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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 136 114 it is the complementary color RGB 161 119 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 136 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 136 114 shade: RGB 99 136 109, RGB 116 154 128, RGB 133 172 147, RGB 150 190 166 and RGB 167 208 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 136 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 136 114 shade: RGB 94 136 114, RGB 77 118 95, RGB 60 100 76, RGB 43 82 57 and RGB 26 64 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 136 114 shade: RGB 94 135 114, RGB 94 135 103, RGB 97 135 94, RGB 108 135 94 and RGB 119 135 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 136 114 shade: RGB 94 135 114, RGB 94 135 125, RGB 94 135 135, RGB 94 124 135 and RGB 94 112 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 136 114 shade matches the following richer shades: RGB 94 135 114, RGB 76 154 113, RGB 57 173 112, RGB 38 191 111 and RGB 20 210 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 136 114 shade: RGB 94 135 114, RGB 113 117 115, RGB 131 98 116, RGB 150 80 116 and RGB 168 61 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 136 114 shade: RGB 97 135 94, RGB 94 135 102, RGB 94 135 113, RGB 94 135 124 and RGB 94 135 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 136 114 shade: RGB 60 87 73, RGB 77 111 93, RGB 94 135 114, RGB 114 157 134 and RGB 138 174 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 136 114 shade: RGB 94 136 114, RGB 94 108 135 and RGB 135 97 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 136 114 shade: RGB 94 136 114, RGB 113 94 135 and RGB 135 113 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 136 114 shade: RGB 94 136 114, RGB 94 108 135, RGB 135 94 116 and RGB 135 122 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 136 114 shade: RGB 94 136 114, RGB 94 95 135, RGB 135 94 116 and RGB 135 134 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 16 / 47

HEX #5E8872

RGB 94 136 114

HSL 148.57, 0.18%, 0.45%

LAB 53.17, -19.47, 7.21

 

Complementary color

CMYK 0 / 26 / 12 / 37

HEX #A1778D

RGB 161 119 141

HSL 328.57, 0.18%, 0.55%

LAB 54.76, 20.02, -5.5

 

CMYK 27 / 0 / 20 / 47

HEX #63886D

RGB 99 136 109

HSL 136.22, 0.16%, 0.46%

LAB 53.35, -18.81, 10.39

 

CMYK 25 / 0 / 17 / 40

HEX #749A80

RGB 116 154 128

HSL 138.95, 0.16%, 0.53%

LAB 60.23, -18.58, 9.45

 

CMYK 23 / 0 / 15 / 33

HEX #85AC93

RGB 133 172 147

HSL 141.54, 0.19%, 0.6%

LAB 66.97, -18.39, 8.58

 

CMYK 21 / 0 / 13 / 25

HEX #96BEA6

RGB 150 190 166

HSL 144, 0.24%, 0.67%

LAB 73.59, -18.22, 7.76

 

CMYK 20 / 0 / 11 / 18

HEX #A7D0B9

RGB 167 208 185

HSL 146.34, 0.3%, 0.74%

LAB 80.08, -18.07, 6.98

 

CMYK 31 / 0 / 16 / 47

HEX #5E8872

RGB 94 136 114

HSL 148.57, 0.18%, 0.45%

LAB 53.17, -19.47, 7.21

 

CMYK 35 / 0 / 19 / 54

HEX #4D765F

RGB 77 118 95

HSL 146.34, 0.21%, 0.38%

LAB 46.12, -19.73, 8.18

 

CMYK 40 / 0 / 24 / 61

HEX #3C644C

RGB 60 100 76

HSL 144, 0.25%, 0.31%

LAB 38.89, -20.02, 9.25

 

CMYK 48 / 0 / 30 / 68

HEX #2B5239

RGB 43 82 57

HSL 141.54, 0.31%, 0.25%

LAB 31.45, -20.32, 10.47

 

CMYK 59 / 0 / 41 / 75

HEX #1A4026

RGB 26 64 38

HSL 138.95, 0.42%, 0.18%

LAB 23.76, -20.54, 11.91

 

CMYK 30 / 0 / 16 / 47

HEX #5E8772

RGB 94 135 114

HSL 149.27, 0.18%, 0.45%

LAB 52.86, -18.94, 6.78

 

CMYK 30 / 0 / 24 / 47

HEX #5E8767

RGB 94 135 103

HSL 133.17, 0.18%, 0.45%

LAB 52.61, -21.21, 12.75

 

CMYK 28 / 0 / 30 / 47

HEX #61875E

RGB 97 135 94

HSL 115.61, 0.18%, 0.45%

LAB 52.59, -21.83, 17.91

 

CMYK 20 / 0 / 30 / 47

HEX #6C875E

RGB 108 135 94

HSL 99.51, 0.18%, 0.45%

LAB 53.3, -17.73, 18.98

 

CMYK 12 / 0 / 30 / 47

HEX #77875E

RGB 119 135 94

HSL 83.41, 0.18%, 0.45%

LAB 54.09, -13.43, 20.18

 

CMYK 30 / 0 / 16 / 47

HEX #5E8772

RGB 94 135 114

HSL 149.27, 0.18%, 0.45%

LAB 52.86, -18.94, 6.78

 

CMYK 30 / 0 / 7 / 47

HEX #5E877D

RGB 94 135 125

HSL 165.37, 0.18%, 0.45%

LAB 53.15, -16.47, 0.82

 

CMYK 30 / 0 / 0 / 47

HEX #5E8787

RGB 94 135 135

HSL 180, 0.18%, 0.45%

LAB 53.45, -14.06, -4.56

 

CMYK 30 / 8 / 0 / 47

HEX #5E7C87

RGB 94 124 135

HSL 196.1, 0.18%, 0.45%

LAB 50.15, -7.92, -9.47

 

CMYK 30 / 17 / 0 / 47

HEX #5E7087

RGB 94 112 135

HSL 213.66, 0.18%, 0.45%

LAB 46.6, -0.94, -14.82

 

CMYK 30 / 0 / 16 / 47

HEX #5E8772

RGB 94 135 114

HSL 149.27, 0.18%, 0.45%

LAB 52.86, -18.94, 6.78

 

CMYK 51 / 0 / 27 / 40

HEX #4C9A71

RGB 76 154 113

HSL 148.46, 0.34%, 0.45%

LAB 57.88, -33.93, 14.29

 

CMYK 67 / 0 / 35 / 32

HEX #39AD70

RGB 57 173 112

HSL 148.45, 0.5%, 0.45%

LAB 63.28, -46.56, 22.14

 

CMYK 80 / 0 / 42 / 25

HEX #26BF6F

RGB 38 191 111

HSL 148.63, 0.67%, 0.45%

LAB 68.62, -56.37, 29.69

 

CMYK 90 / 0 / 48 / 18

HEX #14D26E

RGB 20 210 110

HSL 148.42, 0.83%, 0.45%

LAB 74.42, -64.56, 37.63

 

CMYK 30 / 0 / 16 / 47

HEX #5E8772

RGB 94 135 114

HSL 149.27, 0.18%, 0.45%

LAB 52.86, -18.94, 6.78

 

CMYK 3 / 0 / 2 / 54

HEX #717573

RGB 113 117 115

HSL 150, 0.02%, 0.45%

LAB 48.85, -1.92, 0.57

 

CMYK 0 / 25 / 11 / 49

HEX #836274

RGB 131 98 116

HSL 327.27, 0.14%, 0.45%

LAB 45.39, 16.44, -4.92

 

CMYK 0 / 47 / 23 / 41

HEX #965074

RGB 150 80 116

HSL 329.14, 0.3%, 0.45%

LAB 43.48, 33.9, -7.51

 

CMYK 0 / 64 / 30 / 34

HEX #A83D75

RGB 168 61 117

HSL 328.6, 0.47%, 0.45%

LAB 42.68, 49.46, -9.03

 

CMYK 28 / 0 / 30 / 47

HEX #61875E

RGB 97 135 94

HSL 115.61, 0.18%, 0.45%

LAB 52.59, -21.83, 17.91

 

CMYK 30 / 0 / 24 / 47

HEX #5E8766

RGB 94 135 102

HSL 131.71, 0.18%, 0.45%

LAB 52.58, -21.4, 13.3

 

CMYK 30 / 0 / 16 / 47

HEX #5E8771

RGB 94 135 113

HSL 147.8, 0.18%, 0.45%

LAB 52.84, -19.15, 7.32

 

CMYK 30 / 0 / 8 / 47

HEX #5E877C

RGB 94 135 124

HSL 163.9, 0.18%, 0.45%

LAB 53.13, -16.7, 1.36

 

CMYK 30 / 0 / 0 / 47

HEX #5E8787

RGB 94 135 135

HSL 180, 0.18%, 0.45%

LAB 53.45, -14.06, -4.56

 

CMYK 31 / 0 / 16 / 66

HEX #3C5749

RGB 60 87 73

HSL 148.89, 0.18%, 0.29%

LAB 34.51, -13.54, 4.91

 

CMYK 31 / 0 / 16 / 56

HEX #4D6F5D

RGB 77 111 93

HSL 148.24, 0.18%, 0.37%

LAB 43.85, -16.41, 6.14

 

CMYK 30 / 0 / 16 / 47

HEX #5E8772

RGB 94 135 114

HSL 149.27, 0.18%, 0.45%

LAB 52.86, -18.94, 6.78

 

CMYK 27 / 0 / 15 / 38

HEX #729D86

RGB 114 157 134

HSL 147.91, 0.18%, 0.53%

LAB 61.14, -19.59, 7.35

 

CMYK 21 / 0 / 11 / 32

HEX #8AAE9B

RGB 138 174 155

HSL 148.33, 0.18%, 0.61%

LAB 68.05, -16.15, 5.74

 

CMYK 31 / 0 / 16 / 47

HEX #5E8872

RGB 94 136 114

HSL 148.57, 0.18%, 0.45%

LAB 53.17, -19.47, 7.21

 

CMYK 30 / 20 / 0 / 47

HEX #5E6C87

RGB 94 108 135

HSL 219.51, 0.18%, 0.45%

LAB 45.43, 1.45, -16.6

 

CMYK 0 / 28 / 30 / 47

HEX #87615E

RGB 135 97 94

HSL 4.39, 0.18%, 0.45%

LAB 44.95, 14.99, 7.81

 

CMYK 31 / 0 / 16 / 47

HEX #5E8872

RGB 94 136 114

HSL 148.57, 0.18%, 0.45%

LAB 53.17, -19.47, 7.21

 

CMYK 16 / 30 / 0 / 47

HEX #715E87

RGB 113 94 135

HSL 267.8, 0.18%, 0.45%

LAB 43.16, 16.31, -19.95

 

CMYK 0 / 16 / 30 / 47

HEX #87715E

RGB 135 113 94

HSL 27.8, 0.18%, 0.45%

LAB 49.22, 5.59, 13.77

 

CMYK 31 / 0 / 16 / 47

HEX #5E8872

RGB 94 136 114

HSL 148.57, 0.18%, 0.45%

LAB 53.17, -19.47, 7.21

 

CMYK 30 / 20 / 0 / 47

HEX #5E6C87

RGB 94 108 135

HSL 219.51, 0.18%, 0.45%

LAB 45.43, 1.45, -16.6

 

CMYK 0 / 30 / 14 / 47

HEX #875E74

RGB 135 94 116

HSL 327.8, 0.18%, 0.45%

LAB 44.83, 20.34, -5.71

 

CMYK 0 / 10 / 30 / 47

HEX #877A5E

RGB 135 122 94

HSL 40.98, 0.18%, 0.45%

LAB 51.7, 0.4, 17.17

 

CMYK 31 / 0 / 16 / 47

HEX #5E8872

RGB 94 136 114

HSL 148.57, 0.18%, 0.45%

LAB 53.17, -19.47, 7.21

 

CMYK 30 / 30 / 0 / 47

HEX #5E5F87

RGB 94 95 135

HSL 238.54, 0.18%, 0.45%

LAB 41.71, 9.4, -22.33

 

CMYK 0 / 30 / 14 / 47

HEX #875E74

RGB 135 94 116

HSL 327.8, 0.18%, 0.45%

LAB 44.83, 20.34, -5.71

 

CMYK 0 / 1 / 30 / 47

HEX #87865E

RGB 135 134 94

HSL 58.54, 0.18%, 0.45%

LAB 55.08, -6.35, 21.73

 

Description

Color code: RGB 94 136 114 | qconv.com Color code: RGB 94 136 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 136 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 136 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 16 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 16% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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