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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94.1 162.8 149 it is the complementary color RGB 160.9 92.2 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94.1 162.8 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94.1 162.8 149 shade: RGB 99.1 162.8 144, RGB 116.1 180.8 163, RGB 133.1 198.8 182, RGB 150.1 216.8 201 and RGB 167.1 234.8 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94.1 162.8 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94.1 162.8 149 shade: RGB 94.1 162.8 149, RGB 77.1 144.8 130, RGB 60.1 126.8 111, RGB 43.1 108.8 92 and RGB 26.1 90.8 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94.1 162.8 149 shade: RGB 93 161 148, RGB 93 161 129, RGB 93 161 110, RGB 93 161 93 and RGB 112 161 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94.1 162.8 149 shade: RGB 93 161 148, RGB 93 157 161, RGB 93 138 161, RGB 93 120 161 and RGB 93 101 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94.1 162.8 149 shade matches the following richer shades: RGB 93 161 148, RGB 72 182 160, RGB 51 203 172, RGB 31 223 185 and RGB 10 244 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94.1 162.8 149 shade: RGB 93 161 148, RGB 113 141 135, RGB 134 120 123, RGB 154 100 111 and RGB 175 79 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94.1 162.8 149 shade: RGB 93 161 110, RGB 93 161 128, RGB 93 161 147, RGB 93 158 161 and RGB 93 140 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94.1 162.8 149 shade: RGB 62 109 100, RGB 78 135 124, RGB 93 161 148, RGB 119 176 165 and RGB 145 192 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94.1 162.8 149 shade: RGB 94.1 162.8 149, RGB 93 94 161 and RGB 161 119 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94.1 162.8 149 shade: RGB 94.1 162.8 149, RGB 147 93 161 and RGB 161 147 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94.1 162.8 149 shade: RGB 94.1 162.8 149, RGB 93 94 161, RGB 161 93 107 and RGB 161 160 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94.1 162.8 149 shade: RGB 94.1 162.8 149, RGB 112 93 161, RGB 161 93 107 and RGB 142 161 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94.1 162.8 149

HSL 167.95, 0.27%, 0.5%

LAB 62.24, -25.13, 0.36

 

Complementary color

CMYK 0 / 43 / 34 / 37

HEX #A05C6A

RGB 160.9 92.2 106

HSL 347.95, 0.27%, 0.5%

LAB 47.36, 29.76, 4.44

 

CMYK 39 / 0 / 12 / 36

HEX #63A290

RGB 99.1 162.8 144

HSL 162.29, 0.26%, 0.51%

LAB 62.33, -24.94, 3.34

 

CMYK 36 / 0 / 10 / 29

HEX #74B4A3

RGB 116.1 180.8 163

HSL 163.49, 0.3%, 0.58%

LAB 68.99, -24.74, 2.53

 

CMYK 33 / 0 / 8 / 22

HEX #85C6B6

RGB 133.1 198.8 182

HSL 164.66, 0.37%, 0.65%

LAB 75.53, -24.55, 1.77

 

CMYK 31 / 0 / 7 / 15

HEX #96D8C9

RGB 150.1 216.8 201

HSL 165.79, 0.47%, 0.72%

LAB 81.96, -24.37, 1.06

 

CMYK 29 / 0 / 6 / 8

HEX #A7EADC

RGB 167.1 234.8 220

HSL 166.88, 0.63%, 0.79%

LAB 88.3, -24.2, 0.38

 

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94.1 162.8 149

HSL 167.95, 0.27%, 0.5%

LAB 62.24, -25.13, 0.36

 

CMYK 47 / 0 / 10 / 43

HEX #4D9082

RGB 77.1 144.8 130

HSL 166.88, 0.31%, 0.44%

LAB 55.47, -25.27, 1.2

 

CMYK 53 / 0 / 12 / 50

HEX #3C7E6F

RGB 60.1 126.8 111

HSL 165.79, 0.36%, 0.37%

LAB 48.56, -25.35, 2.12

 

CMYK 60 / 0 / 15 / 57

HEX #2B6C5C

RGB 43.1 108.8 92

HSL 164.66, 0.43%, 0.3%

LAB 41.51, -25.33, 3.16

 

CMYK 71 / 0 / 20 / 64

HEX #1A5A49

RGB 26.1 90.8 73

HSL 163.49, 0.55%, 0.23%

LAB 34.29, -25.1, 4.39

 

CMYK 42 / 0 / 8 / 37

HEX #5DA194

RGB 93 161 148

HSL 168.53, 0.27%, 0.5%

LAB 61.62, -24.77, 0.01

 

CMYK 42 / 0 / 20 / 37

HEX #5DA181

RGB 93 161 129

HSL 151.76, 0.27%, 0.5%

LAB 61.13, -29.15, 9.99

 

CMYK 42 / 0 / 32 / 37

HEX #5DA16E

RGB 93 161 110

HSL 135, 0.27%, 0.5%

LAB 60.73, -32.98, 19.99

 

CMYK 42 / 0 / 42 / 37

HEX #5DA15D

RGB 93 161 93

HSL 120, 0.27%, 0.5%

LAB 60.43, -35.9, 28.8

 

CMYK 30 / 0 / 42 / 37

HEX #70A15D

RGB 112 161 93

HSL 103.24, 0.27%, 0.5%

LAB 61.42, -29.5, 30.26

 

CMYK 42 / 0 / 8 / 37

HEX #5DA194

RGB 93 161 148

HSL 168.53, 0.27%, 0.5%

LAB 61.62, -24.77, 0.01

 

CMYK 42 / 2 / 0 / 37

HEX #5D9DA1

RGB 93 157 161

HSL 183.53, 0.27%, 0.5%

LAB 60.79, -19.41, -8.54

 

CMYK 42 / 14 / 0 / 37

HEX #5D8AA1

RGB 93 138 161

HSL 200.29, 0.27%, 0.5%

LAB 55.15, -9.12, -17.04

 

CMYK 42 / 25 / 0 / 37

HEX #5D78A1

RGB 93 120 161

HSL 216.18, 0.27%, 0.5%

LAB 49.9, 1.29, -25.1

 

CMYK 42 / 37 / 0 / 37

HEX #5D65A1

RGB 93 101 161

HSL 232.94, 0.27%, 0.5%

LAB 44.53, 12.86, -33.47

 

CMYK 42 / 0 / 8 / 37

HEX #5DA194

RGB 93 161 148

HSL 168.53, 0.27%, 0.5%

LAB 61.62, -24.77, 0.01

 

CMYK 60 / 0 / 12 / 29

HEX #48B6A0

RGB 72 182 160

HSL 168, 0.43%, 0.5%

LAB 67.55, -36.64, 1.89

 

CMYK 75 / 0 / 15 / 20

HEX #33CBAC

RGB 51 203 172

HSL 167.76, 0.6%, 0.5%

LAB 73.8, -46.01, 4.33

 

CMYK 86 / 0 / 17 / 13

HEX #1FDFB9

RGB 31 223 185

HSL 168.13, 0.76%, 0.5%

LAB 79.94, -52.73, 6.19

 

CMYK 96 / 0 / 19 / 4

HEX #0AF4C5

RGB 10 244 197

HSL 167.95, 0.92%, 0.5%

LAB 86.4, -58.89, 9.15

 

CMYK 42 / 0 / 8 / 37

HEX #5DA194

RGB 93 161 148

HSL 168.53, 0.27%, 0.5%

LAB 61.62, -24.77, 0.01

 

CMYK 20 / 0 / 4 / 45

HEX #718D87

RGB 113 141 135

HSL 167.14, 0.11%, 0.5%

LAB 56.4, -11.19, -0.08

 

CMYK 0 / 10 / 8 / 47

HEX #86787B

RGB 134 120 123

HSL 347.14, 0.06%, 0.5%

LAB 51.76, 5.94, 0.32

 

CMYK 0 / 35 / 28 / 40

HEX #9A646F

RGB 154 100 111

HSL 347.78, 0.21%, 0.5%

LAB 48.43, 23.38, 2.86

 

CMYK 0 / 55 / 44 / 31

HEX #AF4F62

RGB 175 79 98

HSL 348.13, 0.38%, 0.5%

LAB 46.43, 41.03, 8.23

 

CMYK 42 / 0 / 32 / 37

HEX #5DA16E

RGB 93 161 110

HSL 135, 0.27%, 0.5%

LAB 60.73, -32.98, 19.99

 

CMYK 42 / 0 / 20 / 37

HEX #5DA180

RGB 93 161 128

HSL 150.88, 0.27%, 0.5%

LAB 61.11, -29.36, 10.52

 

CMYK 42 / 0 / 9 / 37

HEX #5DA193

RGB 93 161 147

HSL 167.65, 0.27%, 0.5%

LAB 61.59, -25.01, 0.53

 

CMYK 42 / 2 / 0 / 37

HEX #5D9EA1

RGB 93 158 161

HSL 182.65, 0.27%, 0.5%

LAB 61.09, -19.93, -8.09

 

CMYK 42 / 13 / 0 / 37

HEX #5D8CA1

RGB 93 140 161

HSL 198.53, 0.27%, 0.5%

LAB 55.74, -10.23, -16.14

 

CMYK 43 / 0 / 8 / 57

HEX #3E6D64

RGB 62 109 100

HSL 168.51, 0.27%, 0.34%

LAB 42.58, -18.41, -0.01

 

CMYK 42 / 0 / 8 / 47

HEX #4E877C

RGB 78 135 124

HSL 168.42, 0.27%, 0.42%

LAB 52.29, -21.51, 0.04

 

CMYK 42 / 0 / 8 / 37

HEX #5DA194

RGB 93 161 148

HSL 168.53, 0.27%, 0.5%

LAB 61.62, -24.77, 0.01

 

CMYK 32 / 0 / 6 / 31

HEX #77B0A5

RGB 119 176 165

HSL 168.42, 0.27%, 0.58%

LAB 67.79, -21.02, -0.3

 

CMYK 24 / 0 / 5 / 25

HEX #91C0B6

RGB 145 192 182

HSL 167.23, 0.27%, 0.66%

LAB 74.25, -17.56, -0.01

 

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94.1 162.8 149

HSL 167.95, 0.27%, 0.5%

LAB 62.24, -25.13, 0.36

 

CMYK 42 / 42 / 0 / 37

HEX #5D5EA1

RGB 93 94 161

HSL 239.12, 0.27%, 0.5%

LAB 42.62, 17.22, -36.48

 

CMYK 0 / 26 / 42 / 37

HEX #A1775D

RGB 161 119 93

HSL 22.94, 0.27%, 0.5%

LAB 53.56, 12.98, 20.72

 

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94.1 162.8 149

HSL 167.95, 0.27%, 0.5%

LAB 62.24, -25.13, 0.36

 

CMYK 9 / 42 / 0 / 37

HEX #935DA1

RGB 147 93 161

HSL 287.65, 0.27%, 0.5%

LAB 47.76, 33.93, -28.04

 

CMYK 0 / 9 / 42 / 37

HEX #A1935D

RGB 161 147 93

HSL 47.65, 0.27%, 0.5%

LAB 60.99, -2.73, 30.44

 

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94.1 162.8 149

HSL 167.95, 0.27%, 0.5%

LAB 62.24, -25.13, 0.36

 

CMYK 42 / 42 / 0 / 37

HEX #5D5EA1

RGB 93 94 161

HSL 239.12, 0.27%, 0.5%

LAB 42.62, 17.22, -36.48

 

CMYK 0 / 42 / 34 / 37

HEX #A15D6B

RGB 161 93 107

HSL 347.65, 0.27%, 0.5%

LAB 47.58, 29.48, 4.16

 

CMYK 0 / 1 / 42 / 37

HEX #A1A05D

RGB 161 160 93

HSL 59.12, 0.27%, 0.5%

LAB 64.57, -9.74, 34.98

 

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94.1 162.8 149

HSL 167.95, 0.27%, 0.5%

LAB 62.24, -25.13, 0.36

 

CMYK 30 / 42 / 0 / 37

HEX #705DA1

RGB 112 93 161

HSL 256.76, 0.27%, 0.5%

LAB 44.01, 23.2, -34.18

 

CMYK 0 / 42 / 34 / 37

HEX #A15D6B

RGB 161 93 107

HSL 347.65, 0.27%, 0.5%

LAB 47.58, 29.48, 4.16

 

CMYK 12 / 0 / 42 / 37

HEX #8EA15D

RGB 142 161 93

HSL 76.76, 0.27%, 0.5%

LAB 63.37, -18.05, 33.15

 

Description

Color code: RGB 94.1 162.8 149 | qconv.com Color code: RGB 94.1 162.8 149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94.1 red, 162.8 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94.1 162.8 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 8 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 8% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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