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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 139 59 it is the complementary color RGB 160 116 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 139 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 139 59 shade: RGB 100 139 54, RGB 117 157 73, RGB 134 175 92, RGB 151 193 111 and RGB 168 211 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 139 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 139 59 shade: RGB 95 139 59, RGB 78 121 40, RGB 61 103 21, RGB 44 85 2 and RGB 27 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 139 59 shade: RGB 95 139 60, RGB 117 139 60, RGB 138 139 60, RGB 139 119 60 and RGB 139 97 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 139 59 shade: RGB 95 139 60, RGB 74 139 60, RGB 60 139 67, RGB 60 139 88 and RGB 60 139 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 139 59 shade matches the following richer shades: RGB 95 139 60, RGB 94 155 44, RGB 92 171 27 and RGB 91 188 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 139 59 shade: RGB 95 139 60, RGB 97 123 76, RGB 99 107 92, RGB 100 91 108 and RGB 102 75 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 139 59 shade: RGB 138 139 60, RGB 117 139 60, RGB 95 139 60, RGB 74 139 60 and RGB 60 139 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 139 59 shade: RGB 56 81 35, RGB 76 110 47, RGB 95 139 60, RGB 115 168 72 and RGB 136 186 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 139 59 shade: RGB 95 139 59, RGB 60 139 119 and RGB 139 60 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 139 59 shade: RGB 95 139 59, RGB 60 95 139 and RGB 139 60 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 139 59 shade: RGB 95 139 59, RGB 60 139 119, RGB 103 60 139 and RGB 139 60 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 139 59 shade: RGB 95 139 59, RGB 60 135 139, RGB 103 60 139 and RGB 139 64 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 58 / 45

HEX #5F8B3B

RGB 95 139 59

HSL 93, 0.4%, 0.39%

LAB 53.18, -29.56, 37.46

 

Complementary color

CMYK 18 / 41 / 0 / 23

HEX #A074C4

RGB 160 116 196

HSL 273, 0.4%, 0.61%

LAB 56.04, 32.58, -35.3

 

CMYK 28 / 0 / 61 / 45

HEX #648B36

RGB 100 139 54

HSL 87.53, 0.44%, 0.38%

LAB 53.43, -28.14, 40.24

 

CMYK 25 / 0 / 54 / 38

HEX #759D49

RGB 117 157 73

HSL 88.57, 0.37%, 0.45%

LAB 60.23, -28.25, 39.15

 

CMYK 23 / 0 / 47 / 31

HEX #86AF5C

RGB 134 175 92

HSL 89.64, 0.34%, 0.52%

LAB 66.9, -28.27, 37.96

 

CMYK 22 / 0 / 42 / 24

HEX #97C16F

RGB 151 193 111

HSL 90.73, 0.4%, 0.6%

LAB 73.46, -28.24, 36.77

 

CMYK 20 / 0 / 38 / 17

HEX #A8D382

RGB 168 211 130

HSL 91.85, 0.48%, 0.67%

LAB 79.91, -28.18, 35.6

 

CMYK 32 / 0 / 58 / 45

HEX #5F8B3B

RGB 95 139 59

HSL 93, 0.4%, 0.39%

LAB 53.18, -29.56, 37.46

 

CMYK 36 / 0 / 67 / 53

HEX #4E7928

RGB 78 121 40

HSL 91.85, 0.5%, 0.32%

LAB 46.24, -29.42, 38.46

 

CMYK 41 / 0 / 80 / 60

HEX #3D6715

RGB 61 103 21

HSL 90.73, 0.66%, 0.24%

LAB 39.15, -29.04, 38.86

 

CMYK 48 / 0 / 98 / 67

HEX #2C5502

RGB 44 85 2

HSL 89.64, 0.95%, 0.17%

LAB 31.89, -28.29, 38.2

 

CMYK 60 / 0 / 100 / 74

HEX #1B4300

RGB 27 67 0

HSL 95.82, 1%, 0.13%

LAB 24.47, -26.57, 32.32

 

CMYK 32 / 0 / 57 / 45

HEX #5F8B3C

RGB 95 139 60

HSL 93.42, 0.4%, 0.39%

LAB 53.19, -29.45, 36.98

 

CMYK 16 / 0 / 57 / 45

HEX #758B3C

RGB 117 139 60

HSL 76.71, 0.4%, 0.39%

LAB 54.63, -20.62, 39.01

 

CMYK 1 / 0 / 57 / 45

HEX #8A8B3C

RGB 138 139 60

HSL 60.76, 0.4%, 0.39%

LAB 56.28, -11.56, 41.34

 

CMYK 0 / 14 / 57 / 45

HEX #8B773C

RGB 139 119 60

HSL 44.81, 0.4%, 0.39%

LAB 50.7, -0.04, 34.91

 

CMYK 0 / 30 / 57 / 45

HEX #8B613C

RGB 139 97 60

HSL 28.1, 0.4%, 0.39%

LAB 44.75, 12.7, 27.72

 

CMYK 32 / 0 / 57 / 45

HEX #5F8B3C

RGB 95 139 60

HSL 93.42, 0.4%, 0.39%

LAB 53.19, -29.45, 36.98

 

CMYK 47 / 0 / 57 / 45

HEX #4A8B3C

RGB 74 139 60

HSL 109.37, 0.4%, 0.39%

LAB 52.12, -36.83, 35.44

 

CMYK 57 / 0 / 52 / 45

HEX #3C8B43

RGB 60 139 67

HSL 125.32, 0.4%, 0.39%

LAB 51.65, -39.99, 31.15

 

CMYK 57 / 0 / 37 / 45

HEX #3C8B58

RGB 60 139 88

HSL 141.27, 0.4%, 0.39%

LAB 51.98, -36.37, 20.17

 

CMYK 57 / 0 / 21 / 45

HEX #3C8B6E

RGB 60 139 110

HSL 157.97, 0.4%, 0.39%

LAB 52.46, -31.57, 8.29

 

CMYK 32 / 0 / 57 / 45

HEX #5F8B3C

RGB 95 139 60

HSL 93.42, 0.4%, 0.39%

LAB 53.19, -29.45, 36.98

 

CMYK 39 / 0 / 72 / 39

HEX #5E9B2C

RGB 94 155 44

HSL 92.97, 0.56%, 0.39%

LAB 58.04, -38.58, 49.42

 

CMYK 46 / 0 / 84 / 33

HEX #5CAB1B

RGB 92 171 27

HSL 92.92, 0.73%, 0.39%

LAB 62.91, -46.89, 59.51

 

CMYK 52 / 0 / 94 / 26

HEX #5BBC0B

RGB 91 188 11

HSL 92.88, 0.89%, 0.39%

LAB 68.18, -54.19, 66.91

 

CMYK 32 / 0 / 57 / 45

HEX #5F8B3C

RGB 95 139 60

HSL 93.42, 0.4%, 0.39%

LAB 53.19, -29.45, 36.98

 

CMYK 21 / 0 / 38 / 52

HEX #617B4C

RGB 97 123 76

HSL 93.19, 0.24%, 0.39%

LAB 48.55, -18.53, 22.7

 

CMYK 7 / 0 / 14 / 58

HEX #636B5C

RGB 99 107 92

HSL 92, 0.08%, 0.39%

LAB 44.15, -6.11, 7.37

 

CMYK 7 / 16 / 0 / 58

HEX #645B6C

RGB 100 91 108

HSL 271.76, 0.09%, 0.39%

LAB 40.04, 7.2, -8.36

 

CMYK 18 / 40 / 0 / 51

HEX #664B7C

RGB 102 75 124

HSL 273.06, 0.25%, 0.39%

LAB 36.58, 21.62, -23.51

 

CMYK 1 / 0 / 57 / 45

HEX #8A8B3C

RGB 138 139 60

HSL 60.76, 0.4%, 0.39%

LAB 56.28, -11.56, 41.34

 

CMYK 16 / 0 / 57 / 45

HEX #758B3C

RGB 117 139 60

HSL 76.71, 0.4%, 0.39%

LAB 54.63, -20.62, 39.01

 

CMYK 32 / 0 / 57 / 45

HEX #5F8B3C

RGB 95 139 60

HSL 93.42, 0.4%, 0.39%

LAB 53.19, -29.45, 36.98

 

CMYK 47 / 0 / 57 / 45

HEX #4A8B3C

RGB 74 139 60

HSL 109.37, 0.4%, 0.39%

LAB 52.12, -36.83, 35.44

 

CMYK 57 / 0 / 53 / 45

HEX #3C8B42

RGB 60 139 66

HSL 124.56, 0.4%, 0.39%

LAB 51.63, -40.13, 31.66

 

CMYK 31 / 0 / 57 / 68

HEX #385123

RGB 56 81 35

HSL 92.61, 0.4%, 0.23%

LAB 31.46, -18.76, 23.83

 

CMYK 31 / 0 / 57 / 57

HEX #4C6E2F

RGB 76 110 47

HSL 92.38, 0.4%, 0.31%

LAB 42.6, -24.11, 30.88

 

CMYK 32 / 0 / 57 / 45

HEX #5F8B3C

RGB 95 139 60

HSL 93.42, 0.4%, 0.39%

LAB 53.19, -29.45, 36.98

 

CMYK 32 / 0 / 57 / 34

HEX #73A848

RGB 115 168 72

HSL 93.13, 0.4%, 0.47%

LAB 63.44, -34.3, 43.37

 

CMYK 27 / 0 / 49 / 27

HEX #88BA5F

RGB 136 186 95

HSL 92.97, 0.4%, 0.55%

LAB 70.3, -32.4, 40.67

 

CMYK 32 / 0 / 58 / 45

HEX #5F8B3B

RGB 95 139 59

HSL 93, 0.4%, 0.39%

LAB 53.18, -29.56, 37.46

 

CMYK 57 / 0 / 14 / 45

HEX #3C8B77

RGB 60 139 119

HSL 164.81, 0.4%, 0.39%

LAB 52.68, -29.34, 3.42

 

CMYK 0 / 57 / 9 / 45

HEX #8B3C7F

RGB 139 60 127

HSL 309.11, 0.4%, 0.39%

LAB 38.29, 42.6, -22.33

 

CMYK 32 / 0 / 58 / 45

HEX #5F8B3B

RGB 95 139 59

HSL 93, 0.4%, 0.39%

LAB 53.18, -29.56, 37.46

 

CMYK 57 / 32 / 0 / 45

HEX #3C5F8B

RGB 60 95 139

HSL 213.42, 0.4%, 0.39%

LAB 39.6, 1.15, -28.21

 

CMYK 0 / 57 / 32 / 45

HEX #8B3C5F

RGB 139 60 95

HSL 333.42, 0.4%, 0.39%

LAB 37.02, 37.59, -4.25

 

CMYK 32 / 0 / 58 / 45

HEX #5F8B3B

RGB 95 139 59

HSL 93, 0.4%, 0.39%

LAB 53.18, -29.56, 37.46

 

CMYK 57 / 0 / 14 / 45

HEX #3C8B77

RGB 60 139 119

HSL 164.81, 0.4%, 0.39%

LAB 52.68, -29.34, 3.42

 

CMYK 26 / 57 / 0 / 45

HEX #673C8B

RGB 103 60 139

HSL 272.66, 0.4%, 0.39%

LAB 33.94, 34.66, -36.92

 

CMYK 0 / 57 / 42 / 45

HEX #8B3C50

RGB 139 60 80

HSL 344.81, 0.4%, 0.39%

LAB 36.56, 35.7, 4.6

 

CMYK 32 / 0 / 58 / 45

HEX #5F8B3B

RGB 95 139 59

HSL 93, 0.4%, 0.39%

LAB 53.18, -29.56, 37.46

 

CMYK 57 / 3 / 0 / 45

HEX #3C878B

RGB 60 135 139

HSL 183.04, 0.4%, 0.39%

LAB 52.01, -21.82, -9.19

 

CMYK 26 / 57 / 0 / 45

HEX #673C8B

RGB 103 60 139

HSL 272.66, 0.4%, 0.39%

LAB 33.94, 34.66, -36.92

 

CMYK 0 / 54 / 57 / 45

HEX #8B403C

RGB 139 64 60

HSL 3.04, 0.4%, 0.39%

LAB 36.9, 31.56, 17.7

 

Description

Color code: RGB 95 139 59 | qconv.com Color code: RGB 95 139 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 139 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 139 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 58 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 58% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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