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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90.1 36.8 17 it is the complementary color RGB 164.9 218.2 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90.1 36.8 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90.1 36.8 17 shade: RGB 95.1 36.8 12, RGB 112.1 54.8 31, RGB 129.1 72.8 50, RGB 146.1 90.8 69 and RGB 163.1 108.8 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90.1 36.8 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90.1 36.8 17 shade: RGB 90.1 36.8 17, RGB 73.1 18.8 0, RGB 56.1 0.8 0, RGB 39.1 0 0 and RGB 22.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90.1 36.8 17 shade: RGB 90 37 17 and RGB 90 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90.1 36.8 17 shade: RGB 90 37 17, RGB 90 56 17, RGB 90 76 17, RGB 84 90 17 and RGB 65 90 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90.1 36.8 17 shade matches the following richer shades: RGB 90 37 17 and RGB 99 33 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90.1 36.8 17 shade: RGB 90 37 17, RGB 81 41 26, RGB 73 45 34, RGB 64 49 43 and RGB 55 53 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90.1 36.8 17 shade: RGB 90 17 37, RGB 90 17 17, RGB 90 37 17, RGB 90 56 17 and RGB 90 75 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90.1 36.8 17 shade: RGB 21 8 4, RGB 55 23 11, RGB 90 37 17, RGB 125 51 24 and RGB 159 65 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90.1 36.8 17 shade: RGB 90.1 36.8 17, RGB 56 90 17 and RGB 17 27 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90.1 36.8 17 shade: RGB 90.1 36.8 17, RGB 17 90 37 and RGB 37 17 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90.1 36.8 17 shade: RGB 90.1 36.8 17, RGB 56 90 17, RGB 17 71 90 and RGB 51 17 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90.1 36.8 17 shade: RGB 90.1 36.8 17, RGB 34 90 17, RGB 17 71 90 and RGB 73 17 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 81 / 65

HEX #5A2411

RGB 90.1 36.8 17

HSL 16.25, 0.68%, 0.21%

LAB 22.05, 23.11, 24.45

 

Complementary color

CMYK 31 / 8 / 0 / 7

HEX #A4DAEE

RGB 164.9 218.2 238

HSL 196.25, 0.68%, 0.79%

LAB 84.18, -12.5, -15.23

 

CMYK 0 / 61 / 87 / 63

HEX #5F240C

RGB 95.1 36.8 12

HSL 17.91, 0.78%, 0.21%

LAB 22.91, 25.09, 28.22

 

CMYK 0 / 51 / 72 / 56

HEX #70361F

RGB 112.1 54.8 31

HSL 17.61, 0.57%, 0.28%

LAB 30.07, 23.25, 26.07

 

CMYK 0 / 44 / 61 / 49

HEX #814832

RGB 129.1 72.8 50

HSL 17.29, 0.44%, 0.35%

LAB 37.2, 21.63, 23.9

 

CMYK 0 / 38 / 53 / 43

HEX #925A45

RGB 146.1 90.8 69

HSL 16.96, 0.36%, 0.42%

LAB 44.23, 20.27, 22.03

 

CMYK 0 / 33 / 46 / 36

HEX #A36C58

RGB 163.1 108.8 88

HSL 16.62, 0.3%, 0.49%

LAB 51.15, 19.11, 20.42

 

CMYK 0 / 59 / 81 / 65

HEX #5A2411

RGB 90.1 36.8 17

HSL 16.25, 0.68%, 0.21%

LAB 22.05, 23.11, 24.45

 

CMYK 0 / 74 / 100 / 71

HEX #491200

RGB 73.1 18.8 0

HSL 15.43, 1%, 0.14%

LAB 14.84, 24.81, 22.65

 

CMYK 0 / 99 / 100 / 78

HEX #380000

RGB 56.1 0.8 0

HSL 0.86, 1%, 0.11%

LAB 7.78, 26.85, 12.27

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39.1 0 0

HSL 0, 1%, 0.08%

LAB 3.91, 17.56, 6.19

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22.1 0 0

HSL 0, 1%, 0.04%

LAB 1.55, 6.96, 2.45

 

CMYK 0 / 59 / 81 / 65

HEX #5A2511

RGB 90 37 17

HSL 16.44, 0.68%, 0.21%

LAB 22.08, 22.96, 24.47

 

CMYK 0 / 81 / 81 / 65

HEX #5A1111

RGB 90 17 17

HSL 0, 0.68%, 0.21%

LAB 18.43, 32.71, 20.38

 

CMYK 0 / 59 / 81 / 65

HEX #5A2511

RGB 90 37 17

HSL 16.44, 0.68%, 0.21%

LAB 22.08, 22.96, 24.47

 

CMYK 0 / 38 / 81 / 65

HEX #5A3811

RGB 90 56 17

HSL 32.05, 0.68%, 0.21%

LAB 26.86, 11.35, 29.36

 

CMYK 0 / 16 / 81 / 65

HEX #5A4C11

RGB 90 76 17

HSL 48.49, 0.68%, 0.21%

LAB 32.66, -1.15, 35

 

CMYK 7 / 0 / 81 / 65

HEX #545A11

RGB 84 90 17

HSL 64.93, 0.68%, 0.21%

LAB 36.44, -12.39, 38.33

 

CMYK 28 / 0 / 81 / 65

HEX #415A11

RGB 65 90 17

HSL 80.55, 0.68%, 0.21%

LAB 34.96, -21.25, 36.41

 

CMYK 0 / 59 / 81 / 65

HEX #5A2511

RGB 90 37 17

HSL 16.44, 0.68%, 0.21%

LAB 22.08, 22.96, 24.47

 

CMYK 0 / 67 / 92 / 61

HEX #632108

RGB 99 33 8

HSL 16.48, 0.85%, 0.21%

LAB 22.85, 28.62, 30.07

 

CMYK 0 / 59 / 81 / 65

HEX #5A2511

RGB 90 37 17

HSL 16.44, 0.68%, 0.21%

LAB 22.08, 22.96, 24.47

 

CMYK 0 / 49 / 68 / 68

HEX #51291A

RGB 81 41 26

HSL 16.36, 0.51%, 0.21%

LAB 21.62, 17.02, 17.94

 

CMYK 0 / 38 / 53 / 71

HEX #492D22

RGB 73 45 34

HSL 16.92, 0.36%, 0.21%

LAB 21.61, 11.43, 12.42

 

CMYK 0 / 23 / 33 / 75

HEX #40312B

RGB 64 49 43

HSL 17.14, 0.2%, 0.21%

LAB 21.8, 5.73, 6.42

 

CMYK 0 / 4 / 5 / 78

HEX #373534

RGB 55 53 52

HSL 20, 0.03%, 0.21%

LAB 22.32, 0.65, 0.94

 

CMYK 0 / 81 / 59 / 65

HEX #5A1125

RGB 90 17 37

HSL 343.56, 0.68%, 0.21%

LAB 18.83, 34.03, 7.09

 

CMYK 0 / 81 / 81 / 65

HEX #5A1111

RGB 90 17 17

HSL 0, 0.68%, 0.21%

LAB 18.43, 32.71, 20.38

 

CMYK 0 / 59 / 81 / 65

HEX #5A2511

RGB 90 37 17

HSL 16.44, 0.68%, 0.21%

LAB 22.08, 22.96, 24.47

 

CMYK 0 / 38 / 81 / 65

HEX #5A3811

RGB 90 56 17

HSL 32.05, 0.68%, 0.21%

LAB 26.86, 11.35, 29.36

 

CMYK 0 / 17 / 81 / 65

HEX #5A4B11

RGB 90 75 17

HSL 47.67, 0.68%, 0.21%

LAB 32.36, -0.54, 34.71

 

CMYK 0 / 62 / 81 / 92

HEX #150804

RGB 21 8 4

HSL 14.12, 0.68%, 0.05%

LAB 3.09, 3.81, 3.05

 

CMYK 0 / 58 / 80 / 78

HEX #37170B

RGB 55 23 11

HSL 16.36, 0.67%, 0.13%

LAB 12.28, 14.8, 14.11

 

CMYK 0 / 59 / 81 / 65

HEX #5A2511

RGB 90 37 17

HSL 16.44, 0.68%, 0.21%

LAB 22.08, 22.96, 24.47

 

CMYK 0 / 59 / 81 / 51

HEX #7D3318

RGB 125 51 24

HSL 16.04, 0.68%, 0.29%

LAB 31.33, 30.49, 32.03

 

CMYK 0 / 59 / 81 / 38

HEX #9F411E

RGB 159 65 30

HSL 16.28, 0.68%, 0.37%

LAB 39.99, 37.15, 39.44

 

CMYK 0 / 59 / 81 / 65

HEX #5A2411

RGB 90.1 36.8 17

HSL 16.25, 0.68%, 0.21%

LAB 22.05, 23.11, 24.45

 

CMYK 38 / 0 / 81 / 65

HEX #385A11

RGB 56 90 17

HSL 87.95, 0.68%, 0.21%

LAB 34.38, -25.09, 35.66

 

CMYK 81 / 70 / 0 / 65

HEX #111B5A

RGB 17 27 90

HSL 231.78, 0.68%, 0.21%

LAB 13.48, 21.01, -38.98

 

CMYK 0 / 59 / 81 / 65

HEX #5A2411

RGB 90.1 36.8 17

HSL 16.25, 0.68%, 0.21%

LAB 22.05, 23.11, 24.45

 

CMYK 81 / 0 / 59 / 65

HEX #115A25

RGB 17 90 37

HSL 136.44, 0.68%, 0.21%

LAB 33.06, -34.4, 24.26

 

CMYK 59 / 81 / 0 / 65

HEX #25115A

RGB 37 17 90

HSL 256.44, 0.68%, 0.21%

LAB 12.81, 30.39, -40.02

 

CMYK 0 / 59 / 81 / 65

HEX #5A2411

RGB 90.1 36.8 17

HSL 16.25, 0.68%, 0.21%

LAB 22.05, 23.11, 24.45

 

CMYK 38 / 0 / 81 / 65

HEX #385A11

RGB 56 90 17

HSL 87.95, 0.68%, 0.21%

LAB 34.38, -25.09, 35.66

 

CMYK 81 / 21 / 0 / 65

HEX #11475A

RGB 17 71 90

HSL 195.62, 0.68%, 0.21%

LAB 27.75, -9.99, -16.23

 

CMYK 43 / 81 / 0 / 65

HEX #33115A

RGB 51 17 90

HSL 267.95, 0.68%, 0.21%

LAB 14.64, 32.86, -36.95

 

CMYK 0 / 59 / 81 / 65

HEX #5A2411

RGB 90.1 36.8 17

HSL 16.25, 0.68%, 0.21%

LAB 22.05, 23.11, 24.45

 

CMYK 62 / 0 / 81 / 65

HEX #225A11

RGB 34 90 17

HSL 106.03, 0.68%, 0.21%

LAB 33.33, -32.89, 34.28

 

CMYK 81 / 21 / 0 / 65

HEX #11475A

RGB 17 71 90

HSL 195.62, 0.68%, 0.21%

LAB 27.75, -9.99, -16.23

 

CMYK 19 / 81 / 0 / 65

HEX #49115A

RGB 73 17 90

HSL 286.03, 0.68%, 0.21%

LAB 18.17, 37.46, -31.06

 

Description

Color code: RGB 90.1 36.8 17 | qconv.com Color code: RGB 90.1 36.8 17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90.1 red, 36.8 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90.1 36.8 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 81 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 81% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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