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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 143 89 it is the complementary color RGB 164 112 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 143 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 143 89 shade: RGB 96 143 84, RGB 113 161 103, RGB 130 179 122, RGB 147 197 141 and RGB 164 215 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 143 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 143 89 shade: RGB 91 143 89, RGB 74 125 70, RGB 57 107 51, RGB 40 89 32 and RGB 23 71 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 143 89 shade: RGB 90 141 88, RGB 104 141 88, RGB 118 141 88, RGB 133 141 88 and RGB 141 135 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 143 89 shade: RGB 90 141 88, RGB 88 141 100, RGB 88 141 114, RGB 88 141 129 and RGB 88 138 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 143 89 shade matches the following richer shades: RGB 90 141 88, RGB 73 159 69, RGB 55 178 51, RGB 38 196 32 and RGB 21 215 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 143 89 shade: RGB 90 141 88, RGB 107 122 106, RGB 124 104 125, RGB 141 85 144 and RGB 159 66 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 143 89 shade: RGB 119 141 88, RGB 105 141 88, RGB 90 141 88, RGB 88 141 99 and RGB 88 141 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 143 89 shade: RGB 57 90 56, RGB 74 115 72, RGB 90 141 88, RGB 109 162 107 and RGB 134 178 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 143 89 shade: RGB 91 143 89, RGB 88 133 141 and RGB 141 88 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 143 89 shade: RGB 91 143 89, RGB 88 90 141 and RGB 141 88 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 143 89 shade: RGB 91 143 89, RGB 88 133 141, RGB 138 88 141 and RGB 141 96 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 143 89 shade: RGB 91 143 89, RGB 88 117 141, RGB 138 88 141 and RGB 141 112 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 38 / 44

HEX #5B8F59

RGB 91 143 89

HSL 117.78, 0.23%, 0.45%

LAB 54.65, -28.78, 23.4

 

Complementary color

CMYK 1 / 33 / 0 / 35

HEX #A470A6

RGB 164 112 166

HSL 297.78, 0.23%, 0.55%

LAB 54.27, 29.73, -20.74

 

CMYK 33 / 0 / 41 / 44

HEX #608F54

RGB 96 143 84

HSL 107.8, 0.26%, 0.45%

LAB 54.84, -27.84, 26.44

 

CMYK 30 / 0 / 36 / 37

HEX #71A167

RGB 113 161 103

HSL 109.66, 0.24%, 0.52%

LAB 61.64, -27.63, 25.2

 

CMYK 27 / 0 / 32 / 30

HEX #82B37A

RGB 130 179 122

HSL 111.58, 0.27%, 0.59%

LAB 68.31, -27.41, 24.04

 

CMYK 25 / 0 / 28 / 23

HEX #93C58D

RGB 147 197 141

HSL 113.57, 0.33%, 0.66%

LAB 74.86, -27.2, 22.95

 

CMYK 24 / 0 / 26 / 16

HEX #A4D7A0

RGB 164 215 160

HSL 115.64, 0.41%, 0.74%

LAB 81.31, -27, 21.92

 

CMYK 36 / 0 / 38 / 44

HEX #5B8F59

RGB 91 143 89

HSL 117.78, 0.23%, 0.45%

LAB 54.65, -28.78, 23.4

 

CMYK 41 / 0 / 44 / 51

HEX #4A7D46

RGB 74 125 70

HSL 115.64, 0.28%, 0.38%

LAB 47.71, -29.01, 24.71

 

CMYK 47 / 0 / 52 / 58

HEX #396B33

RGB 57 107 51

HSL 113.57, 0.35%, 0.31%

LAB 40.61, -29.16, 26.09

 

CMYK 55 / 0 / 64 / 65

HEX #285920

RGB 40 89 32

HSL 111.58, 0.47%, 0.24%

LAB 33.35, -29.09, 27.46

 

CMYK 68 / 0 / 82 / 72

HEX #17470D

RGB 23 71 13

HSL 109.66, 0.69%, 0.16%

LAB 25.91, -28.5, 28.38

 

CMYK 36 / 0 / 38 / 45

HEX #5A8D58

RGB 90 141 88

HSL 117.74, 0.23%, 0.45%

LAB 53.95, -28.32, 23.02

 

CMYK 26 / 0 / 38 / 45

HEX #688D58

RGB 104 141 88

HSL 101.89, 0.23%, 0.45%

LAB 54.76, -23.31, 24.23

 

CMYK 16 / 0 / 38 / 45

HEX #768D58

RGB 118 141 88

HSL 86.04, 0.23%, 0.45%

LAB 55.69, -17.91, 25.63

 

CMYK 6 / 0 / 38 / 45

HEX #858D58

RGB 133 141 88

HSL 69.06, 0.23%, 0.45%

LAB 56.82, -11.81, 27.32

 

CMYK 0 / 4 / 38 / 45

HEX #8D8758

RGB 141 135 88

HSL 53.21, 0.23%, 0.45%

LAB 55.78, -5.18, 26.1

 

CMYK 36 / 0 / 38 / 45

HEX #5A8D58

RGB 90 141 88

HSL 117.74, 0.23%, 0.45%

LAB 53.95, -28.32, 23.02

 

CMYK 38 / 0 / 29 / 45

HEX #588D64

RGB 88 141 100

HSL 133.58, 0.23%, 0.45%

LAB 54.07, -26.83, 16.44

 

CMYK 38 / 0 / 19 / 45

HEX #588D72

RGB 88 141 114

HSL 149.43, 0.23%, 0.45%

LAB 54.39, -23.97, 8.9

 

CMYK 38 / 0 / 9 / 45

HEX #588D81

RGB 88 141 129

HSL 166.42, 0.23%, 0.45%

LAB 54.77, -20.54, 0.82

 

CMYK 38 / 2 / 0 / 45

HEX #588A8D

RGB 88 138 141

HSL 183.4, 0.23%, 0.45%

LAB 54.21, -15.93, -6.93

 

CMYK 36 / 0 / 38 / 45

HEX #5A8D58

RGB 90 141 88

HSL 117.74, 0.23%, 0.45%

LAB 53.95, -28.32, 23.02

 

CMYK 54 / 0 / 57 / 38

HEX #499F45

RGB 73 159 69

HSL 117.33, 0.39%, 0.45%

LAB 58.64, -44.4, 38.71

 

CMYK 69 / 0 / 71 / 30

HEX #37B233

RGB 55 178 51

HSL 118.11, 0.55%, 0.45%

LAB 64.07, -57.52, 52.49

 

CMYK 81 / 0 / 84 / 23

HEX #26C420

RGB 38 196 32

HSL 117.8, 0.72%, 0.45%

LAB 69.47, -67.08, 63.62

 

CMYK 90 / 0 / 93 / 16

HEX #15D70E

RGB 21 215 14

HSL 117.91, 0.88%, 0.45%

LAB 75.32, -74.6, 71.87

 

CMYK 36 / 0 / 38 / 45

HEX #5A8D58

RGB 90 141 88

HSL 117.74, 0.23%, 0.45%

LAB 53.95, -28.32, 23.02

 

CMYK 12 / 0 / 13 / 52

HEX #6B7A6A

RGB 107 122 106

HSL 116.25, 0.07%, 0.45%

LAB 49.6, -8.86, 6.9

 

CMYK 1 / 17 / 0 / 51

HEX #7C687D

RGB 124 104 125

HSL 297.14, 0.09%, 0.45%

LAB 46.53, 11.97, -8.7

 

CMYK 2 / 41 / 0 / 44

HEX #8D5590

RGB 141 85 144

HSL 296.95, 0.26%, 0.45%

LAB 44.48, 33.03, -23.07

 

CMYK 2 / 59 / 0 / 36

HEX #9F42A2

RGB 159 66 162

HSL 298.13, 0.42%, 0.45%

LAB 44.05, 51.67, -34.32

 

CMYK 16 / 0 / 38 / 45

HEX #778D58

RGB 119 141 88

HSL 84.91, 0.23%, 0.45%

LAB 55.76, -17.51, 25.74

 

CMYK 26 / 0 / 38 / 45

HEX #698D58

RGB 105 141 88

HSL 100.75, 0.23%, 0.45%

LAB 54.82, -22.94, 24.33

 

CMYK 36 / 0 / 38 / 45

HEX #5A8D58

RGB 90 141 88

HSL 117.74, 0.23%, 0.45%

LAB 53.95, -28.32, 23.02

 

CMYK 38 / 0 / 30 / 45

HEX #588D63

RGB 88 141 99

HSL 132.45, 0.23%, 0.45%

LAB 54.05, -27.03, 16.98

 

CMYK 38 / 0 / 20 / 45

HEX #588D71

RGB 88 141 113

HSL 148.3, 0.23%, 0.45%

LAB 54.36, -24.19, 9.43

 

CMYK 37 / 0 / 38 / 65

HEX #395A38

RGB 57 90 56

HSL 118.24, 0.23%, 0.29%

LAB 34.94, -19.84, 15.94

 

CMYK 36 / 0 / 37 / 55

HEX #4A7348

RGB 74 115 72

HSL 117.21, 0.23%, 0.37%

LAB 44.5, -23.75, 19.38

 

CMYK 36 / 0 / 38 / 45

HEX #5A8D58

RGB 90 141 88

HSL 117.74, 0.23%, 0.45%

LAB 53.95, -28.32, 23.02

 

CMYK 33 / 0 / 34 / 36

HEX #6DA26B

RGB 109 162 107

HSL 117.82, 0.23%, 0.53%

LAB 61.79, -28.85, 23.19

 

CMYK 25 / 0 / 25 / 30

HEX #86B285

RGB 134 178 133

HSL 118.67, 0.23%, 0.61%

LAB 68.46, -23.68, 18.35

 

CMYK 36 / 0 / 38 / 44

HEX #5B8F59

RGB 91 143 89

HSL 117.78, 0.23%, 0.45%

LAB 54.65, -28.78, 23.4

 

CMYK 38 / 6 / 0 / 45

HEX #58858D

RGB 88 133 141

HSL 189.06, 0.23%, 0.45%

LAB 52.7, -13.2, -9.19

 

CMYK 0 / 38 / 21 / 45

HEX #8D5870

RGB 141 88 112

HSL 332.83, 0.23%, 0.45%

LAB 43.96, 25.44, -4.48

 

CMYK 36 / 0 / 38 / 44

HEX #5B8F59

RGB 91 143 89

HSL 117.78, 0.23%, 0.45%

LAB 54.65, -28.78, 23.4

 

CMYK 38 / 36 / 0 / 45

HEX #585A8D

RGB 88 90 141

HSL 237.74, 0.23%, 0.45%

LAB 40.1, 12.39, -28.5

 

CMYK 0 / 38 / 36 / 45

HEX #8D585A

RGB 141 88 90

HSL 357.74, 0.23%, 0.45%

LAB 43.33, 22.17, 8.04

 

CMYK 36 / 0 / 38 / 44

HEX #5B8F59

RGB 91 143 89

HSL 117.78, 0.23%, 0.45%

LAB 54.65, -28.78, 23.4

 

CMYK 38 / 6 / 0 / 45

HEX #58858D

RGB 88 133 141

HSL 189.06, 0.23%, 0.45%

LAB 52.7, -13.2, -9.19

 

CMYK 2 / 38 / 0 / 45

HEX #8A588D

RGB 138 88 141

HSL 296.6, 0.23%, 0.45%

LAB 44.67, 29.71, -21

 

CMYK 0 / 32 / 38 / 45

HEX #8D6058

RGB 141 96 88

HSL 9.06, 0.23%, 0.45%

LAB 45.27, 17.24, 11.97

 

CMYK 36 / 0 / 38 / 44

HEX #5B8F59

RGB 91 143 89

HSL 117.78, 0.23%, 0.45%

LAB 54.65, -28.78, 23.4

 

CMYK 38 / 17 / 0 / 45

HEX #58758D

RGB 88 117 141

HSL 207.17, 0.23%, 0.45%

LAB 47.91, -4.1, -16.43

 

CMYK 2 / 38 / 0 / 45

HEX #8A588D

RGB 138 88 141

HSL 296.6, 0.23%, 0.45%

LAB 44.67, 29.71, -21

 

CMYK 0 / 21 / 38 / 45

HEX #8D7058

RGB 141 112 88

HSL 27.17, 0.23%, 0.45%

LAB 49.44, 7.9, 17.69

 

Description

Color code: RGB 91 143 89 | qconv.com Color code: RGB 91 143 89 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 143 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 143 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 38 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 38% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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