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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9.7 74.6 54 it is the complementary color RGB 245.3 180.4 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9.7 74.6 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9.7 74.6 54 shade: RGB 14.7 74.6 49, RGB 31.7 92.6 68, RGB 48.7 110.6 87, RGB 65.7 128.6 106 and RGB 82.7 146.6 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9.7 74.6 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9.7 74.6 54 shade: RGB 9.7 74.6 54, RGB 0 56.6 35, RGB 0 38.6 16, RGB 0 20.6 0 and RGB 0 2.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9.7 74.6 54 shade: RGB 10 77 56, RGB 10 77 38, RGB 10 77 20, RGB 18 77 10 and RGB 36 77 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9.7 74.6 54 shade: RGB 10 77 56, RGB 10 77 74, RGB 10 62 77, RGB 10 44 77 and RGB 10 26 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9.7 74.6 54 shade matches the following richer shades: RGB 10 77 56 and RGB 3 84 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9.7 74.6 54 shade: RGB 10 77 56, RGB 17 70 53, RGB 24 63 50, RGB 31 56 48 and RGB 38 49 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9.7 74.6 54 shade: RGB 10 77 19, RGB 10 77 37, RGB 10 77 54, RGB 10 77 72 and RGB 10 63 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9.7 74.6 54 shade: RGB 0 4 3, RGB 5 40 29, RGB 10 77 56, RGB 15 113 82 and RGB 19 150 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9.7 74.6 54 shade: RGB 9.7 74.6 54, RGB 10 19 77 and RGB 77 28 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9.7 74.6 54 shade: RGB 9.7 74.6 54, RGB 54 10 77 and RGB 77 54 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9.7 74.6 54 shade: RGB 9.7 74.6 54, RGB 10 19 77, RGB 77 10 32 and RGB 77 68 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9.7 74.6 54 shade: RGB 9.7 74.6 54, RGB 21 10 77, RGB 77 10 32 and RGB 66 77 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 28 / 71

HEX #094A36

RGB 9.7 74.6 54

HSL 160.96, 0.77%, 0.17%

LAB 27.59, -25.17, 6.83

 

Complementary color

CMYK 0 / 26 / 18 / 4

HEX #F5B4C9

RGB 245.3 180.4 201

HSL 340.96, 0.77%, 0.83%

LAB 79.89, 26.53, -1.11

 

CMYK 80 / 0 / 34 / 71

HEX #0E4A31

RGB 14.7 74.6 49

HSL 154.36, 0.67%, 0.18%

LAB 27.57, -25.75, 10

 

CMYK 66 / 0 / 27 / 64

HEX #1F5C44

RGB 31.7 92.6 68

HSL 155.76, 0.49%, 0.24%

LAB 34.96, -26.15, 8.45

 

CMYK 56 / 0 / 21 / 57

HEX #306E57

RGB 48.7 110.6 87

HSL 157.12, 0.39%, 0.31%

LAB 42.18, -26.18, 7.16

 

CMYK 49 / 0 / 18 / 50

HEX #41806A

RGB 65.7 128.6 106

HSL 158.44, 0.32%, 0.38%

LAB 49.23, -26.06, 6.05

 

CMYK 44 / 0 / 15 / 43

HEX #52927D

RGB 82.7 146.6 125

HSL 159.72, 0.28%, 0.45%

LAB 56.14, -25.87, 5.06

 

CMYK 87 / 0 / 28 / 71

HEX #094A36

RGB 9.7 74.6 54

HSL 160.96, 0.77%, 0.17%

LAB 27.59, -25.17, 6.83

 

CMYK 100 / 0 / 38 / 78

HEX #003823

RGB 0 56.6 35

HSL 157.1, 1%, 0.11%

LAB 20.08, -23.55, 8.75

 

CMYK 100 / 0 / 59 / 85

HEX #002610

RGB 0 38.6 16

HSL 144.87, 1%, 0.08%

LAB 12.37, -20.29, 10.88

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20.6 0

HSL 120, 1%, 0.04%

LAB 4.71, -9.63, 6.88

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2.6 0

HSL 120, 1%, 0.01%

LAB 0.51, -1.04, 0.74

 

CMYK 87 / 0 / 27 / 70

HEX #0A4D38

RGB 10 77 56

HSL 161.19, 0.77%, 0.17%

LAB 28.53, -25.72, 6.87

 

CMYK 87 / 0 / 51 / 70

HEX #0A4D26

RGB 10 77 38

HSL 145.07, 0.77%, 0.17%

LAB 28.15, -30.04, 17.56

 

CMYK 87 / 0 / 74 / 70

HEX #0A4D14

RGB 10 77 20

HSL 128.96, 0.77%, 0.17%

LAB 27.91, -32.92, 27.17

 

CMYK 77 / 0 / 87 / 70

HEX #124D0A

RGB 18 77 10

HSL 112.84, 0.77%, 0.17%

LAB 28, -32.39, 31.55

 

CMYK 53 / 0 / 87 / 70

HEX #244D0A

RGB 36 77 10

HSL 96.72, 0.77%, 0.17%

LAB 28.65, -27.15, 32.39

 

CMYK 87 / 0 / 27 / 70

HEX #0A4D38

RGB 10 77 56

HSL 161.19, 0.77%, 0.17%

LAB 28.53, -25.72, 6.87

 

CMYK 87 / 0 / 4 / 70

HEX #0A4D4A

RGB 10 77 74

HSL 177.31, 0.77%, 0.17%

LAB 29.07, -20.15, -3.9

 

CMYK 87 / 19 / 0 / 70

HEX #0A3E4D

RGB 10 62 77

HSL 193.43, 0.77%, 0.17%

LAB 23.82, -10.41, -13.81

 

CMYK 87 / 43 / 0 / 70

HEX #0A2C4D

RGB 10 44 77

HSL 209.55, 0.77%, 0.17%

LAB 17.47, 1.72, -23.77

 

CMYK 87 / 66 / 0 / 70

HEX #0A1A4D

RGB 10 26 77

HSL 225.67, 0.77%, 0.17%

LAB 11.55, 15.38, -33.32

 

CMYK 87 / 0 / 27 / 70

HEX #0A4D38

RGB 10 77 56

HSL 161.19, 0.77%, 0.17%

LAB 28.53, -25.72, 6.87

 

CMYK 96 / 0 / 31 / 67

HEX #03543A

RGB 3 84 58

HSL 160.74, 0.93%, 0.17%

LAB 31.03, -29.22, 9.09

 

CMYK 87 / 0 / 27 / 70

HEX #0A4D38

RGB 10 77 56

HSL 161.19, 0.77%, 0.17%

LAB 28.53, -25.72, 6.87

 

CMYK 76 / 0 / 24 / 73

HEX #114635

RGB 17 70 53

HSL 160.75, 0.61%, 0.17%

LAB 26.03, -22.03, 5.29

 

CMYK 62 / 0 / 21 / 75

HEX #183F32

RGB 24 63 50

HSL 160, 0.45%, 0.17%

LAB 23.6, -17.58, 3.84

 

CMYK 45 / 0 / 14 / 78

HEX #1F3830

RGB 31 56 48

HSL 160.8, 0.29%, 0.17%

LAB 21.33, -11.96, 1.96

 

CMYK 22 / 0 / 8 / 81

HEX #26312D

RGB 38 49 45

HSL 158.18, 0.13%, 0.17%

LAB 19.22, -5.7, 1.01

 

CMYK 87 / 0 / 75 / 70

HEX #0A4D13

RGB 10 77 19

HSL 128.06, 0.77%, 0.17%

LAB 27.9, -33.04, 27.64

 

CMYK 87 / 0 / 52 / 70

HEX #0A4D25

RGB 10 77 37

HSL 144.18, 0.77%, 0.17%

LAB 28.13, -30.24, 18.13

 

CMYK 87 / 0 / 30 / 70

HEX #0A4D36

RGB 10 77 54

HSL 159.4, 0.77%, 0.17%

LAB 28.48, -26.26, 8.08

 

CMYK 87 / 0 / 6 / 70

HEX #0A4D48

RGB 10 77 72

HSL 175.52, 0.77%, 0.17%

LAB 29.01, -20.82, -2.71

 

CMYK 87 / 18 / 0 / 70

HEX #0A3F4D

RGB 10 63 77

HSL 192.54, 0.77%, 0.17%

LAB 24.18, -11.03, -13.26

 

CMYK 100 / 0 / 25 / 98

HEX #000403

RGB 0 4 3

HSL 165, 1%, 0.01%

LAB 0.84, -1.19, 0.01

 

CMYK 88 / 0 / 28 / 84

HEX #05281D

RGB 5 40 29

HSL 161.14, 0.78%, 0.09%

LAB 13.46, -15.88, 3.68

 

CMYK 87 / 0 / 27 / 70

HEX #0A4D38

RGB 10 77 56

HSL 161.19, 0.77%, 0.17%

LAB 28.53, -25.72, 6.87

 

CMYK 87 / 0 / 27 / 56

HEX #0F7152

RGB 15 113 82

HSL 161.02, 0.77%, 0.25%

LAB 42.03, -34.49, 9.83

 

CMYK 87 / 0 / 28 / 41

HEX #13966C

RGB 19 150 108

HSL 160.76, 0.78%, 0.33%

LAB 55.11, -43.18, 13.03

 

CMYK 87 / 0 / 28 / 71

HEX #094A36

RGB 9.7 74.6 54

HSL 160.96, 0.77%, 0.17%

LAB 27.59, -25.17, 6.83

 

CMYK 87 / 75 / 0 / 70

HEX #0A134D

RGB 10 19 77

HSL 231.94, 0.77%, 0.17%

LAB 9.53, 20.65, -36.62

 

CMYK 0 / 64 / 87 / 70

HEX #4D1C0A

RGB 77 28 10

HSL 16.12, 0.77%, 0.17%

LAB 17.6, 22, 22.19

 

CMYK 87 / 0 / 28 / 71

HEX #094A36

RGB 9.7 74.6 54

HSL 160.96, 0.77%, 0.17%

LAB 27.59, -25.17, 6.83

 

CMYK 30 / 87 / 0 / 70

HEX #360A4D

RGB 54 10 77

HSL 279.4, 0.77%, 0.17%

LAB 12.84, 33.15, -31

 

CMYK 0 / 30 / 87 / 70

HEX #4D360A

RGB 77 54 10

HSL 39.4, 0.77%, 0.17%

LAB 24.44, 5.68, 29.68

 

CMYK 87 / 0 / 28 / 71

HEX #094A36

RGB 9.7 74.6 54

HSL 160.96, 0.77%, 0.17%

LAB 27.59, -25.17, 6.83

 

CMYK 87 / 75 / 0 / 70

HEX #0A134D

RGB 10 19 77

HSL 231.94, 0.77%, 0.17%

LAB 9.53, 20.65, -36.62

 

CMYK 0 / 87 / 58 / 70

HEX #4D0A20

RGB 77 10 32

HSL 340.3, 0.77%, 0.17%

LAB 14.95, 31.83, 4.86

 

CMYK 0 / 12 / 87 / 70

HEX #4D440A

RGB 77 68 10

HSL 51.94, 0.77%, 0.17%

LAB 28.73, -3.21, 33.62

 

CMYK 87 / 0 / 28 / 71

HEX #094A36

RGB 9.7 74.6 54

HSL 160.96, 0.77%, 0.17%

LAB 27.59, -25.17, 6.83

 

CMYK 73 / 87 / 0 / 70

HEX #150A4D

RGB 21 10 77

HSL 249.85, 0.77%, 0.17%

LAB 8.24, 27.74, -38.73

 

CMYK 0 / 87 / 58 / 70

HEX #4D0A20

RGB 77 10 32

HSL 340.3, 0.77%, 0.17%

LAB 14.95, 31.83, 4.86

 

CMYK 14 / 0 / 87 / 70

HEX #424D0A

RGB 66 77 10

HSL 69.85, 0.77%, 0.17%

LAB 30.61, -14.12, 34.91

 

Description

Color code: RGB 9.7 74.6 54 | qconv.com Color code: RGB 9.7 74.6 54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9.7 red, 74.6 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9.7 74.6 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 28 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 28% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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