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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93.7 20.6 114 it is the complementary color RGB 161.3 234.4 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93.7 20.6 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93.7 20.6 114 shade: RGB 98.7 20.6 109, RGB 115.7 38.6 128, RGB 132.7 56.6 147, RGB 149.7 74.6 166 and RGB 166.7 92.6 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93.7 20.6 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93.7 20.6 114 shade: RGB 93.7 20.6 114, RGB 76.7 2.6 95, RGB 59.7 0 76, RGB 42.7 0 57 and RGB 25.7 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93.7 20.6 114 shade: RGB 92 21 112, RGB 112 21 107, RGB 112 21 83, RGB 112 21 58 and RGB 112 21 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93.7 20.6 114 shade: RGB 92 21 112, RGB 67 21 112, RGB 43 21 112 and RGB 21 21 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93.7 20.6 114 shade matches the following richer shades: RGB 92 21 112 and RGB 98 10 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93.7 20.6 114 shade: RGB 92 21 112, RGB 86 31 101, RGB 80 42 91, RGB 74 53 80 and RGB 68 63 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93.7 20.6 114 shade: RGB 42 21 112, RGB 66 21 112, RGB 91 21 112, RGB 112 21 109 and RGB 112 21 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93.7 20.6 114 shade: RGB 35 8 42, RGB 63 14 77, RGB 92 21 112, RGB 121 27 147 and RGB 150 33 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93.7 20.6 114 shade: RGB 93.7 20.6 114, RGB 112 21 24 and RGB 21 112 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93.7 20.6 114 shade: RGB 93.7 20.6 114, RGB 112 91 21 and RGB 21 112 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93.7 20.6 114 shade: RGB 93.7 20.6 114, RGB 112 21 24, RGB 42 112 21 and RGB 21 112 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93.7 20.6 114 shade: RGB 93.7 20.6 114, RGB 112 45 21, RGB 42 112 21 and RGB 21 88 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 82 / 0 / 55

HEX #5D1472

RGB 93.7 20.6 114

HSL 286.96, 0.69%, 0.26%

LAB 24, 45.64, -37.22

 

Complementary color

CMYK 31 / 0 / 40 / 8

HEX #A1EA8D

RGB 161.3 234.4 141

HSL 106.96, 0.69%, 0.74%

LAB 86.31, -39.78, 38.28

 

CMYK 9 / 81 / 0 / 57

HEX #62146D

RGB 98.7 20.6 109

HSL 293.01, 0.68%, 0.25%

LAB 24.52, 45.69, -33.12

 

CMYK 10 / 70 / 0 / 50

HEX #732680

RGB 115.7 38.6 128

HSL 291.74, 0.54%, 0.33%

LAB 31.06, 46.4, -34.59

 

CMYK 10 / 61 / 0 / 42

HEX #843893

RGB 132.7 56.6 147

HSL 290.51, 0.44%, 0.4%

LAB 37.76, 46.26, -35.49

 

CMYK 10 / 55 / 0 / 35

HEX #954AA6

RGB 149.7 74.6 166

HSL 289.3, 0.38%, 0.47%

LAB 44.5, 45.73, -36.08

 

CMYK 10 / 50 / 0 / 27

HEX #A65CB9

RGB 166.7 92.6 185

HSL 288.12, 0.4%, 0.54%

LAB 51.2, 45.03, -36.51

 

CMYK 18 / 82 / 0 / 55

HEX #5D1472

RGB 93.7 20.6 114

HSL 286.96, 0.69%, 0.26%

LAB 24, 45.64, -37.22

 

CMYK 19 / 97 / 0 / 63

HEX #4C025F

RGB 76.7 2.6 95

HSL 288.12, 0.95%, 0.19%

LAB 17.68, 43.78, -35.16

 

CMYK 21 / 100 / 0 / 70

HEX #3B004C

RGB 59.7 0 76

HSL 287.13, 1%, 0.15%

LAB 12.44, 38.03, -30.92

 

CMYK 25 / 100 / 0 / 78

HEX #2A0039

RGB 42.7 0 57

HSL 284.95, 1%, 0.11%

LAB 7.25, 31.12, -26.04

 

CMYK 32 / 100 / 0 / 85

HEX #190026

RGB 25.7 0 38

HSL 280.58, 1%, 0.07%

LAB 3.21, 17.62, -18.4

 

CMYK 18 / 81 / 0 / 56

HEX #5C1570

RGB 92 21 112

HSL 286.81, 0.68%, 0.26%

LAB 23.61, 44.74, -36.58

 

CMYK 0 / 81 / 4 / 56

HEX #70156B

RGB 112 21 107

HSL 303.3, 0.68%, 0.26%

LAB 26.86, 48.16, -27.95

 

CMYK 0 / 81 / 26 / 56

HEX #701553

RGB 112 21 83

HSL 319.12, 0.68%, 0.26%

LAB 25.58, 44.47, -14.2

 

CMYK 0 / 81 / 48 / 56

HEX #70153A

RGB 112 21 58

HSL 335.6, 0.68%, 0.26%

LAB 24.6, 41.49, 1.24

 

CMYK 0 / 81 / 71 / 56

HEX #701521

RGB 112 21 33

HSL 352.09, 0.68%, 0.26%

LAB 23.97, 39.52, 17.52

 

CMYK 18 / 81 / 0 / 56

HEX #5C1570

RGB 92 21 112

HSL 286.81, 0.68%, 0.26%

LAB 23.61, 44.74, -36.58

 

CMYK 40 / 81 / 0 / 56

HEX #431570

RGB 67 21 112

HSL 270.33, 0.68%, 0.26%

LAB 19.64, 39.88, -43.21

 

CMYK 62 / 81 / 0 / 56

HEX #2B1570

RGB 43 21 112

HSL 254.51, 0.68%, 0.26%

LAB 16.6, 36.1, -48.3

 

CMYK 81 / 81 / 0 / 56

HEX #151570

RGB 21 21 112

HSL 240, 0.68%, 0.26%

LAB 14.77, 33.77, -51.4

 

CMYK 18 / 81 / 0 / 56

HEX #5C1570

RGB 92 21 112

HSL 286.81, 0.68%, 0.26%

LAB 23.61, 44.74, -36.58

 

CMYK 20 / 92 / 0 / 52

HEX #620A7B

RGB 98 10 123

HSL 286.73, 0.85%, 0.26%

LAB 24.46, 51.11, -42.19

 

CMYK 18 / 81 / 0 / 56

HEX #5C1570

RGB 92 21 112

HSL 286.81, 0.68%, 0.26%

LAB 23.61, 44.74, -36.58

 

CMYK 15 / 69 / 0 / 60

HEX #561F65

RGB 86 31 101

HSL 287.14, 0.53%, 0.26%

LAB 23.33, 36.77, -29.94

 

CMYK 12 / 54 / 0 / 64

HEX #502A5B

RGB 80 42 91

HSL 286.53, 0.37%, 0.26%

LAB 24.05, 26.71, -22.29

 

CMYK 7 / 34 / 0 / 69

HEX #4A3550

RGB 74 53 80

HSL 286.67, 0.2%, 0.26%

LAB 25.51, 15.01, -12.83

 

CMYK 1 / 9 / 0 / 73

HEX #443F45

RGB 68 63 69

HSL 290, 0.05%, 0.26%

LAB 27.33, 3.46, -2.89

 

CMYK 63 / 81 / 0 / 56

HEX #2A1570

RGB 42 21 112

HSL 253.85, 0.68%, 0.26%

LAB 16.5, 35.96, -48.48

 

CMYK 41 / 81 / 0 / 56

HEX #421570

RGB 66 21 112

HSL 269.67, 0.68%, 0.26%

LAB 19.49, 39.7, -43.45

 

CMYK 19 / 81 / 0 / 56

HEX #5B1570

RGB 91 21 112

HSL 286.15, 0.68%, 0.26%

LAB 23.44, 44.53, -36.86

 

CMYK 0 / 81 / 3 / 56

HEX #70156D

RGB 112 21 109

HSL 301.98, 0.68%, 0.26%

LAB 26.98, 48.5, -29.05

 

CMYK 0 / 81 / 24 / 56

HEX #701555

RGB 112 21 85

HSL 317.8, 0.68%, 0.26%

LAB 25.67, 44.75, -15.39

 

CMYK 17 / 81 / 0 / 84

HEX #23082A

RGB 35 8 42

HSL 287.65, 0.68%, 0.1%

LAB 6.31, 20.21, -16.52

 

CMYK 18 / 82 / 0 / 70

HEX #3F0E4D

RGB 63 14 77

HSL 286.67, 0.69%, 0.18%

LAB 14.99, 33.5, -27.45

 

CMYK 18 / 81 / 0 / 56

HEX #5C1570

RGB 92 21 112

HSL 286.81, 0.68%, 0.26%

LAB 23.61, 44.74, -36.58

 

CMYK 18 / 82 / 0 / 42

HEX #791B93

RGB 121 27 147

HSL 287, 0.69%, 0.34%

LAB 31.71, 55.53, -45.28

 

CMYK 18 / 82 / 0 / 29

HEX #9621B6

RGB 150 33 182

HSL 287.11, 0.69%, 0.42%

LAB 39.49, 65.76, -53.55

 

CMYK 18 / 82 / 0 / 55

HEX #5D1472

RGB 93.7 20.6 114

HSL 286.96, 0.69%, 0.26%

LAB 24, 45.64, -37.22

 

CMYK 0 / 81 / 79 / 56

HEX #701518

RGB 112 21 24

HSL 358.02, 0.68%, 0.26%

LAB 23.83, 39.06, 23.31

 

CMYK 81 / 0 / 52 / 56

HEX #157036

RGB 21 112 54

HSL 141.76, 0.68%, 0.26%

LAB 41.24, -39.46, 24.97

 

CMYK 18 / 82 / 0 / 55

HEX #5D1472

RGB 93.7 20.6 114

HSL 286.96, 0.69%, 0.26%

LAB 24, 45.64, -37.22

 

CMYK 0 / 19 / 81 / 56

HEX #705B15

RGB 112 91 21

HSL 46.15, 0.68%, 0.26%

LAB 39.55, 0.92, 40.71

 

CMYK 81 / 0 / 19 / 56

HEX #15705B

RGB 21 112 91

HSL 166.15, 0.68%, 0.26%

LAB 42, -30.97, 4.41

 

CMYK 18 / 82 / 0 / 55

HEX #5D1472

RGB 93.7 20.6 114

HSL 286.96, 0.69%, 0.26%

LAB 24, 45.64, -37.22

 

CMYK 0 / 81 / 79 / 56

HEX #701518

RGB 112 21 24

HSL 358.02, 0.68%, 0.26%

LAB 23.83, 39.06, 23.31

 

CMYK 63 / 0 / 81 / 56

HEX #2A7015

RGB 42 112 21

HSL 106.15, 0.68%, 0.26%

LAB 41.43, -39.12, 40.77

 

CMYK 81 / 0 / 3 / 56

HEX #15706D

RGB 21 112 109

HSL 178.02, 0.68%, 0.26%

LAB 42.54, -25.58, -5.66

 

CMYK 18 / 82 / 0 / 55

HEX #5D1472

RGB 93.7 20.6 114

HSL 286.96, 0.69%, 0.26%

LAB 24, 45.64, -37.22

 

CMYK 0 / 60 / 81 / 56

HEX #702D15

RGB 112 45 21

HSL 15.82, 0.68%, 0.26%

LAB 27.78, 28.17, 29.33

 

CMYK 63 / 0 / 81 / 56

HEX #2A7015

RGB 42 112 21

HSL 106.15, 0.68%, 0.26%

LAB 41.43, -39.12, 40.77

 

CMYK 81 / 21 / 0 / 56

HEX #155870

RGB 21 88 112

HSL 195.82, 0.68%, 0.26%

LAB 34.62, -11.39, -19.53

 

Description

Color code: RGB 93.7 20.6 114 | qconv.com Color code: RGB 93.7 20.6 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93.7 red, 20.6 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93.7 20.6 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 82 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 82% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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