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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 242 133 it is the complementary color RGB 163 13 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 242 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 242 133: RGB 97 242 128, RGB 114 255 147, RGB 131 255 166, RGB 148 255 185 and RGB 165 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 242 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 242 133: RGB 92 242 133, RGB 75 224 114, RGB 58 206 95, RGB 41 188 76 and RGB 24 170 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

Complementary color

CMYK 0 / 92 / 25 / 36

HEX #A30D7A

RGB 163 13 122

HSL 316.4, 0.85%, 0.35%

LAB 36.89, 63.14, -21.06

 

CMYK 60 / 0 / 47 / 5

HEX #61F280

RGB 97 242 128

HSL 132.83, 0.85%, 0.66%

LAB 85.81, -62.34, 43.49

 

CMYK 55 / 0 / 42 / 0

HEX #72FF93

RGB 114 255 147

HSL 134.04, 1%, 0.72%

LAB 90.42, -60.61, 40.26

 

CMYK 49 / 0 / 35 / 0

HEX #83FFA6

RGB 131 255 166

HSL 136.94, 1%, 0.76%

LAB 91.28, -53.46, 32.11

 

CMYK 42 / 0 / 27 / 0

HEX #94FFB9

RGB 148 255 185

HSL 140.75, 1%, 0.79%

LAB 92.27, -45.72, 23.99

 

CMYK 35 / 0 / 20 / 0

HEX #A5FFCC

RGB 165 255 204

HSL 146, 1%, 0.82%

LAB 93.4, -37.5, 15.97

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 67 / 0 / 49 / 12

HEX #4BE072

RGB 75 224 114

HSL 135.7, 0.71%, 0.59%

LAB 79.63, -62.21, 42.38

 

CMYK 72 / 0 / 54 / 19

HEX #3ACE5F

RGB 58 206 95

HSL 135, 0.6%, 0.52%

LAB 73.46, -61.52, 43.84

 

CMYK 78 / 0 / 60 / 26

HEX #29BC4C

RGB 41 188 76

HSL 134.29, 0.64%, 0.45%

LAB 67.25, -60.43, 45.28

 

CMYK 86 / 0 / 66 / 33

HEX #18AA39

RGB 24 170 57

HSL 133.56, 0.75%, 0.38%

LAB 60.99, -58.75, 46.61

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 63 / 0 / 36 / 5

HEX #59F19B

RGB 89 241 155

HSL 146.05, 0.84%, 0.65%

LAB 85.71, -59.09, 29.96

 

CMYK 63 / 0 / 25 / 5

HEX #59F1B4

RGB 89 241 180

HSL 155.92, 0.84%, 0.65%

LAB 86.17, -54.15, 17.79

 

CMYK 63 / 0 / 15 / 5

HEX #59F1CE

RGB 89 241 206

HSL 166.18, 0.84%, 0.65%

LAB 86.75, -48.28, 5.08

 

CMYK 63 / 0 / 4 / 5

HEX #59F1E7

RGB 89 241 231

HSL 176.05, 0.84%, 0.65%

LAB 87.39, -42.02, -7.07

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 63 / 0 / 45 / 85

HEX #0E2615

RGB 14 38 21

HSL 137.5, 0.46%, 0.1%

LAB 12.82, -14.32, 8.48

 

CMYK 62 / 0 / 45 / 65

HEX #225931

RGB 34 89 49

HSL 136.36, 0.45%, 0.24%

LAB 33.36, -28.14, 17.85

 

CMYK 62 / 0 / 45 / 45

HEX #358C4D

RGB 53 140 77

HSL 136.55, 0.45%, 0.38%

LAB 51.89, -40.52, 26.08

 

CMYK 62 / 0 / 45 / 25

HEX #49BF69

RGB 73 191 105

HSL 136.27, 0.48%, 0.52%

LAB 69.25, -51.76, 33.75

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 63 / 29 / 0 / 5

HEX #59AAF1

RGB 89 170 241

HSL 208.03, 0.84%, 0.65%

LAB 67.44, -3.45, -42.84

 

CMYK 0 / 63 / 54 / 5

HEX #F1596E

RGB 241 89 110

HSL 351.71, 0.84%, 0.65%

LAB 58.95, 59.78, 20.05

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 46 / 63 / 0 / 5

HEX #8259F1

RGB 130 89 241

HSL 256.18, 0.84%, 0.65%

LAB 49.79, 51.7, -70.89

 

CMYK 0 / 46 / 63 / 5

HEX #F18259

RGB 241 130 89

HSL 16.18, 0.84%, 0.65%

LAB 66.05, 39.08, 40.87

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 63 / 29 / 0 / 5

HEX #59AAF1

RGB 89 170 241

HSL 208.03, 0.84%, 0.65%

LAB 67.44, -3.45, -42.84

 

CMYK 0 / 63 / 17 / 5

HEX #F159C9

RGB 241 89 201

HSL 315.79, 0.84%, 0.65%

LAB 61.71, 69.73, -28.52

 

CMYK 0 / 34 / 63 / 5

HEX #F1A059

RGB 241 160 89

HSL 28.03, 0.84%, 0.65%

LAB 72.6, 23.46, 48.6

 

CMYK 62 / 0 / 45 / 5

HEX #5CF285

RGB 92 242 133

HSL 136.4, 0.85%, 0.65%

LAB 85.74, -62.61, 40.96

 

CMYK 63 / 48 / 0 / 5

HEX #597DF1

RGB 89 125 241

HSL 225.79, 0.84%, 0.65%

LAB 55.22, 23.04, -62.26

 

CMYK 0 / 63 / 17 / 5

HEX #F159C9

RGB 241 89 201

HSL 315.79, 0.84%, 0.65%

LAB 61.71, 69.73, -28.52

 

CMYK 0 / 15 / 63 / 5

HEX #F1CE59

RGB 241 206 89

HSL 46.18, 0.84%, 0.65%

LAB 83.74, -0.63, 61.09

 

Description

Color code: RGB 92 242 133 | qconv.com Color code: RGB 92 242 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 242 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 242 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 45 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 45% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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