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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 20 183 it is the complementary color RGB 161 235 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 20 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 20 183: RGB 99 20 178, RGB 116 38 197, RGB 133 56 216, RGB 150 74 235 and RGB 167 92 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 20 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 20 183: RGB 94 20 183, RGB 77 2 164, RGB 60 0 145, RGB 43 0 126 and RGB 26 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

Complementary color

CMYK 31 / 0 / 69 / 8

HEX #A1EB48

RGB 161 235 72

HSL 87.24, 0.8%, 0.6%

LAB 85.74, -47.17, 68.24

 

CMYK 44 / 89 / 0 / 30

HEX #6314B2

RGB 99 20 178

HSL 270, 0.8%, 0.39%

LAB 30.32, 60.78, -66.46

 

CMYK 41 / 81 / 0 / 23

HEX #7426C5

RGB 116 38 197

HSL 269.43, 0.68%, 0.46%

LAB 36.23, 61.84, -67.9

 

CMYK 38 / 74 / 0 / 15

HEX #8538D8

RGB 133 56 216

HSL 268.88, 0.67%, 0.53%

LAB 42.42, 61.93, -68.7

 

CMYK 36 / 69 / 0 / 8

HEX #964AEB

RGB 150 74 235

HSL 268.32, 0.8%, 0.61%

LAB 48.73, 61.48, -69.14

 

CMYK 34 / 64 / 0 / 0

HEX #A75CFE

RGB 167 92 254

HSL 267.78, 0.99%, 0.68%

LAB 55.1, 60.76, -69.35

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 53 / 99 / 0 / 36

HEX #4D02A4

RGB 77 2 164

HSL 267.78, 0.98%, 0.33%

LAB 24.64, 59.13, -67.49

 

CMYK 59 / 100 / 0 / 43

HEX #3C0091

RGB 60 0 145

HSL 264.83, 1%, 0.28%

LAB 20.06, 53.88, -63.47

 

CMYK 66 / 100 / 0 / 51

HEX #2B007E

RGB 43 0 126

HSL 260.48, 1%, 0.25%

LAB 15.59, 48.16, -58.99

 

CMYK 76 / 100 / 0 / 58

HEX #1A006B

RGB 26 0 107

HSL 254.58, 1%, 0.21%

LAB 11.14, 42.41, -54.13

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 34 / 89 / 0 / 28

HEX #7914B7

RGB 121 20 183

HSL 277.18, 0.8%, 0.4%

LAB 33.95, 64.65, -63.36

 

CMYK 19 / 89 / 0 / 28

HEX #9414B7

RGB 148 20 183

HSL 287.12, 0.8%, 0.4%

LAB 38.23, 68.59, -56.21

 

CMYK 4 / 89 / 0 / 28

HEX #AF14B7

RGB 175 20 183

HSL 297.06, 0.8%, 0.4%

LAB 42.81, 73.04, -48.58

 

CMYK 0 / 89 / 10 / 28

HEX #B714A4

RGB 183 20 164

HSL 306.99, 0.8%, 0.4%

LAB 43.13, 71.67, -36.7

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 49 / 89 / 0 / 8

HEX #781AEA

RGB 120 26 234

HSL 267.12, 0.83%, 0.51%

LAB 39.02, 74.26, -84.61

 

CMYK 50 / 90 / 0 / 88

HEX #0F031E

RGB 15 3 30

HSL 266.67, 0.82%, 0.06%

LAB 2.35, 8.86, -13.53

 

CMYK 48 / 89 / 0 / 68

HEX #2A0951

RGB 42 9 81

HSL 267.5, 0.8%, 0.18%

LAB 11.15, 32.43, -36.61

 

CMYK 48 / 89 / 0 / 48

HEX #440E84

RGB 68 14 132

HSL 267.46, 0.81%, 0.29%

LAB 20.86, 47.72, -53.97

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 0 / 89 / 58 / 28

HEX #B7144D

RGB 183 20 77

HSL 339.02, 0.8%, 0.4%

LAB 39.75, 62.52, 12.18

 

CMYK 89 / 0 / 85 / 28

HEX #14B71C

RGB 20 183 28

HSL 122.94, 0.8%, 0.4%

LAB 65.04, -65.24, 60.53

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 0 / 49 / 89 / 28

HEX #B75D14

RGB 183 93 20

HSL 26.87, 0.8%, 0.4%

LAB 49.43, 32.1, 53.2

 

CMYK 89 / 0 / 49 / 28

HEX #14B75D

RGB 20 183 93

HSL 146.87, 0.8%, 0.4%

LAB 65.6, -58.35, 35.01

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 0 / 89 / 58 / 28

HEX #B7144D

RGB 183 20 77

HSL 339.02, 0.8%, 0.4%

LAB 39.75, 62.52, 12.18

 

CMYK 40 / 0 / 89 / 28

HEX #6EB714

RGB 110 183 20

HSL 86.87, 0.8%, 0.4%

LAB 67.45, -45.93, 65.28

 

CMYK 89 / 0 / 31 / 28

HEX #14B77E

RGB 20 183 126

HSL 159.02, 0.8%, 0.4%

LAB 66.15, -51.9, 18.38

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B7

RGB 94 20 183

HSL 267.24, 0.8%, 0.4%

LAB 30.15, 61.38, -69.74

 

CMYK 0 / 89 / 85 / 28

HEX #B7141C

RGB 183 20 28

HSL 357.06, 0.8%, 0.4%

LAB 38.99, 60.32, 41.16

 

CMYK 40 / 0 / 89 / 28

HEX #6EB714

RGB 110 183 20

HSL 86.87, 0.8%, 0.4%

LAB 67.45, -45.93, 65.28

 

CMYK 89 / 0 / 4 / 28

HEX #14B7AF

RGB 20 183 175

HSL 177.06, 0.8%, 0.4%

LAB 67.36, -39.12, -6.79

 

Description

Color code: RGB 94 20 183 | qconv.com Color code: RGB 94 20 183 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 20 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 20 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 89 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 89% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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