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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 160 210 it is the complementary color RGB 247 95 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 160 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 160 210 shade: RGB 13 160 205, RGB 30 178 224, RGB 47 196 243, RGB 64 214 255 and RGB 81 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 160 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 160 210 shade: RGB 8 160 210, RGB 0 142 191, RGB 0 124 172, RGB 0 106 153 and RGB 0 88 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 160 210 shade: RGB 7 161 211, RGB 7 106 211, RGB 7 51 211, RGB 19 7 211 and RGB 74 7 211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 160 210 shade: RGB 7 161 211, RGB 7 106 211, RGB 7 51 211 and RGB 7 7 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 160 210 shade matches the following richer shades: RGB 7 161 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 160 210 shade: RGB 7 161 211, RGB 25 152 193, RGB 43 143 176, RGB 60 134 158 and RGB 78 125 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 160 210 shade: RGB 7 211 150, RGB 7 211 204, RGB 7 164 211, RGB 7 109 211 and RGB 7 55 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 160 210 shade: RGB 4 100 131, RGB 6 130 171, RGB 7 161 211, RGB 14 188 246 and RGB 54 199 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 160 210 shade: RGB 8 160 210, RGB 96 7 211 and RGB 211 177 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 160 210 shade: RGB 8 160 210, RGB 211 7 164 and RGB 164 211 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 160 210 shade: RGB 8 160 210, RGB 96 7 211, RGB 211 55 7 and RGB 123 211 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 160 210 shade: RGB 8 160 210, RGB 157 7 211, RGB 211 55 7 and RGB 62 211 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 24 / 0 / 18

HEX #08A0D2

RGB 8 160 210

HSL 194.85, 0.93%, 0.43%

LAB 61.52, -16.79, -35.13

 

Complementary color

CMYK 0 / 62 / 82 / 3

HEX #F75F2D

RGB 247 95 45

HSL 14.85, 0.93%, 0.57%

LAB 60.02, 55.93, 56.46

 

CMYK 94 / 22 / 0 / 20

HEX #0DA0CD

RGB 13 160 205

HSL 194.06, 0.88%, 0.43%

LAB 61.34, -18.4, -32.63

 

CMYK 87 / 21 / 0 / 12

HEX #1EB2E0

RGB 30 178 224

HSL 194.23, 0.76%, 0.5%

LAB 67.65, -20.46, -33.33

 

CMYK 81 / 19 / 0 / 5

HEX #2FC4F3

RGB 47 196 243

HSL 194.39, 0.89%, 0.57%

LAB 73.9, -22.14, -33.95

 

CMYK 75 / 16 / 0 / 0

HEX #40D6FF

RGB 64 214 255

HSL 192.88, 1%, 0.63%

LAB 79.84, -25.71, -31.19

 

CMYK 68 / 9 / 0 / 0

HEX #51E8FF

RGB 81 232 255

HSL 187.93, 1%, 0.66%

LAB 85.34, -32.39, -22.76

 

CMYK 96 / 24 / 0 / 18

HEX #08A0D2

RGB 8 160 210

HSL 194.85, 0.93%, 0.43%

LAB 61.52, -16.79, -35.13

 

CMYK 100 / 26 / 0 / 25

HEX #008EBF

RGB 0 142 191

HSL 195.39, 1%, 0.37%

LAB 55.18, -14.08, -34.34

 

CMYK 100 / 28 / 0 / 33

HEX #007CAC

RGB 0 124 172

HSL 196.74, 1%, 0.34%

LAB 48.75, -11, -33.5

 

CMYK 100 / 31 / 0 / 40

HEX #006A99

RGB 0 106 153

HSL 198.43, 1%, 0.3%

LAB 42.17, -7.77, -32.68

 

CMYK 100 / 34 / 0 / 47

HEX #005886

RGB 0 88 134

HSL 200.6, 1%, 0.26%

LAB 35.4, -4.34, -31.89

 

CMYK 97 / 24 / 0 / 17

HEX #07A1D3

RGB 7 161 211

HSL 194.71, 0.94%, 0.43%

LAB 61.86, -17, -35.17

 

CMYK 97 / 50 / 0 / 17

HEX #076AD3

RGB 7 106 211

HSL 210.88, 0.94%, 0.43%

LAB 45.71, 15.71, -60.82

 

CMYK 97 / 76 / 0 / 17

HEX #0733D3

RGB 7 51 211

HSL 227.06, 0.94%, 0.43%

LAB 32.07, 50.61, -83.17

 

CMYK 91 / 97 / 0 / 17

HEX #1307D3

RGB 19 7 211

HSL 243.53, 0.94%, 0.43%

LAB 26.72, 67.42, -92.08

 

CMYK 65 / 97 / 0 / 17

HEX #4A07D3

RGB 74 7 211

HSL 259.71, 0.94%, 0.43%

LAB 30.18, 69.06, -86.21

 

CMYK 97 / 24 / 0 / 17

HEX #07A1D3

RGB 7 161 211

HSL 194.71, 0.94%, 0.43%

LAB 61.86, -17, -35.17

 

CMYK 97 / 50 / 0 / 17

HEX #076AD3

RGB 7 106 211

HSL 210.88, 0.94%, 0.43%

LAB 45.71, 15.71, -60.82

 

CMYK 97 / 76 / 0 / 17

HEX #0733D3

RGB 7 51 211

HSL 227.06, 0.94%, 0.43%

LAB 32.07, 50.61, -83.17

 

CMYK 97 / 97 / 0 / 17

HEX #0707D3

RGB 7 7 211

HSL 240, 0.94%, 0.43%

LAB 26.45, 67.32, -92.53

 

CMYK 97 / 24 / 0 / 17

HEX #07A1D3

RGB 7 161 211

HSL 194.71, 0.94%, 0.43%

LAB 61.86, -17, -35.17

 

CMYK 97 / 24 / 0 / 17

HEX #07A1D3

RGB 7 161 211

HSL 194.71, 0.94%, 0.43%

LAB 61.86, -17, -35.17

 

CMYK 87 / 21 / 0 / 24

HEX #1998C1

RGB 25 152 193

HSL 194.64, 0.77%, 0.43%

LAB 58.52, -17.72, -30.26

 

CMYK 76 / 19 / 0 / 31

HEX #2B8FB0

RGB 43 143 176

HSL 194.89, 0.61%, 0.43%

LAB 55.37, -17.07, -25.46

 

CMYK 62 / 15 / 0 / 38

HEX #3C869E

RGB 60 134 158

HSL 194.69, 0.45%, 0.43%

LAB 52.38, -15.46, -19.67

 

CMYK 44 / 11 / 0 / 45

HEX #4E7D8C

RGB 78 125 140

HSL 194.52, 0.28%, 0.43%

LAB 49.71, -11.8, -13.15

 

CMYK 97 / 0 / 29 / 17

HEX #07D396

RGB 7 211 150

HSL 162.06, 0.94%, 0.43%

LAB 75.35, -57.58, 18.24

 

CMYK 97 / 0 / 3 / 17

HEX #07D3CC

RGB 7 211 204

HSL 177.94, 0.94%, 0.43%

LAB 76.67, -43.55, -8.76

 

CMYK 97 / 22 / 0 / 17

HEX #07A4D3

RGB 7 164 211

HSL 193.82, 0.94%, 0.43%

LAB 62.76, -18.61, -33.76

 

CMYK 97 / 48 / 0 / 17

HEX #076DD3

RGB 7 109 211

HSL 210, 0.94%, 0.43%

LAB 46.56, 13.79, -59.45

 

CMYK 97 / 74 / 0 / 17

HEX #0737D3

RGB 7 55 211

HSL 225.88, 0.94%, 0.43%

LAB 32.88, 48.33, -81.83

 

CMYK 97 / 24 / 0 / 49

HEX #046483

RGB 4 100 131

HSL 194.65, 0.94%, 0.26%

LAB 39.21, -12.58, -24.09

 

CMYK 96 / 24 / 0 / 33

HEX #0682AB

RGB 6 130 171

HSL 194.91, 0.93%, 0.35%

LAB 50.62, -14.53, -29.99

 

CMYK 97 / 24 / 0 / 17

HEX #07A1D3

RGB 7 161 211

HSL 194.71, 0.94%, 0.43%

LAB 61.86, -17, -35.17

 

CMYK 94 / 24 / 0 / 4

HEX #0EBCF6

RGB 14 188 246

HSL 195, 0.93%, 0.51%

LAB 71.36, -18.86, -39.55

 

CMYK 78 / 19 / 0 / 3

HEX #36C7F7

RGB 54 199 247

HSL 194.92, 0.92%, 0.59%

LAB 75.04, -21.73, -34.33

 

CMYK 96 / 24 / 0 / 18

HEX #08A0D2

RGB 8 160 210

HSL 194.85, 0.93%, 0.43%

LAB 61.52, -16.79, -35.13

 

CMYK 55 / 97 / 0 / 17

HEX #6007D3

RGB 96 7 211

HSL 266.18, 0.94%, 0.43%

LAB 32.57, 70.44, -82.17

 

CMYK 0 / 16 / 97 / 17

HEX #D3B107

RGB 211 177 7

HSL 50, 0.94%, 0.43%

LAB 73.09, -1.31, 74.65

 

CMYK 96 / 24 / 0 / 18

HEX #08A0D2

RGB 8 160 210

HSL 194.85, 0.93%, 0.43%

LAB 61.52, -16.79, -35.13

 

CMYK 0 / 97 / 22 / 17

HEX #D307A4

RGB 211 7 164

HSL 313.82, 0.94%, 0.43%

LAB 47.86, 78.44, -28.92

 

CMYK 22 / 0 / 97 / 17

HEX #A4D307

RGB 164 211 7

HSL 73.82, 0.94%, 0.43%

LAB 78.75, -38, 77.28

 

CMYK 96 / 24 / 0 / 18

HEX #08A0D2

RGB 8 160 210

HSL 194.85, 0.93%, 0.43%

LAB 61.52, -16.79, -35.13

 

CMYK 55 / 97 / 0 / 17

HEX #6007D3

RGB 96 7 211

HSL 266.18, 0.94%, 0.43%

LAB 32.57, 70.44, -82.17

 

CMYK 0 / 74 / 97 / 17

HEX #D33707

RGB 211 55 7

HSL 14.12, 0.94%, 0.43%

LAB 47.75, 58.98, 57.9

 

CMYK 42 / 0 / 97 / 17

HEX #7BD307

RGB 123 211 7

HSL 85.88, 0.94%, 0.43%

LAB 76.57, -52.98, 74.63

 

CMYK 96 / 24 / 0 / 18

HEX #08A0D2

RGB 8 160 210

HSL 194.85, 0.93%, 0.43%

LAB 61.52, -16.79, -35.13

 

CMYK 26 / 97 / 0 / 17

HEX #9D07D3

RGB 157 7 211

HSL 284.12, 0.94%, 0.43%

LAB 41.25, 76.7, -67.58

 

CMYK 0 / 74 / 97 / 17

HEX #D33707

RGB 211 55 7

HSL 14.12, 0.94%, 0.43%

LAB 47.75, 58.98, 57.9

 

CMYK 71 / 0 / 97 / 17

HEX #3ED307

RGB 62 211 7

HSL 103.82, 0.94%, 0.43%

LAB 74.59, -68.76, 72.21

 

Description

Color code: RGB 8 160 210 | qconv.com Color code: RGB 8 160 210 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 160 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 160 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 24 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 24% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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