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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 89 99 104 it is the complementary color RGB 166 156 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 89 99 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 89 99 104 shade: RGB 94 99 99, RGB 111 117 118, RGB 128 135 137, RGB 145 153 156 and RGB 162 171 175
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 89 99 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 72 81 85, RGB 55 63 66, RGB 38 45 47 and RGB 21 27 28
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 89 95 104, RGB 89 91 104, RGB 91 89 104 and RGB 95 89 104
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 89 95 104, RGB 89 91 104 and RGB 89 89 104
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 89 99 104 shade matches the following richer shades: RGB 89 99 104, RGB 73 104 120, RGB 57 109 136, RGB 42 115 151 and RGB 26 120 167
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 104 94 88, RGB 120 89 73, RGB 136 83 57 and RGB 151 78 41
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 89 99 104 shade: RGB 89 104 101, RGB 89 103 104, RGB 89 99 104, RGB 89 95 104 and RGB 89 91 104
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 89 99 104 shade: RGB 51 57 60, RGB 70 78 82, RGB 89 99 104, RGB 108 120 126 and RGB 128 141 147
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 97 89 104 and RGB 104 103 89
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 104 89 99 and RGB 99 104 89
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 97 89 104, RGB 104 94 89 and RGB 96 104 89
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 89 99 104 shade: RGB 89 99 104, RGB 102 89 104, RGB 104 94 89 and RGB 91 104 89
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
HSL 196.36, 0.05%, 0.59%
LAB 62.68, -2.26, -2.57
HSL 198.46, 0.08%, 0.66%
LAB 69.4, -2.36, -3.15
Darker colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 198.46, 0.08%, 0.31%
LAB 33.81, -2.61, -3.56
HSL 196.36, 0.09%, 0.24%
LAB 26.04, -2.55, -2.96
HSL 193.33, 0.11%, 0.17%
LAB 17.89, -2.5, -2.32
HSL 188.57, 0.14%, 0.1%
LAB 9.22, -2.49, -1.63
Warmer colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 216, 0.08%, 0.38%
LAB 40.09, -0.28, -5.92
HSL 232, 0.08%, 0.38%
LAB 38.91, 2.17, -7.69
HSL 248, 0.08%, 0.38%
LAB 38.5, 4.14, -8.29
HSL 264, 0.08%, 0.38%
LAB 38.86, 5.64, -7.71
Colder colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 216, 0.08%, 0.38%
LAB 40.09, -0.28, -5.92
HSL 232, 0.08%, 0.38%
LAB 38.91, 2.17, -7.69
HSL 240, 0.08%, 0.38%
LAB 38.32, 3.4, -8.58
Richer colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 200.43, 0.24%, 0.38%
LAB 42.27, -6.84, -12.53
HSL 200.51, 0.41%, 0.38%
LAB 43.63, -9.02, -20.15
HSL 199.82, 0.56%, 0.38%
LAB 45.62, -10.17, -26.04
HSL 200, 0.73%, 0.38%
LAB 47.55, -9.13, -32.45
Paler colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 22.5, 0.08%, 0.38%
LAB 40.66, 2.89, 4.89
HSL 20.43, 0.24%, 0.38%
LAB 40.6, 10.43, 14.23
HSL 19.75, 0.41%, 0.38%
LAB 40.76, 19.3, 24.41
HSL 20.18, 0.57%, 0.38%
LAB 41.51, 27.52, 34.89
Analogue colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 216, 0.08%, 0.38%
LAB 40.09, -0.28, -5.92
HSL 232, 0.08%, 0.38%
LAB 38.91, 2.17, -7.69
Monochromatic colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 200, 0.08%, 0.46%
LAB 49.65, -3.12, -4.8
HSL 198.95, 0.08%, 0.54%
LAB 57.79, -3.4, -4.8
Partial complementary colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 56, 0.08%, 0.38%
LAB 43.31, -2.3, 8.05
Triadic colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 320, 0.08%, 0.38%
LAB 39.56, 8.05, -3.48
Rectangular (tetradic) colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
Square colors
HSL 200, 0.08%, 0.38%
LAB 41.29, -2.69, -4.14
HSL 292, 0.08%, 0.38%
LAB 39.53, 8.32, -6.64
HSL 112, 0.08%, 0.38%
LAB 42.53, -8.12, 6.8
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 99 green and 104 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 5 magenta, none yellow and 59 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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HKS® to Sherwin Williams®
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PANTONE® to RGB
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Sherwin Williams® to NCS®
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NCS® to RGB
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NCS® to CMYK
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NCS® to HEX
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NCS® to HKS®
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NCS® to Sherwin Williams®
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