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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 193 108 it is the complementary color RGB 165 62 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 193 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 193 108 shade: RGB 95 193 103, RGB 112 211 122, RGB 129 229 141, RGB 146 247 160 and RGB 163 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 193 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 193 108 shade: RGB 90 193 108, RGB 73 175 89, RGB 56 157 70, RGB 39 139 51 and RGB 22 121 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 193 108 shade: RGB 88 191 106, RGB 98 191 88, RGB 126 191 88, RGB 154 191 88 and RGB 181 191 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 193 108 shade: RGB 88 191 106, RGB 88 191 134, RGB 88 191 162, RGB 88 191 190 and RGB 88 165 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 193 108 shade matches the following richer shades: RGB 88 191 106, RGB 70 210 94, RGB 51 229 82 and RGB 32 247 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 193 108 shade: RGB 88 191 106, RGB 107 173 118, RGB 125 154 130, RGB 144 136 142 and RGB 162 117 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 193 108 shade: RGB 126 191 88, RGB 98 191 88, RGB 88 191 105, RGB 88 191 133 and RGB 88 191 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 193 108 shade: RGB 54 143 70, RGB 65 173 84, RGB 88 191 106, RGB 118 203 133 and RGB 148 214 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 193 108 shade: RGB 90 193 108, RGB 88 154 191 and RGB 191 88 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 193 108 shade: RGB 90 193 108, RGB 105 88 191 and RGB 191 105 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 193 108 shade: RGB 90 193 108, RGB 88 154 191, RGB 191 88 174 and RGB 191 126 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 193 108 shade: RGB 90 193 108, RGB 88 123 191, RGB 191 88 174 and RGB 191 157 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 44 / 24

HEX #5AC16C

RGB 90 193 108

HSL 130.49, 0.45%, 0.55%

LAB 70.45, -48.09, 33.86

 

Complementary color

CMYK 0 / 62 / 11 / 35

HEX #A53E93

RGB 165 62 147

HSL 310.49, 0.45%, 0.45%

LAB 43.58, 52.51, -26

 

CMYK 51 / 0 / 47 / 24

HEX #5FC167

RGB 95 193 103

HSL 124.9, 0.44%, 0.56%

LAB 70.56, -47.55, 36.57

 

CMYK 47 / 0 / 42 / 17

HEX #70D37A

RGB 112 211 122

HSL 126.06, 0.53%, 0.63%

LAB 76.94, -47.47, 35.26

 

CMYK 44 / 0 / 38 / 10

HEX #81E58D

RGB 129 229 141

HSL 127.2, 0.66%, 0.7%

LAB 83.25, -47.31, 34.01

 

CMYK 41 / 0 / 35 / 3

HEX #92F7A0

RGB 146 247 160

HSL 128.32, 0.86%, 0.77%

LAB 89.47, -47.11, 32.81

 

CMYK 36 / 0 / 30 / 0

HEX #A3FFB3

RGB 163 255 179

HSL 130.43, 1%, 0.82%

LAB 92.82, -42.54, 27.89

 

CMYK 53 / 0 / 44 / 24

HEX #5AC16C

RGB 90 193 108

HSL 130.49, 0.45%, 0.55%

LAB 70.45, -48.09, 33.86

 

CMYK 58 / 0 / 49 / 31

HEX #49AF59

RGB 73 175 89

HSL 129.41, 0.41%, 0.49%

LAB 64, -48.01, 35.25

 

CMYK 64 / 0 / 55 / 38

HEX #389D46

RGB 56 157 70

HSL 128.32, 0.47%, 0.42%

LAB 57.46, -47.68, 36.67

 

CMYK 72 / 0 / 63 / 45

HEX #278B33

RGB 39 139 51

HSL 127.2, 0.56%, 0.35%

LAB 50.85, -46.95, 38.05

 

CMYK 82 / 0 / 74 / 53

HEX #167920

RGB 22 121 32

HSL 126.06, 0.69%, 0.28%

LAB 44.16, -45.53, 39.13

 

CMYK 54 / 0 / 45 / 25

HEX #58BF6A

RGB 88 191 106

HSL 130.49, 0.45%, 0.55%

LAB 69.74, -48.1, 33.95

 

CMYK 49 / 0 / 54 / 25

HEX #62BF58

RGB 98 191 88

HSL 114.17, 0.45%, 0.55%

LAB 69.87, -47.94, 43.12

 

CMYK 34 / 0 / 54 / 25

HEX #7EBF58

RGB 126 191 88

HSL 97.86, 0.45%, 0.55%

LAB 71.15, -39.04, 44.96

 

CMYK 19 / 0 / 54 / 25

HEX #9ABF58

RGB 154 191 88

HSL 81.55, 0.45%, 0.55%

LAB 72.78, -28.73, 47.3

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 54 / 0 / 45 / 25

HEX #58BF6A

RGB 88 191 106

HSL 130.49, 0.45%, 0.55%

LAB 69.74, -48.1, 33.95

 

CMYK 54 / 0 / 30 / 25

HEX #58BF86

RGB 88 191 134

HSL 146.8, 0.45%, 0.55%

LAB 70.22, -43.11, 19.88

 

CMYK 54 / 0 / 15 / 25

HEX #58BFA2

RGB 88 191 162

HSL 163.11, 0.45%, 0.55%

LAB 70.83, -36.99, 5.59

 

CMYK 54 / 0 / 1 / 25

HEX #58BFBE

RGB 88 191 190

HSL 179.42, 0.45%, 0.55%

LAB 71.59, -29.9, -8.59

 

CMYK 54 / 14 / 0 / 25

HEX #58A5BF

RGB 88 165 191

HSL 195.15, 0.45%, 0.55%

LAB 63.96, -16.42, -20.65

 

CMYK 54 / 0 / 45 / 25

HEX #58BF6A

RGB 88 191 106

HSL 130.49, 0.45%, 0.55%

LAB 69.74, -48.1, 33.95

 

CMYK 67 / 0 / 55 / 18

HEX #46D25E

RGB 70 210 94

HSL 130.29, 0.61%, 0.55%

LAB 74.95, -60.97, 46.16

 

CMYK 78 / 0 / 64 / 10

HEX #33E552

RGB 51 229 82

HSL 130.45, 0.77%, 0.55%

LAB 80.38, -71.59, 57.59

 

CMYK 87 / 0 / 72 / 3

HEX #20F746

RGB 32 247 70

HSL 130.6, 0.93%, 0.55%

LAB 85.64, -79.85, 67.68

 

CMYK 54 / 0 / 45 / 25

HEX #58BF6A

RGB 88 191 106

HSL 130.49, 0.45%, 0.55%

LAB 69.74, -48.1, 33.95

 

CMYK 38 / 0 / 32 / 32

HEX #6BAD76

RGB 107 173 118

HSL 130, 0.29%, 0.55%

LAB 65.22, -32.83, 21.81

 

CMYK 19 / 0 / 16 / 40

HEX #7D9A82

RGB 125 154 130

HSL 130.34, 0.13%, 0.55%

LAB 60.85, -15.06, 9.28

 

CMYK 0 / 6 / 1 / 44

HEX #90888E

RGB 144 136 142

HSL 315, 0.03%, 0.55%

LAB 57.55, 4.13, -2.14

 

CMYK 0 / 28 / 5 / 36

HEX #A2759A

RGB 162 117 154

HSL 310.67, 0.19%, 0.55%

LAB 54.8, 23.89, -12.99

 

CMYK 34 / 0 / 54 / 25

HEX #7EBF58

RGB 126 191 88

HSL 97.86, 0.45%, 0.55%

LAB 71.15, -39.04, 44.96

 

CMYK 49 / 0 / 54 / 25

HEX #62BF58

RGB 98 191 88

HSL 114.17, 0.45%, 0.55%

LAB 69.87, -47.94, 43.12

 

CMYK 54 / 0 / 45 / 25

HEX #58BF69

RGB 88 191 105

HSL 129.9, 0.45%, 0.55%

LAB 69.72, -48.26, 34.44

 

CMYK 54 / 0 / 30 / 25

HEX #58BF85

RGB 88 191 133

HSL 146.21, 0.45%, 0.55%

LAB 70.2, -43.31, 20.39

 

CMYK 54 / 0 / 16 / 25

HEX #58BFA0

RGB 88 191 160

HSL 161.94, 0.45%, 0.55%

LAB 70.78, -37.46, 6.61

 

CMYK 62 / 0 / 51 / 44

HEX #368F46

RGB 54 143 70

HSL 130.79, 0.45%, 0.39%

LAB 52.81, -42.66, 30.98

 

CMYK 62 / 0 / 51 / 32

HEX #41AD54

RGB 65 173 84

HSL 130.56, 0.45%, 0.47%

LAB 63.05, -49.82, 36.55

 

CMYK 54 / 0 / 45 / 25

HEX #58BF6A

RGB 88 191 106

HSL 130.49, 0.45%, 0.55%

LAB 69.74, -48.1, 33.95

 

CMYK 42 / 0 / 34 / 20

HEX #76CB85

RGB 118 203 133

HSL 130.59, 0.45%, 0.63%

LAB 74.99, -40.55, 27.08

 

CMYK 31 / 0 / 25 / 16

HEX #94D6A0

RGB 148 214 160

HSL 130.91, 0.45%, 0.71%

LAB 80.14, -31.73, 20.17

 

CMYK 53 / 0 / 44 / 24

HEX #5AC16C

RGB 90 193 108

HSL 130.49, 0.45%, 0.55%

LAB 70.45, -48.09, 33.86

 

CMYK 54 / 19 / 0 / 25

HEX #589ABF

RGB 88 154 191

HSL 201.55, 0.45%, 0.55%

LAB 60.74, -10.46, -25.58

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 53 / 0 / 44 / 24

HEX #5AC16C

RGB 90 193 108

HSL 130.49, 0.45%, 0.55%

LAB 70.45, -48.09, 33.86

 

CMYK 45 / 54 / 0 / 25

HEX #6958BF

RGB 105 88 191

HSL 249.9, 0.45%, 0.55%

LAB 43.86, 32.87, -52.06

 

CMYK 0 / 45 / 54 / 25

HEX #BF6958

RGB 191 105 88

HSL 9.9, 0.45%, 0.55%

LAB 53.9, 32.56, 24.73

 

CMYK 53 / 0 / 44 / 24

HEX #5AC16C

RGB 90 193 108

HSL 130.49, 0.45%, 0.55%

LAB 70.45, -48.09, 33.86

 

CMYK 54 / 19 / 0 / 25

HEX #589ABF

RGB 88 154 191

HSL 201.55, 0.45%, 0.55%

LAB 60.74, -10.46, -25.58

 

CMYK 0 / 54 / 9 / 25

HEX #BF58AE

RGB 191 88 174

HSL 309.9, 0.45%, 0.55%

LAB 53.07, 52.33, -26.96

 

CMYK 0 / 34 / 54 / 25

HEX #BF7E58

RGB 191 126 88

HSL 22.14, 0.45%, 0.55%

LAB 58.7, 21.12, 30.9

 

CMYK 53 / 0 / 44 / 24

HEX #5AC16C

RGB 90 193 108

HSL 130.49, 0.45%, 0.55%

LAB 70.45, -48.09, 33.86

 

CMYK 54 / 36 / 0 / 25

HEX #587BBF

RGB 88 123 191

HSL 219.61, 0.45%, 0.55%

LAB 51.84, 7.5, -39.44

 

CMYK 0 / 54 / 9 / 25

HEX #BF58AE

RGB 191 88 174

HSL 309.9, 0.45%, 0.55%

LAB 53.07, 52.33, -26.96

 

CMYK 0 / 18 / 54 / 25

HEX #BF9D58

RGB 191 157 88

HSL 40.19, 0.45%, 0.55%

LAB 66.44, 4.08, 40.48

 

Description

Color code: RGB 90 193 108 | qconv.com Color code: RGB 90 193 108 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 193 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 193 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 44 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 44% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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