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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 212 173 it is the complementary color RGB 160 43 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 212 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 212 173: RGB 100 212 168, RGB 117 230 187, RGB 134 248 206, RGB 151 255 225 and RGB 168 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 212 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 212 173: RGB 95 212 173, RGB 78 194 154, RGB 61 176 135, RGB 44 158 116 and RGB 27 140 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

Complementary color

CMYK 0 / 73 / 49 / 37

HEX #A02B52

RGB 160 43 82

HSL 340, 0.58%, 0.4%

LAB 37.5, 50.47, 5.16

 

CMYK 53 / 0 / 21 / 17

HEX #64D4A8

RGB 100 212 168

HSL 156.43, 0.57%, 0.61%

LAB 77.65, -42.36, 12.15

 

CMYK 49 / 0 / 19 / 10

HEX #75E6BB

RGB 117 230 187

HSL 157.17, 0.69%, 0.68%

LAB 83.95, -42.26, 11.12

 

CMYK 46 / 0 / 17 / 3

HEX #86F8CE

RGB 134 248 206

HSL 157.89, 0.89%, 0.75%

LAB 90.16, -42.12, 10.17

 

CMYK 41 / 0 / 12 / 0

HEX #97FFE1

RGB 151 255 225

HSL 162.69, 1%, 0.8%

LAB 93.25, -37, 4.87

 

CMYK 34 / 0 / 4 / 0

HEX #A8FFF4

RGB 168 255 244

HSL 172.41, 1%, 0.83%

LAB 94.47, -28.47, -3.07

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 60 / 0 / 21 / 24

HEX #4EC29A

RGB 78 194 154

HSL 159.31, 0.49%, 0.53%

LAB 71.24, -42.29, 10.48

 

CMYK 65 / 0 / 23 / 31

HEX #3DB087

RGB 61 176 135

HSL 158.61, 0.49%, 0.46%

LAB 64.8, -42.09, 11.68

 

CMYK 72 / 0 / 27 / 38

HEX #2C9E74

RGB 44 158 116

HSL 157.89, 0.56%, 0.4%

LAB 58.27, -41.68, 13.01

 

CMYK 81 / 0 / 31 / 45

HEX #1B8C61

RGB 27 140 97

HSL 157.17, 0.68%, 0.33%

LAB 51.67, -40.93, 14.52

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 56 / 0 / 9 / 17

HEX #5DD4C0

RGB 93 212 192

HSL 169.92, 0.58%, 0.6%

LAB 78, -38.24, -0.2

 

CMYK 56 / 0 / 0 / 17

HEX #5DD4D4

RGB 93 212 212

HSL 180, 0.58%, 0.6%

LAB 78.56, -33.07, -10.1

 

CMYK 56 / 9 / 0 / 17

HEX #5DC0D4

RGB 93 192 212

HSL 190.08, 0.58%, 0.6%

LAB 72.75, -23.3, -18.84

 

CMYK 56 / 19 / 0 / 17

HEX #5DACD4

RGB 93 172 212

HSL 200.17, 0.58%, 0.6%

LAB 66.97, -12.88, -27.67

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 50 / 0 / 13 / 97

HEX #040807

RGB 4 8 7

HSL 165, 0.33%, 0.02%

LAB 1.94, -1.18, 0.01

 

CMYK 56 / 0 / 19 / 77

HEX #1A3B30

RGB 26 59 48

HSL 160, 0.39%, 0.17%

LAB 22.16, -15.34, 3.13

 

CMYK 55 / 0 / 18 / 57

HEX #316E5A

RGB 49 110 90

HSL 160.33, 0.38%, 0.31%

LAB 42.07, -25.05, 5.2

 

CMYK 55 / 0 / 19 / 37

HEX #48A183

RGB 72 161 131

HSL 159.78, 0.38%, 0.46%

LAB 60.34, -34.1, 7.63

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 56 / 49 / 0 / 17

HEX #5D6DD4

RGB 93 109 212

HSL 231.93, 0.58%, 0.6%

LAB 49.52, 23.97, -55.11

 

CMYK 0 / 41 / 56 / 17

HEX #D47D5D

RGB 212 125 93

HSL 16.13, 0.58%, 0.6%

LAB 61.18, 30.62, 31.84

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 19 / 56 / 0 / 17

HEX #AC5DD4

RGB 172 93 212

HSL 279.83, 0.58%, 0.6%

LAB 53.33, 51.9, -48.58

 

CMYK 0 / 19 / 56 / 17

HEX #D4AC5D

RGB 212 172 93

HSL 39.83, 0.58%, 0.6%

LAB 72.42, 5.3, 45.63

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 56 / 49 / 0 / 17

HEX #5D6DD4

RGB 93 109 212

HSL 231.93, 0.58%, 0.6%

LAB 49.52, 23.97, -55.11

 

CMYK 0 / 56 / 37 / 17

HEX #D45D85

RGB 212 93 133

HSL 339.83, 0.58%, 0.6%

LAB 55.6, 50.77, 1.2

 

CMYK 0 / 8 / 56 / 17

HEX #D4C45D

RGB 212 196 93

HSL 51.93, 0.58%, 0.6%

LAB 78.62, -7.28, 52.85

 

CMYK 55 / 0 / 18 / 17

HEX #5FD4AD

RGB 95 212 173

HSL 160, 0.58%, 0.6%

LAB 77.6, -42.34, 9.39

 

CMYK 47 / 56 / 0 / 17

HEX #715DD4

RGB 113 93 212

HSL 250.08, 0.58%, 0.6%

LAB 47.1, 37.83, -58.92

 

CMYK 0 / 56 / 37 / 17

HEX #D45D85

RGB 212 93 133

HSL 339.83, 0.58%, 0.6%

LAB 55.6, 50.77, 1.2

 

CMYK 9 / 0 / 56 / 17

HEX #C0D45D

RGB 192 212 93

HSL 70.08, 0.58%, 0.6%

LAB 81.34, -23.45, 55.54

 

Description

Color code: RGB 95 212 173 | qconv.com Color code: RGB 95 212 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 212 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 212 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 18 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 18% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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