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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90.1 126.8 251 it is the complementary color RGB 164.9 128.2 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90.1 126.8 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90.1 126.8 251 shade: RGB 95.1 126.8 246, RGB 112.1 144.8 255, RGB 129.1 162.8 255, RGB 146.1 180.8 255 and RGB 163.1 198.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90.1 126.8 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90.1 126.8 251 shade: RGB 90.1 126.8 251, RGB 73.1 108.8 232, RGB 56.1 90.8 213, RGB 39.1 72.8 194 and RGB 22.1 54.8 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90.1 126.8 251 shade: RGB 91 127 251, RGB 98 91 251, RGB 141 91 251, RGB 184 91 251 and RGB 227 91 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90.1 126.8 251 shade: RGB 91 127 251 and RGB 91 91 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90.1 126.8 251 shade matches the following richer shades: RGB 91 127 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90.1 126.8 251 shade: RGB 91 127 251, RGB 105 135 237, RGB 118 142 224, RGB 132 150 210 and RGB 145 157 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90.1 126.8 251 shade: RGB 91 213 251, RGB 91 171 251, RGB 91 128 251, RGB 96 91 251 and RGB 139 91 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90.1 126.8 251 shade: RGB 10 65 249, RGB 51 96 250, RGB 91 127 251, RGB 131 159 252 and RGB 171 190 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90.1 126.8 251 shade: RGB 90.1 126.8 251, RGB 245 91 251 and RGB 192 251 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90.1 126.8 251 shade: RGB 90.1 126.8 251, RGB 251 91 128 and RGB 128 251 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90.1 126.8 251 shade: RGB 90.1 126.8 251, RGB 245 91 251, RGB 251 213 91 and RGB 96 251 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90.1 126.8 251 shade: RGB 90.1 126.8 251, RGB 251 91 208, RGB 251 213 91 and RGB 91 251 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 49 / 0 / 2

HEX #5A7EFB

RGB 90.1 126.8 251

HSL 226.31, 0.95%, 0.67%

LAB 56.36, 25.5, -65.96

 

Complementary color

CMYK 0 / 22 / 98 / 35

HEX #A48004

RGB 164.9 128.2 4

HSL 46.31, 0.95%, 0.33%

LAB 55.57, 4.27, 60.28

 

CMYK 61 / 48 / 0 / 4

HEX #5F7EF6

RGB 95.1 126.8 246

HSL 227.4, 0.89%, 0.67%

LAB 56.31, 24.66, -63.27

 

CMYK 56 / 43 / 0 / 0

HEX #7090FF

RGB 112.1 144.8 255

HSL 226.27, 1%, 0.72%

LAB 62.39, 19.95, -58.42

 

CMYK 49 / 36 / 0 / 0

HEX #81A2FF

RGB 129.1 162.8 255

HSL 223.94, 1%, 0.75%

LAB 68.03, 13.04, -49.41

 

CMYK 43 / 29 / 0 / 0

HEX #92B4FF

RGB 146.1 180.8 255

HSL 220.88, 1%, 0.79%

LAB 73.74, 6.88, -40.39

 

CMYK 36 / 22 / 0 / 0

HEX #A3C6FF

RGB 163.1 198.8 255

HSL 216.69, 1%, 0.82%

LAB 79.48, 1.4, -31.42

 

CMYK 64 / 49 / 0 / 2

HEX #5A7EFB

RGB 90.1 126.8 251

HSL 226.31, 0.95%, 0.67%

LAB 56.36, 25.5, -65.96

 

CMYK 68 / 53 / 0 / 9

HEX #496CE8

RGB 73.1 108.8 232

HSL 226.52, 0.78%, 0.6%

LAB 49.67, 27.48, -66.23

 

CMYK 74 / 57 / 0 / 16

HEX #385AD5

RGB 56.1 90.8 213

HSL 226.73, 0.65%, 0.53%

LAB 42.91, 29.84, -66.46

 

CMYK 80 / 62 / 0 / 24

HEX #2748C2

RGB 39.1 72.8 194

HSL 226.95, 0.66%, 0.46%

LAB 36.11, 32.64, -66.59

 

CMYK 87 / 69 / 0 / 31

HEX #1636AF

RGB 22.1 54.8 175

HSL 227.17, 0.78%, 0.39%

LAB 29.36, 35.92, -66.46

 

CMYK 64 / 49 / 0 / 2

HEX #5B7FFB

RGB 91 127 251

HSL 226.5, 0.95%, 0.67%

LAB 56.45, 25.52, -65.8

 

CMYK 61 / 64 / 0 / 2

HEX #625BFB

RGB 98 91 251

HSL 242.63, 0.95%, 0.67%

LAB 48.32, 48.15, -78.99

 

CMYK 44 / 64 / 0 / 2

HEX #8D5BFB

RGB 141 91 251

HSL 258.75, 0.95%, 0.67%

LAB 51.96, 55.4, -72.89

 

CMYK 27 / 64 / 0 / 2

HEX #B85BFB

RGB 184 91 251

HSL 274.88, 0.95%, 0.67%

LAB 56.72, 64.1, -64.97

 

CMYK 10 / 64 / 0 / 2

HEX #E35BFB

RGB 227 91 251

HSL 291, 0.95%, 0.67%

LAB 62.32, 73.52, -55.69

 

CMYK 64 / 49 / 0 / 2

HEX #5B7FFB

RGB 91 127 251

HSL 226.5, 0.95%, 0.67%

LAB 56.45, 25.52, -65.8

 

CMYK 64 / 64 / 0 / 2

HEX #5B5BFB

RGB 91 91 251

HSL 240, 0.95%, 0.67%

LAB 47.84, 47.16, -79.78

 

CMYK 64 / 49 / 0 / 2

HEX #5B7FFB

RGB 91 127 251

HSL 226.5, 0.95%, 0.67%

LAB 56.45, 25.52, -65.8

 

CMYK 64 / 49 / 0 / 2

HEX #5B7FFB

RGB 91 127 251

HSL 226.5, 0.95%, 0.67%

LAB 56.45, 25.52, -65.8

 

CMYK 56 / 43 / 0 / 7

HEX #6987ED

RGB 105 135 237

HSL 226.36, 0.79%, 0.67%

LAB 58.46, 18.64, -54.8

 

CMYK 47 / 37 / 0 / 12

HEX #768EE0

RGB 118 142 224

HSL 226.42, 0.63%, 0.67%

LAB 60.41, 13.34, -44.44

 

CMYK 37 / 29 / 0 / 18

HEX #8496D2

RGB 132 150 210

HSL 226.15, 0.46%, 0.67%

LAB 62.82, 8.29, -32.8

 

CMYK 26 / 20 / 0 / 23

HEX #919DC4

RGB 145 157 196

HSL 225.88, 0.3%, 0.67%

LAB 65.06, 4.5, -21.47

 

CMYK 64 / 15 / 0 / 2

HEX #5BD5FB

RGB 91 213 251

HSL 194.25, 0.95%, 0.67%

LAB 80.05, -22.83, -28.68

 

CMYK 64 / 32 / 0 / 2

HEX #5BABFB

RGB 91 171 251

HSL 210, 0.95%, 0.67%

LAB 68.25, -0.42, -47.01

 

CMYK 64 / 49 / 0 / 2

HEX #5B80FB

RGB 91 128 251

HSL 226.13, 0.95%, 0.67%

LAB 56.71, 24.92, -65.39

 

CMYK 62 / 64 / 0 / 2

HEX #605BFB

RGB 96 91 251

HSL 241.88, 0.95%, 0.67%

LAB 48.18, 47.86, -79.22

 

CMYK 45 / 64 / 0 / 2

HEX #8B5BFB

RGB 139 91 251

HSL 258, 0.95%, 0.67%

LAB 51.76, 55.02, -73.22

 

CMYK 96 / 74 / 0 / 2

HEX #0A41F9

RGB 10 65 249

HSL 226.19, 0.95%, 0.51%

LAB 39.04, 55.68, -93.26

 

CMYK 80 / 62 / 0 / 2

HEX #3360FA

RGB 51 96 250

HSL 226.43, 0.95%, 0.59%

LAB 46.94, 39.41, -80.79

 

CMYK 64 / 49 / 0 / 2

HEX #5B7FFB

RGB 91 127 251

HSL 226.5, 0.95%, 0.67%

LAB 56.45, 25.52, -65.8

 

CMYK 48 / 37 / 0 / 1

HEX #839FFC

RGB 131 159 252

HSL 226.12, 0.95%, 0.75%

LAB 67.01, 14.77, -49.38

 

CMYK 32 / 25 / 0 / 1

HEX #ABBEFD

RGB 171 190 253

HSL 226.1, 0.95%, 0.83%

LAB 77.62, 7.83, -33.17

 

CMYK 64 / 49 / 0 / 2

HEX #5A7EFB

RGB 90.1 126.8 251

HSL 226.31, 0.95%, 0.67%

LAB 56.36, 25.5, -65.96

 

CMYK 2 / 64 / 0 / 2

HEX #F55BFB

RGB 245 91 251

HSL 297.75, 0.95%, 0.67%

LAB 64.85, 77.57, -51.51

 

CMYK 24 / 0 / 64 / 2

HEX #C0FB5B

RGB 192 251 91

HSL 82.13, 0.95%, 0.67%

LAB 92.11, -41.6, 68.23

 

CMYK 64 / 49 / 0 / 2

HEX #5A7EFB

RGB 90.1 126.8 251

HSL 226.31, 0.95%, 0.67%

LAB 56.36, 25.5, -65.96

 

CMYK 0 / 64 / 49 / 2

HEX #FB5B80

RGB 251 91 128

HSL 346.13, 0.95%, 0.67%

LAB 61.26, 63.53, 13.03

 

CMYK 49 / 0 / 64 / 2

HEX #80FB5B

RGB 128 251 91

HSL 106.13, 0.95%, 0.67%

LAB 89.08, -62.42, 64.07

 

CMYK 64 / 49 / 0 / 2

HEX #5A7EFB

RGB 90.1 126.8 251

HSL 226.31, 0.95%, 0.67%

LAB 56.36, 25.5, -65.96

 

CMYK 2 / 64 / 0 / 2

HEX #F55BFB

RGB 245 91 251

HSL 297.75, 0.95%, 0.67%

LAB 64.85, 77.57, -51.51

 

CMYK 0 / 15 / 64 / 2

HEX #FBD55B

RGB 251 213 91

HSL 45.75, 0.95%, 0.67%

LAB 86.43, 0.05, 63.42

 

CMYK 62 / 0 / 64 / 2

HEX #60FB5B

RGB 96 251 91

HSL 118.13, 0.95%, 0.67%

LAB 88.08, -70.2, 62.69

 

CMYK 64 / 49 / 0 / 2

HEX #5A7EFB

RGB 90.1 126.8 251

HSL 226.31, 0.95%, 0.67%

LAB 56.36, 25.5, -65.96

 

CMYK 0 / 64 / 17 / 2

HEX #FB5BD0

RGB 251 91 208

HSL 316.13, 0.95%, 0.67%

LAB 63.79, 72.5, -29.14

 

CMYK 0 / 15 / 64 / 2

HEX #FBD55B

RGB 251 213 91

HSL 45.75, 0.95%, 0.67%

LAB 86.43, 0.05, 63.42

 

CMYK 64 / 0 / 47 / 2

HEX #5BFB86

RGB 91 251 134

HSL 136.13, 0.95%, 0.67%

LAB 88.42, -65.9, 43.87

 

Description

Color code: RGB 90.1 126.8 251 | qconv.com Color code: RGB 90.1 126.8 251 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90.1 red, 126.8 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90.1 126.8 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 49 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 49% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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