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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 103 185 it is the complementary color RGB 247 152 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 103 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 103 185 shade: RGB 13 103 180, RGB 30 121 199, RGB 47 139 218, RGB 64 157 237 and RGB 81 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 103 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 103 185 shade: RGB 8 103 185, RGB 0 85 166, RGB 0 67 147, RGB 0 49 128 and RGB 0 31 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 103 185 shade: RGB 7 103 186, RGB 7 55 186, RGB 8 7 186, RGB 56 7 186 and RGB 104 7 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 103 185 shade: RGB 7 103 186, RGB 7 55 186 and RGB 7 7 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 103 185 shade matches the following richer shades: RGB 7 103 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 103 185 shade: RGB 7 103 186, RGB 23 102 170, RGB 39 101 154, RGB 54 99 139 and RGB 70 98 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 103 185 shade: RGB 7 186 171, RGB 7 153 186, RGB 7 105 186, RGB 7 58 186 and RGB 7 10 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 103 185 shade: RGB 4 59 106, RGB 6 81 146, RGB 7 103 186, RGB 9 125 225 and RGB 30 146 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 103 185 shade: RGB 8 103 185, RGB 123 7 186 and RGB 177 186 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 103 185 shade: RGB 8 103 185, RGB 186 7 105 and RGB 105 186 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 103 185 shade: RGB 8 103 185, RGB 123 7 186, RGB 186 87 7 and RGB 70 186 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 103 185 shade: RGB 8 103 185, RGB 177 7 186, RGB 186 87 7 and RGB 16 186 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 44 / 0 / 27

HEX #0867B9

RGB 8 103 185

HSL 207.8, 0.92%, 0.38%

LAB 43.14, 7.27, -49.96

 

Complementary color

CMYK 0 / 38 / 72 / 3

HEX #F79846

RGB 247 152 70

HSL 27.8, 0.92%, 0.62%

LAB 71.33, 29.05, 56.42

 

CMYK 93 / 43 / 0 / 29

HEX #0D67B4

RGB 13 103 180

HSL 207.66, 0.87%, 0.38%

LAB 42.89, 5.47, -47.46

 

CMYK 85 / 39 / 0 / 22

HEX #1E79C7

RGB 30 121 199

HSL 207.69, 0.74%, 0.45%

LAB 49.59, 2.73, -47.72

 

CMYK 78 / 36 / 0 / 15

HEX #2F8BDA

RGB 47 139 218

HSL 207.72, 0.7%, 0.52%

LAB 56.22, 0.56, -47.91

 

CMYK 73 / 34 / 0 / 7

HEX #409DED

RGB 64 157 237

HSL 207.75, 0.83%, 0.59%

LAB 62.78, -1.18, -48.06

 

CMYK 68 / 31 / 0 / 0

HEX #51AFFF

RGB 81 175 255

HSL 207.59, 1%, 0.66%

LAB 69.2, -2.93, -47.71

 

CMYK 96 / 44 / 0 / 27

HEX #0867B9

RGB 8 103 185

HSL 207.8, 0.92%, 0.38%

LAB 43.14, 7.27, -49.96

 

CMYK 100 / 49 / 0 / 35

HEX #0055A6

RGB 0 85 166

HSL 209.28, 1%, 0.33%

LAB 36.46, 10.94, -49.53

 

CMYK 100 / 54 / 0 / 42

HEX #004393

RGB 0 67 147

HSL 212.65, 1%, 0.29%

LAB 29.72, 15.23, -48.97

 

CMYK 100 / 62 / 0 / 50

HEX #003180

RGB 0 49 128

HSL 217.03, 1%, 0.25%

LAB 22.84, 19.85, -48.37

 

CMYK 100 / 72 / 0 / 57

HEX #001F6D

RGB 0 31 109

HSL 222.94, 1%, 0.21%

LAB 15.92, 24.7, -47.56

 

CMYK 96 / 45 / 0 / 27

HEX #0767BA

RGB 7 103 186

HSL 207.82, 0.93%, 0.38%

LAB 43.2, 7.64, -50.46

 

CMYK 96 / 70 / 0 / 27

HEX #0737BA

RGB 7 55 186

HSL 223.91, 0.93%, 0.38%

LAB 30.21, 39.32, -71.61

 

CMYK 96 / 96 / 0 / 27

HEX #0807BA

RGB 8 7 186

HSL 240.34, 0.93%, 0.38%

LAB 22.82, 60.89, -83.89

 

CMYK 70 / 96 / 0 / 27

HEX #3807BA

RGB 56 7 186

HSL 256.42, 0.93%, 0.38%

LAB 25.38, 62.1, -79.57

 

CMYK 44 / 96 / 0 / 27

HEX #6807BA

RGB 104 7 186

HSL 272.51, 0.93%, 0.38%

LAB 30.97, 65.6, -70.12

 

CMYK 96 / 45 / 0 / 27

HEX #0767BA

RGB 7 103 186

HSL 207.82, 0.93%, 0.38%

LAB 43.2, 7.64, -50.46

 

CMYK 96 / 70 / 0 / 27

HEX #0737BA

RGB 7 55 186

HSL 223.91, 0.93%, 0.38%

LAB 30.21, 39.32, -71.61

 

CMYK 96 / 96 / 0 / 27

HEX #0707BA

RGB 7 7 186

HSL 240, 0.93%, 0.38%

LAB 22.8, 60.88, -83.93

 

CMYK 96 / 45 / 0 / 27

HEX #0767BA

RGB 7 103 186

HSL 207.82, 0.93%, 0.38%

LAB 43.2, 7.64, -50.46

 

CMYK 96 / 45 / 0 / 27

HEX #0767BA

RGB 7 103 186

HSL 207.82, 0.93%, 0.38%

LAB 43.2, 7.64, -50.46

 

CMYK 86 / 40 / 0 / 33

HEX #1766AA

RGB 23 102 170

HSL 207.76, 0.76%, 0.38%

LAB 42.13, 2.74, -42.78

 

CMYK 75 / 34 / 0 / 40

HEX #27659A

RGB 39 101 154

HSL 207.65, 0.6%, 0.38%

LAB 41.33, -1.09, -34.55

 

CMYK 61 / 29 / 0 / 45

HEX #36638B

RGB 54 99 139

HSL 208.24, 0.44%, 0.38%

LAB 40.53, -2.65, -26.78

 

CMYK 43 / 20 / 0 / 52

HEX #46627B

RGB 70 98 123

HSL 208.3, 0.27%, 0.38%

LAB 40.36, -3.24, -17.28

 

CMYK 96 / 0 / 8 / 27

HEX #07BAAB

RGB 7 186 171

HSL 174.97, 0.93%, 0.38%

LAB 68.1, -42.14, -3.5

 

CMYK 96 / 18 / 0 / 27

HEX #0799BA

RGB 7 153 186

HSL 191.06, 0.93%, 0.38%

LAB 58.39, -21.56, -26.53

 

CMYK 96 / 44 / 0 / 27

HEX #0769BA

RGB 7 105 186

HSL 207.15, 0.93%, 0.38%

LAB 43.79, 6.36, -49.51

 

CMYK 96 / 69 / 0 / 27

HEX #073ABA

RGB 7 58 186

HSL 222.91, 0.93%, 0.38%

LAB 30.92, 37.41, -70.45

 

CMYK 96 / 95 / 0 / 27

HEX #070ABA

RGB 7 10 186

HSL 238.99, 0.93%, 0.38%

LAB 23.02, 60.19, -83.56

 

CMYK 96 / 44 / 0 / 58

HEX #043B6A

RGB 4 59 106

HSL 207.65, 0.93%, 0.22%

LAB 24.3, 3.26, -31.99

 

CMYK 96 / 45 / 0 / 43

HEX #065192

RGB 6 81 146

HSL 207.86, 0.92%, 0.3%

LAB 33.98, 5.55, -41.47

 

CMYK 96 / 45 / 0 / 27

HEX #0767BA

RGB 7 103 186

HSL 207.82, 0.93%, 0.38%

LAB 43.2, 7.64, -50.46

 

CMYK 96 / 44 / 0 / 12

HEX #097DE1

RGB 9 125 225

HSL 207.78, 0.92%, 0.46%

LAB 52.02, 9.26, -58.58

 

CMYK 88 / 40 / 0 / 4

HEX #1E92F5

RGB 30 146 245

HSL 207.63, 0.91%, 0.54%

LAB 59.37, 5.02, -57.92

 

CMYK 96 / 44 / 0 / 27

HEX #0867B9

RGB 8 103 185

HSL 207.8, 0.92%, 0.38%

LAB 43.14, 7.27, -49.96

 

CMYK 34 / 96 / 0 / 27

HEX #7B07BA

RGB 123 7 186

HSL 278.88, 0.93%, 0.38%

LAB 33.79, 67.69, -65.39

 

CMYK 5 / 0 / 96 / 27

HEX #B1BA07

RGB 177 186 7

HSL 63.02, 0.93%, 0.38%

LAB 72.55, -20.82, 72.92

 

CMYK 96 / 44 / 0 / 27

HEX #0867B9

RGB 8 103 185

HSL 207.8, 0.92%, 0.38%

LAB 43.14, 7.27, -49.96

 

CMYK 0 / 96 / 44 / 27

HEX #BA0769

RGB 186 7 105

HSL 327.15, 0.93%, 0.38%

LAB 40.59, 67.09, -4.33

 

CMYK 44 / 0 / 96 / 27

HEX #69BA07

RGB 105 186 7

HSL 87.15, 0.93%, 0.38%

LAB 68.12, -49.11, 67.57

 

CMYK 96 / 44 / 0 / 27

HEX #0867B9

RGB 8 103 185

HSL 207.8, 0.92%, 0.38%

LAB 43.14, 7.27, -49.96

 

CMYK 34 / 96 / 0 / 27

HEX #7B07BA

RGB 123 7 186

HSL 278.88, 0.93%, 0.38%

LAB 33.79, 67.69, -65.39

 

CMYK 0 / 53 / 96 / 27

HEX #BA5707

RGB 186 87 7

HSL 26.82, 0.93%, 0.38%

LAB 48.6, 36.24, 56.21

 

CMYK 62 / 0 / 96 / 27

HEX #46BA07

RGB 70 186 7

HSL 98.88, 0.93%, 0.38%

LAB 66.85, -59.11, 66.01

 

CMYK 96 / 44 / 0 / 27

HEX #0867B9

RGB 8 103 185

HSL 207.8, 0.92%, 0.38%

LAB 43.14, 7.27, -49.96

 

CMYK 5 / 96 / 0 / 27

HEX #B107BA

RGB 177 7 186

HSL 296.98, 0.93%, 0.38%

LAB 42.83, 75.39, -50.3

 

CMYK 0 / 53 / 96 / 27

HEX #BA5707

RGB 186 87 7

HSL 26.82, 0.93%, 0.38%

LAB 48.6, 36.24, 56.21

 

CMYK 91 / 0 / 96 / 27

HEX #10BA07

RGB 16 186 7

HSL 116.98, 0.93%, 0.38%

LAB 65.94, -67.06, 64.89

 

Description

Color code: RGB 8 103 185 | qconv.com Color code: RGB 8 103 185 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 103 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 103 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 44 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 44% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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