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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 229 187 it is the complementary color RGB 163 26 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 229 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 229 187 shade: RGB 97 229 182, RGB 114 247 201, RGB 131 255 220, RGB 148 255 239 and RGB 165 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 229 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 229 187 shade: RGB 92 229 187, RGB 75 211 168, RGB 58 193 149, RGB 41 175 130 and RGB 24 157 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 229 187 shade: RGB 92 228 186, RGB 92 228 150, RGB 92 228 113, RGB 108 228 92 and RGB 145 228 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 229 187 shade: RGB 92 228 186, RGB 92 228 223, RGB 92 196 228, RGB 92 160 228 and RGB 92 123 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 229 187 shade matches the following richer shades: RGB 92 228 186 and RGB 77 243 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 229 187 shade: RGB 92 228 186, RGB 107 213 181, RGB 123 198 175, RGB 138 182 169 and RGB 153 167 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 229 187 shade: RGB 92 228 113, RGB 92 228 149, RGB 92 228 185, RGB 92 228 221 and RGB 92 199 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 229 187 shade: RGB 33 205 152, RGB 57 222 172, RGB 92 228 186, RGB 128 234 201 and RGB 163 240 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 229 187 shade: RGB 92 229 187, RGB 92 108 228 and RGB 228 131 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 229 187 shade: RGB 92 229 187, RGB 185 92 228 and RGB 228 185 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 229 187 shade: RGB 92 229 187, RGB 92 108 228, RGB 228 92 135 and RGB 228 212 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 229 187 shade: RGB 92 229 187, RGB 117 92 228, RGB 228 92 135 and RGB 203 228 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 18 / 10

HEX #5CE5BB

RGB 92 229 187

HSL 161.61, 0.72%, 0.63%

LAB 82.86, -47.1, 9.47

 

Complementary color

CMYK 0 / 84 / 58 / 36

HEX #A31A44

RGB 163 26 68

HSL 341.61, 0.72%, 0.37%

LAB 35.87, 55.43, 11.98

 

CMYK 58 / 0 / 21 / 10

HEX #61E5B6

RGB 97 229 182

HSL 158.64, 0.72%, 0.64%

LAB 82.89, -47.26, 12.16

 

CMYK 54 / 0 / 19 / 3

HEX #72F7C9

RGB 114 247 201

HSL 159.25, 0.89%, 0.71%

LAB 89.07, -47.28, 11.11

 

CMYK 49 / 0 / 14 / 0

HEX #83FFDC

RGB 131 255 220

HSL 163.06, 1%, 0.76%

LAB 92.36, -42.87, 6.07

 

CMYK 42 / 0 / 6 / 0

HEX #94FFEF

RGB 148 255 239

HSL 171.03, 1%, 0.79%

LAB 93.47, -34.64, -2.05

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 60 / 0 / 18 / 10

HEX #5CE5BB

RGB 92 229 187

HSL 161.61, 0.72%, 0.63%

LAB 82.86, -47.1, 9.47

 

CMYK 64 / 0 / 20 / 17

HEX #4BD3A8

RGB 75 211 168

HSL 161.03, 0.61%, 0.56%

LAB 76.63, -46.89, 10.59

 

CMYK 70 / 0 / 23 / 24

HEX #3AC195

RGB 58 193 149

HSL 160.44, 0.54%, 0.49%

LAB 70.32, -46.51, 11.82

 

CMYK 77 / 0 / 26 / 31

HEX #29AF82

RGB 41 175 130

HSL 159.85, 0.62%, 0.42%

LAB 63.95, -45.88, 13.18

 

CMYK 85 / 0 / 29 / 38

HEX #189D6F

RGB 24 157 111

HSL 159.25, 0.73%, 0.35%

LAB 57.52, -44.88, 14.71

 

CMYK 60 / 0 / 18 / 11

HEX #5CE4BA

RGB 92 228 186

HSL 161.47, 0.72%, 0.63%

LAB 82.54, -46.9, 9.54

 

CMYK 60 / 0 / 34 / 11

HEX #5CE496

RGB 92 228 150

HSL 145.59, 0.72%, 0.63%

LAB 81.82, -54.39, 27.3

 

CMYK 60 / 0 / 50 / 11

HEX #5CE471

RGB 92 228 113

HSL 129.26, 0.72%, 0.63%

LAB 81.27, -60.4, 44.99

 

CMYK 53 / 0 / 60 / 11

HEX #6CE45C

RGB 108 228 92

HSL 112.94, 0.72%, 0.63%

LAB 81.54, -59.13, 55.03

 

CMYK 36 / 0 / 60 / 11

HEX #91E45C

RGB 145 228 92

HSL 96.62, 0.72%, 0.63%

LAB 83.06, -48.12, 57.17

 

CMYK 60 / 0 / 18 / 11

HEX #5CE4BA

RGB 92 228 186

HSL 161.47, 0.72%, 0.63%

LAB 82.54, -46.9, 9.54

 

CMYK 60 / 0 / 2 / 11

HEX #5CE4DF

RGB 92 228 223

HSL 177.79, 0.72%, 0.63%

LAB 83.49, -37.77, -8.63

 

CMYK 60 / 14 / 0 / 11

HEX #5CC4E4

RGB 92 196 228

HSL 194.12, 0.72%, 0.63%

LAB 74.42, -20.88, -24.98

 

CMYK 60 / 30 / 0 / 11

HEX #5CA0E4

RGB 92 160 228

HSL 210, 0.72%, 0.63%

LAB 64.18, -1.46, -40.83

 

CMYK 60 / 46 / 0 / 11

HEX #5C7BE4

RGB 92 123 228

HSL 226.32, 0.72%, 0.63%

LAB 54.07, 20.45, -56.84

 

CMYK 60 / 0 / 18 / 11

HEX #5CE4BA

RGB 92 228 186

HSL 161.47, 0.72%, 0.63%

LAB 82.54, -46.9, 9.54

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3C0

RGB 77 243 192

HSL 161.57, 0.87%, 0.63%

LAB 86.74, -54.25, 12.33

 

CMYK 60 / 0 / 18 / 11

HEX #5CE4BA

RGB 92 228 186

HSL 161.47, 0.72%, 0.63%

LAB 82.54, -46.9, 9.54

 

CMYK 50 / 0 / 15 / 16

HEX #6BD5B5

RGB 107 213 181

HSL 161.89, 0.56%, 0.63%

LAB 78.49, -38.31, 6.45

 

CMYK 38 / 0 / 12 / 22

HEX #7BC6AF

RGB 123 198 175

HSL 161.6, 0.4%, 0.63%

LAB 74.63, -28.55, 4.19

 

CMYK 24 / 0 / 7 / 29

HEX #8AB6A9

RGB 138 182 169

HSL 162.27, 0.23%, 0.63%

LAB 70.68, -17.4, 1.83

 

CMYK 8 / 0 / 2 / 35

HEX #99A7A3

RGB 153 167 163

HSL 162.86, 0.07%, 0.63%

LAB 67.32, -5.71, 0.37

 

CMYK 60 / 0 / 50 / 11

HEX #5CE471

RGB 92 228 113

HSL 129.26, 0.72%, 0.63%

LAB 81.27, -60.4, 44.99

 

CMYK 60 / 0 / 35 / 11

HEX #5CE495

RGB 92 228 149

HSL 145.15, 0.72%, 0.63%

LAB 81.8, -54.57, 27.79

 

CMYK 60 / 0 / 19 / 11

HEX #5CE4B9

RGB 92 228 185

HSL 161.03, 0.72%, 0.63%

LAB 82.52, -47.13, 10.04

 

CMYK 60 / 0 / 3 / 11

HEX #5CE4DD

RGB 92 228 221

HSL 176.91, 0.72%, 0.63%

LAB 83.43, -38.29, -7.66

 

CMYK 60 / 13 / 0 / 11

HEX #5CC7E4

RGB 92 199 228

HSL 192.79, 0.72%, 0.63%

LAB 75.28, -22.41, -23.66

 

CMYK 84 / 0 / 26 / 20

HEX #21CD98

RGB 33 205 152

HSL 161.51, 0.72%, 0.47%

LAB 73.71, -53.49, 14.92

 

CMYK 74 / 0 / 23 / 13

HEX #39DEAC

RGB 57 222 172

HSL 161.82, 0.71%, 0.55%

LAB 79.67, -53.1, 12.73

 

CMYK 60 / 0 / 18 / 11

HEX #5CE4BA

RGB 92 228 186

HSL 161.47, 0.72%, 0.63%

LAB 82.54, -46.9, 9.54

 

CMYK 45 / 0 / 14 / 8

HEX #80EAC9

RGB 128 234 201

HSL 161.32, 0.72%, 0.71%

LAB 85.83, -38.37, 6.53

 

CMYK 32 / 0 / 10 / 6

HEX #A3F0D8

RGB 163 240 216

HSL 161.3, 0.72%, 0.79%

LAB 89.42, -28.71, 4.07

 

CMYK 60 / 0 / 18 / 10

HEX #5CE5BB

RGB 92 229 187

HSL 161.61, 0.72%, 0.63%

LAB 82.86, -47.1, 9.47

 

CMYK 60 / 53 / 0 / 11

HEX #5C6CE4

RGB 92 108 228

HSL 232.94, 0.72%, 0.63%

LAB 50.22, 29.64, -63.04

 

CMYK 0 / 43 / 60 / 11

HEX #E4835C

RGB 228 131 92

HSL 17.21, 0.72%, 0.63%

LAB 64.56, 33.71, 37.06

 

CMYK 60 / 0 / 18 / 10

HEX #5CE5BB

RGB 92 229 187

HSL 161.61, 0.72%, 0.63%

LAB 82.86, -47.1, 9.47

 

CMYK 19 / 60 / 0 / 11

HEX #B95CE4

RGB 185 92 228

HSL 281.03, 0.72%, 0.63%

LAB 55.65, 58.96, -53.83

 

CMYK 0 / 19 / 60 / 11

HEX #E4B95C

RGB 228 185 92

HSL 41.03, 0.72%, 0.63%

LAB 77.26, 5.05, 52.15

 

CMYK 60 / 0 / 18 / 10

HEX #5CE5BB

RGB 92 229 187

HSL 161.61, 0.72%, 0.63%

LAB 82.86, -47.1, 9.47

 

CMYK 60 / 53 / 0 / 11

HEX #5C6CE4

RGB 92 108 228

HSL 232.94, 0.72%, 0.63%

LAB 50.22, 29.64, -63.04

 

CMYK 0 / 60 / 41 / 11

HEX #E45C87

RGB 228 92 135

HSL 341.03, 0.72%, 0.63%

LAB 57.94, 56.6, 3.72

 

CMYK 0 / 7 / 60 / 11

HEX #E4D45C

RGB 228 212 92

HSL 52.94, 0.72%, 0.63%

LAB 84.15, -8.88, 59.9

 

CMYK 60 / 0 / 18 / 10

HEX #5CE5BB

RGB 92 229 187

HSL 161.61, 0.72%, 0.63%

LAB 82.86, -47.1, 9.47

 

CMYK 49 / 60 / 0 / 11

HEX #755CE4

RGB 117 92 228

HSL 251.03, 0.72%, 0.63%

LAB 48.31, 43.88, -66.04

 

CMYK 0 / 60 / 41 / 11

HEX #E45C87

RGB 228 92 135

HSL 341.03, 0.72%, 0.63%

LAB 57.94, 56.6, 3.72

 

CMYK 11 / 0 / 60 / 11

HEX #CBE45C

RGB 203 228 92

HSL 71.03, 0.72%, 0.63%

LAB 86.48, -26.84, 61.93

 

Description

Color code: RGB 92 229 187 | qconv.com Color code: RGB 92 229 187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 229 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 229 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 18 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 18% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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