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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 144 85 it is the complementary color RGB 162 111 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 144 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 144 85: RGB 98 144 80, RGB 115 162 99, RGB 132 180 118, RGB 149 198 137 and RGB 166 216 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 144 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 144 85: RGB 93 144 85, RGB 76 126 66, RGB 59 108 47, RGB 42 90 28 and RGB 25 72 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

Complementary color

CMYK 5 / 35 / 0 / 33

HEX #A26FAA

RGB 162 111 170

HSL 291.86, 0.26%, 0.55%

LAB 53.98, 30.44, -23.54

 

CMYK 32 / 0 / 44 / 44

HEX #629050

RGB 98 144 80

HSL 103.13, 0.29%, 0.44%

LAB 55.2, -28.2, 29.09

 

CMYK 29 / 0 / 39 / 36

HEX #73A263

RGB 115 162 99

HSL 104.76, 0.25%, 0.51%

LAB 61.99, -28.03, 27.84

 

CMYK 27 / 0 / 34 / 29

HEX #84B476

RGB 132 180 118

HSL 106.45, 0.29%, 0.58%

LAB 68.65, -27.84, 26.65

 

CMYK 25 / 0 / 31 / 22

HEX #95C689

RGB 149 198 137

HSL 108.2, 0.35%, 0.66%

LAB 75.19, -27.64, 25.53

 

CMYK 23 / 0 / 28 / 15

HEX #A6D89C

RGB 166 216 156

HSL 110, 0.43%, 0.73%

LAB 81.63, -27.46, 24.47

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 40 / 0 / 48 / 51

HEX #4C7E42

RGB 76 126 66

HSL 110, 0.31%, 0.38%

LAB 48.07, -29.42, 27.39

 

CMYK 45 / 0 / 56 / 58

HEX #3B6C2F

RGB 59 108 47

HSL 108.2, 0.39%, 0.3%

LAB 40.99, -29.51, 28.74

 

CMYK 53 / 0 / 69 / 65

HEX #2A5A1C

RGB 42 90 28

HSL 106.45, 0.53%, 0.23%

LAB 33.75, -29.36, 29.96

 

CMYK 65 / 0 / 88 / 72

HEX #194809

RGB 25 72 9

HSL 104.76, 0.78%, 0.16%

LAB 26.34, -28.66, 30.41

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 42 / 0 / 41 / 44

HEX #549055

RGB 84 144 85

HSL 121, 0.26%, 0.45%

LAB 54.54, -32.24, 25.39

 

CMYK 42 / 0 / 34 / 44

HEX #54905F

RGB 84 144 95

HSL 131, 0.26%, 0.45%

LAB 54.72, -30.51, 20.09

 

CMYK 42 / 0 / 27 / 44

HEX #549069

RGB 84 144 105

HSL 141, 0.26%, 0.45%

LAB 54.92, -28.58, 14.74

 

CMYK 42 / 0 / 20 / 44

HEX #549073

RGB 84 144 115

HSL 151, 0.26%, 0.45%

LAB 55.14, -26.47, 9.37

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 35 / 0 / 41 / 24

HEX #7EC373

RGB 126 195 115

HSL 111.75, 0.4%, 0.61%

LAB 72.7, -37.35, 33.46

 

CMYK 35 / 0 / 41 / 4

HEX #9FF691

RGB 159 246 145

HSL 111.68, 0.85%, 0.77%

LAB 89.55, -45.05, 40.47

 

CMYK 36 / 0 / 40 / 84

HEX #1B2A19

RGB 27 42 25

HSL 112.94, 0.25%, 0.13%

LAB 15.27, -10.63, 9.15

 

CMYK 35 / 0 / 41 / 64

HEX #3C5D37

RGB 60 93 55

HSL 112.11, 0.26%, 0.29%

LAB 36.11, -20.48, 18.11

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 42 / 2 / 0 / 44

HEX #548D90

RGB 84 141 144

HSL 183, 0.26%, 0.45%

LAB 55.02, -17.85, -7.49

 

CMYK 0 / 42 / 19 / 44

HEX #905475

RGB 144 84 117

HSL 327, 0.26%, 0.45%

LAB 43.59, 29.67, -8.04

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 42 / 35 / 0 / 44

HEX #545D90

RGB 84 93 144

HSL 231, 0.26%, 0.45%

LAB 40.78, 10.24, -29.27

 

CMYK 0 / 42 / 35 / 44

HEX #90545D

RGB 144 84 93

HSL 351, 0.26%, 0.45%

LAB 42.85, 26.07, 5.58

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 42 / 2 / 0 / 44

HEX #548D90

RGB 84 141 144

HSL 183, 0.26%, 0.45%

LAB 55.02, -17.85, -7.49

 

CMYK 6 / 42 / 0 / 44

HEX #875490

RGB 135 84 144

HSL 291, 0.26%, 0.45%

LAB 43.51, 31.64, -24.62

 

CMYK 0 / 40 / 42 / 44

HEX #905754

RGB 144 87 84

HSL 3, 0.26%, 0.45%

LAB 43.34, 23.21, 11.77

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 42 / 15 / 0 / 44

HEX #547B90

RGB 84 123 144

HSL 201, 0.26%, 0.45%

LAB 49.57, -7.88, -15.68

 

CMYK 6 / 42 / 0 / 44

HEX #875490

RGB 135 84 144

HSL 291, 0.26%, 0.45%

LAB 43.51, 31.64, -24.62

 

CMYK 0 / 27 / 42 / 44

HEX #906954

RGB 144 105 84

HSL 21, 0.26%, 0.45%

LAB 47.84, 12.75, 17.93

 

Description

Color code: RGB 93 144 85 | qconv.com Color code: RGB 93 144 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 144 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 144 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 41 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 41% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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