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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90.7 128.6 91 it is the complementary color RGB 164.3 126.4 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90.7 128.6 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90.7 128.6 91 shade: RGB 95.7 128.6 86, RGB 112.7 146.6 105, RGB 129.7 164.6 124, RGB 146.7 182.6 143 and RGB 163.7 200.6 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90.7 128.6 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90.7 128.6 91 shade: RGB 90.7 128.6 91, RGB 73.7 110.6 72, RGB 56.7 92.6 53, RGB 39.7 74.6 34 and RGB 22.7 56.6 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90.7 128.6 91 shade: RGB 91 128 91, RGB 101 128 91, RGB 111 128 91, RGB 121 128 91 and RGB 128 126 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90.7 128.6 91 shade: RGB 91 128 91, RGB 91 128 101, RGB 91 128 111, RGB 91 128 121 and RGB 91 125 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90.7 128.6 91 shade matches the following richer shades: RGB 91 128 91, RGB 73 146 74, RGB 56 164 56, RGB 38 182 39 and RGB 20 199 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90.7 128.6 91 shade: RGB 91 128 91, RGB 109 111 109, RGB 126 93 126, RGB 144 75 144 and RGB 162 57 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90.7 128.6 91 shade: RGB 111 128 91, RGB 101 128 91, RGB 91 128 91, RGB 91 128 101 and RGB 91 128 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90.7 128.6 91 shade: RGB 57 80 57, RGB 74 104 74, RGB 91 128 91, RGB 109 151 109 and RGB 133 169 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90.7 128.6 91 shade: RGB 90.7 128.6 91, RGB 91 121 128 and RGB 128 91 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90.7 128.6 91 shade: RGB 90.7 128.6 91, RGB 91 91 128 and RGB 128 91 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90.7 128.6 91 shade: RGB 90.7 128.6 91, RGB 91 121 128, RGB 128 91 128 and RGB 128 98 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90.7 128.6 91 shade: RGB 90.7 128.6 91, RGB 91 110 128, RGB 128 91 128 and RGB 128 110 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 29 / 50

HEX #5A805B

RGB 90.7 128.6 91

HSL 120.47, 0.17%, 0.43%

LAB 50.17, -21.33, 16.25

 

Complementary color

CMYK 0 / 23 / 0 / 36

HEX #A47EA4

RGB 164.3 126.4 164

HSL 300.47, 0.17%, 0.57%

LAB 57.68, 21.25, -14.4

 

CMYK 26 / 0 / 33 / 50

HEX #5F8056

RGB 95.7 128.6 86

HSL 106.34, 0.2%, 0.42%

LAB 50.38, -20.37, 19.45

 

CMYK 23 / 0 / 28 / 43

HEX #709269

RGB 112.7 146.6 105

HSL 108.89, 0.17%, 0.49%

LAB 57.32, -20.18, 18.3

 

CMYK 21 / 0 / 25 / 35

HEX #81A47C

RGB 129.7 164.6 124

HSL 111.58, 0.18%, 0.57%

LAB 64.12, -20, 17.24

 

CMYK 20 / 0 / 22 / 28

HEX #92B68F

RGB 146.7 182.6 143

HSL 114.39, 0.21%, 0.64%

LAB 70.77, -19.83, 16.25

 

CMYK 18 / 0 / 19 / 21

HEX #A3C8A2

RGB 163.7 200.6 162

HSL 117.36, 0.26%, 0.71%

LAB 77.31, -19.69, 15.31

 

CMYK 29 / 0 / 29 / 50

HEX #5A805B

RGB 90.7 128.6 91

HSL 120.47, 0.17%, 0.43%

LAB 50.17, -21.33, 16.25

 

CMYK 33 / 0 / 35 / 57

HEX #496E48

RGB 73.7 110.6 72

HSL 117.36, 0.21%, 0.36%

LAB 43.05, -21.6, 17.46

 

CMYK 39 / 0 / 43 / 64

HEX #385C35

RGB 56.7 92.6 53

HSL 114.39, 0.27%, 0.29%

LAB 35.75, -21.85, 18.79

 

CMYK 47 / 0 / 54 / 71

HEX #274A22

RGB 39.7 74.6 34

HSL 111.58, 0.37%, 0.21%

LAB 28.22, -22.04, 20.23

 

CMYK 60 / 0 / 73 / 78

HEX #16380F

RGB 22.7 56.6 15

HSL 108.89, 0.58%, 0.14%

LAB 20.44, -21.94, 21.63

 

CMYK 29 / 0 / 29 / 50

HEX #5B805B

RGB 91 128 91

HSL 120, 0.17%, 0.43%

LAB 50, -20.91, 16.02

 

CMYK 21 / 0 / 29 / 50

HEX #65805B

RGB 101 128 91

HSL 103.78, 0.17%, 0.43%

LAB 50.64, -17.2, 17.01

 

CMYK 13 / 0 / 29 / 50

HEX #6F805B

RGB 111 128 91

HSL 87.57, 0.17%, 0.43%

LAB 51.35, -13.29, 18.09

 

CMYK 5 / 0 / 29 / 50

HEX #79805B

RGB 121 128 91

HSL 71.35, 0.17%, 0.43%

LAB 52.13, -9.25, 19.27

 

CMYK 0 / 2 / 29 / 50

HEX #807E5B

RGB 128 126 91

HSL 56.76, 0.17%, 0.43%

LAB 52.14, -5.23, 19.38

 

CMYK 29 / 0 / 29 / 50

HEX #5B805B

RGB 91 128 91

HSL 120, 0.17%, 0.43%

LAB 50, -20.91, 16.02

 

CMYK 29 / 0 / 21 / 50

HEX #5B8065

RGB 91 128 101

HSL 136.22, 0.17%, 0.43%

LAB 50.22, -18.98, 10.55

 

CMYK 29 / 0 / 13 / 50

HEX #5B806F

RGB 91 128 111

HSL 152.43, 0.17%, 0.43%

LAB 50.46, -16.87, 5.06

 

CMYK 29 / 0 / 5 / 50

HEX #5B8079

RGB 91 128 121

HSL 168.65, 0.17%, 0.43%

LAB 50.74, -14.58, -0.39

 

CMYK 29 / 2 / 0 / 50

HEX #5B7D80

RGB 91 125 128

HSL 184.86, 0.17%, 0.43%

LAB 50.04, -11.21, -5.54

 

CMYK 29 / 0 / 29 / 50

HEX #5B805B

RGB 91 128 91

HSL 120, 0.17%, 0.43%

LAB 50, -20.91, 16.02

 

CMYK 50 / 0 / 49 / 43

HEX #49924A

RGB 73 146 74

HSL 120.82, 0.33%, 0.43%

LAB 54.52, -38.27, 31.16

 

CMYK 66 / 0 / 66 / 36

HEX #38A438

RGB 56 164 56

HSL 120, 0.49%, 0.43%

LAB 59.6, -51.97, 45.67

 

CMYK 79 / 0 / 79 / 29

HEX #26B627

RGB 38 182 39

HSL 120.42, 0.65%, 0.43%

LAB 64.97, -62.46, 57.47

 

CMYK 90 / 0 / 89 / 22

HEX #14C715

RGB 20 199 21

HSL 120.34, 0.82%, 0.43%

LAB 70.21, -70.06, 66.53

 

CMYK 29 / 0 / 29 / 50

HEX #5B805B

RGB 91 128 91

HSL 120, 0.17%, 0.43%

LAB 50, -20.91, 16.02

 

CMYK 2 / 0 / 2 / 56

HEX #6D6F6D

RGB 109 111 109

HSL 120, 0.01%, 0.43%

LAB 46.61, -1.17, 0.84

 

CMYK 0 / 26 / 0 / 51

HEX #7E5D7E

RGB 126 93 126

HSL 300, 0.15%, 0.43%

LAB 43.9, 19.5, -13.25

 

CMYK 0 / 48 / 0 / 44

HEX #904B90

RGB 144 75 144

HSL 300, 0.32%, 0.43%

LAB 42.73, 39.49, -25.76

 

CMYK 0 / 65 / 1 / 36

HEX #A239A1

RGB 162 57 161

HSL 300.57, 0.48%, 0.43%

LAB 43.03, 56.2, -35.3

 

CMYK 13 / 0 / 29 / 50

HEX #6F805B

RGB 111 128 91

HSL 87.57, 0.17%, 0.43%

LAB 51.35, -13.29, 18.09

 

CMYK 21 / 0 / 29 / 50

HEX #65805B

RGB 101 128 91

HSL 103.78, 0.17%, 0.43%

LAB 50.64, -17.2, 17.01

 

CMYK 29 / 0 / 29 / 50

HEX #5B805B

RGB 91 128 91

HSL 120, 0.17%, 0.43%

LAB 50, -20.91, 16.02

 

CMYK 29 / 0 / 21 / 50

HEX #5B8065

RGB 91 128 101

HSL 136.22, 0.17%, 0.43%

LAB 50.22, -18.98, 10.55

 

CMYK 29 / 0 / 13 / 50

HEX #5B806F

RGB 91 128 111

HSL 152.43, 0.17%, 0.43%

LAB 50.46, -16.87, 5.06

 

CMYK 29 / 0 / 29 / 69

HEX #395039

RGB 57 80 57

HSL 120, 0.17%, 0.27%

LAB 31.58, -14.15, 10.79

 

CMYK 29 / 0 / 29 / 59

HEX #4A684A

RGB 74 104 74

HSL 120, 0.17%, 0.35%

LAB 40.98, -17.61, 13.47

 

CMYK 29 / 0 / 29 / 50

HEX #5B805B

RGB 91 128 91

HSL 120, 0.17%, 0.43%

LAB 50, -20.91, 16.02

 

CMYK 28 / 0 / 28 / 41

HEX #6D976D

RGB 109 151 109

HSL 120, 0.17%, 0.51%

LAB 58.5, -23.06, 17.63

 

CMYK 21 / 0 / 21 / 34

HEX #85A985

RGB 133 169 133

HSL 120, 0.17%, 0.59%

LAB 65.79, -19.49, 14.64

 

CMYK 29 / 0 / 29 / 50

HEX #5A805B

RGB 90.7 128.6 91

HSL 120.47, 0.17%, 0.43%

LAB 50.17, -21.33, 16.25

 

CMYK 29 / 5 / 0 / 50

HEX #5B7980

RGB 91 121 128

HSL 191.35, 0.17%, 0.43%

LAB 48.83, -8.96, -7.33

 

CMYK 0 / 29 / 17 / 50

HEX #805B6A

RGB 128 91 106

HSL 335.68, 0.17%, 0.43%

LAB 42.93, 17.65, -2.51

 

CMYK 29 / 0 / 29 / 50

HEX #5A805B

RGB 90.7 128.6 91

HSL 120.47, 0.17%, 0.43%

LAB 50.17, -21.33, 16.25

 

CMYK 29 / 29 / 0 / 50

HEX #5B5B80

RGB 91 91 128

HSL 240, 0.17%, 0.43%

LAB 40.02, 9.02, -20.71

 

CMYK 0 / 29 / 29 / 50

HEX #805B5B

RGB 128 91 91

HSL 0, 0.17%, 0.43%

LAB 42.5, 15.2, 6.03

 

CMYK 29 / 0 / 29 / 50

HEX #5A805B

RGB 90.7 128.6 91

HSL 120.47, 0.17%, 0.43%

LAB 50.17, -21.33, 16.25

 

CMYK 29 / 5 / 0 / 50

HEX #5B7980

RGB 91 121 128

HSL 191.35, 0.17%, 0.43%

LAB 48.83, -8.96, -7.33

 

CMYK 0 / 29 / 0 / 50

HEX #805B80

RGB 128 91 128

HSL 300, 0.17%, 0.43%

LAB 43.7, 21.83, -14.75

 

CMYK 0 / 23 / 29 / 50

HEX #80625B

RGB 128 98 91

HSL 11.35, 0.17%, 0.43%

LAB 44.35, 11.03, 8.65

 

CMYK 29 / 0 / 29 / 50

HEX #5A805B

RGB 90.7 128.6 91

HSL 120.47, 0.17%, 0.43%

LAB 50.17, -21.33, 16.25

 

CMYK 29 / 14 / 0 / 50

HEX #5B6E80

RGB 91 110 128

HSL 209.19, 0.17%, 0.43%

LAB 45.54, -2.57, -12.27

 

CMYK 0 / 29 / 0 / 50

HEX #805B80

RGB 128 91 128

HSL 300, 0.17%, 0.43%

LAB 43.7, 21.83, -14.75

 

CMYK 0 / 14 / 29 / 50

HEX #806E5B

RGB 128 110 91

HSL 30.81, 0.17%, 0.43%

LAB 47.62, 3.95, 13.22

 

Description

Color code: RGB 90.7 128.6 91 | qconv.com Color code: RGB 90.7 128.6 91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90.7 red, 128.6 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90.7 128.6 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 29 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 29% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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