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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 95 84 it is the complementary color RGB 162 160 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 95 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 95 84: RGB 98 95 79, RGB 115 113 98, RGB 132 131 117, RGB 149 149 136 and RGB 166 167 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 95 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 95 84: RGB 93 95 84, RGB 76 77 65, RGB 59 59 46, RGB 42 41 27 and RGB 25 23 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

Complementary color

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 0 / 3 / 19 / 62

HEX #625F4F

RGB 98 95 79

HSL 50.53, 0.11%, 0.35%

LAB 40.16, -1.83, 9.6

 

CMYK 0 / 2 / 15 / 55

HEX #737162

RGB 115 113 98

HSL 52.94, 0.08%, 0.42%

LAB 47.41, -2.06, 8.61

 

CMYK 0 / 1 / 11 / 48

HEX #848375

RGB 132 131 117

HSL 56, 0.06%, 0.49%

LAB 54.47, -2.24, 7.7

 

CMYK 0 / 0 / 9 / 42

HEX #959588

RGB 149 149 136

HSL 60, 0.06%, 0.56%

LAB 61.36, -2.41, 6.86

 

CMYK 1 / 0 / 7 / 35

HEX #A6A79B

RGB 166 167 155

HSL 65, 0.06%, 0.63%

LAB 68.1, -2.56, 6.07

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 1 / 0 / 16 / 70

HEX #4C4D41

RGB 76 77 65

HSL 65, 0.08%, 0.28%

LAB 32.32, -2.86, 6.99

 

CMYK 0 / 0 / 22 / 77

HEX #3B3B2E

RGB 59 59 46

HSL 60, 0.12%, 0.21%

LAB 24.5, -2.68, 8.09

 

CMYK 0 / 2 / 36 / 84

HEX #2A291B

RGB 42 41 27

HSL 56, 0.22%, 0.14%

LAB 16.29, -2.41, 9.38

 

CMYK 0 / 8 / 68 / 90

HEX #191708

RGB 25 23 8

HSL 52.94, 0.52%, 0.06%

LAB 7.56, -1.82, 8

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 3 / 0 / 12 / 63

HEX #5B5E53

RGB 91 94 83

HSL 76.36, 0.06%, 0.35%

LAB 39.33, -3.42, 5.9

 

CMYK 5 / 0 / 12 / 63

HEX #595E53

RGB 89 94 83

HSL 87.27, 0.06%, 0.35%

LAB 39.16, -4.24, 5.63

 

CMYK 7 / 0 / 12 / 63

HEX #575E53

RGB 87 94 83

HSL 98.18, 0.06%, 0.35%

LAB 39, -5.05, 5.37

 

CMYK 10 / 0 / 12 / 63

HEX #555E53

RGB 85 94 83

HSL 109.09, 0.06%, 0.35%

LAB 38.83, -5.86, 5.12

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 2 / 0 / 12 / 43

HEX #8F9281

RGB 143 146 129

HSL 70.59, 0.07%, 0.54%

LAB 59.87, -4.27, 8.64

 

CMYK 2 / 0 / 12 / 23

HEX #C1C5AE

RGB 193 197 174

HSL 70.43, 0.17%, 0.73%

LAB 78.65, -5.44, 11.07

 

CMYK 2 / 0 / 12 / 3

HEX #F3F8DB

RGB 243 248 219

HSL 70.34, 0.67%, 0.92%

LAB 96.54, -6.55, 13.37

 

CMYK 2 / 0 / 11 / 83

HEX #2B2C27

RGB 43 44 39

HSL 72, 0.06%, 0.16%

LAB 17.74, -1.6, 3.09

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 12 / 0 / 7 / 63

HEX #535E57

RGB 83 94 87

HSL 141.82, 0.06%, 0.35%

LAB 38.78, -5.81, 2.56

 

CMYK 2 / 12 / 0 / 63

HEX #5C535E

RGB 92 83 94

HSL 289.09, 0.06%, 0.35%

LAB 36.5, 5.97, -5.04

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 12 / 2 / 0 / 63

HEX #535C5E

RGB 83 92 94

HSL 190.91, 0.06%, 0.35%

LAB 38.38, -3.04, -2.35

 

CMYK 0 / 12 / 2 / 63

HEX #5E535C

RGB 94 83 92

HSL 310.91, 0.06%, 0.35%

LAB 36.63, 6.34, -3.58

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 12 / 0 / 7 / 63

HEX #535E57

RGB 83 94 87

HSL 141.82, 0.06%, 0.35%

LAB 38.78, -5.81, 2.56

 

CMYK 10 / 12 / 0 / 63

HEX #55535E

RGB 85 83 94

HSL 250.91, 0.06%, 0.35%

LAB 35.84, 3.25, -6.09

 

CMYK 0 / 12 / 4 / 63

HEX #5E535A

RGB 94 83 90

HSL 321.82, 0.06%, 0.35%

LAB 36.56, 5.92, -2.42

 

CMYK 2 / 0 / 12 / 63

HEX #5D5F54

RGB 93 95 84

HSL 70.91, 0.06%, 0.35%

LAB 39.83, -3.01, 6.03

 

CMYK 12 / 0 / 3 / 63

HEX #535E5B

RGB 83 94 91

HSL 163.64, 0.06%, 0.35%

LAB 38.9, -4.93, 0.26

 

CMYK 10 / 12 / 0 / 63

HEX #55535E

RGB 85 83 94

HSL 250.91, 0.06%, 0.35%

LAB 35.84, 3.25, -6.09

 

CMYK 0 / 12 / 7 / 63

HEX #5E5357

RGB 94 83 87

HSL 338.18, 0.06%, 0.35%

LAB 36.47, 5.31, -0.68

 

Description

Color code: RGB 93 95 84 | qconv.com Color code: RGB 93 95 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 95 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 95 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 12 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 12% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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