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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 170 217 it is the complementary color RGB 163 85 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 170 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 170 217 shade: RGB 97 170 212, RGB 114 188 231, RGB 131 206 250, RGB 148 224 255 and RGB 165 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 170 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 170 217 shade: RGB 92 170 217, RGB 75 152 198, RGB 58 134 179, RGB 41 116 160 and RGB 24 98 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 170 217 shade: RGB 93 170 217, RGB 93 137 217, RGB 93 104 217, RGB 116 93 217 and RGB 149 93 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 170 217 shade: RGB 93 170 217, RGB 93 137 217, RGB 93 104 217 and RGB 93 93 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 170 217 shade matches the following richer shades: RGB 93 170 217, RGB 77 174 233 and RGB 61 178 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 170 217 shade: RGB 93 170 217, RGB 109 166 201, RGB 126 162 185, RGB 142 158 168 and RGB 158 154 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 170 217 shade: RGB 93 217 196, RGB 93 204 217, RGB 93 171 217, RGB 93 139 217 and RGB 93 106 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 170 217 shade: RGB 43 131 185, RGB 60 153 209, RGB 93 170 217, RGB 127 188 225 and RGB 160 205 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 170 217 shade: RGB 92 170 217, RGB 163 93 217 and RGB 217 213 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 170 217 shade: RGB 92 170 217, RGB 217 93 171 and RGB 171 217 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 170 217 shade: RGB 92 170 217, RGB 163 93 217, RGB 217 139 93 and RGB 147 217 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 170 217 shade: RGB 92 170 217, RGB 200 93 217, RGB 217 139 93 and RGB 110 217 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 22 / 0 / 15

HEX #5CAAD9

RGB 92 170 217

HSL 202.56, 0.62%, 0.61%

LAB 66.55, -10.48, -31.07

 

Complementary color

CMYK 0 / 48 / 77 / 36

HEX #A35526

RGB 163 85 38

HSL 22.56, 0.62%, 0.39%

LAB 44.83, 28.6, 40.51

 

CMYK 54 / 20 / 0 / 17

HEX #61AAD4

RGB 97 170 212

HSL 201.91, 0.57%, 0.61%

LAB 66.55, -10.97, -28.28

 

CMYK 51 / 19 / 0 / 9

HEX #72BCE7

RGB 114 188 231

HSL 202.05, 0.71%, 0.68%

LAB 73.1, -11.4, -28.55

 

CMYK 48 / 18 / 0 / 2

HEX #83CEFA

RGB 131 206 250

HSL 202.18, 0.92%, 0.75%

LAB 79.54, -11.75, -28.81

 

CMYK 42 / 12 / 0 / 0

HEX #94E0FF

RGB 148 224 255

HSL 197.38, 1%, 0.79%

LAB 85.42, -15.7, -22.43

 

CMYK 35 / 5 / 0 / 0

HEX #A5F2FF

RGB 165 242 255

HSL 188.67, 1%, 0.82%

LAB 91.11, -20.44, -13.77

 

CMYK 58 / 22 / 0 / 15

HEX #5CAAD9

RGB 92 170 217

HSL 202.56, 0.62%, 0.61%

LAB 66.55, -10.48, -31.07

 

CMYK 62 / 23 / 0 / 22

HEX #4B98C6

RGB 75 152 198

HSL 202.44, 0.52%, 0.54%

LAB 59.92, -9.78, -30.82

 

CMYK 68 / 25 / 0 / 30

HEX #3A86B3

RGB 58 134 179

HSL 202.31, 0.51%, 0.46%

LAB 53.17, -8.88, -30.56

 

CMYK 74 / 28 / 0 / 37

HEX #2974A0

RGB 41 116 160

HSL 202.18, 0.59%, 0.39%

LAB 46.31, -7.68, -30.27

 

CMYK 83 / 30 / 0 / 45

HEX #18628D

RGB 24 98 141

HSL 202.05, 0.71%, 0.32%

LAB 39.33, -6.03, -29.93

 

CMYK 57 / 22 / 0 / 15

HEX #5DAAD9

RGB 93 170 217

HSL 202.74, 0.62%, 0.61%

LAB 66.59, -10.28, -31.01

 

CMYK 57 / 37 / 0 / 15

HEX #5D89D9

RGB 93 137 217

HSL 218.71, 0.62%, 0.61%

LAB 57.3, 8.57, -45.53

 

CMYK 57 / 52 / 0 / 15

HEX #5D68D9

RGB 93 104 217

HSL 234.68, 0.62%, 0.61%

LAB 48.56, 28.68, -59.49

 

CMYK 47 / 57 / 0 / 15

HEX #745DD9

RGB 116 93 217

HSL 251.13, 0.62%, 0.61%

LAB 47.69, 39.92, -60.8

 

CMYK 31 / 57 / 0 / 15

HEX #955DD9

RGB 149 93 217

HSL 267.1, 0.62%, 0.61%

LAB 50.95, 47.37, -55.38

 

CMYK 57 / 22 / 0 / 15

HEX #5DAAD9

RGB 93 170 217

HSL 202.74, 0.62%, 0.61%

LAB 66.59, -10.28, -31.01

 

CMYK 57 / 37 / 0 / 15

HEX #5D89D9

RGB 93 137 217

HSL 218.71, 0.62%, 0.61%

LAB 57.3, 8.57, -45.53

 

CMYK 57 / 52 / 0 / 15

HEX #5D68D9

RGB 93 104 217

HSL 234.68, 0.62%, 0.61%

LAB 48.56, 28.68, -59.49

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DD9

RGB 93 93 217

HSL 240, 0.62%, 0.61%

LAB 45.86, 35.41, -63.85

 

CMYK 57 / 22 / 0 / 15

HEX #5DAAD9

RGB 93 170 217

HSL 202.74, 0.62%, 0.61%

LAB 66.59, -10.28, -31.01

 

CMYK 67 / 25 / 0 / 9

HEX #4DAEE9

RGB 77 174 233

HSL 202.69, 0.78%, 0.61%

LAB 67.82, -10.23, -37.91

 

CMYK 76 / 29 / 0 / 2

HEX #3DB2F9

RGB 61 178 249

HSL 202.66, 0.94%, 0.61%

LAB 69.24, -9.2, -44.45

 

CMYK 57 / 22 / 0 / 15

HEX #5DAAD9

RGB 93 170 217

HSL 202.74, 0.62%, 0.61%

LAB 66.59, -10.28, -31.01

 

CMYK 46 / 17 / 0 / 21

HEX #6DA6C9

RGB 109 166 201

HSL 202.83, 0.46%, 0.61%

LAB 65.55, -9.23, -23.7

 

CMYK 32 / 12 / 0 / 27

HEX #7EA2B9

RGB 126 162 185

HSL 203.39, 0.3%, 0.61%

LAB 64.79, -6.73, -15.85

 

CMYK 15 / 6 / 0 / 34

HEX #8E9EA8

RGB 142 158 168

HSL 203.08, 0.13%, 0.61%

LAB 64.19, -3.51, -7.12

 

CMYK 0 / 3 / 4 / 38

HEX #9E9A98

RGB 158 154 152

HSL 20, 0.03%, 0.61%

LAB 63.87, 1.08, 1.56

 

CMYK 57 / 0 / 10 / 15

HEX #5DD9C4

RGB 93 217 196

HSL 169.84, 0.62%, 0.61%

LAB 79.58, -39.51, -0.04

 

CMYK 57 / 6 / 0 / 15

HEX #5DCCD9

RGB 93 204 217

HSL 186.29, 0.62%, 0.61%

LAB 76.39, -27.86, -16.04

 

CMYK 57 / 21 / 0 / 15

HEX #5DABD9

RGB 93 171 217

HSL 202.26, 0.62%, 0.61%

LAB 66.87, -10.82, -30.56

 

CMYK 57 / 36 / 0 / 15

HEX #5D8BD9

RGB 93 139 217

HSL 217.74, 0.62%, 0.61%

LAB 57.85, 7.39, -44.66

 

CMYK 57 / 51 / 0 / 15

HEX #5D6AD9

RGB 93 106 217

HSL 233.71, 0.62%, 0.61%

LAB 49.06, 27.45, -58.68

 

CMYK 77 / 29 / 0 / 27

HEX #2B83B9

RGB 43 131 185

HSL 202.82, 0.62%, 0.45%

LAB 52.12, -7.17, -35.68

 

CMYK 71 / 27 / 0 / 18

HEX #3C99D1

RGB 60 153 209

HSL 202.55, 0.62%, 0.53%

LAB 60.2, -9.11, -36.58

 

CMYK 57 / 22 / 0 / 15

HEX #5DAAD9

RGB 93 170 217

HSL 202.74, 0.62%, 0.61%

LAB 66.59, -10.28, -31.01

 

CMYK 44 / 16 / 0 / 12

HEX #7FBCE1

RGB 127 188 225

HSL 202.65, 0.62%, 0.69%

LAB 73.49, -10.02, -24.64

 

CMYK 31 / 12 / 0 / 9

HEX #A0CDE8

RGB 160 205 232

HSL 202.5, 0.61%, 0.77%

LAB 80.16, -8.46, -18.12

 

CMYK 58 / 22 / 0 / 15

HEX #5CAAD9

RGB 92 170 217

HSL 202.56, 0.62%, 0.61%

LAB 66.55, -10.48, -31.07

 

CMYK 25 / 57 / 0 / 15

HEX #A35DD9

RGB 163 93 217

HSL 273.87, 0.62%, 0.61%

LAB 52.54, 50.76, -52.76

 

CMYK 0 / 2 / 57 / 15

HEX #D9D55D

RGB 217 213 93

HSL 58.06, 0.62%, 0.61%

LAB 83.51, -13.83, 58.5

 

CMYK 58 / 22 / 0 / 15

HEX #5CAAD9

RGB 92 170 217

HSL 202.56, 0.62%, 0.61%

LAB 66.55, -10.48, -31.07

 

CMYK 0 / 57 / 21 / 15

HEX #D95DAB

RGB 217 93 171

HSL 322.26, 0.62%, 0.61%

LAB 57.58, 57.17, -17.98

 

CMYK 21 / 0 / 57 / 15

HEX #ABD95D

RGB 171 217 93

HSL 82.26, 0.62%, 0.61%

LAB 81.33, -33.97, 55.15

 

CMYK 58 / 22 / 0 / 15

HEX #5CAAD9

RGB 92 170 217

HSL 202.56, 0.62%, 0.61%

LAB 66.55, -10.48, -31.07

 

CMYK 25 / 57 / 0 / 15

HEX #A35DD9

RGB 163 93 217

HSL 273.87, 0.62%, 0.61%

LAB 52.54, 50.76, -52.76

 

CMYK 0 / 36 / 57 / 15

HEX #D98B5D

RGB 217 139 93

HSL 22.26, 0.62%, 0.61%

LAB 64.97, 25.14, 36.72

 

CMYK 32 / 0 / 57 / 15

HEX #93D95D

RGB 147 217 93

HSL 93.87, 0.62%, 0.61%

LAB 79.96, -42.66, 53.23

 

CMYK 58 / 22 / 0 / 15

HEX #5CAAD9

RGB 92 170 217

HSL 202.56, 0.62%, 0.61%

LAB 66.55, -10.48, -31.07

 

CMYK 8 / 57 / 0 / 15

HEX #C85DD9

RGB 200 93 217

HSL 291.77, 0.62%, 0.61%

LAB 57.19, 60.02, -45.08

 

CMYK 0 / 36 / 57 / 15

HEX #D98B5D

RGB 217 139 93

HSL 22.26, 0.62%, 0.61%

LAB 64.97, 25.14, 36.72

 

CMYK 49 / 0 / 57 / 15

HEX #6ED95D

RGB 110 217 93

HSL 111.77, 0.62%, 0.61%

LAB 78.3, -54.29, 50.88

 

Description

Color code: RGB 92 170 217 | qconv.com Color code: RGB 92 170 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 170 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 170 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 22 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 22% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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