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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 105 47 it is the complementary color RGB 160 150 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 105 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 105 47 shade: RGB 100 105 42, RGB 117 123 61, RGB 134 141 80, RGB 151 159 99 and RGB 168 177 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 105 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 78 87 28, RGB 61 69 9, RGB 44 51 0 and RGB 27 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 105 99 47, RGB 105 84 47, RGB 105 68 47 and RGB 105 52 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 79 105 47, RGB 64 105 47, RGB 48 105 47 and RGB 47 105 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 105 47 shade matches the following richer shades: RGB 95 105 47, RGB 103 117 35, RGB 111 130 22 and RGB 119 142 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 87 93 59, RGB 79 80 72, RGB 71 68 84 and RGB 63 56 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 105 47 shade: RGB 105 84 47, RGB 105 99 47, RGB 95 105 47, RGB 80 105 47 and RGB 64 105 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 105 47 shade: RGB 44 48 21, RGB 69 77 34, RGB 95 105 47, RGB 121 134 60 and RGB 147 162 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 47 105 68 and RGB 92 47 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 47 95 105 and RGB 105 47 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 47 105 68, RGB 57 47 105 and RGB 105 47 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 105 47 shade: RGB 95 105 47, RGB 47 105 86, RGB 57 47 105 and RGB 105 47 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

Complementary color

CMYK 23 / 28 / 0 / 18

HEX #A096D0

RGB 160 150 208

HSL 250.34, 0.38%, 0.7%

LAB 64.84, 15.96, -28.4

 

CMYK 5 / 0 / 60 / 59

HEX #64692A

RGB 100 105 42

HSL 64.76, 0.43%, 0.29%

LAB 42.73, -11.54, 34.06

 

CMYK 5 / 0 / 50 / 52

HEX #757B3D

RGB 117 123 61

HSL 65.81, 0.34%, 0.36%

LAB 49.84, -12.03, 32.87

 

CMYK 5 / 0 / 43 / 45

HEX #868D50

RGB 134 141 80

HSL 66.89, 0.28%, 0.43%

LAB 56.78, -12.37, 31.61

 

CMYK 5 / 0 / 38 / 38

HEX #979F63

RGB 151 159 99

HSL 68, 0.24%, 0.51%

LAB 63.57, -12.63, 30.37

 

CMYK 5 / 0 / 33 / 31

HEX #A8B176

RGB 168 177 118

HSL 69.15, 0.27%, 0.58%

LAB 70.23, -12.82, 29.19

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 10 / 0 / 68 / 66

HEX #4E571C

RGB 78 87 28

HSL 69.15, 0.51%, 0.23%

LAB 35.04, -12.86, 32.03

 

CMYK 12 / 0 / 87 / 73

HEX #3D4509

RGB 61 69 9

HSL 68, 0.77%, 0.15%

LAB 27.49, -12.05, 32.28

 

CMYK 14 / 0 / 100 / 80

HEX #2C3300

RGB 44 51 0

HSL 68.24, 1%, 0.1%

LAB 19.65, -10.69, 27.54

 

CMYK 18 / 0 / 100 / 87

HEX #1B2100

RGB 27 33 0

HSL 70.91, 1%, 0.06%

LAB 11.42, -8.78, 16.79

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 0 / 6 / 55 / 59

HEX #69632F

RGB 105 99 47

HSL 53.79, 0.38%, 0.3%

LAB 41.43, -5.34, 30.06

 

CMYK 0 / 20 / 55 / 59

HEX #69542F

RGB 105 84 47

HSL 38.28, 0.38%, 0.3%

LAB 37.02, 3.58, 24.76

 

CMYK 0 / 35 / 55 / 59

HEX #69442F

RGB 105 68 47

HSL 21.72, 0.38%, 0.3%

LAB 32.57, 13.39, 19.18

 

CMYK 0 / 50 / 55 / 59

HEX #69342F

RGB 105 52 47

HSL 5.17, 0.38%, 0.3%

LAB 28.55, 23.07, 13.93

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 25 / 0 / 55 / 59

HEX #4F692F

RGB 79 105 47

HSL 86.9, 0.38%, 0.3%

LAB 41.17, -20.32, 29.23

 

CMYK 39 / 0 / 55 / 59

HEX #40692F

RGB 64 105 47

HSL 102.41, 0.38%, 0.3%

LAB 40.24, -26.28, 27.9

 

CMYK 54 / 0 / 55 / 59

HEX #30692F

RGB 48 105 47

HSL 118.97, 0.38%, 0.3%

LAB 39.47, -31.71, 26.79

 

CMYK 55 / 0 / 41 / 59

HEX #2F693E

RGB 47 105 62

HSL 135.52, 0.38%, 0.3%

LAB 39.67, -29.46, 18.56

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 12 / 0 / 70 / 54

HEX #677523

RGB 103 117 35

HSL 70.24, 0.54%, 0.3%

LAB 46.61, -17.27, 41.58

 

CMYK 15 / 0 / 83 / 49

HEX #6F8216

RGB 111 130 22

HSL 70.56, 0.71%, 0.3%

LAB 51.16, -21.18, 50.83

 

CMYK 16 / 0 / 93 / 44

HEX #778E0A

RGB 119 142 10

HSL 70.45, 0.87%, 0.3%

LAB 55.37, -24.07, 57.3

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 6 / 0 / 37 / 64

HEX #575D3B

RGB 87 93 59

HSL 70.59, 0.22%, 0.3%

LAB 38.15, -8.63, 18.78

 

CMYK 1 / 0 / 10 / 69

HEX #4F5048

RGB 79 80 72

HSL 67.5, 0.05%, 0.3%

LAB 33.71, -2.07, 4.57

 

CMYK 15 / 19 / 0 / 67

HEX #474454

RGB 71 68 84

HSL 251.25, 0.11%, 0.3%

LAB 29.7, 5.01, -9.09

 

CMYK 34 / 42 / 0 / 62

HEX #3F3860

RGB 63 56 96

HSL 250.5, 0.26%, 0.3%

LAB 25.95, 13.45, -22.72

 

CMYK 0 / 20 / 55 / 59

HEX #69542F

RGB 105 84 47

HSL 38.28, 0.38%, 0.3%

LAB 37.02, 3.58, 24.76

 

CMYK 0 / 6 / 55 / 59

HEX #69632F

RGB 105 99 47

HSL 53.79, 0.38%, 0.3%

LAB 41.43, -5.34, 30.06

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 24 / 0 / 55 / 59

HEX #50692F

RGB 80 105 47

HSL 85.86, 0.38%, 0.3%

LAB 41.24, -19.9, 29.33

 

CMYK 39 / 0 / 55 / 59

HEX #40692F

RGB 64 105 47

HSL 102.41, 0.38%, 0.3%

LAB 40.24, -26.28, 27.9

 

CMYK 8 / 0 / 56 / 81

HEX #2C3015

RGB 44 48 21

HSL 68.89, 0.39%, 0.14%

LAB 18.82, -6.9, 16.61

 

CMYK 10 / 0 / 56 / 70

HEX #454D22

RGB 69 77 34

HSL 71.16, 0.39%, 0.22%

LAB 31.09, -10.78, 24.19

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 10 / 0 / 55 / 47

HEX #79863C

RGB 121 134 60

HSL 70.54, 0.38%, 0.38%

LAB 53.43, -16.31, 37.7

RGB 121 134 60

CMYK 9 / 0 / 55 / 36

HEX #93A249

RGB 147 162 73

HSL 70.11, 0.38%, 0.46%

LAB 63.77, -18.63, 43.82

RGB 147 162 73

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 55 / 0 / 35 / 59

HEX #2F6944

RGB 47 105 68

HSL 141.72, 0.38%, 0.3%

LAB 39.79, -28.26, 15.19

 

CMYK 12 / 55 / 0 / 59

HEX #5C2F69

RGB 92 47 105

HSL 286.55, 0.38%, 0.3%

LAB 27.65, 30.79, -25.62

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 55 / 10 / 0 / 59

HEX #2F5F69

RGB 47 95 105

HSL 190.34, 0.38%, 0.3%

LAB 37.5, -13.18, -10.7

 

CMYK 0 / 55 / 10 / 59

HEX #692F5F

RGB 105 47 95

HSL 310.34, 0.38%, 0.3%

LAB 29.06, 32.88, -16.81

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 55 / 0 / 35 / 59

HEX #2F6944

RGB 47 105 68

HSL 141.72, 0.38%, 0.3%

LAB 39.79, -28.26, 15.19

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 0 / 55 / 20 / 59

HEX #692F54

RGB 105 47 84

HSL 321.72, 0.38%, 0.3%

LAB 28.58, 30.93, -10.38

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 55 / 0 / 18 / 59

HEX #2F6956

RGB 47 105 86

HSL 160.34, 0.38%, 0.3%

LAB 40.21, -24.06, 4.96

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 0 / 55 / 37 / 59

HEX #692F42

RGB 105 47 66

HSL 340.34, 0.38%, 0.3%

LAB 27.93, 28.19, 0.53

 

Description

Color code: RGB 95 105 47 | qconv.com Color code: RGB 95 105 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 105 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 105 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 55 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 55% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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