAB 40.16, 51.87, 51.95

 

CMYK 0 / 75 / 99 / 63

HEX #5F1801

RGB 95 24 1

HSL 14.68, 0.98%, 0.19%

LAB 20.39, 31.12, 30.03

 

CMYK 43 / 0 / 99 / 62

HEX #376001

RGB 55 96 1

HSL 85.89, 0.98%, 0.19%

LAB 36.33, -29.12, 42.31

 

CMYK 99 / 82 / 0 / 62

HEX #011160

RGB 1 17 96

HSL 229.89, 0.98%, 0.19%

LAB 10.93, 29.03, -47.23

 

CMYK 0 / 75 / 99 / 63

HEX #5F1801

RGB 95 24 1

HSL 14.68, 0.98%, 0.19%

LAB 20.39, 31.12, 30.03

 

CMYK 99 / 0 / 76 / 62

HEX #016017

RGB 1 96 23

HSL 133.89, 0.98%, 0.19%

LAB 34.87, -40.42, 33.16

 

CMYK 76 / 99 / 0 / 62

HEX #170160

RGB 23 1 96

HSL 253.89, 0.98%, 0.19%

LAB 9.39, 38.78, -49.76

 

CMYK 0 / 75 / 99 / 63

HEX #5F1801

RGB 95 24 1

HSL 14.68, 0.98%, 0.19%

LAB 20.39, 31.12, 30.03

 

CMYK 43 / 0 / 99 / 62

HEX #376001

RGB 55 96 1

HSL 85.89, 0.98%, 0.19%

LAB 36.33, -29.12, 42.31

 

CMYK 99 / 23 / 0 / 62

HEX #014A60

RGB 1 74 96

HSL 193.89, 0.98%, 0.19%

LAB 28.77, -11.12, -18.53

 

CMYK 56 / 99 / 0 / 62

HEX #2A0160

RGB 42 1 96

HSL 265.89, 0.98%, 0.19%

LAB 11.68, 40.05, -45.89

 

CMYK 0 / 75 / 99 / 63

HEX #5F1801

RGB 95 24 1

HSL 14.68, 0.98%, 0.19%

LAB 20.39, 31.12, 30.03

 

CMYK 73 / 0 / 99 / 62

HEX #1A6001

RGB 26 96 1

HSL 104.21, 0.98%, 0.19%

LAB 35.18, -38.19, 40.91

 

CMYK 99 / 23 / 0 / 62

HEX #014A60

RGB 1 74 96

HSL 193.89, 0.98%, 0.19%

LAB 28.77, -11.12, -18.53

 

CMYK 26 / 99 / 0 / 62

HEX #470160

RGB 71 1 96

HSL 284.21, 0.98%, 0.19%

LAB 16.53, 43.57, -37.74

 

Description

Color code: RGB 95 24 1 | qconv.com Color code: RGB 95 24 1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 24 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 24 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 99 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 99% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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