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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 30 40 it is the complementary color RGB 165 225 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 30 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 30 40 shade: RGB 95 30 35, RGB 112 48 54, RGB 129 66 73, RGB 146 84 92 and RGB 163 102 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 30 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 30 40 shade: RGB 90 30 40, RGB 73 12 21, RGB 56 0 2, RGB 39 0 0 and RGB 22 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 30 40 shade: RGB 92 31 41 and RGB 92 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 30 40 shade: RGB 92 31 41, RGB 92 31 57, RGB 92 31 74, RGB 92 31 90 and RGB 77 31 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 30 40 shade matches the following richer shades: RGB 92 31 41, RGB 102 21 34, RGB 112 11 28 and RGB 122 1 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 30 40 shade: RGB 92 31 41, RGB 82 41 47, RGB 72 50 54, RGB 62 60 61 and RGB 52 70 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 30 40 shade: RGB 92 31 73, RGB 92 31 57, RGB 92 31 41, RGB 92 37 31 and RGB 92 53 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 30 40 shade: RGB 30 10 13, RGB 61 20 27, RGB 92 31 41, RGB 123 41 55 and RGB 154 51 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 30 40 shade: RGB 90 30 40, RGB 90 92 31 and RGB 31 65 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 30 40 shade: RGB 90 30 40, RGB 41 92 31 and RGB 31 41 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 30 40 shade: RGB 90 30 40, RGB 90 92 31, RGB 31 92 82 and RGB 33 31 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 30 40 shade: RGB 90 30 40, RGB 71 92 31, RGB 31 92 82 and RGB 51 31 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 56 / 65

HEX #5A1E28

RGB 90 30 40

HSL 350, 0.5%, 0.24%

LAB 21.04, 28.49, 8.03

 

Complementary color

CMYK 27 / 0 / 4 / 12

HEX #A5E1D7

RGB 165 225 215

HSL 170, 0.5%, 0.76%

LAB 85.38, -21.07, -1.28

 

CMYK 0 / 68 / 63 / 63

HEX #5F1E23

RGB 95 30 35

HSL 355.38, 0.52%, 0.25%

LAB 21.88, 29.96, 12.78

 

CMYK 0 / 57 / 52 / 56

HEX #703036

RGB 112 48 54

HSL 354.38, 0.4%, 0.31%

LAB 28.97, 28.94, 10.11

 

CMYK 0 / 49 / 43 / 49

HEX #814249

RGB 129 66 73

HSL 353.33, 0.32%, 0.38%

LAB 36.07, 27.81, 8.14

 

CMYK 0 / 42 / 37 / 43

HEX #92545C

RGB 146 84 92

HSL 352.26, 0.27%, 0.45%

LAB 43.1, 26.73, 6.58

 

CMYK 0 / 37 / 32 / 36

HEX #A3666F

RGB 163 102 111

HSL 351.15, 0.25%, 0.52%

LAB 50.02, 25.75, 5.3

 

CMYK 0 / 67 / 56 / 65

HEX #5A1E28

RGB 90 30 40

HSL 350, 0.5%, 0.24%

LAB 21.04, 28.49, 8.03

 

CMYK 0 / 84 / 71 / 71

HEX #490C15

RGB 73 12 21

HSL 351.15, 0.72%, 0.17%

LAB 14.02, 28.86, 11.51

 

CMYK 0 / 100 / 96 / 78

HEX #380002

RGB 56 0 2

HSL 357.86, 1%, 0.11%

LAB 7.63, 27.38, 11.25

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 66 / 55 / 64

HEX #5C1F29

RGB 92 31 41

HSL 350.16, 0.5%, 0.24%

LAB 21.64, 28.84, 8.22

 

CMYK 0 / 66 / 66 / 64

HEX #5C1F1F

RGB 92 31 31

HSL 0, 0.5%, 0.24%

LAB 21.41, 27.96, 14.79

 

CMYK 0 / 66 / 55 / 64

HEX #5C1F29

RGB 92 31 41

HSL 350.16, 0.5%, 0.24%

LAB 21.64, 28.84, 8.22

 

CMYK 0 / 66 / 38 / 64

HEX #5C1F39

RGB 92 31 57

HSL 334.43, 0.5%, 0.24%

LAB 22.13, 30.71, -2.15

 

CMYK 0 / 66 / 20 / 64

HEX #5C1F4A

RGB 92 31 74

HSL 317.7, 0.5%, 0.24%

LAB 22.83, 33.27, -12.71

 

CMYK 0 / 66 / 2 / 64

HEX #5C1F5A

RGB 92 31 90

HSL 301.97, 0.5%, 0.24%

LAB 23.65, 36.14, -22.14

 

CMYK 16 / 66 / 0 / 64

HEX #4D1F5C

RGB 77 31 92

HSL 285.25, 0.5%, 0.24%

LAB 21.32, 32.32, -27.31

 

CMYK 0 / 66 / 55 / 64

HEX #5C1F29

RGB 92 31 41

HSL 350.16, 0.5%, 0.24%

LAB 21.64, 28.84, 8.22

 

CMYK 0 / 79 / 67 / 60

HEX #661522

RGB 102 21 34

HSL 350.37, 0.66%, 0.24%

LAB 21.86, 36.3, 13.71

 

CMYK 0 / 90 / 75 / 56

HEX #700B1C

RGB 112 11 28

HSL 349.9, 0.82%, 0.24%

LAB 22.89, 42.07, 19.57

 

CMYK 0 / 99 / 83 / 52

HEX #7A0115

RGB 122 1 21

HSL 350.08, 0.98%, 0.24%

LAB 24.36, 46.7, 26.46

 

CMYK 0 / 66 / 55 / 64

HEX #5C1F29

RGB 92 31 41

HSL 350.16, 0.5%, 0.24%

LAB 21.64, 28.84, 8.22

 

CMYK 0 / 50 / 43 / 68

HEX #52292F

RGB 82 41 47

HSL 351.22, 0.33%, 0.24%

LAB 22.25, 19.77, 4.69

 

CMYK 0 / 31 / 25 / 72

HEX #483236

RGB 72 50 54

HSL 349.09, 0.18%, 0.24%

LAB 23.42, 10.67, 1.42

 

CMYK 0 / 3 / 2 / 76

HEX #3E3C3D

RGB 62 60 61

HSL 330, 0.02%, 0.24%

LAB 25.54, 1.08, -0.32

 

CMYK 26 / 0 / 4 / 73

HEX #344643

RGB 52 70 67

HSL 170, 0.15%, 0.24%

LAB 28.16, -7.86, -0.53

 

CMYK 0 / 66 / 21 / 64

HEX #5C1F49

RGB 92 31 73

HSL 318.69, 0.5%, 0.24%

LAB 22.78, 33.1, -12.11

 

CMYK 0 / 66 / 38 / 64

HEX #5C1F39

RGB 92 31 57

HSL 334.43, 0.5%, 0.24%

LAB 22.13, 30.71, -2.15

 

CMYK 0 / 66 / 55 / 64

HEX #5C1F29

RGB 92 31 41

HSL 350.16, 0.5%, 0.24%

LAB 21.64, 28.84, 8.22

 

CMYK 0 / 60 / 66 / 64

HEX #5C251F

RGB 92 37 31

HSL 5.9, 0.5%, 0.24%

LAB 22.64, 24.72, 16.35

 

CMYK 0 / 42 / 66 / 64

HEX #5C351F

RGB 92 53 31

HSL 21.64, 0.5%, 0.24%

LAB 26.51, 15.13, 21.11

 

CMYK 0 / 67 / 57 / 88

HEX #1E0A0D

RGB 30 10 13

HSL 351, 0.5%, 0.08%

LAB 4.72, 9.02, 1.78

 

CMYK 0 / 67 / 56 / 76

HEX #3D141B

RGB 61 20 27

HSL 349.76, 0.51%, 0.16%

LAB 13.06, 20.88, 5.4

 

CMYK 0 / 66 / 55 / 64

HEX #5C1F29

RGB 92 31 41

HSL 350.16, 0.5%, 0.24%

LAB 21.64, 28.84, 8.22

 

CMYK 0 / 67 / 55 / 52

HEX #7B2937

RGB 123 41 55

HSL 349.76, 0.5%, 0.32%

LAB 29.6, 36.73, 10.62

 

CMYK 0 / 67 / 56 / 40

HEX #9A3344

RGB 154 51 68

HSL 350.1, 0.5%, 0.4%

LAB 37.22, 44.11, 13.54

 

CMYK 0 / 67 / 56 / 65

HEX #5A1E28

RGB 90 30 40

HSL 350, 0.5%, 0.24%

LAB 21.04, 28.49, 8.03

 

CMYK 2 / 0 / 66 / 64

HEX #5A5C1F

RGB 90 92 31

HSL 61.97, 0.5%, 0.24%

LAB 37.71, -9.77, 33.75

 

CMYK 66 / 29 / 0 / 64

HEX #1F415C

RGB 31 65 92

HSL 206.56, 0.5%, 0.24%

LAB 26.29, -2.92, -19.75

 

CMYK 0 / 67 / 56 / 65

HEX #5A1E28

RGB 90 30 40

HSL 350, 0.5%, 0.24%

LAB 21.04, 28.49, 8.03

 

CMYK 55 / 0 / 66 / 64

HEX #295C1F

RGB 41 92 31

HSL 110.16, 0.5%, 0.24%

LAB 34.45, -30.23, 29.23

 

CMYK 66 / 55 / 0 / 64

HEX #1F295C

RGB 31 41 92

HSL 230.16, 0.5%, 0.24%

LAB 18.58, 13.88, -31.98

 

CMYK 0 / 67 / 56 / 65

HEX #5A1E28

RGB 90 30 40

HSL 350, 0.5%, 0.24%

LAB 21.04, 28.49, 8.03

 

CMYK 2 / 0 / 66 / 64

HEX #5A5C1F

RGB 90 92 31

HSL 61.97, 0.5%, 0.24%

LAB 37.71, -9.77, 33.75

 

CMYK 66 / 0 / 11 / 64

HEX #1F5C52

RGB 31 92 82

HSL 170.16, 0.5%, 0.24%

LAB 35.11, -22.17, -0.02

 

CMYK 64 / 66 / 0 / 64

HEX #211F5C

RGB 33 31 92

HSL 241.97, 0.5%, 0.24%

LAB 15.88, 21.45, -36.35

 

CMYK 0 / 67 / 56 / 65

HEX #5A1E28

RGB 90 30 40

HSL 350, 0.5%, 0.24%

LAB 21.04, 28.49, 8.03

 

CMYK 23 / 0 / 66 / 64

HEX #475C1F

RGB 71 92 31

HSL 80.66, 0.5%, 0.24%

LAB 36.16, -18.57, 31.62

 

CMYK 66 / 0 / 11 / 64

HEX #1F5C52

RGB 31 92 82

HSL 170.16, 0.5%, 0.24%

LAB 35.11, -22.17, -0.02

 

CMYK 45 / 66 / 0 / 64

HEX #331F5C

RGB 51 31 92

HSL 259.67, 0.5%, 0.24%

LAB 17.72, 25.43, -33.28

 

Description

Color code: RGB 90 30 40 | qconv.com Color code: RGB 90 30 40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 30 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 30 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 56 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 56% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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