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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 37 26 it is the complementary color RGB 165 218 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 37 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 37 26 shade: RGB 95 37 21, RGB 112 55 40, RGB 129 73 59, RGB 146 91 78 and RGB 163 109 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 37 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 73 19 7, RGB 56 1 0, RGB 39 0 0 and RGB 22 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 37 26 shade: RGB 90 37 26 and RGB 90 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 90 54 26, RGB 90 72 26, RGB 90 89 26 and RGB 74 90 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 37 26 shade matches the following richer shades: RGB 90 37 26, RGB 100 31 16 and RGB 109 25 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 81 43 35, RGB 71 49 45, RGB 62 56 54 and RGB 52 62 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 37 26 shade: RGB 90 26 50, RGB 90 26 32, RGB 90 37 26, RGB 90 54 26 and RGB 90 71 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 37 26 shade: RGB 26 11 7, RGB 58 24 17, RGB 90 37 26, RGB 122 50 35 and RGB 154 63 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 67 90 26 and RGB 26 41 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 26 90 37 and RGB 37 26 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 67 90 26, RGB 26 80 90 and RGB 50 26 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 37 26 shade: RGB 90 37 26, RGB 47 90 26, RGB 26 80 90 and RGB 69 26 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

Complementary color

CMYK 28 / 5 / 0 / 10

HEX #A5DAE5

RGB 165 218 229

HSL 190.31, 0.55%, 0.77%

LAB 83.86, -14.46, -10.93

 

CMYK 0 / 61 / 78 / 63

HEX #5F2515

RGB 95 37 21

HSL 12.97, 0.64%, 0.23%

LAB 23.03, 25.34, 23.37

 

CMYK 0 / 51 / 64 / 56

HEX #703728

RGB 112 55 40

HSL 12.5, 0.47%, 0.3%

LAB 30.23, 23.72, 20.78

 

CMYK 0 / 43 / 54 / 49

HEX #81493B

RGB 129 73 59

HSL 12, 0.37%, 0.37%

LAB 37.39, 22.28, 18.68

 

CMYK 0 / 38 / 47 / 43

HEX #925B4E

RGB 146 91 78

HSL 11.47, 0.3%, 0.44%

LAB 44.44, 21.04, 16.94

 

CMYK 0 / 33 / 40 / 36

HEX #A36D61

RGB 163 109 97

HSL 10.91, 0.26%, 0.51%

LAB 51.37, 19.98, 15.47

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 74 / 90 / 71

HEX #491307

RGB 73 19 7

HSL 10.91, 0.83%, 0.16%

LAB 14.94, 24.98, 19.92

 

CMYK 0 / 98 / 100 / 78

HEX #380100

RGB 56 1 0

HSL 1.07, 1%, 0.11%

LAB 7.79, 26.7, 12.29

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 71 / 71 / 65

HEX #5A1A1A

RGB 90 26 26

HSL 0, 0.55%, 0.23%

LAB 19.99, 29.32, 16.32

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 40 / 71 / 65

HEX #5A361A

RGB 90 54 26

HSL 26.25, 0.55%, 0.23%

LAB 26.41, 13.17, 23.94

 

CMYK 0 / 20 / 71 / 65

HEX #5A481A

RGB 90 72 26

HSL 43.13, 0.55%, 0.23%

LAB 31.54, 1.84, 29.62

 

CMYK 0 / 1 / 71 / 65

HEX #5A591A

RGB 90 89 26

HSL 59.06, 0.55%, 0.23%

LAB 36.73, -8.39, 35.07

 

CMYK 18 / 0 / 71 / 65

HEX #4A5A1A

RGB 74 90 26

HSL 75, 0.55%, 0.23%

LAB 35.68, -16.56, 33.56

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 69 / 84 / 61

HEX #641F10

RGB 100 31 16

HSL 10.71, 0.72%, 0.23%

LAB 22.75, 30.28, 26.32

 

CMYK 0 / 77 / 94 / 57

HEX #6D1907

RGB 109 25 7

HSL 10.59, 0.88%, 0.23%

LAB 23.54, 36.02, 31.83

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 47 / 57 / 68

HEX #512B23

RGB 81 43 35

HSL 10.43, 0.4%, 0.23%

LAB 22.3, 16.62, 12.87

 

CMYK 0 / 31 / 37 / 72

HEX #47312D

RGB 71 49 45

HSL 9.23, 0.22%, 0.23%

LAB 22.74, 9.36, 6.51

 

CMYK 0 / 10 / 13 / 76

HEX #3E3836

RGB 62 56 54

HSL 15, 0.07%, 0.23%

LAB 24.06, 2.2, 2.19

 

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RGB 52 62 64

CMYK 0 / 71 / 44 / 65

HEX #5A1A32

RGB 90 26 50

HSL 337.5, 0.55%, 0.23%

LAB 20.61, 31.56, 0.43

 

CMYK 0 / 71 / 64 / 65

HEX #5A1A20

RGB 90 26 32

HSL 354.38, 0.55%, 0.23%

LAB 20.11, 29.76, 12.34

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 40 / 71 / 65

HEX #5A361A

RGB 90 54 26

HSL 26.25, 0.55%, 0.23%

LAB 26.41, 13.17, 23.94

 

CMYK 0 / 21 / 71 / 65

HEX #5A471A

RGB 90 71 26

HSL 42.19, 0.55%, 0.23%

LAB 31.24, 2.46, 29.3

 

CMYK 0 / 58 / 73 / 90

HEX #1A0B07

RGB 26 11 7

HSL 12.63, 0.58%, 0.06%

LAB 4.28, 5.46, 3.64

 

CMYK 0 / 59 / 71 / 77

HEX #3A1811

RGB 58 24 17

HSL 10.24, 0.55%, 0.15%

LAB 13.19, 16.09, 12.39

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 59 / 71 / 52

HEX #7A3223

RGB 122 50 35

HSL 10.34, 0.55%, 0.31%

LAB 30.74, 30.35, 24.87

 

CMYK 0 / 59 / 71 / 40

HEX #9A3F2C

RGB 154 63 44

HSL 10.36, 0.56%, 0.39%

LAB 38.91, 36.83, 30.42

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 26 / 0 / 71 / 65

HEX #435A1A

RGB 67 90 26

HSL 81.56, 0.55%, 0.23%

LAB 35.16, -19.72, 32.85

 

CMYK 71 / 54 / 0 / 65

HEX #1A295A

RGB 26 41 90

HSL 225.94, 0.55%, 0.23%

LAB 18.11, 12.09, -31.42

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 71 / 0 / 59 / 65

HEX #1A5A25

RGB 26 90 37

HSL 130.31, 0.55%, 0.23%

LAB 33.28, -32.65, 24.57

 

CMYK 59 / 71 / 0 / 65

HEX #251A5A

RGB 37 26 90

HSL 250.31, 0.55%, 0.23%

LAB 14.79, 24.9, -36.78

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 26 / 0 / 71 / 65

HEX #435A1A

RGB 67 90 26

HSL 81.56, 0.55%, 0.23%

LAB 35.16, -19.72, 32.85

 

CMYK 71 / 11 / 0 / 65

HEX #1A505A

RGB 26 80 90

HSL 189.38, 0.55%, 0.23%

LAB 31.1, -13.95, -11.07

 

CMYK 44 / 71 / 0 / 65

HEX #321A5A

RGB 50 26 90

HSL 262.5, 0.55%, 0.23%

LAB 16.28, 27.68, -34.29

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 48 / 0 / 71 / 65

HEX #2F5A1A

RGB 47 90 26

HSL 100.31, 0.55%, 0.23%

LAB 33.96, -27.83, 31.22

 

CMYK 71 / 11 / 0 / 65

HEX #1A505A

RGB 26 80 90

HSL 189.38, 0.55%, 0.23%

LAB 31.1, -13.95, -11.07

 

CMYK 23 / 71 / 0 / 65

HEX #451A5A

RGB 69 26 90

HSL 280.31, 0.55%, 0.23%

LAB 18.98, 32.34, -29.79

 

Description

Color code: RGB 90 37 26 | qconv.com Color code: RGB 90 37 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 37 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 37 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 71 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 71% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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