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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 252 153 it is the complementary color RGB 163 3 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 252 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 252 153: RGB 97 252 148, RGB 114 255 167, RGB 131 255 186, RGB 148 255 205 and RGB 165 255 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 252 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 252 153: RGB 92 252 153, RGB 75 234 134, RGB 58 216 115, RGB 41 198 96 and RGB 24 180 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

Complementary color

CMYK 0 / 98 / 37 / 36

HEX #A30366

RGB 163 3 102

HSL 322.88, 0.96%, 0.33%

LAB 35.62, 62.15, -10.35

 

CMYK 62 / 0 / 41 / 1

HEX #61FC94

RGB 97 252 148

HSL 139.74, 0.96%, 0.68%

LAB 89.06, -62.92, 37.93

 

CMYK 55 / 0 / 35 / 0

HEX #72FFA7

RGB 114 255 167

HSL 142.55, 1%, 0.72%

LAB 90.73, -57.29, 30.78

 

CMYK 49 / 0 / 27 / 0

HEX #83FFBA

RGB 131 255 186

HSL 146.61, 1%, 0.76%

LAB 91.64, -49.87, 22.5

 

CMYK 42 / 0 / 20 / 0

HEX #94FFCD

RGB 148 255 205

HSL 151.96, 1%, 0.79%

LAB 92.67, -41.92, 14.33

 

CMYK 35 / 0 / 12 / 0

HEX #A5FFE0

RGB 165 255 224

HSL 159.33, 1%, 0.82%

LAB 93.84, -33.54, 6.32

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 68 / 0 / 43 / 8

HEX #4BEA86

RGB 75 234 134

HSL 142.26, 0.79%, 0.61%

LAB 82.95, -62.64, 36.8

 

CMYK 73 / 0 / 47 / 15

HEX #3AD873

RGB 58 216 115

HSL 141.65, 0.67%, 0.54%

LAB 76.83, -62, 38.3

 

CMYK 79 / 0 / 52 / 22

HEX #29C660

RGB 41 198 96

HSL 141.02, 0.66%, 0.47%

LAB 70.67, -60.99, 39.88

 

CMYK 87 / 0 / 57 / 29

HEX #18B44D

RGB 24 180 77

HSL 140.38, 0.76%, 0.4%

LAB 64.46, -59.49, 41.49

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 64 / 0 / 30 / 2

HEX #5AFBB0

RGB 90 251 176

HSL 152.05, 0.95%, 0.67%

LAB 89.07, -58.75, 23.86

 

CMYK 64 / 0 / 19 / 2

HEX #5AFBCB

RGB 90 251 203

HSL 162.11, 0.95%, 0.67%

LAB 89.62, -52.99, 10.76

 

CMYK 64 / 0 / 8 / 2

HEX #5AFBE6

RGB 90 251 230

HSL 172.17, 0.95%, 0.67%

LAB 90.27, -46.51, -2.3

 

CMYK 64 / 2 / 0 / 2

HEX #5AF6FB

RGB 90 246 251

HSL 181.86, 0.95%, 0.67%

LAB 89.42, -38.78, -14.5

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 63 / 0 / 40 / 81

HEX #12301D

RGB 18 48 29

HSL 142, 0.45%, 0.13%

LAB 17.14, -16.64, 8.85

 

CMYK 64 / 0 / 39 / 61

HEX #24633C

RGB 36 99 60

HSL 142.86, 0.47%, 0.26%

LAB 37.16, -30, 16.33

 

CMYK 63 / 0 / 39 / 41

HEX #37965B

RGB 55 150 91

HSL 142.74, 0.46%, 0.4%

LAB 55.46, -41.66, 23.11

 

CMYK 64 / 0 / 39 / 21

HEX #49C97A

RGB 73 201 122

HSL 142.97, 0.54%, 0.54%

LAB 72.62, -52.72, 29.38

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 64 / 36 / 0 / 2

HEX #5AA0FB

RGB 90 160 251

HSL 213.91, 0.95%, 0.67%

LAB 65.18, 5.7, -51.86

 

CMYK 0 / 64 / 62 / 2

HEX #FB5A5F

RGB 251 90 95

HSL 358.14, 0.95%, 0.67%

LAB 60.47, 61.54, 31

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 41 / 64 / 0 / 2

HEX #955AFB

RGB 149 90 251

HSL 261.99, 0.95%, 0.67%

LAB 52.58, 57.44, -71.85

 

CMYK 0 / 41 / 64 / 2

HEX #FB955A

RGB 251 149 90

HSL 21.99, 0.95%, 0.67%

LAB 71.38, 33.29, 46.99

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 64 / 36 / 0 / 2

HEX #5AA0FB

RGB 90 160 251

HSL 213.91, 0.95%, 0.67%

LAB 65.18, 5.7, -51.86

 

CMYK 0 / 64 / 24 / 2

HEX #FB5AC0

RGB 251 90 192

HSL 321.99, 0.95%, 0.67%

LAB 63.03, 70.76, -21.24

 

CMYK 0 / 28 / 64 / 2

HEX #FBB55A

RGB 251 181 90

HSL 33.91, 0.95%, 0.67%

LAB 78.63, 16.57, 55.28

 

CMYK 63 / 0 / 39 / 1

HEX #5CFC99

RGB 92 252 153

HSL 142.88, 0.96%, 0.67%

LAB 89.02, -63.03, 35.37

 

CMYK 64 / 56 / 0 / 2

HEX #5A6FFB

RGB 90 111 251

HSL 232.17, 0.95%, 0.67%

LAB 52.41, 35.1, -72.35

 

CMYK 0 / 64 / 24 / 2

HEX #FB5AC0

RGB 251 90 192

HSL 321.99, 0.95%, 0.67%

LAB 63.03, 70.76, -21.24

 

CMYK 0 / 8 / 64 / 2

HEX #FBE65A

RGB 251 230 90

HSL 52.17, 0.95%, 0.67%

LAB 90.71, -8.57, 68.4

 

Description

Color code: RGB 92 252 153 | qconv.com Color code: RGB 92 252 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 252 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 252 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 39 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 39% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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