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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 0 142 it is the complementary color RGB 160 255 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 0 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 0 142: RGB 100 0 137, RGB 117 18 156, RGB 134 36 175, RGB 151 54 194 and RGB 168 72 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 0 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 0 142: RGB 95 0 142, RGB 78 0 123, RGB 61 0 104, RGB 44 0 85 and RGB 27 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

Complementary color

CMYK 37 / 0 / 56 / 0

HEX #A0FF71

RGB 160 255 113

HSL 100.14, 1%, 0.72%

LAB 91.77, -52.36, 58.18

 

CMYK 27 / 100 / 0 / 46

HEX #640089

RGB 100 0 137

HSL 283.8, 1%, 0.27%

LAB 25.31, 56.18, -49.63

 

CMYK 25 / 88 / 0 / 39

HEX #75129C

RGB 117 18 156

HSL 283.04, 0.79%, 0.34%

LAB 30.91, 59.01, -52.11

 

CMYK 23 / 79 / 0 / 31

HEX #8624AF

RGB 134 36 175

HSL 282.3, 0.66%, 0.41%

LAB 36.79, 60.65, -53.89

 

CMYK 22 / 72 / 0 / 24

HEX #9736C2

RGB 151 54 194

HSL 281.57, 0.56%, 0.49%

LAB 42.93, 61.21, -55.04

 

CMYK 21 / 66 / 0 / 16

HEX #A848D5

RGB 168 72 213

HSL 280.85, 0.63%, 0.56%

LAB 49.21, 61.15, -55.78

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 37 / 100 / 0 / 52

HEX #4E007B

RGB 78 0 123

HSL 278.05, 1%, 0.24%

LAB 20.24, 50.5, -49.22

 

CMYK 41 / 100 / 0 / 59

HEX #3D0068

RGB 61 0 104

HSL 275.19, 1%, 0.2%

LAB 15.44, 44.32, -44.89

 

CMYK 48 / 100 / 0 / 67

HEX #2C0055

RGB 44 0 85

HSL 271.06, 1%, 0.17%

LAB 10.49, 37.96, -40.41

 

CMYK 59 / 100 / 0 / 74

HEX #1B0042

RGB 27 0 66

HSL 264.55, 1%, 0.13%

LAB 5.66, 30.24, -35.22

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 17 / 100 / 0 / 44

HEX #76008E

RGB 118 0 142

HSL 289.86, 1%, 0.28%

LAB 28.91, 59.68, -46.74

 

CMYK 0 / 100 / 0 / 44

HEX #8E008E

RGB 142 0 142

HSL 300, 1%, 0.28%

LAB 33.36, 63.54, -39.35

 

CMYK 0 / 100 / 17 / 44

HEX #8E0076

RGB 142 0 118

HSL 310.14, 1%, 0.28%

LAB 31.94, 60.07, -26.58

 

CMYK 0 / 100 / 33 / 44

HEX #8E005F

RGB 142 0 95

HSL 319.86, 1%, 0.28%

LAB 30.82, 57.24, -13.53

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 33 / 100 / 0 / 24

HEX #8100C1

RGB 129 0 193

HSL 280.1, 1%, 0.38%

LAB 35.04, 70.71, -67.44

 

CMYK 33 / 100 / 0 / 4

HEX #A300F4

RGB 163 0 244

HSL 280.08, 1%, 0.48%

LAB 44.69, 84.19, -80.74

 

CMYK 33 / 100 / 0 / 84

HEX #1B0028

RGB 27 0 40

HSL 280.5, 1%, 0.08%

LAB 3.49, 19.17, -19.5

 

CMYK 33 / 100 / 0 / 64

HEX #3D005B

RGB 61 0 91

HSL 280.22, 1%, 0.18%

LAB 14.1, 41.41, -38.44

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 0 / 100 / 87 / 44

HEX #8E0013

RGB 142 0 19

HSL 351.97, 1%, 0.28%

LAB 28.9, 52.14, 33.64

 

CMYK 100 / 0 / 73 / 44

HEX #008E26

RGB 0 142 38

HSL 136.06, 1%, 0.28%

LAB 51.25, -53.65, 44.01

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 0 / 33 / 100 / 44

HEX #8E5F00

RGB 142 95 0

HSL 40.14, 1%, 0.28%

LAB 44.14, 12.46, 51.94

 

CMYK 100 / 0 / 33 / 44

HEX #008E5F

RGB 0 142 95

HSL 160.14, 1%, 0.28%

LAB 52.03, -44.24, 16.11

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 0 / 100 / 87 / 44

HEX #8E0013

RGB 142 0 19

HSL 351.97, 1%, 0.28%

LAB 28.9, 52.14, 33.64

 

CMYK 67 / 0 / 100 / 44

HEX #2F8E00

RGB 47 142 0

HSL 100.14, 1%, 0.28%

LAB 51.78, -49.65, 54.64

 

CMYK 100 / 0 / 13 / 44

HEX #008E7B

RGB 0 142 123

HSL 171.97, 1%, 0.28%

LAB 52.7, -36.89, 1

 

CMYK 33 / 100 / 0 / 44

HEX #5F008E

RGB 95 0 142

HSL 280.14, 1%, 0.28%

LAB 24.91, 56.54, -53.44

 

CMYK 0 / 84 / 100 / 44

HEX #8E1700

RGB 142 23 0

HSL 9.72, 1%, 0.28%

LAB 30.31, 47.4, 43.33

 

CMYK 67 / 0 / 100 / 44

HEX #2F8E00

RGB 47 142 0

HSL 100.14, 1%, 0.28%

LAB 51.78, -49.65, 54.64

 

CMYK 100 / 16 / 0 / 44

HEX #00778E

RGB 0 119 142

HSL 189.72, 1%, 0.28%

LAB 45.83, -19.38, -20.44

 

Description

Color code: RGB 95 0 142 | qconv.com Color code: RGB 95 0 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, none green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 0 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 100 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 100% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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