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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 241 239 it is the complementary color RGB 161 14 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 241 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 241 239: RGB 99 241 234, RGB 116 255 253, RGB 133 255 255, RGB 150 255 255 and RGB 167 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 241 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 241 239: RGB 94 241 239, RGB 77 223 220, RGB 60 205 201, RGB 43 187 182 and RGB 26 169 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

Complementary color

CMYK 0 / 91 / 90 / 37

HEX #A10E10

RGB 161 14 16

HSL 359.18, 0.84%, 0.34%

LAB 33.83, 55.09, 41.01

 

CMYK 59 / 0 / 3 / 5

HEX #63F1EA

RGB 99 241 234

HSL 177.04, 0.84%, 0.67%

LAB 87.73, -39.61, -8.11

 

CMYK 55 / 0 / 1 / 0

HEX #74FFFD

RGB 116 255 253

HSL 179.14, 1%, 0.73%

LAB 92.72, -38.05, -10.54

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 65 / 0 / 1 / 13

HEX #4DDFDC

RGB 77 223 220

HSL 178.77, 0.7%, 0.59%

LAB 81.58, -38.65, -9.92

 

CMYK 71 / 0 / 2 / 20

HEX #3CCDC9

RGB 60 205 201

HSL 178.34, 0.59%, 0.52%

LAB 75.35, -38, -9.05

 

CMYK 77 / 0 / 3 / 27

HEX #2BBBB6

RGB 43 187 182

HSL 177.92, 0.63%, 0.45%

LAB 69.06, -37.12, -8.08

 

CMYK 85 / 0 / 4 / 34

HEX #1AA9A3

RGB 26 169 163

HSL 177.48, 0.73%, 0.38%

LAB 62.71, -35.92, -7.01

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 61 / 9 / 0 / 5

HEX #5FDBF1

RGB 95 219 241

HSL 189.04, 0.84%, 0.66%

LAB 81.54, -28.06, -21.1

 

CMYK 61 / 19 / 0 / 5

HEX #5FC3F1

RGB 95 195 241

HSL 198.9, 0.84%, 0.66%

LAB 74.71, -15.94, -31.54

 

CMYK 61 / 29 / 0 / 5

HEX #5FAAF1

RGB 95 170 241

HSL 209.18, 0.84%, 0.66%

LAB 67.68, -2.38, -42.47

 

CMYK 61 / 39 / 0 / 5

HEX #5F92F1

RGB 95 146 241

HSL 219.04, 0.84%, 0.66%

LAB 61.08, 11.46, -52.87

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 62 / 0 / 0 / 85

HEX #0E2525

RGB 14 37 37

HSL 180, 0.45%, 0.1%

LAB 12.92, -9, -2.79

 

CMYK 61 / 0 / 1 / 65

HEX #225857

RGB 34 88 87

HSL 178.89, 0.44%, 0.24%

LAB 34, -17.88, -4.79

 

CMYK 61 / 0 / 1 / 45

HEX #368B8A

RGB 54 139 138

HSL 179.29, 0.44%, 0.38%

LAB 53.04, -25.36, -7.09

 

CMYK 61 / 0 / 1 / 25

HEX #4ABEBC

RGB 74 190 188

HSL 178.97, 0.47%, 0.52%

LAB 70.81, -32.57, -8.7

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 49 / 61 / 0 / 5

HEX #7A5FF1

RGB 122 95 241

HSL 251.1, 0.84%, 0.66%

LAB 50.3, 46.89, -70.09

 

CMYK 0 / 25 / 61 / 5

HEX #F1B45F

RGB 241 180 95

HSL 34.93, 0.84%, 0.66%

LAB 77.38, 13.29, 51.21

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 1 / 61 / 0 / 5

HEX #EE5FF1

RGB 238 95 241

HSL 298.77, 0.84%, 0.66%

LAB 63.93, 72.72, -47.51

 

CMYK 0 / 1 / 61 / 5

HEX #F1EE5F

RGB 241 238 95

HSL 58.77, 0.84%, 0.66%

LAB 91.99, -16.27, 67.48

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 49 / 61 / 0 / 5

HEX #7A5FF1

RGB 122 95 241

HSL 251.1, 0.84%, 0.66%

LAB 50.3, 46.89, -70.09

 

CMYK 0 / 61 / 60 / 5

HEX #F15F61

RGB 241 95 97

HSL 359.18, 0.84%, 0.66%

LAB 59.66, 56.3, 28.5

 

CMYK 11 / 0 / 61 / 5

HEX #D6F15F

RGB 214 241 95

HSL 71.1, 0.84%, 0.66%

LAB 90.79, -28.44, 65.61

 

CMYK 61 / 0 / 1 / 5

HEX #5EF1EF

RGB 94 241 239

HSL 179.18, 0.84%, 0.66%

LAB 87.74, -39.12, -10.73

 

CMYK 32 / 61 / 0 / 5

HEX #A55FF1

RGB 165 95 241

HSL 268.77, 0.84%, 0.66%

LAB 54.59, 55.77, -62.95

 

CMYK 0 / 61 / 60 / 5

HEX #F15F61

RGB 241 95 97

HSL 359.18, 0.84%, 0.66%

LAB 59.66, 56.3, 28.5

 

CMYK 29 / 0 / 61 / 5

HEX #AAF15F

RGB 170 241 95

HSL 89.18, 0.84%, 0.66%

LAB 88.1, -44.83, 61.89

 

Description

Color code: RGB 94 241 239 | qconv.com Color code: RGB 94 241 239 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 241 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 241 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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