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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92.1 54.8 215 it is the complementary color RGB 162.9 200.2 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92.1 54.8 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92.1 54.8 215 shade: RGB 97.1 54.8 210, RGB 114.1 72.8 229, RGB 131.1 90.8 248, RGB 148.1 108.8 255 and RGB 165.1 126.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92.1 54.8 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92.1 54.8 215 shade: RGB 92.1 54.8 215, RGB 75.1 36.8 196, RGB 58.1 18.8 177, RGB 41.1 0.8 158 and RGB 24.1 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92.1 54.8 215 shade: RGB 92 55 215, RGB 136 55 215, RGB 179 55 215, RGB 215 55 209 and RGB 215 55 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92.1 54.8 215 shade: RGB 92 55 215 and RGB 55 55 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92.1 54.8 215 shade matches the following richer shades: RGB 92 55 215, RGB 82 35 235 and RGB 72 16 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92.1 54.8 215 shade: RGB 92 55 215, RGB 103 74 196, RGB 113 94 177, RGB 123 113 157 and RGB 134 132 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92.1 54.8 215 shade: RGB 55 106 215, RGB 55 63 215, RGB 90 55 215, RGB 132 55 215 and RGB 175 55 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92.1 54.8 215 shade: RGB 60 31 157, RGB 74 38 191, RGB 92 55 215, RGB 120 89 222 and RGB 148 124 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92.1 54.8 215 shade: RGB 92.1 54.8 215, RGB 215 55 149 and RGB 84 215 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92.1 54.8 215 shade: RGB 92.1 54.8 215, RGB 215 90 55 and RGB 55 215 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92.1 54.8 215 shade: RGB 92.1 54.8 215, RGB 215 55 149, RGB 181 215 55 and RGB 55 215 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92.1 54.8 215 shade: RGB 92.1 54.8 215, RGB 215 55 100, RGB 181 215 55 and RGB 55 215 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 75 / 0 / 16

HEX #5C36D7

RGB 92.1 54.8 215

HSL 253.97, 0.67%, 0.53%

LAB 37.66, 56.07, -76.1

 

Complementary color

CMYK 19 / 0 / 80 / 21

HEX #A2C828

RGB 162.9 200.2 40

HSL 73.97, 0.67%, 0.47%

LAB 75.66, -32.75, 68.94

 

CMYK 54 / 74 / 0 / 18

HEX #6136D2

RGB 97.1 54.8 210

HSL 256.35, 0.63%, 0.52%

LAB 37.69, 55.35, -73.15

 

CMYK 50 / 68 / 0 / 10

HEX #7248E5

RGB 114.1 72.8 229

HSL 255.86, 0.75%, 0.59%

LAB 44.2, 54.16, -73.29

 

CMYK 47 / 63 / 0 / 3

HEX #835AF8

RGB 131.1 90.8 248

HSL 255.38, 0.92%, 0.66%

LAB 50.76, 52.85, -73.23

 

CMYK 42 / 57 / 0 / 0

HEX #946CFF

RGB 148.1 108.8 255

HSL 256.13, 1%, 0.71%

LAB 56.51, 48.33, -67.72

 

CMYK 35 / 50 / 0 / 0

HEX #A57EFF

RGB 165.1 126.8 255

HSL 257.93, 1%, 0.75%

LAB 61.96, 42.22, -58.88

 

CMYK 57 / 75 / 0 / 16

HEX #5C36D7

RGB 92.1 54.8 215

HSL 253.97, 0.67%, 0.53%

LAB 37.66, 56.07, -76.1

 

CMYK 62 / 81 / 0 / 23

HEX #4B24C4

RGB 75.1 36.8 196

HSL 254.43, 0.68%, 0.46%

LAB 31.34, 57.02, -75.53

 

CMYK 67 / 89 / 0 / 31

HEX #3A12B1

RGB 58.1 18.8 177

HSL 254.91, 0.81%, 0.38%

LAB 25.37, 57.06, -74.2

 

CMYK 74 / 99 / 0 / 38

HEX #29009E

RGB 41.1 0.8 158

HSL 255.38, 0.99%, 0.31%

LAB 19.88, 55.9, -71.86

 

CMYK 83 / 100 / 0 / 45

HEX #18008B

RGB 24.1 0 139

HSL 250.4, 1%, 0.27%

LAB 15.8, 50.78, -66.92

 

CMYK 57 / 74 / 0 / 16

HEX #5C37D7

RGB 92 55 215

HSL 253.88, 0.67%, 0.53%

LAB 37.69, 55.96, -76.06

 

CMYK 37 / 74 / 0 / 16

HEX #8837D7

RGB 136 55 215

HSL 270.38, 0.67%, 0.53%

LAB 42.57, 62.62, -67.87

 

CMYK 17 / 74 / 0 / 16

HEX #B337D7

RGB 179 55 215

HSL 286.5, 0.67%, 0.53%

LAB 48.54, 70.45, -57.92

 

CMYK 0 / 74 / 3 / 16

HEX #D737D1

RGB 215 55 209

HSL 302.25, 0.67%, 0.53%

LAB 53.8, 76.64, -45.76

 

CMYK 0 / 74 / 23 / 16

HEX #D737A5

RGB 215 55 165

HSL 318.75, 0.67%, 0.53%

LAB 51.72, 70.48, -23.47

 

CMYK 57 / 74 / 0 / 16

HEX #5C37D7

RGB 92 55 215

HSL 253.88, 0.67%, 0.53%

LAB 37.69, 55.96, -76.06

 

CMYK 74 / 74 / 0 / 16

HEX #3737D7

RGB 55 55 215

HSL 240, 0.67%, 0.53%

LAB 34.9, 52.02, -80.74

 

CMYK 57 / 74 / 0 / 16

HEX #5C37D7

RGB 92 55 215

HSL 253.88, 0.67%, 0.53%

LAB 37.69, 55.96, -76.06

 

CMYK 65 / 85 / 0 / 8

HEX #5223EB

RGB 82 35 235

HSL 254.1, 0.83%, 0.53%

LAB 35.97, 68.72, -90.36

 

CMYK 72 / 94 / 0 / 0

HEX #4810FE

RGB 72 16 254

HSL 254.12, 0.99%, 0.53%

LAB 35.8, 77.78, -101.39

 

CMYK 57 / 74 / 0 / 16

HEX #5C37D7

RGB 92 55 215

HSL 253.88, 0.67%, 0.53%

LAB 37.69, 55.96, -76.06

 

CMYK 47 / 62 / 0 / 23

HEX #674AC4

RGB 103 74 196

HSL 254.26, 0.51%, 0.53%

LAB 40.84, 42.15, -59.86

 

CMYK 36 / 47 / 0 / 31

HEX #715EB1

RGB 113 94 177

HSL 253.73, 0.35%, 0.53%

LAB 45.21, 27.23, -41.71

 

CMYK 22 / 28 / 0 / 38

HEX #7B719D

RGB 123 113 157

HSL 253.64, 0.18%, 0.53%

LAB 50.04, 13.51, -22.34

 

CMYK 3 / 4 / 0 / 46

HEX #86848A

RGB 134 132 138

HSL 260, 0.02%, 0.53%

LAB 55.49, 1.94, -2.96

 

CMYK 74 / 51 / 0 / 16

HEX #376AD7

RGB 55 106 215

HSL 220.88, 0.67%, 0.53%

LAB 47.01, 20.74, -60.95

 

CMYK 74 / 71 / 0 / 16

HEX #373FD7

RGB 55 63 215

HSL 237, 0.67%, 0.53%

LAB 36.51, 47.55, -78.1

 

CMYK 58 / 74 / 0 / 16

HEX #5A37D7

RGB 90 55 215

HSL 253.13, 0.67%, 0.53%

LAB 37.5, 55.7, -76.36

 

CMYK 39 / 74 / 0 / 16

HEX #8437D7

RGB 132 55 215

HSL 268.88, 0.67%, 0.53%

LAB 42.07, 61.95, -68.71

 

CMYK 19 / 74 / 0 / 16

HEX #AF37D7

RGB 175 55 215

HSL 285, 0.67%, 0.53%

LAB 47.95, 69.69, -58.9

 

CMYK 62 / 80 / 0 / 38

HEX #3C1F9D

RGB 60 31 157

HSL 253.81, 0.67%, 0.37%

LAB 24.87, 46.88, -62.91

 

CMYK 61 / 80 / 0 / 25

HEX #4A26BF

RGB 74 38 191

HSL 254.12, 0.67%, 0.45%

LAB 30.89, 54.99, -73.34

 

CMYK 57 / 74 / 0 / 16

HEX #5C37D7

RGB 92 55 215

HSL 253.88, 0.67%, 0.53%

LAB 37.69, 55.96, -76.06

 

CMYK 46 / 60 / 0 / 13

HEX #7859DE

RGB 120 89 222

HSL 253.98, 0.67%, 0.61%

LAB 47.51, 44.47, -63.92

 

CMYK 35 / 46 / 0 / 10

HEX #947CE5

RGB 148 124 229

HSL 253.71, 0.67%, 0.69%

LAB 58.39, 32.78, -50.28

 

CMYK 57 / 75 / 0 / 16

HEX #5C36D7

RGB 92.1 54.8 215

HSL 253.97, 0.67%, 0.53%

LAB 37.66, 56.07, -76.1

 

CMYK 0 / 74 / 31 / 16

HEX #D73795

RGB 215 55 149

HSL 324.75, 0.67%, 0.53%

LAB 51.09, 68.55, -14.94

 

CMYK 61 / 0 / 74 / 16

HEX #54D737

RGB 84 215 55

HSL 109.13, 0.67%, 0.53%

LAB 76.53, -63.62, 63.91

 

CMYK 57 / 75 / 0 / 16

HEX #5C36D7

RGB 92.1 54.8 215

HSL 253.97, 0.67%, 0.53%

LAB 37.66, 56.07, -76.1

 

CMYK 0 / 58 / 74 / 16

HEX #D75A37

RGB 215 90 55

HSL 13.13, 0.67%, 0.53%

LAB 54.06, 47.17, 44.02

 

CMYK 74 / 0 / 58 / 16

HEX #37D75A

RGB 55 215 90

HSL 133.13, 0.67%, 0.53%

LAB 76.16, -65.66, 49.35

 

CMYK 57 / 75 / 0 / 16

HEX #5C36D7

RGB 92.1 54.8 215

HSL 253.97, 0.67%, 0.53%

LAB 37.66, 56.07, -76.1

 

CMYK 0 / 74 / 31 / 16

HEX #D73795

RGB 215 55 149

HSL 324.75, 0.67%, 0.53%

LAB 51.09, 68.55, -14.94

 

CMYK 16 / 0 / 74 / 16

HEX #B5D737

RGB 181 215 55

HSL 72.75, 0.67%, 0.53%

LAB 81.13, -31.72, 69.94

 

CMYK 74 / 0 / 43 / 16

HEX #37D77A

RGB 55 215 122

HSL 145.13, 0.67%, 0.53%

LAB 76.57, -60.9, 34.46

 

CMYK 57 / 75 / 0 / 16

HEX #5C36D7

RGB 92.1 54.8 215

HSL 253.97, 0.67%, 0.53%

LAB 37.66, 56.07, -76.1

 

CMYK 0 / 74 / 53 / 16

HEX #D73764

RGB 215 55 100

HSL 343.13, 0.67%, 0.53%

LAB 49.62, 63.88, 12.48

 

CMYK 16 / 0 / 74 / 16

HEX #B5D737

RGB 181 215 55

HSL 72.75, 0.67%, 0.53%

LAB 81.13, -31.72, 69.94

 

CMYK 74 / 0 / 21 / 16

HEX #37D7AA

RGB 55 215 170

HSL 163.13, 0.67%, 0.53%

LAB 77.47, -51, 10.67

 

Description

Color code: RGB 92.1 54.8 215 | qconv.com Color code: RGB 92.1 54.8 215 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92.1 red, 54.8 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92.1 54.8 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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