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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 26 120 it is the complementary color RGB 165 229 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 26 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 26 120 shade: RGB 95 26 115, RGB 112 44 134, RGB 129 62 153, RGB 146 80 172 and RGB 163 98 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 26 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 26 120 shade: RGB 90 26 120, RGB 73 8 101, RGB 56 0 82, RGB 39 0 63 and RGB 22 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 26 120 shade: RGB 91 26 121, RGB 116 26 121, RGB 121 26 100, RGB 121 26 74 and RGB 121 26 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 26 120 shade: RGB 91 26 121, RGB 65 26 121, RGB 40 26 121 and RGB 26 26 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 26 120 shade matches the following richer shades: RGB 91 26 121, RGB 95 14 133 and RGB 99 2 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 26 120 shade: RGB 91 26 121, RGB 86 38 109, RGB 82 50 97, RGB 78 62 85 and RGB 73 74 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 26 120 shade: RGB 39 26 121, RGB 64 26 121, RGB 89 26 121, RGB 114 26 121 and RGB 121 26 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 26 120 shade: RGB 40 11 53, RGB 65 19 87, RGB 91 26 121, RGB 116 34 155 and RGB 141 41 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 26 120 shade: RGB 90 26 120, RGB 121 26 39 and RGB 26 121 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 26 120 shade: RGB 90 26 120, RGB 121 89 26 and RGB 26 121 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 26 120 shade: RGB 90 26 120, RGB 121 26 39, RGB 58 121 26 and RGB 26 121 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 26 120 shade: RGB 90 26 120, RGB 121 42 26, RGB 58 121 26 and RGB 26 105 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 78 / 0 / 53

HEX #5A1A78

RGB 90 26 120

HSL 280.85, 0.64%, 0.29%

LAB 24.54, 44.16, -40.22

 

Complementary color

CMYK 28 / 0 / 41 / 10

HEX #A5E587

RGB 165 229 135

HSL 100.85, 0.64%, 0.71%

LAB 84.89, -36.94, 39.47

 

CMYK 17 / 77 / 0 / 55

HEX #5F1A73

RGB 95 26 115

HSL 286.52, 0.63%, 0.28%

LAB 24.98, 44.14, -36.27

 

CMYK 16 / 67 / 0 / 47

HEX #702C86

RGB 112 44 134

HSL 285.33, 0.51%, 0.35%

LAB 31.73, 44.29, -37.28

 

CMYK 16 / 59 / 0 / 40

HEX #813E99

RGB 129 62 153

HSL 284.18, 0.42%, 0.42%

LAB 38.57, 43.84, -37.87

 

CMYK 15 / 53 / 0 / 33

HEX #9250AC

RGB 146 80 172

HSL 283.04, 0.37%, 0.49%

LAB 45.4, 43.14, -38.24

 

CMYK 15 / 49 / 0 / 25

HEX #A362BF

RGB 163 98 191

HSL 281.94, 0.42%, 0.57%

LAB 52.16, 42.35, -38.5

 

CMYK 25 / 78 / 0 / 53

HEX #5A1A78

RGB 90 26 120

HSL 280.85, 0.64%, 0.29%

LAB 24.54, 44.16, -40.22

 

CMYK 28 / 92 / 0 / 60

HEX #490865

RGB 73 8 101

HSL 281.94, 0.85%, 0.21%

LAB 18.05, 42.83, -38.56

 

CMYK 32 / 100 / 0 / 68

HEX #380052

RGB 56 0 82

HSL 280.98, 1%, 0.16%

LAB 12.29, 38.75, -35.33

 

CMYK 38 / 100 / 0 / 75

HEX #27003F

RGB 39 0 63

HSL 277.14, 1%, 0.12%

LAB 7.14, 31.89, -30.58

 

CMYK 50 / 100 / 0 / 83

HEX #16002C

RGB 22 0 44

HSL 270, 1%, 0.09%

LAB 3.18, 18.46, -23.08

 

CMYK 25 / 79 / 0 / 53

HEX #5B1A79

RGB 91 26 121

HSL 281.05, 0.65%, 0.29%

LAB 24.78, 44.59, -40.47

 

CMYK 4 / 79 / 0 / 53

HEX #741A79

RGB 116 26 121

HSL 296.84, 0.65%, 0.29%

LAB 28.99, 49.93, -33.48

 

CMYK 0 / 79 / 17 / 53

HEX #791A64

RGB 121 26 100

HSL 313.26, 0.65%, 0.29%

LAB 28.7, 47.64, -20.4

 

CMYK 0 / 79 / 39 / 53

HEX #791A4A

RGB 121 26 74

HSL 329.68, 0.65%, 0.29%

LAB 27.57, 44.17, -5.01

 

CMYK 0 / 79 / 60 / 53

HEX #791A31

RGB 121 26 49

HSL 345.47, 0.65%, 0.29%

LAB 26.81, 41.76, 10.75

 

CMYK 25 / 79 / 0 / 53

HEX #5B1A79

RGB 91 26 121

HSL 281.05, 0.65%, 0.29%

LAB 24.78, 44.59, -40.47

 

CMYK 46 / 79 / 0 / 53

HEX #411A79

RGB 65 26 121

HSL 264.63, 0.65%, 0.29%

LAB 20.99, 39.64, -46.79

 

CMYK 67 / 79 / 0 / 53

HEX #281A79

RGB 40 26 121

HSL 248.84, 0.65%, 0.29%

LAB 18.23, 35.91, -51.42

 

CMYK 79 / 79 / 0 / 53

HEX #1A1A79

RGB 26 26 121

HSL 240, 0.65%, 0.29%

LAB 17.17, 34.43, -53.21

 

CMYK 25 / 79 / 0 / 53

HEX #5B1A79

RGB 91 26 121

HSL 281.05, 0.65%, 0.29%

LAB 24.78, 44.59, -40.47

 

CMYK 29 / 89 / 0 / 48

HEX #5F0E85

RGB 95 14 133

HSL 280.84, 0.81%, 0.29%

LAB 25.08, 51.76, -47.54

 

CMYK 32 / 99 / 0 / 43

HEX #630291

RGB 99 2 145

HSL 280.7, 0.97%, 0.29%

LAB 25.98, 57.25, -53.52

 

CMYK 25 / 79 / 0 / 53

HEX #5B1A79

RGB 91 26 121

HSL 281.05, 0.65%, 0.29%

LAB 24.78, 44.59, -40.47

 

CMYK 21 / 65 / 0 / 57

HEX #56266D

RGB 86 38 109

HSL 280.56, 0.48%, 0.29%

LAB 25.16, 35.02, -32.2

 

CMYK 15 / 48 / 0 / 62

HEX #523261

RGB 82 50 97

HSL 280.85, 0.32%, 0.29%

LAB 26.56, 23.9, -22.26

 

CMYK 8 / 27 / 0 / 67

HEX #4E3E55

RGB 78 62 85

HSL 281.74, 0.16%, 0.29%

LAB 28.7, 11.85, -11.19

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 68 / 79 / 0 / 53

HEX #271A79

RGB 39 26 121

HSL 248.21, 0.65%, 0.29%

LAB 18.15, 35.78, -51.57

 

CMYK 47 / 79 / 0 / 53

HEX #401A79

RGB 64 26 121

HSL 264, 0.65%, 0.29%

LAB 20.86, 39.47, -47.01

 

CMYK 26 / 79 / 0 / 53

HEX #591A79

RGB 89 26 121

HSL 279.79, 0.65%, 0.29%

LAB 24.46, 44.18, -40.99

 

CMYK 6 / 79 / 0 / 53

HEX #721A79

RGB 114 26 121

HSL 295.58, 0.65%, 0.29%

LAB 28.63, 49.49, -34.06

 

CMYK 0 / 79 / 16 / 53

HEX #791A66

RGB 121 26 102

HSL 312, 0.65%, 0.29%

LAB 28.81, 47.94, -21.53

 

CMYK 25 / 79 / 0 / 79

HEX #280B35

RGB 40 11 53

HSL 281.43, 0.66%, 0.13%

LAB 8.55, 23.33, -21.06

 

CMYK 25 / 78 / 0 / 66

HEX #411357

RGB 65 19 87

HSL 280.59, 0.64%, 0.21%

LAB 16.88, 34.09, -31.19

 

CMYK 25 / 79 / 0 / 53

HEX #5B1A79

RGB 91 26 121

HSL 281.05, 0.65%, 0.29%

LAB 24.78, 44.59, -40.47

 

CMYK 25 / 78 / 0 / 39

HEX #74229B

RGB 116 34 155

HSL 280.66, 0.64%, 0.37%

LAB 32.31, 53.86, -49.24

 

CMYK 25 / 78 / 0 / 26

HEX #8D29BC

RGB 141 41 188

HSL 280.82, 0.64%, 0.45%

LAB 39.38, 62.88, -57.35

 

CMYK 25 / 78 / 0 / 53

HEX #5A1A78

RGB 90 26 120

HSL 280.85, 0.64%, 0.29%

LAB 24.54, 44.16, -40.22

 

CMYK 0 / 79 / 68 / 53

HEX #791A27

RGB 121 26 39

HSL 351.79, 0.65%, 0.29%

LAB 26.59, 41.06, 17.2

 

CMYK 79 / 0 / 58 / 53

HEX #1A7933

RGB 26 121 51

HSL 135.79, 0.65%, 0.29%

LAB 44.42, -42.6, 30.49

 

CMYK 25 / 78 / 0 / 53

HEX #5A1A78

RGB 90 26 120

HSL 280.85, 0.64%, 0.29%

LAB 24.54, 44.16, -40.22

 

CMYK 0 / 26 / 79 / 53

HEX #79591A

RGB 121 89 26

HSL 39.79, 0.65%, 0.29%

LAB 40.06, 6.71, 39.49

 

CMYK 79 / 0 / 26 / 53

HEX #1A7959

RGB 26 121 89

HSL 159.79, 0.65%, 0.29%

LAB 45.1, -34.92, 10.01

 

CMYK 25 / 78 / 0 / 53

HEX #5A1A78

RGB 90 26 120

HSL 280.85, 0.64%, 0.29%

LAB 24.54, 44.16, -40.22

 

CMYK 0 / 79 / 68 / 53

HEX #791A27

RGB 121 26 39

HSL 351.79, 0.65%, 0.29%

LAB 26.59, 41.06, 17.2

 

CMYK 52 / 0 / 79 / 53

HEX #3A791A

RGB 58 121 26

HSL 99.79, 0.65%, 0.29%

LAB 45.15, -37.65, 42.81

 

CMYK 79 / 0 / 11 / 53

HEX #1A796C

RGB 26 121 108

HSL 171.79, 0.65%, 0.29%

LAB 45.6, -29.72, -0.53

 

CMYK 25 / 78 / 0 / 53

HEX #5A1A78

RGB 90 26 120

HSL 280.85, 0.64%, 0.29%

LAB 24.54, 44.16, -40.22

 

CMYK 0 / 65 / 79 / 53

HEX #792A1A

RGB 121 42 26

HSL 10.11, 0.65%, 0.29%

LAB 28.89, 33.55, 28.14

 

CMYK 52 / 0 / 79 / 53

HEX #3A791A

RGB 58 121 26

HSL 99.79, 0.65%, 0.29%

LAB 45.15, -37.65, 42.81

 

CMYK 79 / 13 / 0 / 53

HEX #1A6979

RGB 26 105 121

HSL 190.11, 0.65%, 0.29%

LAB 40.74, -17.28, -15.63

 

Description

Color code: RGB 90 26 120 | qconv.com Color code: RGB 90 26 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 26 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 26 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 78 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 78% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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