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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 196 42 it is the complementary color RGB 247 59 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 196 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 8 196 42: RGB 13 196 37, RGB 30 214 56, RGB 47 232 75, RGB 64 250 94 and RGB 81 255 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 196 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 8 196 42: RGB 8 196 42, RGB 0 178 23, RGB 0 160 4, RGB 0 142 0 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

Complementary color

CMYK 0 / 76 / 14 / 3

HEX #F73BD5

RGB 247 59 213

HSL 310.85, 0.92%, 0.6%

LAB 59.62, 82.8, -38.5

 

CMYK 93 / 0 / 81 / 23

HEX #0DC425

RGB 13 196 37

HSL 127.87, 0.88%, 0.41%

LAB 69.25, -68.9, 62.03

 

CMYK 86 / 0 / 74 / 16

HEX #1ED638

RGB 30 214 56

HSL 128.48, 0.75%, 0.48%

LAB 75.24, -71.64, 61.95

 

CMYK 80 / 0 / 68 / 9

HEX #2FE84B

RGB 47 232 75

HSL 129.08, 0.8%, 0.55%

LAB 81.2, -73.67, 61.25

 

CMYK 74 / 0 / 62 / 2

HEX #40FA5E

RGB 64 250 94

HSL 129.68, 0.95%, 0.62%

LAB 87.13, -75.15, 60.21

 

CMYK 68 / 0 / 56 / 0

HEX #51FF71

RGB 81 255 113

HSL 131.03, 1%, 0.66%

LAB 89.14, -71.95, 54.44

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 100 / 0 / 87 / 30

HEX #00B217

RGB 0 178 23

HSL 127.75, 1%, 0.35%

LAB 63.26, -65.14, 60.04

 

CMYK 100 / 0 / 98 / 37

HEX #00A004

RGB 0 160 4

HSL 121.5, 1%, 0.31%

LAB 57.22, -60.71, 58.11

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 96 / 0 / 64 / 24

HEX #08C346

RGB 8 195 70

HSL 139.89, 0.92%, 0.4%

LAB 69.13, -66.01, 50.01

 

CMYK 96 / 0 / 48 / 24

HEX #08C366

RGB 8 195 102

HSL 150.16, 0.92%, 0.4%

LAB 69.5, -61.47, 35.38

 

CMYK 96 / 0 / 32 / 24

HEX #08C385

RGB 8 195 133

HSL 160.11, 0.92%, 0.4%

LAB 70.02, -55.4, 19.92

 

CMYK 96 / 0 / 16 / 24

HEX #08C3A4

RGB 8 195 164

HSL 170.05, 0.92%, 0.4%

LAB 70.71, -47.85, 4.14

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 96 / 0 / 79 / 3

HEX #0AF735

RGB 10 247 53

HSL 130.89, 0.94%, 0.5%

LAB 85.42, -82.14, 72.79

 

CMYK 95 / 0 / 79 / 83

HEX #022B09

RGB 2 43 9

HSL 130.24, 0.91%, 0.09%

LAB 14.18, -22.81, 16.59

 

CMYK 96 / 0 / 79 / 63

HEX #045E14

RGB 4 94 20

HSL 130.67, 0.92%, 0.19%

LAB 34.15, -39.7, 33.69

 

CMYK 96 / 0 / 79 / 43

HEX #06911F

RGB 6 145 31

HSL 130.79, 0.92%, 0.3%

LAB 52.27, -54.77, 47.65

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 96 / 35 / 0 / 24

HEX #087FC3

RGB 8 127 195

HSL 201.82, 0.92%, 0.4%

LAB 50.89, -3.64, -43.38

 

CMYK 0 / 96 / 74 / 24

HEX #C30833

RGB 195 8 51

HSL 346.2, 0.92%, 0.4%

LAB 41.24, 65.71, 30.96

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 80 / 96 / 0 / 24

HEX #2708C3

RGB 39 8 195

HSL 249.95, 0.92%, 0.4%

LAB 25.4, 63.54, -84.89

 

CMYK 0 / 80 / 96 / 24

HEX #C32708

RGB 195 39 8

HSL 9.95, 0.92%, 0.4%

LAB 42.87, 59.07, 53.28

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 96 / 35 / 0 / 24

HEX #087FC3

RGB 8 127 195

HSL 201.82, 0.92%, 0.4%

LAB 50.89, -3.64, -43.38

 

CMYK 0 / 96 / 16 / 24

HEX #C308A4

RGB 195 8 164

HSL 309.95, 0.92%, 0.4%

LAB 44.88, 75.32, -33.8

 

CMYK 0 / 61 / 96 / 24

HEX #C34C08

RGB 195 76 8

HSL 21.82, 0.92%, 0.4%

LAB 47.99, 45.1, 56.31

 

CMYK 96 / 0 / 79 / 23

HEX #08C42A

RGB 8 196 42

HSL 130.85, 0.92%, 0.4%

LAB 69.25, -68.81, 60.57

 

CMYK 96 / 64 / 0 / 24

HEX #0846C3

RGB 8 70 195

HSL 220.11, 0.92%, 0.4%

LAB 34.75, 33.08, -69.44

 

CMYK 0 / 96 / 16 / 24

HEX #C308A4

RGB 195 8 164

HSL 309.95, 0.92%, 0.4%

LAB 44.88, 75.32, -33.8

 

CMYK 0 / 32 / 96 / 24

HEX #C38508

RGB 195 133 8

HSL 40.11, 0.92%, 0.4%

LAB 60.24, 15.3, 64.53

 

Description

Color code: RGB 8 196 42 | qconv.com Color code: RGB 8 196 42 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 196 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 196 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 79 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 79% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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