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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 215 131 it is the complementary color RGB 163 40 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 215 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 215 131: RGB 97 215 126, RGB 114 233 145, RGB 131 251 164, RGB 148 255 183 and RGB 165 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 215 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 215 131: RGB 92 215 131, RGB 75 197 112, RGB 58 179 93, RGB 41 161 74 and RGB 24 143 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

Complementary color

CMYK 0 / 75 / 24 / 36

HEX #A3287C

RGB 163 40 124

HSL 319.02, 0.61%, 0.4%

LAB 39.17, 57.09, -18.79

 

CMYK 55 / 0 / 41 / 16

HEX #61D77E

RGB 97 215 126

HSL 134.75, 0.6%, 0.61%

LAB 77.67, -52.33, 34.07

 

CMYK 51 / 0 / 38 / 9

HEX #72E991

RGB 114 233 145

HSL 135.63, 0.73%, 0.68%

LAB 83.91, -52.29, 32.76

 

CMYK 48 / 0 / 35 / 2

HEX #83FBA4

RGB 131 251 164

HSL 136.5, 0.94%, 0.75%

LAB 90.09, -52.17, 31.53

 

CMYK 42 / 0 / 28 / 0

HEX #94FFB7

RGB 148 255 183

HSL 139.63, 1%, 0.79%

LAB 92.24, -46.07, 24.95

 

CMYK 35 / 0 / 21 / 0

HEX #A5FFCA

RGB 165 255 202

HSL 144.67, 1%, 0.82%

LAB 93.36, -37.88, 16.94

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 62 / 0 / 43 / 23

HEX #4BC570

RGB 75 197 112

HSL 138.2, 0.51%, 0.53%

LAB 71.28, -52.5, 32.79

 

CMYK 68 / 0 / 48 / 30

HEX #3AB35D

RGB 58 179 93

HSL 137.36, 0.51%, 0.46%

LAB 64.91, -52.13, 34.27

 

CMYK 75 / 0 / 54 / 37

HEX #29A14A

RGB 41 161 74

HSL 136.5, 0.59%, 0.4%

LAB 58.47, -51.41, 35.81

 

CMYK 83 / 0 / 62 / 44

HEX #188F37

RGB 24 143 55

HSL 135.63, 0.71%, 0.33%

LAB 51.97, -50.12, 37.36

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 58 / 0 / 30 / 16

HEX #5AD796

RGB 90 215 150

HSL 148.8, 0.61%, 0.6%

LAB 77.86, -49.56, 21.91

 

CMYK 58 / 0 / 20 / 16

HEX #5AD7AB

RGB 90 215 171

HSL 158.88, 0.61%, 0.6%

LAB 78.3, -45.13, 11.42

 

CMYK 58 / 0 / 11 / 16

HEX #5AD7C0

RGB 90 215 192

HSL 168.96, 0.61%, 0.6%

LAB 78.8, -40.17, 0.95

 

CMYK 58 / 0 / 1 / 16

HEX #5AD7D5

RGB 90 215 213

HSL 179.04, 0.61%, 0.6%

LAB 79.37, -34.76, -9.44

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 55 / 0 / 36 / 96

HEX #050B07

RGB 5 11 7

HSL 140, 0.38%, 0.03%

LAB 2.59, -2.14, 0.97

 

CMYK 56 / 0 / 39 / 76

HEX #1B3E26

RGB 27 62 38

HSL 138.86, 0.39%, 0.17%

LAB 23.06, -19.19, 10.98

 

CMYK 58 / 0 / 39 / 56

HEX #307145

RGB 48 113 69

HSL 139.38, 0.4%, 0.32%

LAB 42.56, -31.51, 18.33

 

CMYK 57 / 0 / 39 / 36

HEX #46A464

RGB 70 164 100

HSL 139.15, 0.4%, 0.46%

LAB 60.58, -42.42, 25.07

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 58 / 30 / 0 / 16

HEX #5A96D7

RGB 90 150 215

HSL 211.2, 0.61%, 0.6%

LAB 60.69, -0.29, -39.09

 

CMYK 0 / 58 / 53 / 16

HEX #D75A65

RGB 215 90 101

HSL 354.72, 0.61%, 0.6%

LAB 54.76, 50.03, 18.94

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 40 / 58 / 0 / 16

HEX #825AD7

RGB 130 90 215

HSL 259.2, 0.61%, 0.6%

LAB 48.22, 44.11, -58.75

 

CMYK 0 / 40 / 58 / 16

HEX #D7825A

RGB 215 130 90

HSL 19.2, 0.61%, 0.6%

LAB 62.63, 28.92, 35.38

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 58 / 30 / 0 / 16

HEX #5A96D7

RGB 90 150 215

HSL 211.2, 0.61%, 0.6%

LAB 60.69, -0.29, -39.09

 

CMYK 0 / 58 / 19 / 16

HEX #D75AAF

RGB 215 90 175

HSL 319.2, 0.61%, 0.6%

LAB 56.93, 58.5, -21.3

 

CMYK 0 / 28 / 58 / 16

HEX #D79B5A

RGB 215 155 90

HSL 31.2, 0.61%, 0.6%

LAB 68.48, 15.46, 42.51

 

CMYK 57 / 0 / 39 / 16

HEX #5CD783

RGB 92 215 131

HSL 139.02, 0.61%, 0.6%

LAB 77.59, -52.65, 31.39

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 0 / 58 / 19 / 16

HEX #D75AAF

RGB 215 90 175

HSL 319.2, 0.61%, 0.6%

LAB 56.93, 58.5, -21.3

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

Description

Color code: RGB 92 215 131 | qconv.com Color code: RGB 92 215 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 215 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 215 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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