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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 198 16 it is the complementary color RGB 162 57 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 198 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 198 16 shade: RGB 98 198 11, RGB 115 216 30, RGB 132 234 49, RGB 149 252 68 and RGB 166 255 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 198 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 76 180 0, RGB 59 162 0, RGB 42 144 0 and RGB 25 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 142 198 16, RGB 191 198 16, RGB 198 156 16 and RGB 198 107 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 44 198 16, RGB 16 198 37, RGB 16 198 86 and RGB 16 198 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 198 16 shade matches the following richer shades: RGB 93 198 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 96 181 33, RGB 98 163 51, RGB 101 146 68 and RGB 104 129 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 198 16 shade: RGB 192 198 16, RGB 144 198 16, RGB 95 198 16, RGB 46 198 16 and RGB 16 198 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 198 16 shade: RGB 57 122 10, RGB 75 160 13, RGB 93 198 16, RGB 111 236 20 and RGB 134 239 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 16 198 156 and RGB 198 16 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 16 95 198 and RGB 198 16 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 16 198 156, RGB 119 16 198 and RGB 198 16 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 198 16 shade: RGB 93 198 16, RGB 16 186 198, RGB 119 16 198 and RGB 198 28 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

Complementary color

CMYK 32 / 76 / 0 / 6

HEX #A239EF

RGB 162 57 239

HSL 274.62, 0.85%, 0.58%

LAB 48.06, 71.52, -72.42

 

CMYK 51 / 0 / 94 / 22

HEX #62C60B

RGB 98 198 11

HSL 92.09, 0.89%, 0.41%

LAB 71.56, -55.82, 69.77

 

CMYK 47 / 0 / 86 / 15

HEX #73D81E

RGB 115 216 30

HSL 92.58, 0.76%, 0.48%

LAB 77.79, -56.92, 72.22

 

CMYK 44 / 0 / 79 / 8

HEX #84EA31

RGB 132 234 49

HSL 93.08, 0.81%, 0.55%

LAB 83.95, -57.72, 73.42

 

CMYK 41 / 0 / 73 / 1

HEX #95FC44

RGB 149 252 68

HSL 93.59, 0.97%, 0.63%

LAB 90.06, -58.29, 73.75

 

CMYK 35 / 0 / 66 / 0

HEX #A6FF57

RGB 166 255 87

HSL 91.79, 1%, 0.67%

LAB 91.83, -52.69, 69.06

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 58 / 0 / 100 / 29

HEX #4CB400

RGB 76 180 0

HSL 94.67, 1%, 0.35%

LAB 65.1, -55.69, 65.55

 

CMYK 64 / 0 / 100 / 36

HEX #3BA200

RGB 59 162 0

HSL 98.15, 1%, 0.32%

LAB 58.76, -53.71, 60.31

 

CMYK 71 / 0 / 100 / 44

HEX #2A9000

RGB 42 144 0

HSL 102.5, 1%, 0.28%

LAB 52.33, -51.39, 55.02

 

CMYK 80 / 0 / 100 / 51

HEX #197E00

RGB 25 126 0

HSL 108.1, 1%, 0.25%

LAB 45.81, -48.57, 49.68

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 28 / 0 / 92 / 22

HEX #8EC610

RGB 142 198 16

HSL 78.46, 0.85%, 0.42%

LAB 73.66, -40.66, 71.72

 

CMYK 4 / 0 / 92 / 22

HEX #BFC610

RGB 191 198 16

HSL 62.31, 0.85%, 0.42%

LAB 76.98, -20.63, 75.75

 

CMYK 0 / 21 / 92 / 22

HEX #C69C10

RGB 198 156 16

HSL 46.15, 0.85%, 0.42%

LAB 66.38, 4.21, 67.9

 

CMYK 0 / 46 / 92 / 22

HEX #C66B10

RGB 198 107 16

HSL 30, 0.85%, 0.42%

LAB 54.61, 30.83, 59.17

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 78 / 0 / 92 / 22

HEX #2CC610

RGB 44 198 16

HSL 110.77, 0.85%, 0.42%

LAB 70.15, -67.5, 67.39

 

CMYK 92 / 0 / 81 / 22

HEX #10C625

RGB 16 198 37

HSL 126.92, 0.85%, 0.42%

LAB 69.92, -69.31, 62.66

 

CMYK 92 / 0 / 57 / 22

HEX #10C656

RGB 16 198 86

HSL 143.08, 0.85%, 0.42%

LAB 70.3, -64.56, 44.16

 

CMYK 92 / 0 / 32 / 22

HEX #10C687

RGB 16 198 135

HSL 159.23, 0.85%, 0.42%

LAB 71.04, -55.76, 20.26

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 47 / 0 / 82 / 29

HEX #60B521

RGB 96 181 33

HSL 94.46, 0.69%, 0.42%

LAB 66.25, -49.29, 61.01

 

CMYK 40 / 0 / 69 / 36

HEX #62A333

RGB 98 163 51

HSL 94.82, 0.52%, 0.42%

LAB 60.81, -40.1, 49.55

 

CMYK 31 / 0 / 53 / 43

HEX #659244

RGB 101 146 68

HSL 94.62, 0.36%, 0.42%

LAB 55.83, -29.62, 36.17

 

CMYK 19 / 0 / 34 / 49

HEX #688155

RGB 104 129 85

HSL 94.09, 0.21%, 0.42%

LAB 51.04, -17.56, 20.99

 

CMYK 3 / 0 / 92 / 22

HEX #C0C610

RGB 192 198 16

HSL 61.98, 0.85%, 0.42%

LAB 77.06, -20.21, 75.85

 

CMYK 27 / 0 / 92 / 22

HEX #90C610

RGB 144 198 16

HSL 77.8, 0.85%, 0.42%

LAB 73.78, -39.89, 71.86

 

CMYK 52 / 0 / 92 / 22

HEX #5FC610

RGB 95 198 16

HSL 93.96, 0.85%, 0.42%

LAB 71.46, -56.59, 69.01

 

CMYK 77 / 0 / 92 / 22

HEX #2EC610

RGB 46 198 16

HSL 110.11, 0.85%, 0.42%

LAB 70.18, -67.22, 67.42

 

CMYK 92 / 0 / 83 / 22

HEX #10C622

RGB 16 198 34

HSL 125.93, 0.85%, 0.42%

LAB 69.9, -69.47, 63.44

 

CMYK 53 / 0 / 92 / 52

HEX #397A0A

RGB 57 122 10

HSL 94.82, 0.85%, 0.26%

LAB 45.37, -39.19, 47.59

 

CMYK 53 / 0 / 92 / 37

HEX #4BA00D

RGB 75 160 13

HSL 94.69, 0.85%, 0.34%

LAB 58.66, -48.39, 58.53

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 53 / 0 / 92 / 7

HEX #6FEC14

RGB 111 236 20

HSL 94.72, 0.85%, 0.5%

LAB 83.66, -65.57, 78.77

 

CMYK 44 / 0 / 76 / 6

HEX #86EF3A

RGB 134 239 58

HSL 94.81, 0.85%, 0.58%

LAB 85.56, -58.55, 72.34

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 92 / 0 / 21 / 22

HEX #10C69C

RGB 16 198 156

HSL 166.15, 0.85%, 0.42%

LAB 71.49, -50.83, 9.61

 

CMYK 0 / 92 / 15 / 22

HEX #C610A8

RGB 198 16 168

HSL 309.89, 0.85%, 0.42%

LAB 45.91, 75.61, -34.52

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 92 / 52 / 0 / 22

HEX #105FC6

RGB 16 95 198

HSL 213.96, 0.85%, 0.42%

LAB 41.8, 18.02, -59.67

 

CMYK 0 / 92 / 52 / 22

HEX #C6105F

RGB 198 16 95

HSL 333.96, 0.85%, 0.42%

LAB 43.07, 68.05, 5.87

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 92 / 0 / 21 / 22

HEX #10C69C

RGB 16 198 156

HSL 166.15, 0.85%, 0.42%

LAB 71.49, -50.83, 9.61

 

CMYK 40 / 92 / 0 / 22

HEX #7710C6

RGB 119 16 198

HSL 273.96, 0.85%, 0.42%

LAB 34.74, 68.35, -70.92

 

CMYK 0 / 92 / 70 / 22

HEX #C6103B

RGB 198 16 59

HSL 345.82, 0.85%, 0.42%

LAB 42.3, 65.91, 27.45

 

CMYK 53 / 0 / 92 / 22

HEX #5DC610

RGB 93 198 16

HSL 94.62, 0.85%, 0.42%

LAB 71.39, -57.16, 68.92

 

CMYK 92 / 6 / 0 / 22

HEX #10BAC6

RGB 16 186 198

HSL 183.96, 0.85%, 0.42%

LAB 68.97, -33.7, -17.04

 

CMYK 40 / 92 / 0 / 22

HEX #7710C6

RGB 119 16 198

HSL 273.96, 0.85%, 0.42%

LAB 34.74, 68.35, -70.92

 

CMYK 0 / 86 / 92 / 22

HEX #C61C10

RGB 198 28 16

HSL 3.96, 0.85%, 0.42%

LAB 42.57, 62.67, 50.8

 

Description

Color code: RGB 93 198 16 | qconv.com Color code: RGB 93 198 16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 198 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 198 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 92 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 92% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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