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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 216.8 158.4 it is the complementary color RGB 162 38.2 96.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 216.8 158.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 216.8 158.4 shade: RGB 98 216.8 153.4, RGB 115 234.8 172.4, RGB 132 252.8 191.4, RGB 149 255 210.4 and RGB 166 255 229.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 216.8 158.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 216.8 158.4 shade: RGB 93 216.8 158.4, RGB 76 198.8 139.4, RGB 59 180.8 120.4, RGB 42 162.8 101.4 and RGB 25 144.8 82.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 216.8 158.4 shade: RGB 94 217 159, RGB 94 217 126, RGB 95 217 94, RGB 129 217 94 and RGB 162 217 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 216.8 158.4 shade: RGB 94 217 159, RGB 94 217 192, RGB 94 209 217, RGB 94 176 217 and RGB 94 142 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 216.8 158.4 shade matches the following richer shades: RGB 94 217 159, RGB 78 233 160 and RGB 62 249 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 216.8 158.4 shade: RGB 94 217 159, RGB 110 201 158, RGB 126 185 157, RGB 142 169 156 and RGB 158 153 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 216.8 158.4 shade: RGB 96 217 94, RGB 94 217 125, RGB 94 217 158, RGB 94 217 190 and RGB 94 211 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 216.8 158.4 shade: RGB 43 185 118, RGB 60 209 139, RGB 94 217 159, RGB 127 225 179 and RGB 161 233 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 216.8 158.4 shade: RGB 93 216.8 158.4, RGB 94 129 217 and RGB 217 108 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 216.8 158.4 shade: RGB 93 216.8 158.4, RGB 158 94 217 and RGB 217 158 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 216.8 158.4 shade: RGB 93 216.8 158.4, RGB 94 129 217, RGB 217 94 153 and RGB 217 182 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 216.8 158.4 shade: RGB 93 216.8 158.4, RGB 96 94 217, RGB 217 94 153 and RGB 215 217 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 27 / 15

HEX #5DD89E

RGB 93 216.8 158.4

HSL 151.7, 0.62%, 0.61%

LAB 78.66, -47.98, 18.6

 

Complementary color

CMYK 0 / 76 / 40 / 36

HEX #A22660

RGB 162 38.2 96.6

HSL 331.7, 0.62%, 0.39%

LAB 37.73, 54.15, -3.77

 

CMYK 55 / 0 / 29 / 15

HEX #62D899

RGB 98 216.8 153.4

HSL 147.98, 0.61%, 0.62%

LAB 78.71, -47.89, 21.33

 

CMYK 51 / 0 / 27 / 8

HEX #73EAAC

RGB 115 234.8 172.4

HSL 148.75, 0.75%, 0.69%

LAB 84.97, -47.81, 20.16

 

CMYK 48 / 0 / 24 / 1

HEX #84FCBF

RGB 132 252.8 191.4

HSL 149.5, 0.96%, 0.75%

LAB 91.15, -47.66, 19.07

 

CMYK 42 / 0 / 17 / 0

HEX #95FFD2

RGB 149 255 210.4

HSL 154.75, 1%, 0.79%

LAB 92.83, -40.57, 11.78

 

CMYK 35 / 0 / 10 / 0

HEX #A6FFE5

RGB 166 255 229.4

HSL 162.74, 1%, 0.83%

LAB 94.02, -32.15, 3.79

 

CMYK 57 / 0 / 27 / 15

HEX #5DD89E

RGB 93 216.8 158.4

HSL 151.7, 0.62%, 0.61%

LAB 78.66, -47.98, 18.6

 

CMYK 62 / 0 / 30 / 22

HEX #4CC68B

RGB 76 198.8 139.4

HSL 150.98, 0.52%, 0.54%

LAB 72.34, -47.9, 19.86

 

CMYK 67 / 0 / 33 / 29

HEX #3BB478

RGB 59 180.8 120.4

HSL 150.25, 0.51%, 0.47%

LAB 65.95, -47.64, 21.23

 

CMYK 74 / 0 / 38 / 36

HEX #2AA265

RGB 42 162.8 101.4

HSL 149.5, 0.59%, 0.4%

LAB 59.49, -47.12, 22.74

 

CMYK 83 / 0 / 43 / 43

HEX #199052

RGB 25 144.8 82.4

HSL 148.75, 0.71%, 0.33%

LAB 52.96, -46.18, 24.41

 

CMYK 57 / 0 / 27 / 15

HEX #5ED99F

RGB 94 217 159

HSL 151.71, 0.62%, 0.61%

LAB 78.76, -47.73, 18.44

 

CMYK 57 / 0 / 42 / 15

HEX #5ED97E

RGB 94 217 126

HSL 135.61, 0.62%, 0.61%

LAB 78.18, -53.82, 34.71

 

CMYK 56 / 0 / 57 / 15

HEX #5FD95E

RGB 95 217 94

HSL 119.51, 0.62%, 0.61%

LAB 77.8, -58.09, 49.7

 

CMYK 41 / 0 / 57 / 15

HEX #81D95E

RGB 129 217 94

HSL 102.93, 0.62%, 0.61%

LAB 79.1, -48.53, 51.55

 

CMYK 25 / 0 / 57 / 15

HEX #A2D95E

RGB 162 217 94

HSL 86.83, 0.62%, 0.61%

LAB 80.8, -37.22, 53.96

 

CMYK 57 / 0 / 27 / 15

HEX #5ED99F

RGB 94 217 159

HSL 151.71, 0.62%, 0.61%

LAB 78.76, -47.73, 18.44

 

CMYK 57 / 0 / 12 / 15

HEX #5ED9C0

RGB 94 217 192

HSL 167.8, 0.62%, 0.61%

LAB 79.51, -40.3, 1.99

 

CMYK 57 / 4 / 0 / 15

HEX #5ED1D9

RGB 94 209 217

HSL 183.9, 0.62%, 0.61%

LAB 77.87, -30.1, -13.81

 

CMYK 57 / 19 / 0 / 15

HEX #5EB0D9

RGB 94 176 217

HSL 200, 0.62%, 0.61%

LAB 68.34, -13.32, -28.29

 

CMYK 57 / 35 / 0 / 15

HEX #5E8ED9

RGB 94 142 217

HSL 216.59, 0.62%, 0.61%

LAB 58.73, 5.82, -43.27

 

CMYK 57 / 0 / 27 / 15

HEX #5ED99F

RGB 94 217 159

HSL 151.71, 0.62%, 0.61%

LAB 78.76, -47.73, 18.44

 

CMYK 67 / 0 / 31 / 9

HEX #4EE9A0

RGB 78 233 160

HSL 151.74, 0.78%, 0.61%

LAB 83.14, -56.99, 23.89

 

CMYK 75 / 0 / 35 / 2

HEX #3EF9A1

RGB 62 249 161

HSL 151.76, 0.94%, 0.61%

LAB 87.65, -65.06, 29.45

 

CMYK 57 / 0 / 27 / 15

HEX #5ED99F

RGB 94 217 159

HSL 151.71, 0.62%, 0.61%

LAB 78.76, -47.73, 18.44

 

CMYK 45 / 0 / 21 / 21

HEX #6EC99E

RGB 110 201 158

HSL 151.65, 0.46%, 0.61%

LAB 74.54, -37.13, 13.16

 

CMYK 32 / 0 / 15 / 27

HEX #7EB99D

RGB 126 185 157

HSL 151.53, 0.3%, 0.61%

LAB 70.57, -25.18, 8.16

 

CMYK 16 / 0 / 8 / 34

HEX #8EA99C

RGB 142 169 156

HSL 151.11, 0.14%, 0.61%

LAB 66.92, -11.97, 3.59

 

CMYK 0 / 3 / 2 / 38

HEX #9E999B

RGB 158 153 155

HSL 336, 0.03%, 0.61%

LAB 63.69, 2.2, -0.41

 

CMYK 56 / 0 / 57 / 15

HEX #60D95E

RGB 96 217 94

HSL 119.02, 0.62%, 0.61%

LAB 77.83, -57.84, 49.74

 

CMYK 57 / 0 / 42 / 15

HEX #5ED97D

RGB 94 217 125

HSL 135.12, 0.62%, 0.61%

LAB 78.16, -53.98, 35.19

 

CMYK 57 / 0 / 27 / 15

HEX #5ED99E

RGB 94 217 158

HSL 151.22, 0.62%, 0.61%

LAB 78.74, -47.93, 18.93

 

CMYK 57 / 0 / 12 / 15

HEX #5ED9BE

RGB 94 217 190

HSL 166.83, 0.62%, 0.61%

LAB 79.46, -40.78, 2.99

 

CMYK 57 / 3 / 0 / 15

HEX #5ED3D9

RGB 94 211 217

HSL 182.93, 0.62%, 0.61%

LAB 78.45, -31.06, -12.95

 

CMYK 77 / 0 / 36 / 27

HEX #2BB976

RGB 43 185 118

HSL 151.69, 0.62%, 0.45%

LAB 66.91, -52.2, 23.76

 

CMYK 71 / 0 / 33 / 18

HEX #3CD18B

RGB 60 209 139

HSL 151.81, 0.62%, 0.53%

LAB 75.09, -54.78, 23.77

 

CMYK 57 / 0 / 27 / 15

HEX #5ED99F

RGB 94 217 159

HSL 151.71, 0.62%, 0.61%

LAB 78.76, -47.73, 18.44

 

CMYK 44 / 0 / 20 / 12

HEX #7FE1B3

RGB 127 225 179

HSL 151.84, 0.62%, 0.69%

LAB 82.71, -39.23, 13.63

 

CMYK 31 / 0 / 15 / 9

HEX #A1E9C7

RGB 161 233 199

HSL 151.67, 0.62%, 0.77%

LAB 86.99, -29.42, 9.43

 

CMYK 57 / 0 / 27 / 15

HEX #5DD89E

RGB 93 216.8 158.4

HSL 151.7, 0.62%, 0.61%

LAB 78.66, -47.98, 18.6

 

CMYK 57 / 41 / 0 / 15

HEX #5E81D9

RGB 94 129 217

HSL 222.93, 0.62%, 0.61%

LAB 55.16, 13.57, -48.91

 

CMYK 0 / 50 / 57 / 15

HEX #D96C5E

RGB 217 108 94

HSL 6.83, 0.62%, 0.61%

LAB 58.31, 41.47, 27.74

 

CMYK 57 / 0 / 27 / 15

HEX #5DD89E

RGB 93 216.8 158.4

HSL 151.7, 0.62%, 0.61%

LAB 78.66, -47.98, 18.6

 

CMYK 27 / 57 / 0 / 15

HEX #9E5ED9

RGB 158 94 217

HSL 271.22, 0.62%, 0.61%

LAB 52.16, 49.01, -53.4

 

CMYK 0 / 27 / 57 / 15

HEX #D99E5E

RGB 217 158 94

HSL 31.22, 0.62%, 0.61%

LAB 69.48, 14.98, 41.72

 

CMYK 57 / 0 / 27 / 15

HEX #5DD89E

RGB 93 216.8 158.4

HSL 151.7, 0.62%, 0.61%

LAB 78.66, -47.98, 18.6

 

CMYK 57 / 41 / 0 / 15

HEX #5E81D9

RGB 94 129 217

HSL 222.93, 0.62%, 0.61%

LAB 55.16, 13.57, -48.91

 

CMYK 0 / 57 / 29 / 15

HEX #D95E99

RGB 217 94 153

HSL 331.22, 0.62%, 0.61%

LAB 57.13, 54.31, -8.19

 

CMYK 0 / 16 / 57 / 15

HEX #D9B65E

RGB 217 182 94

HSL 42.93, 0.62%, 0.61%

LAB 75.46, 2.18, 48.84

 

CMYK 57 / 0 / 27 / 15

HEX #5DD89E

RGB 93 216.8 158.4

HSL 151.7, 0.62%, 0.61%

LAB 78.66, -47.98, 18.6

 

CMYK 56 / 57 / 0 / 15

HEX #605ED9

RGB 96 94 217

HSL 240.98, 0.62%, 0.61%

LAB 46.31, 35.35, -63.11

 

CMYK 0 / 57 / 29 / 15

HEX #D95E99

RGB 217 94 153

HSL 331.22, 0.62%, 0.61%

LAB 57.13, 54.31, -8.19

 

CMYK 1 / 0 / 57 / 15

HEX #D7D95E

RGB 215 217 94

HSL 60.98, 0.62%, 0.61%

LAB 84.42, -16.56, 59.03

 

Description

Color code: RGB 93 216.8 158.4 | qconv.com Color code: RGB 93 216.8 158.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 216.8 green and 158.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 216.8 158.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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