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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 136 188 it is the complementary color RGB 164 119 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 136 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 136 188 shade: RGB 96 136 183, RGB 113 154 202, RGB 130 172 221, RGB 147 190 240 and RGB 164 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 136 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 136 188 shade: RGB 91 136 188, RGB 74 118 169, RGB 57 100 150, RGB 40 82 131 and RGB 23 64 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 136 188 shade: RGB 92 136 188, RGB 92 110 188, RGB 99 92 188, RGB 125 92 188 and RGB 151 92 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 136 188 shade: RGB 92 136 188, RGB 92 110 188 and RGB 92 92 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 136 188 shade matches the following richer shades: RGB 92 136 188, RGB 73 135 207, RGB 54 134 225 and RGB 36 132 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 136 188 shade: RGB 92 136 188, RGB 110 138 169, RGB 129 139 151, RGB 147 140 132 and RGB 166 142 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 136 188 shade: RGB 92 188 188, RGB 92 162 188, RGB 92 137 188, RGB 92 111 188 and RGB 98 92 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 136 188 shade: RGB 57 95 140, RGB 69 116 169, RGB 92 136 188, RGB 121 158 200 and RGB 150 179 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 136 188 shade: RGB 91 136 188, RGB 162 92 188 and RGB 175 188 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 136 188 shade: RGB 91 136 188, RGB 188 92 137 and RGB 137 188 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 136 188 shade: RGB 91 136 188, RGB 162 92 188, RGB 188 143 92 and RGB 117 188 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 136 188 shade: RGB 91 136 188, RGB 188 92 185, RGB 188 143 92 and RGB 92 188 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 28 / 0 / 26

HEX #5B88BC

RGB 91 136 188

HSL 212.16, 0.42%, 0.55%

LAB 55.55, -0.49, -31.9

 

Complementary color

CMYK 0 / 27 / 59 / 36

HEX #A47743

RGB 164 119 67

HSL 32.16, 0.42%, 0.45%

LAB 53.48, 11.72, 35.17

 

CMYK 48 / 26 / 0 / 28

HEX #6088B7

RGB 96 136 183

HSL 212.41, 0.38%, 0.55%

LAB 55.6, -0.8, -28.95

 

CMYK 44 / 24 / 0 / 21

HEX #719ACA

RGB 113 154 202

HSL 212.36, 0.46%, 0.62%

LAB 62.41, -1.27, -29.06

 

CMYK 41 / 22 / 0 / 13

HEX #82ACDD

RGB 130 172 221

HSL 212.31, 0.57%, 0.69%

LAB 69.09, -1.66, -29.19

 

CMYK 39 / 21 / 0 / 6

HEX #93BEF0

RGB 147 190 240

HSL 212.26, 0.76%, 0.76%

LAB 75.65, -1.99, -29.35

 

CMYK 36 / 18 / 0 / 0

HEX #A4D0FF

RGB 164 208 255

HSL 210.99, 1%, 0.82%

LAB 81.96, -3.29, -27.62

 

CMYK 52 / 28 / 0 / 26

HEX #5B88BC

RGB 91 136 188

HSL 212.16, 0.42%, 0.55%

LAB 55.55, -0.49, -31.9

 

CMYK 56 / 30 / 0 / 34

HEX #4A76A9

RGB 74 118 169

HSL 212.21, 0.39%, 0.48%

LAB 48.61, 0.24, -31.85

 

CMYK 62 / 33 / 0 / 41

HEX #396496

RGB 57 100 150

HSL 212.26, 0.45%, 0.41%

LAB 41.51, 1.19, -31.83

 

CMYK 69 / 37 / 0 / 49

HEX #285283

RGB 40 82 131

HSL 212.31, 0.53%, 0.34%

LAB 34.24, 2.47, -31.83

 

CMYK 79 / 43 / 0 / 56

HEX #174070

RGB 23 64 112

HSL 212.36, 0.66%, 0.26%

LAB 26.79, 4.3, -31.83

 

CMYK 51 / 28 / 0 / 26

HEX #5C88BC

RGB 92 136 188

HSL 212.5, 0.42%, 0.55%

LAB 55.6, -0.25, -31.82

 

CMYK 51 / 41 / 0 / 26

HEX #5C6EBC

RGB 92 110 188

HSL 228.75, 0.42%, 0.55%

LAB 48.33, 15.4, -43.24

 

CMYK 47 / 51 / 0 / 26

HEX #635CBC

RGB 99 92 188

HSL 244.38, 0.42%, 0.55%

LAB 44.14, 28.16, -49.9

 

CMYK 34 / 51 / 0 / 26

HEX #7D5CBC

RGB 125 92 188

HSL 260.63, 0.42%, 0.55%

LAB 46.51, 34.58, -45.99

 

CMYK 20 / 51 / 0 / 26

HEX #975CBC

RGB 151 92 188

HSL 276.88, 0.42%, 0.55%

LAB 49.33, 41.58, -41.32

 

CMYK 51 / 28 / 0 / 26

HEX #5C88BC

RGB 92 136 188

HSL 212.5, 0.42%, 0.55%

LAB 55.6, -0.25, -31.82

 

CMYK 51 / 41 / 0 / 26

HEX #5C6EBC

RGB 92 110 188

HSL 228.75, 0.42%, 0.55%

LAB 48.33, 15.4, -43.24

 

CMYK 51 / 51 / 0 / 26

HEX #5C5CBC

RGB 92 92 188

HSL 240, 0.42%, 0.55%

LAB 43.6, 26.58, -50.81

 

CMYK 51 / 28 / 0 / 26

HEX #5C88BC

RGB 92 136 188

HSL 212.5, 0.42%, 0.55%

LAB 55.6, -0.25, -31.82

 

CMYK 65 / 35 / 0 / 19

HEX #4987CF

RGB 73 135 207

HSL 212.24, 0.58%, 0.55%

LAB 55.33, 2.65, -43.08

 

CMYK 76 / 40 / 0 / 12

HEX #3686E1

RGB 54 134 225

HSL 211.93, 0.74%, 0.55%

LAB 55.35, 6.88, -53.2

 

CMYK 85 / 46 / 0 / 4

HEX #2484F4

RGB 36 132 244

HSL 212.31, 0.9%, 0.55%

LAB 55.49, 13.52, -63.58

 

CMYK 51 / 28 / 0 / 26

HEX #5C88BC

RGB 92 136 188

HSL 212.5, 0.42%, 0.55%

LAB 55.6, -0.25, -31.82

 

CMYK 35 / 18 / 0 / 34

HEX #6E8AA9

RGB 110 138 169

HSL 211.53, 0.26%, 0.55%

LAB 56.44, -2.13, -19.57

 

CMYK 15 / 8 / 0 / 41

HEX #818B97

RGB 129 139 151

HSL 212.73, 0.1%, 0.55%

LAB 57.43, -1.05, -7.62

 

CMYK 0 / 5 / 10 / 42

HEX #938C84

RGB 147 140 132

HSL 32, 0.06%, 0.55%

LAB 58.63, 1.14, 5.19

 

CMYK 0 / 14 / 31 / 35

HEX #A68E72

RGB 166 142 114

HSL 32.31, 0.23%, 0.55%

LAB 60.49, 4.72, 18.27

 

CMYK 51 / 0 / 0 / 26

HEX #5CBCBC

RGB 92 188 188

HSL 180, 0.42%, 0.55%

LAB 70.78, -28.15, -8.68

 

CMYK 51 / 14 / 0 / 26

HEX #5CA2BC

RGB 92 162 188

HSL 196.25, 0.42%, 0.55%

LAB 63.13, -14.81, -20.21

 

CMYK 51 / 27 / 0 / 26

HEX #5C89BC

RGB 92 137 188

HSL 211.88, 0.42%, 0.55%

LAB 55.88, -0.84, -31.37

 

CMYK 51 / 41 / 0 / 26

HEX #5C6FBC

RGB 92 111 188

HSL 228.13, 0.42%, 0.55%

LAB 48.6, 14.78, -42.81

 

CMYK 48 / 51 / 0 / 26

HEX #625CBC

RGB 98 92 188

HSL 243.75, 0.42%, 0.55%

LAB 44.06, 27.93, -50.03

 

CMYK 59 / 32 / 0 / 45

HEX #395F8C

RGB 57 95 140

HSL 212.53, 0.42%, 0.39%

LAB 39.49, 0.82, -28.99

 

CMYK 59 / 31 / 0 / 34

HEX #4574A9

RGB 69 116 169

HSL 211.8, 0.42%, 0.47%

LAB 47.78, 0.37, -33.17

 

CMYK 51 / 28 / 0 / 26

HEX #5C88BC

RGB 92 136 188

HSL 212.5, 0.42%, 0.55%

LAB 55.6, -0.25, -31.82

 

CMYK 40 / 21 / 0 / 22

HEX #799EC8

RGB 121 158 200

HSL 211.9, 0.42%, 0.63%

LAB 63.91, -1.98, -25.6

 

CMYK 29 / 16 / 0 / 17

HEX #96B3D4

RGB 150 179 212

HSL 211.94, 0.42%, 0.71%

LAB 71.88, -2.28, -19.89

 

CMYK 52 / 28 / 0 / 26

HEX #5B88BC

RGB 91 136 188

HSL 212.16, 0.42%, 0.55%

LAB 55.55, -0.49, -31.9

 

CMYK 14 / 51 / 0 / 26

HEX #A25CBC

RGB 162 92 188

HSL 283.75, 0.42%, 0.55%

LAB 50.65, 44.64, -39.16

 

CMYK 7 / 0 / 51 / 26

HEX #AFBC5C

RGB 175 188 92

HSL 68.13, 0.42%, 0.55%

LAB 73.45, -18.53, 46.54

 

CMYK 52 / 28 / 0 / 26

HEX #5B88BC

RGB 91 136 188

HSL 212.16, 0.42%, 0.55%

LAB 55.55, -0.49, -31.9

 

CMYK 0 / 51 / 27 / 26

HEX #BC5C89

RGB 188 92 137

HSL 331.88, 0.42%, 0.55%

LAB 52.01, 43.78, -6.86

 

CMYK 27 / 0 / 51 / 26

HEX #89BC5C

RGB 137 188 92

HSL 91.88, 0.42%, 0.55%

LAB 70.91, -33.31, 42.9

 

CMYK 52 / 28 / 0 / 26

HEX #5B88BC

RGB 91 136 188

HSL 212.16, 0.42%, 0.55%

LAB 55.55, -0.49, -31.9

 

CMYK 14 / 51 / 0 / 26

HEX #A25CBC

RGB 162 92 188

HSL 283.75, 0.42%, 0.55%

LAB 50.65, 44.64, -39.16

 

CMYK 0 / 24 / 51 / 26

HEX #BC8F5C

RGB 188 143 92

HSL 31.88, 0.42%, 0.55%

LAB 62.6, 10.82, 33.58

 

CMYK 38 / 0 / 51 / 26

HEX #75BC5C

RGB 117 188 92

HSL 104.38, 0.42%, 0.55%

LAB 69.84, -40.3, 41.35

 

CMYK 52 / 28 / 0 / 26

HEX #5B88BC

RGB 91 136 188

HSL 212.16, 0.42%, 0.55%

LAB 55.55, -0.49, -31.9

 

CMYK 0 / 51 / 2 / 26

HEX #BC5CB9

RGB 188 92 185

HSL 301.88, 0.42%, 0.55%

LAB 53.87, 51.42, -32.14

 

CMYK 0 / 24 / 51 / 26

HEX #BC8F5C

RGB 188 143 92

HSL 31.88, 0.42%, 0.55%

LAB 62.6, 10.82, 33.58

 

CMYK 51 / 0 / 49 / 26

HEX #5CBC5F

RGB 92 188 95

HSL 121.88, 0.42%, 0.55%

LAB 68.8, -47.47, 38.35

 

Description

Color code: RGB 91 136 188 | qconv.com Color code: RGB 91 136 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 136 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 136 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 28 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 28% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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