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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 136 172 it is the complementary color RGB 163 119 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 136 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 136 172 shade: RGB 97 136 167, RGB 114 154 186, RGB 131 172 205, RGB 148 190 224 and RGB 165 208 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 136 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 136 172 shade: RGB 92 136 172, RGB 75 118 153, RGB 58 100 134, RGB 41 82 115 and RGB 24 64 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 136 172 shade: RGB 92 137 173, RGB 92 115 173, RGB 92 93 173, RGB 113 92 173 and RGB 135 92 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 136 172 shade: RGB 92 137 173, RGB 92 115 173, RGB 92 93 173 and RGB 92 92 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 136 172 shade matches the following richer shades: RGB 92 137 173, RGB 72 139 193, RGB 53 141 213, RGB 33 143 232 and RGB 13 145 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 136 172 shade: RGB 92 137 173, RGB 112 135 153, RGB 132 133 133, RGB 152 131 114 and RGB 171 129 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 136 172 shade: RGB 92 173 166, RGB 92 158 173, RGB 92 137 173, RGB 92 115 173 and RGB 92 94 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 136 172 shade: RGB 61 94 121, RGB 75 116 149, RGB 92 137 173, RGB 120 157 187 and RGB 147 177 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 136 172 shade: RGB 92 136 172, RGB 145 92 173 and RGB 169 173 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 136 172 shade: RGB 92 136 172, RGB 173 92 137 and RGB 137 173 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 136 172 shade: RGB 92 136 172, RGB 145 92 173, RGB 173 129 92 and RGB 120 173 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 136 172 shade: RGB 92 136 172, RGB 169 92 173, RGB 173 129 92 and RGB 96 173 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 21 / 0 / 33

HEX #5C88AC

RGB 92 136 172

HSL 207, 0.33%, 0.52%

LAB 54.93, -5.08, -23.7

 

Complementary color

CMYK 0 / 27 / 49 / 36

HEX #A37753

RGB 163 119 83

HSL 27, 0.33%, 0.48%

LAB 53.61, 12.74, 26.5

 

CMYK 42 / 19 / 0 / 35

HEX #6188A7

RGB 97 136 167

HSL 206.57, 0.28%, 0.52%

LAB 55.01, -5.21, -20.68

 

CMYK 39 / 17 / 0 / 27

HEX #729ABA

RGB 114 154 186

HSL 206.67, 0.34%, 0.59%

LAB 61.86, -5.45, -20.93

 

CMYK 36 / 16 / 0 / 20

HEX #83ACCD

RGB 131 172 205

HSL 206.76, 0.43%, 0.66%

LAB 68.56, -5.66, -21.2

 

CMYK 34 / 15 / 0 / 12

HEX #94BEE0

RGB 148 190 224

HSL 206.84, 0.55%, 0.73%

LAB 75.14, -5.83, -21.48

 

CMYK 32 / 14 / 0 / 5

HEX #A5D0F3

RGB 165 208 243

HSL 206.92, 0.76%, 0.8%

LAB 81.61, -5.98, -21.76

 

CMYK 47 / 21 / 0 / 33

HEX #5C88AC

RGB 92 136 172

HSL 207, 0.33%, 0.52%

LAB 54.93, -5.08, -23.7

 

CMYK 51 / 23 / 0 / 40

HEX #4B7699

RGB 75 118 153

HSL 206.92, 0.34%, 0.45%

LAB 47.95, -4.65, -23.51

 

CMYK 57 / 25 / 0 / 47

HEX #3A6486

RGB 58 100 134

HSL 206.84, 0.4%, 0.38%

LAB 40.79, -4.08, -23.33

 

CMYK 64 / 29 / 0 / 55

HEX #295273

RGB 41 82 115

HSL 206.76, 0.47%, 0.31%

LAB 33.44, -3.27, -23.17

 

CMYK 75 / 33 / 0 / 62

HEX #184060

RGB 24 64 96

HSL 206.67, 0.6%, 0.24%

LAB 25.88, -2.06, -23.01

 

CMYK 47 / 21 / 0 / 32

HEX #5C89AD

RGB 92 137 173

HSL 206.67, 0.33%, 0.52%

LAB 55.26, -5.36, -23.77

 

CMYK 47 / 34 / 0 / 32

HEX #5C73AD

RGB 92 115 173

HSL 222.96, 0.33%, 0.52%

LAB 48.95, 7.64, -33.57

 

CMYK 47 / 46 / 0 / 32

HEX #5C5DAD

RGB 92 93 173

HSL 239.26, 0.33%, 0.52%

LAB 42.95, 21.26, -43.06

 

CMYK 35 / 47 / 0 / 32

HEX #715CAD

RGB 113 92 173

HSL 255.56, 0.33%, 0.52%

LAB 44.49, 27.34, -40.49

 

CMYK 22 / 47 / 0 / 32

HEX #875CAD

RGB 135 92 173

HSL 271.85, 0.33%, 0.52%

LAB 46.74, 33.56, -36.79

 

CMYK 47 / 21 / 0 / 32

HEX #5C89AD

RGB 92 137 173

HSL 206.67, 0.33%, 0.52%

LAB 55.26, -5.36, -23.77

 

CMYK 47 / 34 / 0 / 32

HEX #5C73AD

RGB 92 115 173

HSL 222.96, 0.33%, 0.52%

LAB 48.95, 7.64, -33.57

 

CMYK 47 / 46 / 0 / 32

HEX #5C5DAD

RGB 92 93 173

HSL 239.26, 0.33%, 0.52%

LAB 42.95, 21.26, -43.06

 

CMYK 47 / 47 / 0 / 32

HEX #5C5CAD

RGB 92 92 173

HSL 240, 0.33%, 0.52%

LAB 42.68, 21.88, -43.48

 

CMYK 47 / 21 / 0 / 32

HEX #5C89AD

RGB 92 137 173

HSL 206.67, 0.33%, 0.52%

LAB 55.26, -5.36, -23.77

 

CMYK 63 / 28 / 0 / 24

HEX #488BC1

RGB 72 139 193

HSL 206.78, 0.49%, 0.52%

LAB 55.78, -4.6, -34.45

 

CMYK 75 / 34 / 0 / 16

HEX #358DD5

RGB 53 141 213

HSL 207, 0.66%, 0.52%

LAB 56.69, -1.74, -44.34

 

CMYK 86 / 38 / 0 / 9

HEX #218FE8

RGB 33 143 232

HSL 206.83, 0.81%, 0.52%

LAB 57.84, 2.14, -53.16

 

CMYK 95 / 42 / 0 / 1

HEX #0D91FC

RGB 13 145 252

HSL 206.86, 0.98%, 0.52%

LAB 59.31, 7.53, -61.87

 

CMYK 47 / 21 / 0 / 32

HEX #5C89AD

RGB 92 137 173

HSL 206.67, 0.33%, 0.52%

LAB 55.26, -5.36, -23.77

 

CMYK 27 / 12 / 0 / 40

HEX #708799

RGB 112 135 153

HSL 206.34, 0.17%, 0.52%

LAB 55.15, -3.94, -12.32

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 0 / 14 / 25 / 40

HEX #988372

RGB 152 131 114

HSL 26.84, 0.16%, 0.52%

LAB 56.21, 5.23, 12.14

 

CMYK 0 / 25 / 45 / 33

HEX #AB815E

RGB 171 129 94

HSL 27.27, 0.31%, 0.52%

LAB 57.24, 11.64, 25.23

 

CMYK 47 / 0 / 4 / 32

HEX #5CADA6

RGB 92 173 166

HSL 174.81, 0.33%, 0.52%

LAB 65.68, -26.51, -4.1

 

CMYK 47 / 9 / 0 / 32

HEX #5C9EAD

RGB 92 158 173

HSL 191.11, 0.33%, 0.52%

LAB 61.43, -16.94, -14.36

 

CMYK 47 / 21 / 0 / 32

HEX #5C89AD

RGB 92 137 173

HSL 206.67, 0.33%, 0.52%

LAB 55.26, -5.36, -23.77

 

CMYK 47 / 34 / 0 / 32

HEX #5C73AD

RGB 92 115 173

HSL 222.96, 0.33%, 0.52%

LAB 48.95, 7.64, -33.57

 

CMYK 47 / 46 / 0 / 32

HEX #5C5EAD

RGB 92 94 173

HSL 238.52, 0.33%, 0.52%

LAB 43.21, 20.63, -42.65

 

CMYK 50 / 22 / 0 / 53

HEX #3D5E79

RGB 61 94 121

HSL 207, 0.33%, 0.36%

LAB 38.51, -3.92, -18.94

 

CMYK 50 / 22 / 0 / 42

HEX #4B7495

RGB 75 116 149

HSL 206.76, 0.33%, 0.44%

LAB 47.18, -4.72, -22.34

 

CMYK 47 / 21 / 0 / 32

HEX #5C89AD

RGB 92 137 173

HSL 206.67, 0.33%, 0.52%

LAB 55.26, -5.36, -23.77

 

CMYK 36 / 16 / 0 / 27

HEX #789DBB

RGB 120 157 187

HSL 206.87, 0.33%, 0.6%

LAB 63.09, -5.18, -19.58

 

CMYK 27 / 12 / 0 / 21

HEX #93B1C9

RGB 147 177 201

HSL 206.67, 0.33%, 0.68%

LAB 70.78, -4.74, -15.55

 

CMYK 47 / 21 / 0 / 33

HEX #5C88AC

RGB 92 136 172

HSL 207, 0.33%, 0.52%

LAB 54.93, -5.08, -23.7

 

CMYK 16 / 47 / 0 / 32

HEX #915CAD

RGB 145 92 173

HSL 279.26, 0.33%, 0.52%

LAB 47.87, 36.49, -34.94

 

CMYK 2 / 0 / 47 / 32

HEX #A9AD5C

RGB 169 173 92

HSL 62.96, 0.33%, 0.52%

LAB 68.82, -13.34, 40.88

 

CMYK 47 / 21 / 0 / 33

HEX #5C88AC

RGB 92 136 172

HSL 207, 0.33%, 0.52%

LAB 54.93, -5.08, -23.7

 

CMYK 0 / 47 / 21 / 32

HEX #AD5C89

RGB 173 92 137

HSL 326.67, 0.33%, 0.52%

LAB 49.91, 38.7, -10.22

 

CMYK 21 / 0 / 47 / 32

HEX #89AD5C

RGB 137 173 92

HSL 86.67, 0.33%, 0.52%

LAB 66.5, -26.16, 37.51

 

CMYK 47 / 21 / 0 / 33

HEX #5C88AC

RGB 92 136 172

HSL 207, 0.33%, 0.52%

LAB 54.93, -5.08, -23.7

 

CMYK 16 / 47 / 0 / 32

HEX #915CAD

RGB 145 92 173

HSL 279.26, 0.33%, 0.52%

LAB 47.87, 36.49, -34.94

 

CMYK 0 / 25 / 47 / 32

HEX #AD815C

RGB 173 129 92

HSL 27.41, 0.33%, 0.52%

LAB 57.42, 12.27, 26.63

 

CMYK 31 / 0 / 47 / 32

HEX #78AD5C

RGB 120 173 92

HSL 99.26, 0.33%, 0.52%

LAB 65.48, -32.46, 36.01

 

CMYK 47 / 21 / 0 / 33

HEX #5C88AC

RGB 92 136 172

HSL 207, 0.33%, 0.52%

LAB 54.93, -5.08, -23.7

 

CMYK 2 / 47 / 0 / 32

HEX #A95CAD

RGB 169 92 173

HSL 297.04, 0.33%, 0.52%

LAB 50.81, 43.65, -30.12

 

CMYK 0 / 25 / 47 / 32

HEX #AD815C

RGB 173 129 92

HSL 27.41, 0.33%, 0.52%

LAB 57.42, 12.27, 26.63

 

CMYK 45 / 0 / 47 / 32

HEX #60AD5C

RGB 96 173 92

HSL 117.04, 0.33%, 0.52%

LAB 64.28, -40.44, 34.26

 

Description

Color code: RGB 92 136 172 | qconv.com Color code: RGB 92 136 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 136 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 136 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 21 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 21% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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