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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 178 135 it is the complementary color RGB 163 77 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 178 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 178 135: RGB 97 178 130, RGB 114 196 149, RGB 131 214 168, RGB 148 232 187 and RGB 165 250 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 178 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 178 135: RGB 92 178 135, RGB 75 160 116, RGB 58 142 97, RGB 41 124 78 and RGB 24 106 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

Complementary color

CMYK 0 / 53 / 26 / 36

HEX #A34D78

RGB 163 77 120

HSL 330, 0.36%, 0.47%

LAB 44.87, 40.6, -7.67

 

CMYK 46 / 0 / 27 / 30

HEX #61B282

RGB 97 178 130

HSL 144.44, 0.34%, 0.54%

LAB 66.52, -35.83, 17

 

CMYK 42 / 0 / 24 / 23

HEX #72C495

RGB 114 196 149

HSL 145.61, 0.41%, 0.61%

LAB 73.04, -35.59, 15.9

 

CMYK 39 / 0 / 21 / 16

HEX #83D6A8

RGB 131 214 168

HSL 146.75, 0.5%, 0.68%

LAB 79.47, -35.33, 14.89

 

CMYK 36 / 0 / 19 / 9

HEX #94E8BB

RGB 148 232 187

HSL 147.86, 0.65%, 0.75%

LAB 85.8, -35.08, 13.94

 

CMYK 34 / 0 / 18 / 2

HEX #A5FACE

RGB 165 250 206

HSL 148.94, 0.89%, 0.81%

LAB 92.05, -34.83, 13.04

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 53 / 0 / 28 / 37

HEX #4BA074

RGB 75 160 116

HSL 148.94, 0.36%, 0.46%

LAB 59.8, -36.29, 15.27

 

CMYK 59 / 0 / 32 / 44

HEX #3A8E61

RGB 58 142 97

HSL 147.86, 0.42%, 0.39%

LAB 53.07, -36.34, 16.56

 

CMYK 67 / 0 / 37 / 51

HEX #297C4E

RGB 41 124 78

HSL 146.75, 0.5%, 0.32%

LAB 46.23, -36.2, 18

 

CMYK 77 / 0 / 44 / 58

HEX #186A3B

RGB 24 106 59

HSL 145.61, 0.63%, 0.25%

LAB 39.27, -35.68, 19.65

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 48 / 0 / 16 / 30

HEX #5CB295

RGB 92 178 149

HSL 159.77, 0.36%, 0.53%

LAB 66.74, -33.06, 6.86

 

CMYK 48 / 0 / 8 / 30

HEX #5CB2A3

RGB 92 178 163

HSL 169.53, 0.36%, 0.53%

LAB 67.1, -29.72, -0.36

 

CMYK 48 / 0 / 0 / 30

HEX #5CB2B2

RGB 92 178 178

HSL 180, 0.36%, 0.53%

LAB 67.52, -25.87, -8.03

 

CMYK 48 / 8 / 0 / 30

HEX #5CA3B2

RGB 92 163 178

HSL 190.47, 0.36%, 0.53%

LAB 63.08, -18.19, -14.68

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 48 / 0 / 24 / 10

HEX #76E5AE

RGB 118 229 174

HSL 150.27, 0.68%, 0.68%

LAB 83.41, -44.28, 17.18

 

CMYK 48 / 0 / 24 / 90

HEX #0D1913

RGB 13 25 19

HSL 150, 0.32%, 0.07%

LAB 7.48, -6.38, 2.27

 

CMYK 49 / 0 / 24 / 70

HEX #274C3A

RGB 39 76 58

HSL 150.81, 0.32%, 0.23%

LAB 29.17, -18.16, 6.64

 

CMYK 48 / 0 / 24 / 50

HEX #427F60

RGB 66 127 96

HSL 149.51, 0.32%, 0.38%

LAB 48.49, -27.5, 10.84

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 48 / 34 / 0 / 30

HEX #5C75B2

RGB 92 117 178

HSL 222.56, 0.36%, 0.53%

LAB 49.75, 7.96, -35.21

 

CMYK 0 / 44 / 48 / 30

HEX #B2645C

RGB 178 100 92

HSL 5.58, 0.36%, 0.53%

LAB 51.1, 30.5, 18.35

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 24 / 48 / 0 / 30

HEX #875CB2

RGB 135 92 178

HSL 270, 0.36%, 0.53%

LAB 47, 34.77, -39.31

 

CMYK 0 / 24 / 48 / 30

HEX #B2875C

RGB 178 135 92

HSL 30, 0.36%, 0.53%

LAB 59.49, 11.03, 29.41

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 48 / 34 / 0 / 30

HEX #5C75B2

RGB 92 117 178

HSL 222.56, 0.36%, 0.53%

LAB 49.75, 7.96, -35.21

 

CMYK 0 / 48 / 24 / 30

HEX #B25C87

RGB 178 92 135

HSL 330, 0.36%, 0.53%

LAB 50.53, 40.11, -8.02

 

CMYK 0 / 15 / 48 / 30

HEX #B2985C

RGB 178 152 92

HSL 41.86, 0.36%, 0.53%

LAB 63.91, 1.64, 35.01

 

CMYK 48 / 0 / 24 / 30

HEX #5CB287

RGB 92 178 135

HSL 150, 0.36%, 0.53%

LAB 66.42, -36.14, 14.1

 

CMYK 48 / 48 / 0 / 30

HEX #5C5CB2

RGB 92 92 178

HSL 240, 0.36%, 0.53%

LAB 42.98, 23.44, -45.95

 

CMYK 0 / 48 / 24 / 30

HEX #B25C87

RGB 178 92 135

HSL 330, 0.36%, 0.53%

LAB 50.53, 40.11, -8.02

 

CMYK 0 / 0 / 48 / 30

HEX #B2B25C

RGB 178 178 92

HSL 60, 0.36%, 0.53%

LAB 70.92, -12.2, 43.59

 

Description

Color code: RGB 92 178 135 | qconv.com Color code: RGB 92 178 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 178 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 178 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 24 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 24% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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